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Cover Story 18 / 19 Side a Fever Ray
Cover Story 18 / 19 Side A Fever Ray Plunge è la rivoluzione sessuale di Karin Dreijer. Difuso lo scorso ottobre, l’album arriva questo mese in formato fisico, assieme a un atteso tour in cui la misteriosa artista svedese del duo The Knife promette di confondere, ancora una volta, le aspettative del pubblico Testo di Giuseppe Zevolli Fotografie di Martin Falck “Nessuno sguardo irrispettoso / Ubriaca e felice, felice in uno spazio sicuro”, mormora la voce robotica di Karjn Dreijer in A Part Of Us, uno dei brani chiave di Plunge, il suo secondo disco a nome Fever Ray. “Una mano nella tua e l’altra stretta in un pugno”, Quest’urgenza di esprimersi è riflessa nell’uso continua. A Part Of Us celebra la sensazione di della voce, per la prima volta in primissimo piano, protezione degli spazi queer, dipinti come delle anni luce dalle cupe distorsioni dell’album del oasi sospese nel tempo, in cui l’espressione della 2009. Fever Ray era un esercizio di camouflage propria identità e del proprio desiderio rifuggono notturno a confronto con la scattante, penetrante dallo sguardo giudicante incontrato troppo spesso elettronica di Plunge. Nonostante la fama di autrice al loro esterno. Uno sguardo proveniente da chi sfuggente e la storia di amore-odio con la stampa, vorrebbe infondere nei loro abitanti un antico senso chiarezza e entusiasmo finiscono per animare di vergogna. Pur essendo reali, tangibili, Dreijer anche la nostra chiacchierata Skype. Dreijer parte rappresenta questi spazi come dei microcosmi in sordina, scandendo qualche breve risposta e felici in anticipazione di un’utopia allargata ancora prendendosi delle brevi pause per riflettere sul in divenire. -
Calendar Filled with Holes by Adrienne Belz Girl’S Soccer Game Against Bryan
the Vol. 57 No. 5 bagpipeonline.com BAGPIPEOctober 7, 2010 The Parking Lottery Exploring Covenant’s parking vices and virtues ANNIE HUNTINGTON by Karin Olson late to class looking for one.” plaints have been from off-campus However, many students find parking. [email protected] Greg Ford, Safety and Security students. parking at Scotland Yard to be “They should either not let Coordinator, believes frustration There are an estimated 834 park- inconvenient. freshmen have cars or they need to For those driving cars at Covenant with parking anywhere is inevi- ing spaces on Covenant’s campus “I didn’t pay $100 for an off- invest more money in off-campus College, finding a parking spot can table. where students may park. This campus sticker so I could park in parking for students,” said Gore. quickly spiral into a moment of “I often feel that Covenant gets a year, the school sold about 680 Scotland Yard. By the time I get to Parking permits at Covenant anxiety and frustration. ‘bad rap’ when it comes to parking permits. Ford said the lots closer to school, I don’t have time for a long are $100 for main campus park- “You’re lucky to find a parking simply because parking is a sensi- campus are clogged because people walk up from one of the satellite ing (off-campus parking permit spot the first few lots you try,” said tive issue anywhere you go,” he are refusing to park in Scotland parking lots,” said senior Lisa Cow- free of charge), $75 for Scotland senior Alison Gore, who lives off said. -
2018, in English and German
Tuesday, October 9, 2018 Wednesday, October 3, 2018 An article on Saturday about political fric- An article on Monday about a proposal tion between Ukraine and Hungary mis- by the Trump administration to weaken spelled the name of a Hungarian far-right regulations on mercury emissions referred group. It is Jobbik, not Jobbick. incorrectly to the initial estimate of direct health benefits from the mercury rule. The An article on Sunday about advice given to Obama administration estimated those Brett M. Kavanaugh by the White House benefits to be worth $6 million per year, counsel, Don McGahn, misstated when not $6 billion. Corrections and Senator Lindsey Graham, Republican of South Carolina, had dinner with three A chart with an article