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Ken Lopez Bookseller Modern Literature 165 1 Lopezbooks.Com
MODERN LITERATURE 165 KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 1 LOPEZBOOKS.COM KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 2 KEN LOPEZ, Bookseller MODERN LITERATURE 165 51 Huntington Rd. Hadley, MA 01035 (413) 584-4827 FAX (413) 584-2045 [email protected] | www.lopezbooks.com 1. (ABBEY, Edward). The 1983 Western Wilderness Calendar. (Salt Lake City): (Dream Garden) CATALOG 165 — MODERN LITERATURE (1982). The second of the Wilderness calendars, with text by Abbey, Tom McGuane, Leslie Marmon Silko, All books are first printings of the first edition or first American edition unless otherwise noted. Our highest Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, grade is fine. Barry Lopez, Frank Waters, William Eastlake, John New arrivals are first listed on our website. For automatic email notification about specific titles, please create Nichols, and others, as well as work by a number of an account at our website and enter your want list. To be notified whenever we post new arrivals, just send your prominent photographers. Each day is annotated with email address to [email protected]. a quote, a birthday, or an anniversary of a notable event, most pertaining to the West and its history and Books can be ordered through our website or reserved by phone or e-mail. New customers are requested to pay natural history. A virtual Who’s Who of writers and in advance; existing customers may pay in 30 days; institutions will be billed according to their needs. All major photographers of the West, a number of them, including credit cards accepted. Any book may be returned for any reason within 30 days, but we request notification. -
The Iceberg and Its Minimalist Implications in Raymond Carver's Fiction
Sinking the Titanic: The Iceberg and its Minimalist Implications In Raymond Carver's Fiction Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Spring 2006 By John Mozley Thesis Reader Deborah James Thesis Advisor Cynn Chadwick Mozley 1 When Raymond Carver died in 1988 of lung cancer, Robert Gotlieb, the then editor of The New Yorker, stated, "America just lost the writer it could least afford to lose" (Max 36). In Carver's mere twenty-year publishing career, he garnered such titles as "the American Chekhov" (London Times), "the most imitated American writer since Hemingway" (Nesset 2), and "as successful as a short story writer in America can be" (Meyer 239). Carver's stories won the O. Henry Award three consecutive years, he was nominated for the National Book Award in 1977 for Will You Please Be Quiet Please?. won two NBA awards for fiction, received a Guggenheim Fellowship as well as the "Mildred and Harold Strauss Living Award from the American Academy and Institute of Arts and Letters" (Saltzman 3), and his collection of stories, Cathedral was nominated for both National Book Critics Circle award and a Pulitzer Prize (Saltzman 3). Born in Oregon in 1938, Carver grew up in Yakima, Washington where his father worked in the sawmill. At twenty years old, Carver was married to his high school sweetheart, Maryanne, and had two children (Saltzman 1). Plagued by debt and escalating alcoholism, the Carvers moved to California where Raymond "worked a series of low-paying jobs, including deliveryman, gas station attendant and hospital janitor, while his wife waited tables and sold door to door" (1), his jobs also included "sawmill worker. -
American Masters 200 List Finaljan2014
Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON: -
The Key Reporter
reporter volume xxxi number four summer 1966 NEW PROGRAMS FOR THE HUMANITIES The National Foundation on the Arts and the Humanities aspects of the program. Panels for review of proposals are celebrates its first birthday next month. One of the youngest also set up in selected fields. The Councils are obliged to make federal agencies, the Foundation was established last year by annual reports to the President for transmittal to Congress. the 89th Congress on September 16. Although legislation in Federal Council on the Arts and the Humanities support of cultural undertakings, particularly the arts, had been before Congress for some 88 years, last year was the first In order to avoid duplication of programs and with an eye to time that legislation had been introduced to benefit both the assuring maximum opportunity for cooperative activities humanities and the arts means of one independent national by the