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Cover Story 18 / 19 Side a Fever Ray
Cover Story 18 / 19 Side A Fever Ray Plunge è la rivoluzione sessuale di Karin Dreijer. Difuso lo scorso ottobre, l’album arriva questo mese in formato fisico, assieme a un atteso tour in cui la misteriosa artista svedese del duo The Knife promette di confondere, ancora una volta, le aspettative del pubblico Testo di Giuseppe Zevolli Fotografie di Martin Falck “Nessuno sguardo irrispettoso / Ubriaca e felice, felice in uno spazio sicuro”, mormora la voce robotica di Karjn Dreijer in A Part Of Us, uno dei brani chiave di Plunge, il suo secondo disco a nome Fever Ray. “Una mano nella tua e l’altra stretta in un pugno”, Quest’urgenza di esprimersi è riflessa nell’uso continua. A Part Of Us celebra la sensazione di della voce, per la prima volta in primissimo piano, protezione degli spazi queer, dipinti come delle anni luce dalle cupe distorsioni dell’album del oasi sospese nel tempo, in cui l’espressione della 2009. Fever Ray era un esercizio di camouflage propria identità e del proprio desiderio rifuggono notturno a confronto con la scattante, penetrante dallo sguardo giudicante incontrato troppo spesso elettronica di Plunge. Nonostante la fama di autrice al loro esterno. Uno sguardo proveniente da chi sfuggente e la storia di amore-odio con la stampa, vorrebbe infondere nei loro abitanti un antico senso chiarezza e entusiasmo finiscono per animare di vergogna. Pur essendo reali, tangibili, Dreijer anche la nostra chiacchierata Skype. Dreijer parte rappresenta questi spazi come dei microcosmi in sordina, scandendo qualche breve risposta e felici in anticipazione di un’utopia allargata ancora prendendosi delle brevi pause per riflettere sul in divenire. -
Kumouksen Kynnyksellä Queer-Feministinen Luenta the Knifen Shaking the Habitual Show'sta
HELSINGIN YLIOPISTO Kumouksen kynnyksellä Queer-feministinen luenta the Knifen Shaking the Habitual Show'sta Olga Palo Pro gradu -tutkielma Sukupuolentutkimus Filosofian, historian, kulttuurin ja taiteiden tutkimuksen laitos Humanistinen tiedekunta Helsingin yliopisto Huhtikuu 2016 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Filosofian, historian, kulttuurin ja taiteiden tutkimuksen laitos Tekijä – Författare – Author Olga Palo Työn nimi – Arbetets titel – Title Kumouksen kynnyksellä. Queer-feministinen luenta The Knifen Shaking the Habitual Show'sta. Oppiaine – Läroämne – Subject Sukupuolentutkimus Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages year Pro gradu Huhtikuu 2016 84 Tiivistelmä – Referat – Abstract Judith Butlerin teoretisointi performatiivisesta sukupuolesta on vaikuttanut suuresti sukupuolentutkimukseen, mutta myös muun muassa kulttuurin- ja taiteidentutkimukseen. Myös ajatus sukupuolen luonnollisuutta horjuttavista kumouksellisista teoista nousee Butlerin kirjoituksista. The Knife-yhtyeen Shaking the Habitual Show esimerkkiaineistonaan tämä työ tutkii, mitä kumouksellisuus voisi olla esittävissä taiteissa ja kysyy, voiko Shaking the Habitual Show'ta ajatella esimerkkinä kumouksellisista käytännöistä. Performatiivisuuden ajatuksen soveltaminen esittäviin taiteisiin on paikoin nähty haastavana. Ongelmallisuus liittyy ennen kaikkea siihen, että taideteokselle on perinteisesti oletettu tekijä, kun taas performatiivisen -
2018, in English and German
Tuesday, October 9, 2018 Wednesday, October 3, 2018 An article on Saturday about political fric- An article on Monday about a proposal tion between Ukraine and Hungary mis- by the Trump administration to weaken spelled the name of a Hungarian far-right regulations on mercury emissions referred group. It is Jobbik, not Jobbick. incorrectly to the initial estimate of direct health benefits from the mercury rule. The An article on Sunday about advice given to Obama administration estimated those Brett M. Kavanaugh by the White House benefits to be worth $6 million per year, counsel, Don McGahn, misstated when not $6 billion. Corrections and