on Feb. 13 about Republican senators who were undecided drinking water safety across the United on Judge Kavanaugh’s confirmation. The States represented incorrectly the scale of dinner was Friday, September 28, not the y-axis. The chart shows violations of Thursday, September 27. water quality regulations per 10 water sys- tems in rural areas, not per 100 systems. An article on Sept. 30 about former N.F.L. ClarificationsKorrekturen, Berichtigungen, Klarstellungen, Gegendarstellungen cheerleaders speaking out about work- An article on Tuesday about widespread place harassment misstated the surname of delays affecting British train companies a lawyer representing several of the cheer- misidentified the organization that owns those that responded in full, a stun gun was An essay last Sunday about the effects of misstated the name of the unfinished novel leaders. She is Sara Blackwell, not Davis. the United Kingdom’s railroad infrastruc- fired 21 times, not 24. -
THE DAILY TEXAN 94 71 Tuesday, September 14, 2010 Serving the University of Texas at Austin Community Since 1900
1 LIFE&ARTS PAGE 14 Healthy tips to prevent gaining ‘freshman 15’ Slacklining gives participants rush SPORTS PAGE 8 LIFE&ARTS PAGE 14 Golf recruit looks forward to life on 40 Acres next year TOMORROW’S WEATHER High Low THE DAILY TEXAN 94 71 Tuesday, September 14, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com TODAY City eateries honor Mexico Libraries’ Calendar periodical Support human rights The Human Rights Documentation Initiative and Texas After Violence will co-host resources a reception to teach students about how they can support human rights documentation and education in Texas. From 5 to 7 p.m. in the Benson Latin in danger American Collection Rare Books Room SRH 1.108. By Lauren Bacom Daily Texan Staff HFSA More than 2,000 academic journals, research Margarita Arellano, associate materials and databases could be eliminated from vice president for student affairs libraries across campus beginning in the 2011-12 and dean of students at Texas academic year. State University, will speak at Fred Heath, vice provost and director of UT Li- the first meeting of the Hispanic braries, requested a 33.5-percent reduction in the Faculty/Staff Association from amount of money the libraries spend on research 11:30 a.m. to 1 p.m. All faculty materials earlier this year. and staff employed at least 20 The library staff looked for titles that would not have a negative impact on students, said Dennis hours a week at the University Catalina Padilla | Daily Texan Staff are invited to attend regardless Dillon, the research service associate director for Diana Kennedy, author of the book “Oaxaca al Gusto,” talks to owners of the restaurant La Margarita about authentic Mexican the UT Libraries. -
Die Schirn Zeigt Anlässlich Des Bauhaus-Jubiläums Eine
IM ZEICHEN DER AVANTGARDE: ERSTE SCHIRN AT NIGHT 2016 MIT KUNST DER STURM- FRAUEN UND MUSIK VON KARIM & KARAM – KARIN DREIJER UND MARYAM NIKANDISH PLANET AVANTGARDE – SCHIRN AT NIGHT ZUR AUSSTELLUNG „STURM-FRAUEN“ SAMSTAG, 16. JANUAR 2016, AB 20 UHR SCHIRN KUNSTHALLE FRANKFURT DJ-SHOW VON KARIM & KARAM UM 22 UHR MIT MARYAM NIKANDISH UND KARIN DREIJER (THE KNIFE / FEVER RAY) TICKETS IM VVK ONLINE UNTER WWW.SCHIRN.DE UND AN DER SCHIRN-KASSE: 10 €, ABENDKASSE AB 20 UHR: 12 € DRESSCODE: CRAZY AVANTGARDE GALAXY LOOK Die erste SCHIRN AT NIGHT im neuen Jahr steht im Zeichen der Avantgarde. Am 16. Januar 2016, ab 20 Uhr, lassen sich unter dem Motto „Planet Avantgarde“ zum einen in der Ausstellung STURM-FRAUEN rund 280 Kunstwerke von insgesamt 18 Künstlerinnen des Expressionismus, des Kubismus, des Futurismus, des Konstruktivismus und der Neuen Sachlichkeit entdecken. Zum anderen präsentiert die schwedische Sängerin und Ikone der elektronischen Musik Karin Dreijer zusammen mit Maryam Nikandish ihr neues DJ-Projekt KARIM & KARAM. Mit temperamentvollen Beats von Aster Aweke, Zhala, Omar Soleiman, Planningtorock, Andy & Kouros, Shahram Shabpareh, Cleo, DJ Nigga Fox, Azealia Banks, Death Grips und vielen mehr werden sie ab 22 Uhr das Publikum in ihre Welt der eklektisch-elektronischen Sounds mitnehmen. Karin Dreijer, bekannt von The Knife, ist eine der innovativsten und einflussreichsten Elektro- Künstlerinnen der letzten Jahrzehnte. Für das Solo-Projekt Fever Ray kombinierte Dreijer etwa mysteriöse elektronische Musik mit karibischen Elementen. Neben Drinks und Snacks des Teams von Badias Catering bietet die SCHIRN AT NIGHT zum Einstieg sowie im Anschluss an den Live Act ein DJ-Set der Frankfurterin GERI. -