among federal government agencies, a Federal Council on foundation. That Congress voted to enact this legislative pro Arts and the Humanities was also established by Congress. gram the first time it was introduced can be attributed to strong There are nine members on the Federal Council, including the Administration backing of the proposed Foundation, biparti Secretary of the Smithsonian Institution, who serves as chair san support and sponsorship of the legislation in Congress, man. The Federal Council is authorized to assist in co and general public recognition and agreement that the national ordinating programs between the two Endowments and with government should support and encourage the humanities and related Federal bureaus and agencies; to plan and coordinate the arts. -
Ralph Ellison and the American Pursuit of Humanism by Richard
Ralph Ellison and the American Pursuit of Humanism by Richard Errol Purcell BA, Rutgers University, 1996 MA, University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences This dissertation was presented by Richard Errol Purcell It was defended on May 14th, 2008 and approved by Ronald Judy, Professor, English Marcia Landy, Professor, English Jonathan Arac, Professor, English Dennis Looney, Professor, French and Italian Dissertation Advisor: Paul Bove, Professor, English ii Copyright © by Richard Errol Purcell 2008 iii Ralph Ellison and the American Pursuit of Humanism Richard Purcell, PhD University of Pittsburgh, 2008 In the middle of a 1945 review of Bucklin Moon’s Primer for White Folks, Ralph Ellison proclaims that the time is right in the United States for a “new American humanism.” Through exhaustive research in Ralph Ellison’s Papers at the Library of Congress, I contextualize Ellison’s grand proclamation within post-World War II American debates over literary criticism, Modernism, sociological method, and finally United States political and cultural history. I see Ellison's “American humanism” as a revitalization of the Latin notion of litterae humaniores that draws heavily on Gilded Age American literature and philosophy. For Ellison, American artists and intellectuals of that period were grappling with the country’s primary quandary after the Civil War: an inability to reconcile America’s progressive vision of humanism with the legacy left by chattel slavery and anti-black racism. -
Fl Brgi~ Robert Penn Warren and Ralph Ellison
i~" ~zaDVADC rcr~ fl BRgi~ VIEWS & REVIEWS Robert Penn Warren and Ralph Ellison A Dialogue this was the difficulty, based upon he has added, "by Negro 'spokesmen' IN Invisible1952, Ralph Man wasEllison's published. novel It our long habit of deception and eva- and by sociologists, black and white." is now a classic of our time, and sion, of depicting what really hap- In other words, he is insisting on the has been translated into seven pened within our areas of American difficult obligation of discovering languages. The title has become a life, and putting down with honesty and affirming the self, in the face of key phrase: the invisible man is the and without bowing to ideological pressures from whatever source or American Negro. expediencies the attitudes and values side. He has notably succeeded in Ralph Ellison is not invisible, and which give Negro American life its fulfilling that obligation. he had done some thirty-eight years sense of wholeness and which render Physically, Ralph Ellison is a man of living before the novel appeared; it bearable and human and, when of force and grace, somewhat above the rich and complex experience of measured by our own times, desir- medium height, with a well-fleshed those years underlies, too, his recent able." figure not yet showing any of the collection of essays, Shadow and Act. We all know the difficulty of being slackness of middle age. He is light In the preface he says of his struggle honest about our feelings. But Elli- brown. His brow slopes back but to become a writer: son clearly means something more is finely vaulted, an effect accentu- "I found the greatest difficulty for than that ordinary human difficulty ated by the receding hairline. -
Jazz Studies* 1
