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To Search High and Low: Liang Sicheng, Lin Huiyin, and China's
Scapegoat Architecture/Landscape/Political Economy Issue 03 Realism 30 To Search High and Low: Liang Sicheng, Lin Huiyin, and China’s Architectural Historiography, 1932–1946 by Zhu Tao MISSING COMPONENTS Living in the remote countryside of Southwest Liang and Lin’s historiographical construction China, they had to cope with the severe lack of was problematic in two respects. First, they were financial support and access to transportation. so eager to portray China’s traditional architec- Also, there were very few buildings constructed ture as one singular system, as important as the in accordance with the royal standard. Liang and Greek, Roman and Gothic were in the West, that his colleagues had no other choice but to closely they highly generalized the concept of Chinese study the humble buildings in which they resided, architecture. In their account, only one dominant or others nearby. For example, Liu Zhiping, an architectural style could best represent China’s assistant of Liang, measured the courtyard house “national style:” the official timber structure exem- he inhabited in Kunming. In 1944, he published a plified by the Northern Chinese royal palaces and thorough report in the Bulletin, which was the first Buddhist temples, especially the ones built during essay on China’s vernacular housing ever written the period from the Tang to Jin dynasties. As a by a member of the Society for Research in Chi- consequence of their idealization, the diversity of nese Architecture.6 Liu Dunzhen, director of the China’s architectural culture—the multiple con- Society’s Literature Study Department and one of struction systems and building types, and in par- Liang’s colleagues, measured his parents’ country- ticular, the vernacular buildings of different regions side home, “Liu Residence” in Hunan province, in and ethnic groups—was roundly dismissed. -
Selena K. Anders
CURRICULUM VITAE SELENA K. ANDERS Via Ostilia, 15 Rome, Italy 00184 +39 334 582-4183 [email protected] Education “La Sapienza” University of Rome, Ph.D.; Rome, Italy Department of Architecture-Theory and Practice, December 2016 under the supervision of Antonino Saggio and Simona Salvo University of Notre Dame, M.Arch; Notre Dame, Indiana School of Architecture, cum laude May 2009. Archeworks, Postgraduate Certificate; Chicago, Illinois Social and Environmental Urban Design, May 2006. DePaul University, B.A.; Chicago Illinois Art History and Anthropology, Minor in Italian Language and Literature, magna cum laude, June 2005. Academic Positions Assistant Professor, School of Architecture, University of Notre Dame 2016-Present Co-Director China Summer Study Program, School of Architecture, University of Notre Dame 2010-Present Faculty, Office of Pre-College Programs, University of Notre Dame Rome: History, Culture, and Experience, 2015 Co-Director and Co-Founder of HUE/ND (Historic Urban Environments Notre Dame) School of Architecture, University of Notre Dame, 2014-Present Projects: Cities in Text: Rome Associate Director and Co-Founder of DHARMA LAB (Digital Historic Architectural Research and Material Analysis), School of Architecture, University of Notre Dame, 2006-Present India: Documentation of Mughal Tombs in Agra, India Italy: Documentation of the Roman Forum in Rome, Italy Vatican City: Belvedere Court Professor of the Practice, School of Architecture, University of Notre Dame, 2012-Present Faculty, Career Discovery for High School -
An Ancient Mosque in Ningbo, China “Historical and Architectural Study”
JOURNAL OF ISLAMIC ARCHITECTURE P-ISSN: 2086-2636 E-ISSN: 2356-4644 Journal Home Page: http://ejournal.uin-malang.ac.id/index.php/JIA AN ANCIENT MOSQUE IN NINGBO, CHINA “HISTORICAL AND ARCHITECTURAL STUDY” |Received December 13th 2016 | Accepted April 4th 2017| Available online June 15th 2017| | DOI http://dx.doi.org/10.18860/jia.v4i3.3851 | Hamada M. Hagras ABSTRACT Faculty of Archaeology, Fayoum University, Fayoum, Egypt With the rise of Tang dynasty (618–907), Ningbo was an important [email protected] commercial city on the Chinese eastern coast. Arab merchants had an important role in trade relations between China and the West. Ningbo mosque was initially built in 1003 during Northern Song period by Muslims traders who had migrated from Arab lands to settle in China. Through ongoing research of representative Muslim architecture, such as Chinese Mosques, this paper seeks to shed light on the artistic features of this mosque. Many of the key characteristics of this distinctive ethnic heritage are based on commonly held religious beliefs and on the relationship between culture and religion. This paper aims to study the characteristics of Chinese mosques architecture, through studying one of the most important planning patterns of the traditional courtyards plan Known as Siheyuan, and it will also make a practical study on Ningbo Yuehu Mosque. The result of this study shows that the Ningbo Yuehu mosque is like Chinese mosques which follows essentially the norms of Chinese planning, layout design, and wooden structures. KEYWORDS: Ningbo, Mosque, Plan, Courtyard, Inscriptions INTRODUCTION (626‐649) received an embassy from the last Sassanid rulers Yazdegerd III (631‐651) asking for help against WHY THE SELECTED NINGBO MOSQUE? the invading Arab armies of his country, however, the emperor avoid to help him to ward off problems that Although many Chinese cities contain more may result from it [8][9]. -