Senator Lindsey Graham, Republican of South Carolina, had dinner with three A chart with an article on Feb. 13 about Republican senators who were undecided drinking water safety across the United on Judge Kavanaugh’s confirmation. The States represented incorrectly the scale of dinner was Friday, September 28, not the y-axis. The chart shows violations of Thursday, September 27. water quality regulations per 10 water sys- tems in rural areas, not per 100 systems. An article on Sept. 30 about former N.F.L. ClarificationsKorrekturen, Berichtigungen, Klarstellungen, Gegendarstellungen cheerleaders speaking out about work- An article on Tuesday about widespread place harassment misstated the surname of delays affecting British train companies a lawyer representing several of the cheer- misidentified the organization that owns those that responded in full, a stun gun was An essay last Sunday about the effects of misstated the name of the unfinished novel leaders. She is Sara Blackwell, not Davis. the United Kingdom’s railroad infrastruc- fired 21 times, not 24. -
THE DAILY TEXAN 94 71 Tuesday, September 14, 2010 Serving the University of Texas at Austin Community Since 1900
1 LIFE&ARTS PAGE 14 Healthy tips to prevent gaining ‘freshman 15’ Slacklining gives participants rush SPORTS PAGE 8 LIFE&ARTS PAGE 14 Golf recruit looks forward to life on 40 Acres next year TOMORROW’S WEATHER High Low THE DAILY TEXAN 94 71 Tuesday, September 14, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com TODAY City eateries honor Mexico Libraries’ Calendar periodical Support human rights The Human Rights Documentation Initiative and Texas After Violence will co-host resources a reception to teach students about how they can support human rights documentation and education in Texas. From 5 to 7 p.m. in the Benson Latin in danger American Collection Rare Books Room SRH 1.108. By Lauren Bacom Daily Texan Staff HFSA More than 2,000 academic journals, research Margarita Arellano, associate materials and databases could be eliminated from vice president for student affairs libraries across campus beginning in the 2011-12 and dean of students at Texas academic year. State University, will speak at Fred Heath, vice provost and director of UT Li- the first meeting of the Hispanic braries, requested a 33.5-percent reduction in the Faculty/Staff Association from amount of money the libraries spend on research 11:30 a.m. to 1 p.m. All faculty materials earlier this year. and staff employed at least 20 The library staff looked for titles that would not have a negative impact on students, said Dennis hours a week at the University Catalina Padilla | Daily Texan Staff are invited to attend regardless Dillon, the research service associate director for Diana Kennedy, author of the book “Oaxaca al Gusto,” talks to owners of the restaurant La Margarita about authentic Mexican the UT Libraries. -
Flyinglow – Debut Album from Sweden's New Deep Electronica Artist
Jun 09, 2017 12:17 EDT Flyinglow – Debut Album from Sweden's New Deep Electronica Artist Following the well-received single 'Clockwork' this spring, Flyinglow brings us a fresh, yet classic, deep, Scandinavian electronica sound with today’s self- titled album debut. After The Knife’s iconic Silent Shout album some ten years ago, Scandinavian electronica has become synonymous with the uplifting, pop-infused EDM sound developed by the likes of Swedish House Mafia, Avicii and Kygo, but the last few years have seen an increasing number of dark and deep electronic artists come out of the region. Following the release of the single 'Clockwork', Flyinglow now releases his first album. The 7 track electronic debut is a dynamic work of electronica balancing on the thin line between slightly experimental shoegaze and pure pop aesthetic. About Flyinglow Behind the moniker, we find the Swedish Uppsala-based musician Joel Gabrielsson. Joel has a very international backgound. He grew up in Singapore, studied at the School of Movement and Performance in Finland and in 2009 relocated to Ukraine for a couple of years. It was during this time that his interest in composing music started taking a more prominent role. He was particularly interested in electro-acoustic and ambient music, and began to experiment with sounds, textures and electronics in his home studio. The following years were spent fronting the drone-pop band Toys in the Well and performing venues around Europe. After moving back to Sweden, into a small cottage in the countryside, Joel began to develop a new, solo recording project. -