Jazz Studies* 1 complicated terrains of the New Orleans of Bunk Johnson, for example, or JAZZ STUDIES* the Baltimore of Billie Holiday (born in Philadelphia, reared in Baltimore). They explore such artists’ other geographical travels. What did their *Jazz Studies is offered exclusively as a concentration. images, including mistaken conceptions of who they were, tell us about the cultures that mythologized them? The Center for Jazz Studies: Prentis Hall, 4th floor (632 W. 125th Street); 212-851-9270 How did these jazz musicians influence not only musicians but other http://www.columbia.edu/cu/cjs artists of their era and milieu: the poets and novelists, painters and sculptors, photographers and filmmakers, dancers and choreographers Jazz at Columbia: who regularly heard them play and often shared with them a sense of https://mpp.music.columbia.edu/louis-armstrong-jazz-performance- common project? program One thinks of Tito Puente, working with singers and dancers at the Director: Prof. Robert G. O'Meally, 611 Philosophy; 212-851-9270; Palladium; Jackson Pollack dancing to the music as he spun drips of [email protected] paints on canvasses placed on the studio floor; Langston Hughes writing detailed instructions to the musicians he hoped would accompany Director of Jazz Performance: Prof. Christopher Washburne, 619A Dodge; performance of his poetry; Romare Bearden’s beautifully turned stage 212-854-9862; [email protected] and costume designs for Alvin Ailey and Dianne McIntyre, whose improvisatory jazz dance workshop was called Sound in -
Wallace Stegner Miscellaneous Papers
http://oac.cdlib.org/findaid/ark:/13030/c8zk5jjr No online items Guide to the Wallace Stegner miscellaneous papers Jenny Johnson Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California February 2014 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Guide to the Wallace Stegner SC1188 1 miscellaneous papers Overview Call Number: SC1188 Creator: Stegner, Wallace Earle, 1909-1993 Title: Wallace Stegner miscellaneous papers Dates: circa 1944-1992 Physical Description: 0.5 Linear feet (1 box) Summary: Papers include miscellaneous files about Stanford University, the Wallace Stegner Fellowship in the Stanford University Creative Writing Program, and research and writings about Bernard De Voto. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc This collection was given by Mary Stegner to Stanford University, Special Collections in June, 1999. Information about Access The materials are open for research use. Audio-visual materials are not available in original format, and must be reformatted to a digital use copy. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94305-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. -
74 Three Phases of Literary Minimalism
International Journal of Humanities and Social Science Research International Journal of Humanities and Social Science Research ISSN: 2455-2070; Impact Factor: RJIF 5.22 www.socialresearchjournals.com Volume 2; Issue 12; December 2016; Page No. 74-76 Three phases of literary minimalism Shazia Khatoon Department of English and Modern European Languages, University of Lucknow, Lucknow, Uttar Pradesh, India Abstract Literary Minimalism elaborates new method of writing a text that advocates ordinary stuff, simple writing, and common life. It is away from all complex writing of the past that is based on action rather than reflection. It uses a method which eliminates nonessential details of a text and creates a new way of writing identify as Neo-realist, K-mart realism, and Dirty realism. Such writings are characterized by visual quality hence, focuses on visualising the story. This paper discusses the development of three phases of Literary Minimalism. Keywords: minimalism, realism, ordinary stuff, and common man etc. Introduction strong point to a story” (Darzikola 1) [11]. According to him an Minimalism emerges as a movement between 1960s-80s amateurish writer damages a story by omitting vital though it is influenced by the postmodern writing like neo- information without any mark. Whereas, if there is skilled realism, metafiction, and by several other art forms such as writer practices omission, it will strengthen a story as they Painting, Architecture, Music but basically it makes its ground invite readers to apply their own ideas. Moreover, writer also through the writings of Earnest Hemingway. Minimalism provides life experiences and moral values to the work, divides into three phases as first phase of literary Minimalism potentially resulting in deeper and more meaning of the text. -
Quarterly News·Letter
