The Art of the Short Story
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American Masters 200 List Finaljan2014
Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON: -
The Key Reporter
reporter volume xxxi number four summer 1966 NEW PROGRAMS FOR THE HUMANITIES The National Foundation on the Arts and the Humanities aspects of the program. Panels for review of proposals are celebrates its first birthday next month. One of the youngest also set up in selected fields. The Councils are obliged to make federal agencies, the Foundation was established last year by annual reports to the President for transmittal to Congress. the 89th Congress on September 16. Although legislation in Federal Council on the Arts and the Humanities support of cultural undertakings, particularly the arts, had been before Congress for some 88 years, last year was the first In order to avoid duplication of programs and with an eye to time that legislation had been introduced to benefit both the assuring maximum opportunity for cooperative activities humanities and the arts means of one independent national by the among federal government agencies, a Federal Council on foundation. That Congress voted to enact this legislative pro Arts and the Humanities was also established by Congress. gram the first time it was introduced can be attributed to strong There are nine members on the Federal Council, including the Administration backing of the proposed Foundation, biparti Secretary of the Smithsonian Institution, who serves as chair san support and sponsorship of the legislation in Congress, man. The Federal Council is authorized to assist in co and general public recognition and agreement that the national ordinating programs between the two Endowments and with government should support and encourage the humanities and related Federal bureaus and agencies; to plan and coordinate the arts. -
Ralph Ellison and the American Pursuit of Humanism by Richard
Ralph Ellison and the American Pursuit of Humanism by Richard Errol Purcell BA, Rutgers University, 1996 MA, University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences This dissertation was presented by Richard Errol Purcell It was defended on May 14th, 2008 and approved by Ronald Judy, Professor, English Marcia Landy, Professor, English Jonathan Arac, Professor, English Dennis Looney, Professor, French and Italian Dissertation Advisor: Paul Bove, Professor, English ii Copyright © by Richard Errol Purcell 2008 iii Ralph Ellison and the American Pursuit of Humanism Richard Purcell, PhD University of Pittsburgh, 2008 In the middle of a 1945 review of Bucklin Moon’s Primer for White Folks, Ralph Ellison proclaims that the time is right in the United States for a “new American humanism.” Through exhaustive research in Ralph Ellison’s Papers at the Library of Congress, I contextualize Ellison’s grand proclamation within post-World War II American debates over literary criticism, Modernism, sociological method, and finally United States political and cultural history. I see Ellison's “American humanism” as a revitalization of the Latin notion of litterae humaniores that draws heavily on Gilded Age American literature and philosophy. For Ellison, American artists and intellectuals of that period were grappling with the country’s primary quandary after the Civil War: an inability to reconcile America’s progressive vision of humanism with the legacy left by chattel slavery and anti-black racism. -
Fl Brgi~ Robert Penn Warren and Ralph Ellison
i~" ~zaDVADC rcr~ fl BRgi~ VIEWS & REVIEWS Robert Penn Warren and Ralph Ellison A Dialogue this was the difficulty, based upon he has added, "by Negro 'spokesmen' IN Invisible1952, Ralph Man wasEllison's published. novel It our long habit of deception and eva- and by sociologists, black and white." is now a classic of our time, and sion, of depicting what really hap- In other words, he is insisting on the has been translated into seven pened within our areas of American difficult obligation of discovering languages. The title has become a life, and putting down with honesty and affirming the self, in the face of key phrase: the invisible man is the and without bowing to ideological pressures from whatever source or American Negro. expediencies the