The Spreading of Christianity and the Introduction of Modern Architecture in Shannxi, China (1840-1949)
Escuela Técnica Superior de Arquitectura de Madrid Programa de doctorado en Concervación y Restauración del Patrimonio Architectónico The Spreading of Christianity and the introduction of Modern Architecture in Shannxi, China (1840-1949) Christian churches and traditional Chinese architecture Author: Shan HUANG (Architect) Director: Antonio LOPERA (Doctor, Arquitecto) 2014 Tribunal nombrado por el Magfco. y Excmo. Sr. Rector de la Universidad Politécnica de Madrid, el día de de 20 . Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día de de 20 en la Escuela Técnica Superior de Arquitectura de Madrid. Calificación:………………………………. El PRESIDENTE LOS VOCALES EL SECRETARIO Index Index Abstract Resumen Introduction General Background........................................................................................... 1 A) Definition of the Concepts ................................................................ 3 B) Research Background........................................................................ 4 C) Significance and Objects of the Study .......................................... 6 D) Research Methodology ...................................................................... 8 CHAPTER 1 Introduction to Chinese traditional architecture 1.1 The concept of traditional Chinese architecture ......................... 13 1.2 Main characteristics of the traditional Chinese architecture .... 14 1.2.1 Wood was used as the main construction materials ........ 14 1.2.2 -
Full Article –
INTERNATIONAL JOURNAL OF CONSERVATION SCIENCE ISSN: 2067-533X Volume 11, Issue 2, April-June 2020: 499-512 www.ijcs.ro RATIONAL AND AESTHETIC PRINCIPLES OF FORM-MAKING IN TRADITIONAL CHINESE ARCHITECTURE AS THE BASIS OF RESTORATION ACTIVITIES Mykola ORLENKO1, Мykola DYOMIN2, Yulia IVASHKO2, *, Andrii DMYTRENKO3, Peng CHANG2 1 Ukrrestavratsiia Corporation, Boryspilska street, 6, Kyiv, 02099, Ukraine 2Kyiv National University of Construction and Architecture, Povitroflotskyi Avenue, 31, Kyiv, 03037, Ukraine 3National University “Yuri Kondratyuk Poltava Polytechnic”, Pershotravnevyi Avenue, 24, Poltava, 36011, Ukraine Abstract Chinese architecture is characterized by an original structural scheme, a specific volumetric and spatial composition, and expressive silhouette, the tone of which is set by the roofs of an unusual concave end-up shape, emphasized bright polychrome with open colours and decor. All these components were not random and were not caused only by the whim of the architect or customer, but for thousands of years have been regulated by the principles of Feng Shui, the canons of Taoism, Confucianism and Buddhism. That is why every detail of the structure was provided with a particular hidden meaning. However, the spread of wood construction over time led to the emergency state of many small pavilions and gazebos. Chinese researchers pay attention to the poor state of many historical pavilions and gazebos and negative examples of their reconstruction, which distorted the primary structure of the object. Since the authenticity of the architecture is completely lost as a result of such “reconstructions”, the experience of the Ukrainian special research and restoration-design- production corporation Ukrrestavratsiia, obtained on numerous wooden churches and wooden structural elements of buildings for other purposes, can be useful in conservation and restoration of China wooden objects. -
“WALL” Defining the Chinese Traditional Introverted Space Under the Influence of Chinese Ethics
The Ethical Imperative 295 “WALL” Defining The Chinese Traditional Introverted Space Under The Influence Of Chinese Ethics SHAN MAN Tongji University China has been understood as a land operated by walls since The Great Wall has been thought as the envelope of China ancient times. During the traditional times, the settlement is since it was built until Qing Emperor Kangxi questioned it. made of courtyard buildings enclosed by walls completely. To Kangxi, “wall” operated on the psychological rather As the present age, the city has been arrayed by gated com- than physical level. However, the initial concept of space is munities. They are enclosed by walls just like the way of probably derived from this way of space division. After all, ancient courtyard units. We believe the introverted space only when the space has been divided that it becomes com- conception is continuing. As a result, there is a need to make prehensible3. “Wall” as the most prominent architectural qualitative research using socio-spatial patterns on how the manifestation in describing Chinese space units was applied walls define Chinese traditional space and the ethical rea- to enclose houses, palaces, temples, cities even the coun- sons behind this. try. In China, these different types of architecture share the same spatial orders of being enclosed by walls to shape rect- We explore relations between “wall” and distinctive prac- angle courtyards in different scales. (Fig.1) The walled space tices predicated on social structures. Informed by social presents obvious introversion attempt within the defensible space theory and morphology, empirical research using nature of the wall. -