CMJ Directory SPARKLEHORSE: Back in the Saddle Again Story by Colin Helms
CMJ Directory SPARKLEHORSE: Back In The Saddle Again Story by Colin Helms With his latest, Sparklehorse mainstay Mark Linkous finds gentle beauty on the other side of pain. Five years ago, Mark Linkous nearly died. He then spent over 12 months in a wheelchair, struggling with chronic depression and a crippling reliance on painkillers, and subsequently found, or so the story goes, that he couldn't remember how to write songs anymore. This year he's found the means - credit spiritual rebirth or the blackest sense of ironic humor - to not only create his most affecting Sparklehorse recording to date, but to brazenly dub the album It's A Wonderful Life. "If I've learned nothing else, it's that I should at least try to notice one little thing every day," he offers. "Whether it's not getting eaten by a bear, or seeing a little kid smile at you on the street. Before I go to bed I say 'I'm glad I didn't wake up dead today.'" The infamous day Linkous nearly woke up dead - the aftermath of a night in a London hotel room during which too many Valium and antidepressants were consumed - may have put a damper on Sparklehorse's output in the time since, but it seems to have changed Linkous's life (and life-work) for the better. Wonderful Life's scarred and cracked sonic façade strongly resembles that of 1995's Vivadixiesub-marinetransmissionplot and 1999's Good Morning Spider, but it's a gentler, somehow lighter collection, populated by horse heads and tiger hearts, fat babies and yellow birds. -
Tomorrow, in a Year *. O
• ~ SAISON 2010-2011 TOMORROW, IN A YEAR *. Hotel Pro Forma/^ ^ a The Knife • •• • •• •• • O vu w .s o g s o o *3 «-J 2 OPÉRA NATIONAL DE LORRAINE TOMORROW, IN A YEAR Hotel Pro Forma/ The Knife ÉLECTRO-OPÉRA DARWINIEN CRÉÉ LE 2 SEPTEMBRE 2009 AU THÉÂTRE ROYAL DU DANEMARK À COPENHAGUE OUVRAGE CHANTÉ MEZZO-SOPRANO DIRECTION ARTISTIQUE, DIRECTEUR EN ANGLAIS, SURTITRÉ Kristina Wahlin MISE EN SCÈNE DE PRODUCTION Ralf Rîchardt Jesper Sonderstrup DURÉE DE L'OUVRAGE : CHANTEUSE/ACTRICE Strobech, 1 H 20 SANS ENTRACTE Laerke Winther INGÉNIEUR DU SON Kirsten Dehlholm Troels Bech Jessen CHANTEUR MUSIQUE Jonathan Johansson INGÉNIEUR LUMIÈRE The Knife Frederik Heitmann DANSEURS COLLABORATION 20, 21 JANVIER 2011 À 20H Lisbeth Sonne RÉGIE PLATEAU MUSICALE Eva Hoffmann 22 JANVIER 2011 À 15 H ET20H Andersen, Mt. Sims, Agnete Beierholm, 23 JANVIER 2011 À 15 H Planningtorock RESPONSABLE DE Alexandre Bourdat, LA CONSTRUCTION Bo Madvig, LIVRET Oskars Plataiskalns Jacob Stage, The Knife, Mt. Sims, TECHNICIEN PLATEAU an Strobech Charles Darwin Janis Linins CONCEPT, SCÉNOGRAPHIE ANIMATION Ralf Richardt Louise Springborg, Strobech Birk Marcus Hansen CRÉATION LUMIÈRES Jesper Kongshaug ACCESSOIRES Maja Dahl Nielsen CRÉATION SON Anders Jorgensen CONSEILLER À LA CHORÉGRAPHIE COSTUMES Hiroaki Umeda Maja Ravn ARCHITECTE Runa Johannessen ATELIERS Soren Romer, Oskars Plataiskalns 3 TOMORROW. IN A YEAR COPRODUCTION LA BATIE #%. STATENS. -FESTIVAL DE GENÈVE, %„J; KUNSTRÂD HELLERAU - CENTRE i\V DANISH ARTS COUNCIL EUROPÉEN DES ARTS DE DRESDE, THE CONCERT HALL DE AARHUS, LA DANSENS HUS DE STOCKHOLM ET MUSIKHUSET AARHUS HOTEL PRO FORMA. «TOMORROW, IN A YEAR» DAN/EN/ BÉNÉFICIE DU SOUTIEN —HU/=- DES FONDATIONS BIKUBEN, OTICON, TOYOTA, BECKETT, KNUD COUTURE COACH VOCAL H0JGAARDS, SONNING, Siri Vilbol Ole Rasmus Moller TUBORG, DU NORDIC CULTURE POINT ET DU COSTUMES TRICOTÉS IMAGES FOND DE COOPÉRATION Rikke Jo Tholstrup Claudi Thyrrestrup, ENTRE LA SUÈDE ET MAQUILLAGE Runa Johannessen LE DANEMARK. -
Sight&Sound 5