attitudes and values side. He has notably succeeded in Ralph Ellison is not invisible, and which give Negro American life its fulfilling that obligation. he had done some thirty-eight years sense of wholeness and which render Physically, Ralph Ellison is a man of living before the novel appeared; it bearable and human and, when of force and grace, somewhat above the rich and complex experience of measured by our own times, desir- medium height, with a well-fleshed those years underlies, too, his recent able." figure not yet showing any of the collection of essays, Shadow and Act. We all know the difficulty of being slackness of middle age. He is light In the preface he says of his struggle honest about our feelings. But Elli- brown. His brow slopes back but to become a writer: son clearly means something more is finely vaulted, an effect accentu- "I found the greatest difficulty for than that ordinary human difficulty ated by the receding hairline. -
Jazz Studies* 1
Jazz Studies* 1 complicated terrains of the New Orleans of Bunk Johnson, for example, or JAZZ STUDIES* the Baltimore of Billie Holiday (born in Philadelphia, reared in Baltimore). They explore such artists’ other geographical travels. What did their *Jazz Studies is offered exclusively as a concentration. images, including mistaken conceptions of who they were, tell us about the cultures that mythologized them? The Center for Jazz Studies: Prentis Hall, 4th floor (632 W. 125th Street); 212-851-9270 How did these jazz musicians influence not only musicians but other http://www.columbia.edu/cu/cjs artists of their era and milieu: the poets and novelists, painters and sculptors, photographers and filmmakers, dancers and choreographers Jazz at Columbia: who regularly heard them play and often shared with them a sense of https://mpp.music.columbia.edu/louis-armstrong-jazz-performance- common project? program One thinks of Tito Puente, working with singers and dancers at the Director: Prof. Robert G. O'Meally, 611 Philosophy; 212-851-9270; Palladium; Jackson Pollack dancing to the music as he spun drips of [email protected] paints on canvasses placed on the studio floor; Langston Hughes writing detailed instructions to the musicians he hoped would accompany Director of Jazz Performance: Prof. Christopher Washburne, 619A Dodge; performance of his poetry; Romare Bearden’s beautifully turned stage 212-854-9862; [email protected] and costume designs for Alvin Ailey and Dianne McIntyre, whose improvisatory jazz dance workshop was called Sound in -
Newsletter No. 4, July 2016 Dear Diploma Alumna/Us Greetings from London Where the Mood Is Very Sombre Following the Result of the EU Referendum
Newsletter No. 4, July 2016 Dear Diploma Alumna/us Greetings from London where the mood is very sombre following the result of the EU referendum. It is very hard for those of us who voted to remain in the EU to see the country turning its back on our neighbours and allies and the larger European project. We will have to work harder to maintain connections and contacts. Since the last newsletter in May 2015, another group of ten students has graduated and we welcome them to the Diploma Alumni Group. This brings the number of people who have been awarded the Diploma since 1963 to over 500 (including those who have since died). But this has also been a year of losses. I am sorry to report the death in Japan on November 9, 2015, of Tetsuko Abe Am.S.Dipl ’67, at the age of 82. In addition, two professors who were involved with the Diploma program Daniel Aaron on the steps of Tyler Annex, in its early years have passed away. Smith College, Daniel Aaron died on April 30, 2016, aged 103. He taught May 1999 at Smith, where he was the Mary Augusta Jordan Professor of English, for thirty years from 1939. Having received one of the first doctorates in American Civilization from Harvard in 1943, Dan was among the group of faculty who introduced a pioneering American Studies undergraduate program at Smith, and then led the committee (of which Peter Rose was a junior member) that inaugurated the Diploma in American Studies in 1962. Members of the Diploma classes from the 1960s, such as Lien Guidon Am.S.Dipl ’65, recall with gratitude the role he played in recruiting them to the program. -