The Integration Mechanism of Ancient Architecture Protection and Modern Construction
E3S Web of Conferences 136, 04036 (2019) https://doi.org/10.1051/e3sconf/2019136040 36 ICBTE 2019 The Integration Mechanism of Ancient Architecture Protection and Modern Construction Yirong Yin Chengdu Experimental Foreign Language School West Campus, Chengdu, Sichuan, 610000, China Abstract. Being a carrier of history and culture, the ancient architecture is of great significance and worth protection in many aspects. However, in the process of modern urban construction, those buildings are facing the risk of being deserted and abandoned. At present, an important way to protect ancient architecture is to integrate them with modern construction. Taking Chengdu, Leshan and Xi'an City as examples, this paper attempts to solve the contradiction between ancient architecture and modern construction, proposing a feasible integration mechanism. According to the study, ancient architecture and modern construction have commonalities in culture and aesthetics, but have contradictions in economic and social aspects. Specific problems include lack of talent, inadequate supervision of capital flows, lack of security of cultural relics, and conflicts in urban style. This paper first clarifies the protection concept of ancient buildings, that is, to protect its cultural style and develop after protection. Secondly, this paper also proposes solutions to the problems found. Economically, the interest of architects and the level of supervision of restoration engineering funds need to be improved. In the social aspect, cultural relics can be ensured by improving policies and other means. the Tang Dynasty has a width of eleven rooms, about 75 1 Background of ancient architecture meters. The two sides are slightly ahead, and there are two protection pavilions of “Xiangyu (flying phoenix)” and “Xifeng (resting phoenix)”. -
Museum of Handcraft Paper Gaoligong, Yunnan, China
MUSEUM OF HANDCRAFT PAPER Gaoligong, Yunnan, China 260 MUSEUM OF HANDCRAFT PAPER 261 MUSEUM OF HANDCRAFT PAPER Gaoligong, Yunnan, China Paper was one of the great inventions of the ancient Chinese, dating back to more than 2000 years ago. As its name suggests, the Museum of Handcraft Paper displays the history and processes of paper-making, along with practical demonstrations and workshops. It exhibits, preserves and develops the art of local paper-making and promotes academic research and cultural exchange. To these ends, it also offers accommodation for visitors and artists’ residencies and has a tea room that acts as the meeting place for the local village. It can be seen as part of a recent trend in China for small-scale specialised museums dedicated to documenting and making known the country’s regional history and culture. The Museum is located on one side of the road leading to Xingzhuang village, in Yunnan province, surrounded by rapeseed fields and with views to the Gaoligong Mountains in the distance. The timber building is massed in eight irregularly shaped blocks of different heights linked by glazed corridors, creating varied views of the landscape from within and an interesting orches- tration of volumes from without: the layout evokes the typical clustering of family houses in the village beyond. On the ground floor, the largest block houses the main hall and shop and six single-storey exhibition galleries extend out from this on both sides of the central two-storey tea room and terrace outside. A large work area and meeting room topped by accommodation and outdoor terraces complete the upper floors of the three-storey entrance block. -
Comparative Study on Characteristics and Development of Chinese And
Journal of Architectural Research and Development Review Article Comparative Study on Characteristics and Development of Chinese and Western Architectural Culture Kexin Mu, Chang Zhang, Jing Ji* School of Western Studies of Heilongjiang University, Harbin, China Abstract: Architecture is an indispensable part of the ethnic groups. Architecture not only records human development of human civilization and the carrier of history, but also carries the development of human human civilization. The evolution of architectural style culture[1]. The biggest difference between architecture can also reflect the development of a nation. With the and other art types lies in that it not only needs rich continuous development of history, the preservation imagination, but also fully combines the needs of and development of historic sites has gradually become reality. Therefore, the study of architecture is actually a topic of common concern in China and the west. a perfect combination of art and reality. By analyzing However, with the continuous development of modern the different development directions of Chinese and technology, there are fewer and fewer traditional western architectural styles, this paper hopes the both cultural elements in the newly-built buildings, which learn from each other and the cultural core of traditional lead to the gradual loss of some traditional architectural architecture could be applied in modern architecture. culture. In order to avoid the further aggravation of this phenomenon, something should be done. From 2 Differences in development of Chinese and the perspective of the development characteristics western architectural styles of Chinese and western architectural culture, the Different regions have different political, economic characteristics and differences of the development and cultural characteristics. -