Under the Skin Soundtrack Download Under the Skin Soundtrack Download
under the skin soundtrack download Under the skin soundtrack download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66b418323bb47a7d • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Under the Skin [Original Motion Picture Soundtrack] Mica Levi's work with Micachu & the Shapes is often maximalist in the best possible way, brimming over with ideas and sounds. While the band's collaboration with the London Sinfonietta, which resulted in 2011's Chopped & Screwed, nodded to her classical training (including her studies at Guildhall School of Music and Drama), the masterful restraint she displays on her first solo project, and first score, is a welcome surprise. Her music for Under the Skin, Jonathan Glazer's film about a man-eating alien cloaked in the alluring disguise of Scarlett Johansson's body, is unobtrusive yet unmistakable, suggesting a mood of barely suppressed panic and emptiness without defining it too obviously. Levi's inspirations are classical and classic, and the way she combines minimalism and the essentials of horror/suspense scores modernizes both. -
Die Schirn Zeigt Anlässlich Des Bauhaus-Jubiläums Eine
IM ZEICHEN DER AVANTGARDE: ERSTE SCHIRN AT NIGHT 2016 MIT KUNST DER STURM- FRAUEN UND MUSIK VON KARIM & KARAM – KARIN DREIJER UND MARYAM NIKANDISH PLANET AVANTGARDE – SCHIRN AT NIGHT ZUR AUSSTELLUNG „STURM-FRAUEN“ SAMSTAG, 16. JANUAR 2016, AB 20 UHR SCHIRN KUNSTHALLE FRANKFURT DJ-SHOW VON KARIM & KARAM UM 22 UHR MIT MARYAM NIKANDISH UND KARIN DREIJER (THE KNIFE / FEVER RAY) TICKETS IM VVK ONLINE UNTER WWW.SCHIRN.DE UND AN DER SCHIRN-KASSE: 10 €, ABENDKASSE AB 20 UHR: 12 € DRESSCODE: CRAZY AVANTGARDE GALAXY LOOK Die erste SCHIRN AT NIGHT im neuen Jahr steht im Zeichen der Avantgarde. Am 16. Januar 2016, ab 20 Uhr, lassen sich unter dem Motto „Planet Avantgarde“ zum einen in der Ausstellung STURM-FRAUEN rund 280 Kunstwerke von insgesamt 18 Künstlerinnen des Expressionismus, des Kubismus, des Futurismus, des Konstruktivismus und der Neuen Sachlichkeit entdecken. Zum anderen präsentiert die schwedische Sängerin und Ikone der elektronischen Musik Karin Dreijer zusammen mit Maryam Nikandish ihr neues DJ-Projekt KARIM & KARAM. Mit temperamentvollen Beats von Aster Aweke, Zhala, Omar Soleiman, Planningtorock, Andy & Kouros, Shahram Shabpareh, Cleo, DJ Nigga Fox, Azealia Banks, Death Grips und vielen mehr werden sie ab 22 Uhr das Publikum in ihre Welt der eklektisch-elektronischen Sounds mitnehmen. Karin Dreijer, bekannt von The Knife, ist eine der innovativsten und einflussreichsten Elektro- Künstlerinnen der letzten Jahrzehnte. Für das Solo-Projekt Fever Ray kombinierte Dreijer etwa mysteriöse elektronische Musik mit karibischen Elementen. Neben Drinks und Snacks des Teams von Badias Catering bietet die SCHIRN AT NIGHT zum Einstieg sowie im Anschluss an den Live Act ein DJ-Set der Frankfurterin GERI. -
Tomorrow, in a Year *. O
