Audemars Piguet Connects Creators Through a Series of Musical Encounters
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Brazil and Switzerland Plays Together to Celebrate Music
BRAZIL AND SWITZERLAND PLAYS TOGETHER TO CELEBRATE MUSIC At the end of May 2016 an alliance between Brazil and Switzerland aims to conquer Rio de Janeiro and São Paulo, starting May 25 th . Both cities will host sessions joining Brazilian and foreign musicians during Switzerland meets Brazil. The event presented by Swissando and Montreux Jazz Festival , will have performances by bands Nação Zumbi and The Young Gods, as well as concerts at the Swissando Jazz Club, this place is inspired by the Montreux Jazz Festival in Switzerland, which celebrates its 50 the edition this year, featuring emerging talents and icons from the Brazilian scene. “Music is a great way to celebrate friendship between countries. Thanks to the Montreux Jazz Festival and its founder, Claude Nobs, Brazilian music is well known in Switzerland and in Europe. Brazilian musicians having been invited there almost since the beginning of the Festival. Joining our forces here for this project is a perfect match!” says André Regli, Swiss Ambassador in Brazil. The most important meeting takes place on May 26 th at Cine Joia in São Paulo, and on the 27 th, at Circo Voador, in Rio, with a joint performance between Brazilian band Nação Zumbi and Swiss group The Young Gods. The show will be a taste of what they are preparing for the 50 th edition of the Montreux Jazz Festival, which will take place in July in Switzerland. Besides the meeting of the two bands, who go through Circo Voador during Switzerland meets Brazil, will be able to see an exhibition honoring some Jazz Festival Montreux icons, including Brazilian legend. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
Le Montreux Jazz Festival Présente Le Dispositif De Sa 55E Édition Conforme Aux Contraintes De La Pandémie
Montreux, le 28 juin 2021 COMMUNIQUÉ DE PRESSE Le Montreux Jazz Festival présente le dispositif de sa 55e édition conforme aux contraintes de la pandémie Les organisateurs proposent une 55e édition du Montreux Jazz Festival adaptée à la situation en lien avec l’épidémie de COVID-19. Il s’agit d’une édition largement réduite, sans animation hors périmètre, et avec un plan de protection sanitaire validé par l’Etat-major cantonal de conduite. Le Chef d’Etat-major cantonal a donné l’autorisation au MJF 2021 de se dérouler conformément au cadre légal en vigueur. La situation sanitaire étant en Suisse et dans le canton de Vaud totalement sous contrôle et la vacci- nation avancée, la première grande manifestation se déroulant sur territoire vaudois peut être autorisée. Si le res- pect strict des règles sanitaires mises en œuvre par les organisateurs permet de limiter les risques, il est important de continuer à faire appel à la responsabilité individuelle en appliquant les gestes barrières. Le plan de protection sanitaire du MJF a été élaboré selon l’Ordonnance sur les mesures destinées à lutter contre l’épidémie du Covid-19 en situation particulière, du 23 juin 2021 et selon l’étape d’assouplissement V, entrée en vigueur le 26 juin 2021. Il se base également sur le Plan de protection édité par l’EMCC applicable dans le cadre de l’organisation de grandes manifestations dès le 26 juin 2021. La stratégie générale du MJF repose sur la définition de zones réduites en capacité (capacité totale du site de 1’470 cette année, versus les 15’000 personnes par jour durant une édition en situation normale), et sur la maîtrise de chaque périmètre en termes de capacité et de traçabilité du public (découpage hermétique en secteurs, ver- sus un site complètement ouvert pour l’offre gratuite durant une édition en situation normale). -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Luther Johnson – Telarc.Com Luther “Guitar Junior” Johnson Is One of the Premier Blues Artists to Emerge from Chicago's
Luther Johnson – telarc.com Luther “Guitar Junior” Johnson is one of the premier blues artists to emerge from Chicago’s music scene. Hailing from Itta Bena, Mississippi, Johnson arrived in Chicago in the mid-fifties a young man. At around the same time, the West Side guitar style, a way of playing alternating stinging single-note leads with powerful distorted chords, was being created mostly by Magic Sam and Otis Rush. Originally developed because their small bands could not afford both lead and rhythm guitar players, this style grew into an important contribution to modern blues and rock, influencing such notables as Eric Clapton and Mark Knopfler. Johnson served a long sideman apprenticeship with both Magic Sam and Muddy Waters, while developing into a strong performer in his own right. Today, Luther is widely considered the foremost proponent of the West Side guitar style and the heir apparent to the late Magic Sam’s West Side throne. Luther Johnson first gained an international reputation as a guitarist and vocalist with Muddy Waters’ band, touring the U.S., Europe, Japan and Australia from 1973-79. Given the opportunity to front the band on his featured tunes in each show, Johnson’s super-charged performances consistently thrilled audiences in the world’s leading concert halls, including Carnegie Hall, Kennedy Center and Radio City Music Hall as well as at music festivals in Newport, Antibes, New Orleans and countless others. During his association with Muddy Waters, Johnson also shared the stage with The Rolling Stones, Eric Clapton, The Allman Brothers and Johnny Winter. -
