Notre Dame Collegiate Jazz Festival Program, 1981
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
BTN6916 LMW NORTHERN SOUL ENTS GUIDE SK.Indd
22-25 SEPT 2017 20-23 SEPT 2019 SKEGNESS RESORT GLORIACELEBRATING 60 YEARS JONES OF MOTOWN BOBBY BROOKS WILSON BRENDA HOLLOWAY EDDIE HOLMAN CHRIS CLARK THE FLIRTATIONS TOMMY HUNT THE SIGNATURES FT. STEFAN TAYLOR PAUL STUART DAVIES•JOHNNY BOY PLUS MANY MORE WELCOME TO THE HIGHLIGHTS As well as incredible headliners and legendary DJs, there are loads WORLD’S BIGGEST AND more soulful events to get involved in: BEST NORTHERN SOUL ★ Dance competition with Russ Winstanley and Sharon Sullivan ★ Artist meet and greets SURVIVORS WEEKENDER ★ Shhhh... Battle of the DJs Silent Disco ★ Tune in to Northern Soul BBC – Butlin’s Broadcasting Company Original Wigan Casino jock and founder of the Soul Survivors Weekender, with Russ! Russ Winstanley, has curated another jam-packed few days for you. It’s an ★ incredible line-up with soul legends fl own in from around the world plus a Northern Soul Awards and Dance Competition host of your favourite soul spinners. We’re celebrating Motown Records 60th Anniversary in 2019. To mark this special occasion we have some of the original Motown ladies gracing the stage to celebrate this milestone birthday. SATURDAY 14.00 REDS Meet and Greet with Eddie Holman, Bobby Brooks Wilson, Tommy Hunt Brenda Holloway, Chris Clark and Gloria Jones will also be joining us for a Q&A session, together with Motown afi cionado, Sharon Davies, on Sunday afternoon in Reds. Not to be missed!! SUNDAY 14.00 REDS Don’t miss the Northern Soul dance classes, DJ Battles, Northern Soul Q&A with Brenda Holloway, Chris Clark, Gloria Jones and Sharon Davis awards and dance competitions across the weekend and be sure to look Hosted by Russ Winstanley and Ian Levine, followed by a meet and greet out for limited edition, souvenir vinyl and merch in the Skyline record stall. -
Brazil and Switzerland Plays Together to Celebrate Music
BRAZIL AND SWITZERLAND PLAYS TOGETHER TO CELEBRATE MUSIC At the end of May 2016 an alliance between Brazil and Switzerland aims to conquer Rio de Janeiro and São Paulo, starting May 25 th . Both cities will host sessions joining Brazilian and foreign musicians during Switzerland meets Brazil. The event presented by Swissando and Montreux Jazz Festival , will have performances by bands Nação Zumbi and The Young Gods, as well as concerts at the Swissando Jazz Club, this place is inspired by the Montreux Jazz Festival in Switzerland, which celebrates its 50 the edition this year, featuring emerging talents and icons from the Brazilian scene. “Music is a great way to celebrate friendship between countries. Thanks to the Montreux Jazz Festival and its founder, Claude Nobs, Brazilian music is well known in Switzerland and in Europe. Brazilian musicians having been invited there almost since the beginning of the Festival. Joining our forces here for this project is a perfect match!” says André Regli, Swiss Ambassador in Brazil. The most important meeting takes place on May 26 th at Cine Joia in São Paulo, and on the 27 th, at Circo Voador, in Rio, with a joint performance between Brazilian band Nação Zumbi and Swiss group The Young Gods. The show will be a taste of what they are preparing for the 50 th edition of the Montreux Jazz Festival, which will take place in July in Switzerland. Besides the meeting of the two bands, who go through Circo Voador during Switzerland meets Brazil, will be able to see an exhibition honoring some Jazz Festival Montreux icons, including Brazilian legend. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
Jim Beard Song of the Sun Mp3, Flac, Wma
Jim Beard Song Of The Sun mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Song Of The Sun Country: UK Released: 1991 Style: Fusion MP3 version RAR size: 1100 mb FLAC version RAR size: 1897 mb WMA version RAR size: 1814 mb Rating: 4.5 Votes: 302 Other Formats: MP3 TTA MP4 ASF AIFF APE AC3 Tracklist 1 Camieff 5:13 2 Parsley Trees 6:48 3 Song Of The Sun 5:48 4 Holodeck Waltz 5:07 5 Diana 6:24 6 Baker's Annex 5:54 7 Haydel Bay 1:45 8 Lucky Charms 5:22 9 Long Bashels 6:49 10 Sweet Bumps 5:02 11 Crossing Troll Bridge 5:10 Companies, etc. Phonographic Copyright (p) – CTI Records Copyright (c) – CTI Records Record Company – Castle Communications Recorded At – Carriage House Studios Mixed At – Carriage House Studios Credits Bass – Anthony Jackson (tracks: 3, 9, 10), Victor Bailey (tracks: 1, 5, 11) Bass Clarinet – Bob Mintzer (tracks: 1,4) Co-producer – Jon Herington Djembe – Mino Cinelu (tracks: 6) Drums – Ben Perowsky (tracks: 1, 2, 6), Dan Tanar (tracks: 7), Dennis Chambers (tracks: 4, 5, 8,), Kenny Aronoff (tracks: 9) French Horn – Bob Carlisle (tracks: 6), Fred Griffen* (tracks: 6), Jerry Peel (tracks: 6) Guitar – Jon Herington (tracks: 3, 4, 5, 6, 9, 10) Harmonica – Toots Thielemans (tracks: 5, 10, 11) Keyboards, Synthesizer – Jim Beard Mastered By – Bob Ludwig Percussion – Don Alias (tracks: 5, 9), Mino Cinelu (tracks: 2, 4, 5, 9), Raphael Ican (tracks: 2,7) Producer – Jim Beard Recorded By, Mixed By – Phil Magnotti Soprano Saxophone – Wayne Shorter (tracks: 2, 4, 9) Tenor Saxophone – Michael Brecker (tracks: 1, 6, 8) Voice – Chiandra (tracks: 7), Jim Beard (tracks: 7) Written-By – Jim Beard Notes Recorded & Mixed at Carriage House Studios, Stamford, CT, May-June, 1990. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Le Montreux Jazz Festival Présente Le Dispositif De Sa 55E Édition Conforme Aux Contraintes De La Pandémie