SUNDAY MORNING POST DECEMBER 27, 2009 Sight&Sound 5 rock. Despite the horrendous first “The Automator” Nakamura for a set single, Know Your Enemy, this is a that took Stonesy blues rock and cohesive outing that tells an Ennio Morricone and hauls them interesting, albeit slightly contrived, into the 21st century, complete with story of a lovelorn couple. Horseshoes killer riffs. and Handgrenades is about as close to punk as we’re likely to get from Yuksek Green Day again. Away from the Sea (Barclay) Illustration: Teresa Tan Teresa Illustration: Somewhere between Bob Sinclar, The Dead Weather Justice and Hall and Oates, Horehound (Warner) French-born music producer, Even when Jack White takes a back remixer and DJ Pierre-Alexandre seat – literally – as a drummer, his Busson channels 80s rock and trademark bluesy guitar riff can still electro, Britpop and pounding be heard throughout the album. But dance floor beats for a schizophrenic with other members such as Alison but irresistible set. Mosshart and Jack Lawrence sharing the vocals, the Dead Weather offer a Yeah Yeah Yeahs fix for those in need of some earthy It’s Blitz! (Polydor) garage rock. Taking an electro turn, the Yeahs manage to up their game without Florence + the Machine betraying their punk roots with a set Lungs (Island) of songs that, despite a pulsating Lungs is 45 minutes of soulful vocal new electronic sheen, still sounds as bliss. Florence Welch spills her soul if they’d been made for guitars. Their on tracks such as I’m Not Calling most satisfying album yet and a You a Liar and My Boy Builds Coffins. -
Rolling Stone “Danger Mouse Looks Through a Label Darkly”
Danger Mouse Looks Through A Label, Darkly | Music News | Rolling Stone Page 1 of 2 Danger Mouse Looks Through A Label, Darkly Behind his "Dark Night of the Soul" collaboration with Mark Linkous and David Lynch by: Austin Scaggs The final product isn't exactly what Danger Mouse envisioned, but the cutting-edge producer breathed a heavy sigh of relief with the release of Dark Night of the Soul , a multimedia package he created in tandem with songwriter Mark Linkous (the creative force behind Sparklehorse) consisting of a record and a large-form book of photos commissioned from filmmaker David Lynch. For the album, Danger Mouse and Linkous created moody backing tracks, then offered them to 10 vocalists who were charged to write lyrics and vocal melodies (contributors include Iggy Pop, the Strokes' Julian Casablancas, the Shins' James Mercer, Suzanne Vega and Pixies' Black Francis). "We had no intention of making a star-studded record," says Danger Mouse, born Brian Burton. "It's just when we started thinking about these people we just thought, 'Well, of course they'd sound good on a record together.' " The catch, which Danger Mouse describes as "bittersweet," is that the CD mounted in Dark Night of the Soul package is completely blank. Buyers are slyly encouraged to use the recordable disc to capture the music from the Internet, where it is widely available as a free, though illegal, download. Danger Mouse's inability to package the music with the book stems from a long-standing contractual disagreement with EMI, who retainrights to some of his music. -
The Deadly Affairs of John Figaro Newton Or a Senseless Appeal to Reason and an Elegy for the Dreaming
The deadly affairs of John Figaro Newton or a senseless appeal to reason and an elegy for the dreaming Item Type Thesis Authors Campbell, Regan Download date 26/09/2021 19:18:08 Link to Item http://hdl.handle.net/11122/11260 THE DEADLY AFFAIRS OF JOHN FIGARO NEWTON OR A SENSELESS APPEAL TO REASON AND AN ELEGY FOR THE DREAMING By Regan Campbell, B.F.