Notre Dame Collegiate Jazz Festival Program, 1981
Archives of the University of Notre Dame Archives of the University of Notre Dame .. ~@~@@@@@~@@@@@@@@@@@@@@@@@@@@@@@@@@~~ ~ ~ ~ ~ ~ ~ ~ ~ MUSIC, ENTERTAINMENT & MORE. .. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ o=oa ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ FOR THE BEST ENTERTAINMENT: ~ ~ in recorded sounds - ~ ~ JUST FOR THE RECORD ~ ~ ~ ~ ~ ~ in live music - ~ Festival Staff ~ ~e ~ Chairman Tim Griffin ~ ~l( ~ Assistant Kevin Bauer Advertising ......................................................... .. Tom Rosshirt ~ UVlUSIC BOX AfB ~ Assistant Mike Mlynski Applications Jane Andersen Assistant Margie Smith ~ ~. ~ Graphics ........................................................... .. Sandy Pancoe Artists Pat Brunner, Jeff Loustau ~ in Mishawaka ~ High School Festival. ....................................... .. Bob O'Donnell, Joe Staudt ~ ~ ~ Master of Ceremonies .............................................. .. Barry Stevens @ Photography Cathy Donovan, Tim Griffin, Helen Odar . ~ ~ ~ Prizes ...................... James Dwyer Assistants. ........................................ .. Veronica Crosson, Vivian Sierra ~ Enjoy the best of both worlds, ! Production .. .......................................................... Kevin Magers Program Tom Krueger ~ with the best of people! --- ~ Assistants ........................ .. Scott Erbs, Tim Keyes, Scott O'Grady, Doug Ventura ~ ~ Publicity ....................................•........................ Mary Murphy ~ o Assistants Lynn Van Housen, John McBride, Lisa Scapellati ~ J F T R (1leUVlUSIC BOX ~ Security Ron Merriweather -
Nomination Form International Memory of the World Register
Nomination form International Memory of the World Register THE MONTREUX JAZZ FESTIVAL, CLAUDE NOBS’ LEGACY (Switzerland) 2012-15 1.0 Summary (max 200 words) « It’s the most important testimonial to the history of music, covering jazz, blues and rock ». These are the words that Quincy Jones pronounced to present the preservation and restoration project of one of the musical monuments from the 20th century, the Montreux Jazz Festival Archives. From Aretha Franklin or Ray Charles to David Bowie or Prince, more than 5,000 hours of concerts have been recorded both in audio and video, since the creation of the Montreux Jazz Festival in 1967, by the visionary Claude Nobs. This collection contains many of the greatest names in middle and mainstream Jazz, including Errol Garner, Count Basie, Lionel Hampton, Dizzy Gillespie, Oscar Peterson to Herbie Hancock. Most of them composed great number of improvised jam sessions extremely rare. Miles Davis played his last performance, conducted by Quincy Jones in 1991. Many artists, like Marvin Gaye, recorded their first and only performance for television in Montreux. This collection of “live” music recordings, ranging from 1967-2012, with universal significance and intercultural dimensions has no direct equal in the world. This musical library traces a timeline of stylistic influences from the early styles of jazz to the present day. In 2007, Swiss Federal Institute of Technology in Lausanne (EPFL) and the Montreux Jazz Festival have decided to join forces to create a unique and first of a kind, high resolution digital archive of the Festival. 2.0 Nominator 2.1 Name of nominator (person or organization) THIERRY AMSALLEM (MONTREUX JAZZ FESTIVAL FOUNDATION) 2.2 Relationship to the nominated documentary heritage MEMBER OF THE MONTREUX JAZZ FESTIVAL FOUNDATION BOARD & OWNER AND CURATOR OF THE MONTREUX JAZZ FESTIVAL AUDIOVISUAL LIBRARY 2.3 Contact person(s) (to provide information on nomination) M. -
41St Annual Freihofer's Saratoga Jazz Festival Is Co-Presented by SPAC and Absolutely Live Entertainment, LLC