the Quarterly news·letter volume lxxix · number 2 · spring 2014 A Brief Editorial Manifesto by Peter Rutledge Koch What is Fine Printing Anyway? by Peter Rutledge Koch Forthcoming from the Publications Committee by Jennifer Sime Report from the Toronto Book Fair by Bruce Whiteman Review by Crispin Elsted Like a Moth to a Flame by Bo Wreden Southern California Sightings by Carolee Campbell News from the Library by Henry Snyder News & Notes Letter to the Editor New Members published for its members by the book club of california the book club of california is a non-profit membership corporation founded in 1912. A Brief Editorial Manifesto Based on One It supports the art of fine printing related to the history and literature of California and the Hundred Years of Tradition With a Few Minor western states of America through research, publishing, public programs, and exhibitions. Suggestions To Account for Changes in Our The Club is limited to 1,250 members, and membership in the Club is open to all. Annual renewals are due by January 1 of every year. Memberships are: Regular, $95; Sustaining, $150; Patron, Perception of Fine Printing in the Real West $250; Sponsor, $500; Benefactor, $1,000; Apprentice, $35; and Student, $25. All members by Peter Rutledge Koch receive the Quarterly News-Letter and, except for Apprentice and Student members, the current keepsake. All members have the privilege—but not the obligation—of buying Club publications, which are limited, as a rule, to one copy per member. All members may purchase extra copies of keepsakes or QN-Ls, when available. -
Something Fishy in Los Trancos Creek? Page 3
Palo Vol. XXIX, Number 51 • Wednesday, April 2, 2008 ■ 50¢ Alto Something fishy in Los Trancos Creek? Page 3 www.PaloAltoOnline.comw w w. P a l o A l t o O n l i n e . c o m Questions arise *over program for lower-income residents Page 17 Photo illustration Photo Talk about the news at Town Square, www.PaloAltoOnline.com ■ Upfront Improvements coming for Oregon Expressway Page 3 ■ Title Pages Tobias Wolff offers realistic, strange new stories Page 15 ■ Sports Stanford women’s basketball advances to Final Four Page 20 apr.com It’s just one click to a complete list of virtually all homes for sale in the Bay Area. PALO ALTO $3,295,000 Best of California living. Four bedrooms, three bath home with formal entry, separate living and dining rooms. Expansive family rooms with access to patio, pool and separate cottage. We bet you’ve never seen this headline in any recent media coverage of the real estate market. Yet it is fact—92.7 percent of all mortgages in the United States are current. What’s more, the “sub-prime mortgage PALO ALTO $1,250,000 crisis” refers to a tiny portion of sub-prime mortgages. Sub-prime mortgages represent only a fraction of all mortgages—and the vast majority of these are current. 6 Percent of U.S. mortgages that are current 92.7% 6 Percent of U.S. mortgages that are sub-prime 13.2% 6 Percent of sub-prime mortgages that are current 76.8% Source: Mortgage Bankers Association, 3Q07 Report Crises may sell newspapers, but at Alain Pinel Realtors, we conduct business based on market realities. -
STEVEN HAHN Personal Home Address: 420 East 80Th Street, Apt. 9B New York, New York 10075 (610) 716-3656 [email protected] Education
1 STEVEN HAHN Personal Home Address: 420 East 80th Street, Apt. 9B New York, New York 10075 (610) 716-3656 [email protected] Education Ph.D., History, Yale University, 1979 M.Phil., History, Yale University, 1976 M.A., History, Yale University, 1975 B.A., University of Rochester, 1973 Employment Professor of History, New York University, July 2016-- Roy F. and Jeannette P. Nichols Professor in American History, University of Pennsylvania, July 2003–June 2016 Professor of History, Northwestern University, July 1998-June 2003 Professor of History, University of California, San Diego, July 1987-June 1998 Associate Professor of History, University of California, San Diego, July 1983-June 1987 Visiting Associate Editor, Freedmen and Southern Society Project, University of Maryland, 1983-84 Assistant Professor of History, University of California, San Diego, July 1981-June 1983 Assistant Professor of History, University of Delaware, September 1979- June 1981 Lecturer in Yale College, Spring 1976, Spring 1979 Academic Honors - Scholarship Rogers Distinguished Fellow in Nineteenth Century History, Huntington Library, San Marino CA, 2016-17 National Endowment for the Humanities Fellowship, 2012 Elected to the Pulitzer Prize Board, 2011-- Appointed Pitt Professor, University of Cambridge, 2011-12 (declined) Nathan I. Huggins Lecturer, Harvard University, 2007 Lawrence Stone Visiting Professorship, Princeton University, 2006 Pulitzer Prize in History, 2004, for A Nation under Our Feet Bancroft Prize in American History, 2004, for A Nation under Our Feet