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing University of Alaska Fairbanks May 2020 APPROVED: Daryl Farmer, Committee Chair Leonard Kamerling, Committee Member Chris Coffman, Committee Member Rich Carr, Chair Department of English Todd Sherman, Dean College of Liberal Arts Michael Castellini, Dean of the Graduate School Abstract Are you really you? Are your memories true? John “Fig” Newton thinks much the same as you do. But in three separate episodes of his life, he comes to see things are a little more strange and less straightforward than everyone around him has been inured to the point of pretending they are; maybe it's all some kind of bizarre form of torture for someone with the misfortune of assuming they embody a real and actual person. Whatever the case, Fig is sure he can't trust that truth exists, and over the course of his many doomed relationships and professional foibles, he continually strives to find another like him—someone incandescent with rage, and preferably, as insane and beautiful as he. i Extracts “Whose blood do you still thirst for? But sacred philosophy will shackle your success, for whatsoever may be your momentary triumph or the disorder of this anarchy, you will never govern enlightened men. -
Montclair State University Digital Commons Atomos
Montclair State University Montclair State University Digital Commons 2013-2014 Raise the Bar PEAK Performances Programming History 3-15-2014 Atomos Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2013-2014 Part of the Theatre and Performance Studies Commons Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Staff Jedediah Wheeler, Executive Director, Arts & Cultural Programming Office of Arts & Cultural Programming College of the Arts Executive Director Jedediah Wheeler Dean Daniel Gurskis Executive Producer Jill Dombrowski Associate Dean Ronald L. Sharps American Premiere! Associate Producer Jessica Wasilewski Assistant Dean Linda D. Davidson Production/Facility Manager J. Ryan Graves Director of Administration Marie Sparks Cultural Engagement Director Carrie Urbanic College Administrator Zacrah S. Battle Wayne McGregor | Random Dance Finance Manager Marilyn Fogarty Executive Assistant to the Dean Alyson Thelin Media and Marketing Specialist Amy Estes Program Assistant Kilolo Kumanyika American Premiere! Director of Audience Services Robert Hermida Art and Design Aissa Deebi Audio Engineer Andrew Lulling John J. Cali School of Music Jon Robert Cart Cultural Engagement Assistant Hannah Rolfes School of Communication and Media Merrill Brown Wayne McGregor | Random Dance Atomos Box Office Manager Matthew S. Fox Theatre and Dance Randy Mugleston House Manager Maureen Grimaldi Broadcast and Digital Media Facilities Nick Tzanis Concept, Direction, and Set Wayne McGregor Graphics Patrick Flood/pfloodesign.com University Art Galleries Teresa Rodriguez Choreography Wayne McGregor in collaboration with the dancers Press Ellen Jacobs Associates Program Editor Susan R. Case Music A Winged Victory For The Sullen Atomos Program Assistant Filip Ilic Lighting Design Lucy Carter Production Run Crew Andrew Boyle, Jeffrey Reid, Ravi Deepres David O. -
Ÿþu N T I T L E
MAKE IT • STREAM IT SPECIAL WEAR IT • SING IT ISSUE RIP IT • PLAY IT ULTIMATE GET MORE FROM TECHNOLOGY DIGITAL 48 COOL PRODUCTS MUSIC COMPARED MP3 PLAYERS GUIDE HEADPHONES SERVICES SIRIUS VS. XM DJ GEAR HOME STUDIO HOW TO USB GUITAR SIMPLE STREAMING TIPS KARAOKE EASY WAYS ...AND MORE! TO TAKE IT ANYWHERE ROCK STAR SECRETS FROM FLAMING LIPS, DEVO, AND MORE! Master Your Music Play it. Share it. Rip It. Stream it. Sing it. Scratch it. Take it with you. Our 15-page guide shows you every way to enjoy digital music. BY MIKE KOBRIN WHAT’S INSIDE PERHAPS YOU SUFFER FROM THE SAME 64 MP3 players serious addiction that has gripped me for much of my 66 Subscription Services life: I have to have music with me at just about every 66 Devo’s Mark step of my day. I wake up with John Coltrane on my Mothersbaugh JBL On Time clock radio, sip my morning coffee while 67 Brian “BT” Transeau listening to NPR streaming from a Sonos ZonePlayer 68 Wireless Streaming Devices 80, and catch a morning train with my iPod nano and 70 Front Row versus Ultimate Ears super.fi 5 Pro earphones. Media Center At work, I dock my iPod and switch to the Sennheiser 70 Convert Your CDs PX100 headphones. Lucky for me, my job involves testing 71 The Flaming Lips 74 Music Clothes and audio gear, so I get to use a variety of software (iTunes, Headphones WMP, Musicmatch) and services (Rhapsody, Napster, 74 Satellite Radio Audible, Vongo) nearly every day while I’m at my desk.