National Press Contact: Rebecca Davis Public Relations – 727-289-7449 Rebecca Davis 347-432-8832 (m.) [email protected] Regional Press Contact: Kristy Godette – 518-584-9330 ext. 125 518-316-1435 (m.) [email protected] 41st ANNUAL FREIHOFER’S SARATOGA JAZZ FESTIVAL ANNOUNCES 2018 LINEUP SAT, JUNE 23 & SUN, JUNE 24 Jon Batiste with The Dap-Kings; Chris Botti; Herbie Hancock; Gregory Porter; Mavis Staples TEN Trio: Terri Lyne Carrington, Esperanza Spalding, Nicholas Payton Lean on Me: José James Celebrates Bill Withers Joey Alexander; Anat Cohen Tentet; plus many others NEW! SARATOGA JAZZ FEST FRIDAY TO KICK-OFF WEEKEND WITH LOCAL MUSICIANS AND JAZZ-THEMED EVENTS IN SARATOGA SPRINGS, FRI, JUNE 22 NEW! PERFORMANCES START AT 11AM ON THE CHARLES R. WOOD “JAZZ DISCOVERY” STAGE $20 STUDENT TICKETS BACK BY POPULAR DEMAND (Saratoga Springs, NY) -- The 2018 Freihofer’s Saratoga Jazz Festival features an extraordinary roster of artists, ranging from jazz luminaries -- Jon Batiste, Chris Botti, Herbie Hancock, Gregory Porter, Joey Alexander, and gospel and R&B legend Mavis Staples, who will headline this year’s legendary festival -- to emerging artists making their Saratoga debuts such as José James, Lakecia Benjamin and SoulSquad, Scott Sharrard & The Brickyard Band, Jazzmeia Horn and Keyon Harrold. In addition, unique collaborations and ensembles never-before-seen at the festival will take center stage including Saratoga debuts by TEN, which features Terri Lyne Carrington, Esperanza Spalding and Nicholas Payton; the newly formed all-star trio Mark Whitfield, Ben Allison and Billy Drummond; Alfredo Rodriguez & Pedrito Martinez Duo; and New Orleans @ 300 featuring Evan Christopher, Robin Barnes, Wendell Brunious, David Torkanowsky, Thaddeus Exposé & Shannon Powell. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Audemars Piguet and the Montreux Jazz Festival Celebrated the Closing Night of the Festival's 53Rd Edition Alongside Quincy
AUDEMARS PIGUET AND THE MONTREUX JAZZ FESTIVAL CELEBRATED THE CLOSING NIGHT OF THE FESTIVAL’S 53RD EDITION ALONGSIDE QUINCY JONES Montreux Jazz Festival Stravinsky Auditorium, 2019 (© 2019 FFJM - Marc Ducrest) Le Brassus, 15 July 2019: Swiss Haute Horlogerie manufacturer Audemars Piguet and the Montreux Jazz Festival celebrated the closing night of the Festival’s 53rd edition on July 13, 2019—a co-organised event starring legendary Quincy Jones, godfather of the Montreux Jazz Festival and long-lasting friend of the brand. The closing party was the perfect occasion to officially celebrate the Global partnership between the two entities, which extends their ongoing collaboration begun in 2010 with the Montreux Jazz Digital Project. The celebration started with Quincy Jones’ concert, Soundtrack of the 80s. A line-up of seven artists had gathered at the Stravinski Hall to play some of the most popular hits composed, produced or arranged by Quincy Jones in the 1980s. Jon Batiste, -M- (Matthieu Chedid), Gareth Daley, Lauren Jauregui, Ibrahim Maalouf, Jonah Nilsson and Sheléa were accompanied on stage by the Sinfonietta de Lausanne, directed by John Clayton and Jules Buckley. After the concert, François-Henry Bennahmias, Audemars Piguet’s Chief Executive Officer, joined the closing party held at the Belvédère, where artists gather after concerts, along with more than 150 guests. During their joined discourse, Mathieu Jaton, Chief Executive Officer of the Montreux Jazz Festival, and François-Henry Bennahmias unveiled Quincy Jones’ life-sized statue created by Italian sculptor Marco Zeno. This new bronze sculpture will replace the artist’s existing bust in the Fairmont Montreux Palace’s garden. -
E D L a N Ds Bowl Perform Ing R
E OWL P RFO B RM S I 98th Annual D N The N G Summer Music A A 2287th L Festival D R Event T E S R Friday, July 2, 2021 8:00 p.m. ● THE MASTERS OF CEREMONY Patty Holohan ________________________________________________________________________________ This program is generously sponsored by Larry and Char Burgess and the Will J. Reid Foundation ________________________________________________________________________________ This program is dedicated in memory of Carlos Cervantes This evening’s artists Pacific Mambo Orchestra The Pacific Mambo Orchestra is a Latin flavored orchestra full of celebration and celebrity. Now in their tenth year, PMO finally gained well-overdue recognition in 2014, when their crowd-funded, self-titled, debut album took home the GRAMMY for Best Tropical Latin Album. No newcomer to the big band circuit, they have performed at the Monterey Jazz Festival, the Montreux Jazz Festival, Stern Grove Jazz Jazz Festival, The Aspen Jazz Fest, and many more. They are a popular orchestra that recently sold out their run at Yoshi’s Jazz Club in Oakland, California. The 20-piece orchestra is comprised of the Bay Area’s top talent featured with iconic names like Poncho Sanchez, Pete Escovedo, Carlos Santana, Herbie Hancock or Prince. 2014 GRAMMY® Winner the Pacific Mambo Orchestra (a.k.a. the PMO) is a 20 piece, San Francisco based musical group leading the rebirth of the Latin Big band Sound. The PMO uses the traditions of the classic mambo-craze orchestras of the 1950s to deliver their original music and clever, modern arrangements of hit songs. Currently, the only fully active Latin Big Band on the West Coast of the United States, this elite group of the Bay Area's finest musicians performs in both English and Spanish (French and Portuguese selections are also available).