Arts&Sciences
CALENDAR College of Liberal Arts and Sciences The University of Iowa School of Music is 240 Schaeffer Hall celebrating its centennial throughout 2006-07; The University of Iowa visit www.uiowa.edu/~music for a calendar Iowa City, Iowa 52242-1409 of events. November E-mail: [email protected] Visit the College of Liberal Arts and Sciences REQUIEM at www.clas.uiowa.edu By Giuseppe Verdi A School of Music, Division of Performing Arts, centennial event featuring the University Symphony Orchestra and Choirs with alumni Arts&Sciences guest soloists FALL 2006 Arts & Sciences is published for alumni and friends of the College of Liberal Arts and Sciences December at The University of Iowa. It is produced by the Offi ce of the Dean of the College of Liberal Arts and Sciences and by the Offi ce of University Relations Publications. WINTER COMMENCEMENT Address changes: Readers who wish to change their mailing address for JanuaryFebruary Arts & Sciences may call Alumni Records at 319-335-3297 or 800-469-2586; or send an e-mail to [email protected]. INTO THE WOODS Music and lyrics by Stephen Sondheim DEAN Linda Maxson Department of Theatre Arts, Division of E XECUTIVE E DITOR Carla Carr Performing Arts M ANAGING E DITOR Linda Ferry February CONSULTING E DITOR Barbara Yerkes M AIA STRING QUARTET DESIGNER Anne Kent COLLABORATION P HOTOGRAPHER Tom Jorgensen Department of Dance and School of Music, CONTRIBUTING FEATURE WRITERS Division of Performing Arts Peter Alexander, Winston Barclay, Lori Erickson, Richard Fumerton, Gary W. May Galluzzo, Lin Larson, Jen Knights, Sara SPRING COMMENCEMENT Epstein Moninger, David Pedersen COVER P HOTO: Art Building West provides a study June in refl ected light. -
DOHERTY-DISSERTATION-2015.Pdf (733.0Kb)
State-Funded Fictions: The NEA and the Making of American Literature After 1965 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Doherty, Margaret. 2015. State-Funded Fictions: The NEA and the Making of American Literature After 1965. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467197 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA State-Funded Fictions: The NEA and the Making of American Literature After 1965 A dissertation presented by Margaret O’Connor Doherty to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge, MA May 2015 © 2015 Margaret O’Connor Doherty All rights reserved Dissertation Advisor: Professor Louis Menand Margaret O’Connor Doherty State-Funded Fictions: The NEA and the Making of American Literature After 1965 Abstract This dissertation studies the effects of a patronage institution, the National Endowment for the Arts Literature Program, on American literary production in the postwar era. Though American writers had long cultivated informal relationships with government patrons, the National Endowment for the Arts (NEA) reflected a new investment in the aesthetic life of the nation. By awarding grants to citizens without independent resources for work yet to be produced, it changed both the demographics of authorship and the idea of the “professional” writer. -
Gordon Parks: the New Tide, Early Work 1940–1950 November 4, 2018 - February 18, 2019
Updated Wednesday, October 3, 2018 | 9:44:30 Gordon Parks: The New Tide, Early Work 1940–1950 November 4, 2018 - February 18, 2019 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. ID: 4950-011 Gordon Parks Captain Bill Lafond, 60-year-old fisherman at Gloucester, owns three boats. He is of Dutch French ancestry and has been going to sea since he was 13, November 1944 gelatin silver print image: 33.34 x 26.35 cm (13 1/8 x 10 3/8 in.) National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection) Courtesy of and copyright The Gordon Parks Foundation ID: 4950-010 Gordon Parks Dinner Time at Mr. Hercules Brown's Home, Somerville, Maine, February 1944 gelatin silver print image: 26.2 x 33.3 cm (10 5/16 x 13 1/8 in.) National Gallery of Art, Washington, Corcoran Collection (The Gordon Parks Collection) ID: 4950-002 Gordon Parks Lee Masters, dairy farmer. -
Journal of the Short Story in English, 67