• ~ SAISON 2010-2011 TOMORROW, IN A YEAR *. Hotel Pro Forma/^ ^ a The Knife • •• • •• •• • O vu w .s o g s o o *3 «-J 2 OPÉRA NATIONAL DE LORRAINE TOMORROW, IN A YEAR Hotel Pro Forma/ The Knife ÉLECTRO-OPÉRA DARWINIEN CRÉÉ LE 2 SEPTEMBRE 2009 AU THÉÂTRE ROYAL DU DANEMARK À COPENHAGUE OUVRAGE CHANTÉ MEZZO-SOPRANO DIRECTION ARTISTIQUE, DIRECTEUR EN ANGLAIS, SURTITRÉ Kristina Wahlin MISE EN SCÈNE DE PRODUCTION Ralf Rîchardt Jesper Sonderstrup DURÉE DE L'OUVRAGE : CHANTEUSE/ACTRICE Strobech, 1 H 20 SANS ENTRACTE Laerke Winther INGÉNIEUR DU SON Kirsten Dehlholm Troels Bech Jessen CHANTEUR MUSIQUE Jonathan Johansson INGÉNIEUR LUMIÈRE The Knife Frederik Heitmann DANSEURS COLLABORATION 20, 21 JANVIER 2011 À 20H Lisbeth Sonne RÉGIE PLATEAU MUSICALE Eva Hoffmann 22 JANVIER 2011 À 15 H ET20H Andersen, Mt. Sims, Agnete Beierholm, 23 JANVIER 2011 À 15 H Planningtorock RESPONSABLE DE Alexandre Bourdat, LA CONSTRUCTION Bo Madvig, LIVRET Oskars Plataiskalns Jacob Stage, The Knife, Mt. Sims, TECHNICIEN PLATEAU an Strobech Charles Darwin Janis Linins CONCEPT, SCÉNOGRAPHIE ANIMATION Ralf Richardt Louise Springborg, Strobech Birk Marcus Hansen CRÉATION LUMIÈRES Jesper Kongshaug ACCESSOIRES Maja Dahl Nielsen CRÉATION SON Anders Jorgensen CONSEILLER À LA CHORÉGRAPHIE COSTUMES Hiroaki Umeda Maja Ravn ARCHITECTE Runa Johannessen ATELIERS Soren Romer, Oskars Plataiskalns 3 TOMORROW. IN A YEAR COPRODUCTION LA BATIE #%. STATENS. -FESTIVAL DE GENÈVE, %„J; KUNSTRÂD HELLERAU - CENTRE i\V DANISH ARTS COUNCIL EUROPÉEN DES ARTS DE DRESDE, THE CONCERT HALL DE AARHUS, LA DANSENS HUS DE STOCKHOLM ET MUSIKHUSET AARHUS HOTEL PRO FORMA. «TOMORROW, IN A YEAR» DAN/EN/ BÉNÉFICIE DU SOUTIEN —HU/=- DES FONDATIONS BIKUBEN, OTICON, TOYOTA, BECKETT, KNUD COUTURE COACH VOCAL H0JGAARDS, SONNING, Siri Vilbol Ole Rasmus Moller TUBORG, DU NORDIC CULTURE POINT ET DU COSTUMES TRICOTÉS IMAGES FOND DE COOPÉRATION Rikke Jo Tholstrup Claudi Thyrrestrup, ENTRE LA SUÈDE ET MAQUILLAGE Runa Johannessen LE DANEMARK. -
Nawang Khechog the Great Arya Tara Tibetan Meditation Music 5:11
Playlists by David Ruekberg Dance to Awaken the Heart, Rochester, NY #27: January 28, 2017 Artist Song Title Album Length Nawang Khechog The Great Arya Tara Tibetan Meditation Music 5:11 Maneesh de Moor Morning Praise Om Deeksha 8:54 Ernst Reijseger Homo Spiritualis Cave Of Forgotten Dreams (Original Motion Picture Soundtrack) 2:21 Hukwe Zawose Nhongolo The Essential Guide To Africa 8:54 Dead Can Dance Nierika Memento 5:46 Deva Premal Guru Rinpoche Mantra Deva Lounge 7:23 Balligomingo Purify Absolute More Relaxed [Disc 2] 4:13 Manu Dibango Bessoka (Version Courte) The Essential Guide To Africa 3:28 Miriam Makeba Pata Pata 2000 Homeland 3:49 Thievery Corporation The Lagos Communique African Groove 3:55 Christina Aguilera featuring Steve Winwood Makes Me Wanna Pray Back To Basics 4:11 The Beatles Tomorrow Never Knows (Remastered) Revolver (Remastered) 2:59 Brian Eno & Rick Holland Glitch Drums Between The Bells 2:58 Sean Dinsmore Mangalam (Chillums at Dawn Remix) Dakini Lounge: Prem Joshua Remixed 6:00 India.Arie Slow Down Voyage To India 3:53 Jai Uttal Guru Bramha Shiva Station (Bonus Edition) 4:24 Bon Iver Lisbon, OH Bon Iver 1:34 Ulrich Schnauss Amaris Passage 5:20 David Ruekberg Silence_5s.mp3 Silence 0:05 Itzhak Perlman Bach: Violin Partita #2 In D Minor, BWV 1004 - 3. Sarabanda Bach: Sonatas & Partitas For Solo Violin [Disc 2] 3:52 Anoushka Shankar Ancient Love Rise 11:08 Ray Lynch Her Knees Deep In Your Mind Conversations With God 6:19 Soloists of the Ensemble Nipponia [Shakuhachi, Shamisen, Biwa, EsashiKoto] Oiwake ("Esashi Pack-horseman's -
Cache Coherence: Part I
Lecture 10: Cache Coherence: Part I Parallel Computer Architecture and Programming CMU 15-418/15-618, Spring 2015 Tunes Marble House The Knife (Silent Shout) “Before starting The Knife, we were working at Intel Stockholm on cache coherence for Xeon. It was mentally stimulating and Silent Shout is a homage to that time. - Karin Dreijer Andersson CMU 15-418, Spring 2015 Cache design review Let’s say your code executes int x = 1; (Assume for simplicity x corresponds to the address 0x12345604 in memory... it’s not stored in a register) One Cache Line: Line state Tag 1 0 0 0 . Data (64 bytes on Intel Core i7) Dirty bit Byte 0 of line Byte 63 of line ▪ Review - Write back vs. write-through cache - Write allocate vs. write-no-allocate cache CMU 15-418, Spring 2015 Review: write miss behavior of write-allocate, write-back cache (uniprocessor case) Example: processor executes int x = 1; 1. Processor performs write to address in line that is not resident in cache 2. Cache loads line from memory (“allocate line in cache”) 3. One word in cache is updated 4. Cache line is marked as dirty Line state Tag Data (64 bytes on Intel Core i7) Dirty bit CMU 15-418, Spring 2015 A shared memory multi-processor ▪ Processors read and write to shared variables - More precisely: processors issue load and store instructions ▪ A reasonable expectation of memory is: - Reading a value at address X should return the last value written to address X by any processor Processor Processor Processor Processor Interconnect Memory I/O (A nice and simple view of four processors -
Rhizo-Memetic Art
RHIZO-MEMETIC ART: The Production and Curation of Transdisciplinary Performance James Alan Burrows Submitted in accordance with the requirements for the degree of Doctor of Philosophy Edge Hill University Department of Performing Arts October 2017 The candidate confirms that the work submitted is his own, and that appropriate credit has been given where reference has been made to the work of others. ACKNOWLEDGEMENTS The production of Rhizo-Memetic Art has involved the support, interest and commitment of many people. I would like to acknowledge and sincerely thank the various people who have been involved over the last four years. I would like to thank all of the artist-participants who have been involved with the various stages of the project, the many people who were involved with the performances and exhibition, my supervisory team and my colleagues in the Department of Performing Arts at Edge Hill University. I would especially like to thank Professor Victor Merriman for his constant sound advice and support. I extend my gratitude to Dr. Rachel Hann for guiding me towards a truer understanding of my own practice. In the same regard I’d like to thank Dr. Helen Newall – our conversations have sparked my imagination. I reserve the greatest of recognition for my parents, Yvonne and Edmund Burrows, whose kind words of encouragement have long sustained me. Lastly, I’d like to dedicate this work to Christopher Valentine, who has supported, challenged, discussed and nurtured this project alongside me, and who has put up with maximum possible disruption to our life together with good humour and love. -
Unfinished Histories Art, Memory and the Visual Politics of Coloniality
Unfinished Histories Art, Memory and the Visual Politics of Coloniality Program & Abstracts Detail of La Vaughn Belle, Belle, Detail of La Vaughn Chaney (we live with the fragments_003) , 2016. Photo: William Stelzer. , 2016. Photo: William Stelzer. 1 Conference organizers Mathias Danbolt and Mette Kia Krabbe Meyer Assistant organizers Anna Vestergaard and Nina Cramer Volunteers Cathrine Kamper, Fie Thorup Hansen, Sofie Aspinall and Sofie Bastiansen Graphic Design Pia Bindra The conference is supported by Thursday November 30, 2017 Venue: The Royal Danish Library 9.00-9.30: Registration and Coffee (Atrium) 9.30-9.45: Welcome and Introduction (Queen’s Hall) Mathias Danbolt and Mette Kia Krabbe Meyer, Conference Organizers 9.45-10.45: Keynote (Queen’s Hall) Krista Thompson, “Photographic Fugitivity: On Outrunning Capture in Colonial Jamaica” 10.45-11.00: Break (Atrium) 11.00-12.00: Keynote (Queen’s Hall) Temi Odumosu, “Unable to Hear the Tears: In Search of Empathy During Denmark’s 2017 Commemorations” 12.00-13.00: Lunch (Atrium) 13.00-14.30: Parallel Sessions Decolonizing the Museum (Queen’s Hall) Chair: Mathias Danbolt Thomas Overdick, Sven Klomp and Joe Sam-Essandoh: “Re-thinking Re- presentations: African-Caribbean Perspectives on the Colonial Legacy of Flensburg and Altona” Julia Binter, “Decolonizing the Art Museum: Unfinished (his/her)stories from the Kunsthalle Bremen, Germany” Monica Marin, "Migrating Histories: Collective Curatorial Practices" Archival Interventions (Rotunda / Blind Spots exhibition) Chair: Daniela Agostinho Katrine