Architecture, Space, and Society in Chinese Villages, 1978-2018
Wesleyan University The Honors College Constructing Nostalgic Futurity: Architecture, Space, and Society in Chinese Villages, 1978-2018 by Juntai Shen Class of 2018 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Social Studies and with Departmental Honors in Art History Middletown, Connecticut April, 2018 Table of Contents Acknowledgement - 2 - [Introduction] A Playground for Minds and Actions Modern Chinese Villages - 4 - [Chapter 1] Houses as a Mirror of the Boom and Bust Liangjia’s Spontaneous Path of Architectural Development - 27 - [Chapter 2] A Socialist Paradise on Earth Huaxi’s Story of Socialist Great Revival - 59 - [Chapter 3] Intermingled Sounds of Chickens and Dogs Wencun’s Cultural and Aesthetic Experiment - 103 - [Epilogue] The Presence of Nostalgic Futurity - 135 - Research Bibliography - 144 - Image Appendix - 154 - 1 Acknowledgement This project would not have come to fruition were it not for the help of a host of gracious people along the way. Firstly, I am deeply indebted to my thesis advisors, Professors Joseph Siry and Ying Jia Tan. Professor Siry’s infinite knowledge of architectural history and global culture, as well as his incredible work efficiency and sharp criticism pushed me to become a better thinker, writer, and human being. Professor Tan’s high academic standard, and more importantly, his belief in my idea and vision gave me confidence through all the ups and downs during the writing process. I will always treasure my conversations with both about China, villages, buildings, arts, and beyond. -
A+D Interview.Indd
ARCHIVE 2009 GURU AMONG TEACHERS Bal Saini Emeritus Professor of Architecture University of Queensland An Interview conducted by architect Rajnish Wattas (Q) with Professor Balwant Saini (A), on behalf of Architecture + Design about existing formats in architectural education all over the world, and particularly Australia. June 2009. Architectural Education Q. You have been at the helm of shaping architectural educa- tion in prestigious institutions in Australia as well as in other countries, what do you think have been the main strengths/ weaknesses of these models, and what are the areas that need restructuring in the present day context? A. Architectural Education around the world varies enor- mously from country to country. Much depends upon the way the Profession operates in a specific environment even though there is a common thread that binds all the institutions – just ask the International Union of Architects (UIA). The com- mon threads are basically design and construction. In some schools the former comprises as much as 50 percent of the curriculum. It is project based and in a few cases incorporates strong research component. Depending upon the interest and calibre of the staff many schools tilt towards any one of the 1 whole range of specialised areas. Some schools continue to ARCHIVE 2009 maintain the traditional topics of history and conservation while others are hiring staff with increasing interest in sus- tainable architecture, social and cultural issues. Some middle European schools follow the tradition of hir- ing star teachers in active practice who rally students around them. Their relationship is maintained throughout their long spell at the school. -
(Tsinghua) University
appendix a of selected chinese architects and profiles schools spective institutions. Zhang Kaiji, Zhang Bo, and Dai Nianci are three of the most prolific and well-known of the many practicing architects the school has educated. Southeastern’s enduring quality was built, most of all, on an extraordinary faculty. Liu Dunzhen, Tong Chuin, and Yang Tingbao each taught there for up to four decades. Because of the depart- ment’s longevity, its library also enjoys one of China’s most extensive holdings in architecture. Pan Guxi, ed., Dongnan daxue jianzhuxi chengli qishi zhounian jinian zhuanji (Memorial Sympo- sium for the seventieth anniversaries of the Architectural Department of Southeastern University) (Beijing: Zhongguo jianzhu gongye chubanshe, 1997). Qi Kang, b. 1931 Qi Kang attended Nanjing Institute of Technology under the tutelage of Yang Tingbao, and joined the faculty of the school after graduation. As Yang Tingbao’s protégé, Qi Kang has also collected and edited almost all of Yang’s existing writings and works. In addition, Qi trained dozens of graduate students and was elected fellow of the Chinese Academy of Sciences. As a professional architect, Qi established a distinctive and powerful style of memorial and monu- mental architecture. Among his works are the Memorial Museum of the Nanjing Massacre and Yuhuatai Memorial Hall. Qinghua (Tsinghua) University Tsinghua School was founded in 1911, in part with the American repayment of the Boxer Indemnity penalties, as a school to prepare Chinese youth to study in the United States. Chen Zhi, Liang Sicheng, Yang Tingbao, and Tong Chuin all attended it before going to the University of Pennsylvania.