Journal of the Short Story in English Les Cahiers de la nouvelle 67 | Autumn 2016 Special Issue: Representation and Rewriting of Myths in Southern Short Fiction Electronic version URL: http://journals.openedition.org/jsse/1745 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2016 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 67 | Autumn 2016, « Special Issue: Representation and Rewriting of Myths in Southern Short Fiction » [Online], Online since 01 December 2018, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/1745 This text was automatically generated on 3 December 2020. © All rights reserved 1 TABLE OF CONTENTS Foreword Michelle Ryan-Sautour and Linda Collinge-Germain Introduction Gérald Préher and Emmanuel Vernadakis Articles The "Rape Complex" in Short Fiction from the American South Ineke Bockting Ellen Glasgow's "Jordan's End": Antigone in the South Inès Casas From "Faithful Old Servant" to "Bantu Woman": Katherine Anne Porter's Approach to the Mammy Myth in "The Old Order" Susana Maria Jiménez-Placer Myth and Metaphor in James Agee's "1928 Story" Rémi Digonnet Myth for the Masses: Erskine Caldwell's "Daughter" Amélie Moisy Frontiers of Myth and Myths of the Frontier in Caroline Gordon's "Tom Rivers" and "The Captive" Elisabeth Lamothe William Faulkner's "My Grandmother Millard" (1943) and Caroline Gordon's "The Forest of the South" (1944): Comic and Tragic Versions of the Southern Belle Myth Françoise -
CV for Website
updated & abbreviated June 2017 Emily Jeanne Lordi EMPLOYMENT: Associate Professor of English, University of Massachusetts, Amherst, September 2016-present Assistant Professor of English, University of Massachusetts, Amherst, September 2011-August 2016 Visiting Assistant Professor of English, Cornell University, July 2009-July 2011 EDUCATION: Ph.D., English and Comparative Literature (with Distinction), Columbia University, October 2009 M.A., English and Comparative Literature, Columbia University, 2003 B.A., English (minor, Art History), Vassar College, 2001 (summa cum laude; Alice D. Snyder Award for Excellence in English) Visiting Scholar in English, Worcester College, Oxford University, 2000-2001 BOOKS: Black Resonance: Iconic Women Singers and African American Literature, Rutgers University Press, 2013 • Reviewed in Choice, Paste Magazine, MELUS, American Literary History Online, Journal of American Culture • Chapter two reprinted in The Mahalia Jackson Reader, ed. Mark Burford (Oxford University Press, forthcoming 2017) Donny Hathaway Live, Bloomsbury Academic (33⅓ series) Soul Survivals: Black Musical Aesthetics from the 1960s to the Present (in progress) ARTICLES: “’black and going on women’: Lucille Clifton, Elizabeth Alexander, and the Poetry of Grief,” forthcoming in Palimpsest, 2017 “Surviving the Hustle: Beyoncé’s Performance of Work,” forthcoming in Black Camera, 2017 “James Baldwin and the Sound of Soul,” New Centennial Review 16.2 (Fall 2016) “Souls Intact: The Soul Performances of Audre Lorde, Aretha Franklin, and Nina Simone,” Women & Performance 26.1 (July 2016) “Fading Out: White Flight and Sly and the Family Stone’s ‘Stand!,’” Journal of Popular Music Studies 24.3 (September 2012) “‘Window Seat’: Erykah Badu, Projective Cultural Politics, and the Obama Era,” Post45: Peer Reviewed, December 2011 BOOK CHAPTERS: “Keyword: Soul,” Keywords in African American Studies, ed. -
Library of Congress Magazine
LIBRARY OF CONGRESS MAGAZINE MAY/JUNE 2017 DESIGN INSIDE PLUS Great Public Spaces Beautiful Gardens Storage Solutions for FOR Fabulous Flutes America’s Collections Courtroom Style LIVING LOC.GOV LIBRARY OF CONGRESS MAGAZINE Library of Congress Magazine Vol. 6 No. 3: May/June 2017 Mission of the Library of Congress The Library’s central mission is to provide Congresss, the federal government and the American people with a rich, diverse and enduring source of knowledge that can be relied upon to inform, inspire and engage them, and support their intellectual and creative endeavors. Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610. [email protected] loc.gov/lcm ISSN 2169-0855 (print) ISSN 2169-0863 (online) Carla D. Hayden Librarian of Congress Gayle Osterberg Executive Editor John H. Sayers Managing Editor Ashley Jones Designer Shawn Miller Photo Editor Contributing Writers Erin Allen Barbara Bair Jennifer Gavin Mitchell Gold The mezzanine of the Great Hall of the Thomas Jefferson Building Mark Hartsell features intricately designed mosaic tile floors.