Montreux, le 28 juin 2021 COMMUNIQUÉ DE PRESSE Le Montreux Jazz Festival présente le dispositif de sa 55e édition conforme aux contraintes de la pandémie Les organisateurs proposent une 55e édition du Montreux Jazz Festival adaptée à la situation en lien avec l’épidémie de COVID-19. Il s’agit d’une édition largement réduite, sans animation hors périmètre, et avec un plan de protection sanitaire validé par l’Etat-major cantonal de conduite. Le Chef d’Etat-major cantonal a donné l’autorisation au MJF 2021 de se dérouler conformément au cadre légal en vigueur. La situation sanitaire étant en Suisse et dans le canton de Vaud totalement sous contrôle et la vacci- nation avancée, la première grande manifestation se déroulant sur territoire vaudois peut être autorisée. Si le res- pect strict des règles sanitaires mises en œuvre par les organisateurs permet de limiter les risques, il est important de continuer à faire appel à la responsabilité individuelle en appliquant les gestes barrières. Le plan de protection sanitaire du MJF a été élaboré selon l’Ordonnance sur les mesures destinées à lutter contre l’épidémie du Covid-19 en situation particulière, du 23 juin 2021 et selon l’étape d’assouplissement V, entrée en vigueur le 26 juin 2021. Il se base également sur le Plan de protection édité par l’EMCC applicable dans le cadre de l’organisation de grandes manifestations dès le 26 juin 2021. La stratégie générale du MJF repose sur la définition de zones réduites en capacité (capacité totale du site de 1’470 cette année, versus les 15’000 personnes par jour durant une édition en situation normale), et sur la maîtrise de chaque périmètre en termes de capacité et de traçabilité du public (découpage hermétique en secteurs, ver- sus un site complètement ouvert pour l’offre gratuite durant une édition en situation normale). -
Chick Corea Bio 2015 Chick Corea Has Attained Iconic Status in Music
Chick Corea Bio 2015 Chick Corea has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth- most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s. Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year twice this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.” Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes; Blue Note, 1968), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul; ECM, 1971) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreria and Flora Purim; ECM, 1972), as well as Crystal Silence(with Gary Burton; ECM, 1973), My Spanish Heart (Polydor/Verve, 1976), Remembering Bud Powell (Stretch, 1997) and Further Explorations (with Eddie Gomez and Paul Motian; Concord, 2012). -
Personalisation, Automation and Internationalisation
PERSONALISATION, AUTOMATION AND INTERNATIONALISATION etaileurope.wbresearch.com PERSONALISATION, AUTOMATION AND INTERNATIONALISATION eTail Europe has an excellent mix of speakers with really good actionable insights. The interactive meeting planner made it extremely easy to plan in meetings with other guests and exhibitors. I came away inspired and would definitely like to attend again next year. Emerald Willett Digital Marketing Manager Astley Clarke etaileurope.wbresearch.com 2 PERSONALISATION, AUTOMATION AND INTERNATIONALISATION CONTENTS Introduction 4 Cart Abandonment Emails: A Brisk Path To Commercial Success 5 Tracy Sestili, Head of Marketing, SparkPost Non-Traditional Fulfilment Paves the Way for International Expansion 6 Joe Farrell, VP International Operations, PFS Providing Personalisation that Respects Privacy 7 Bill Schneider, VP Product Marketing, SheerID Part One: 8 Navigating the New eCommerce Landscape Part Two 14 Strategy Overview Part Three 18 Driving Customer Acquisition and Loyalty Part Four 22 Internationalisation About SparkPost 27 About PFS 27 About SheerID 28 About WBR Insights 28 etaileurope.wbresearch.com 3 INTRODUCTION CONTRIBUTORS In Q1 of 2019, WBR Insights, SparkPost, Tracy Sestili Joe Farrell PFS, and SheerID surveyed 100 Directors of Head of VP Marketing International Commerce from across the Europe to find out SparkPost Operations more about the challenges they face and the PFS innovative solutions they bring to the table. The survey was conducted by appointment over the telephone. The results were Bill -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Decommissioning Programme FINAL VERSION: 1 SEPTEMBER 2016
ConocoPhillips Decommissioning Programme FINAL VERSION: 1 SEPTEMBER 2016 Viking Satellites CD, DD, ED, GD, HD ConocoPhillips Document Control Approvals Name Signature Date Prepared by Cathy Marston ai ( ic Reviewed by Steven McColl £-0 <- Approved by David Farthing I . Approved by Kate Simpson .21.9. / Approved by Joe Farrell <3. <j' 1 Approved by Barry King Ttkr Re ision Control Rev Reference Changes / Comments Issue Date 1 COP-SNS-V-XX-X-PM-12-00001 Pre Draft for BEIS 29-10-2014 2 COP-SNS-V-XX-X-PM-12-00001 Updated Pre Draft for BEIS 19-12-2014 3 COP-SNS-V-XX-X-PM-12-00001 Updated Pre Draft for BEIS 10-03-2015 4 COP-SNS-V-XX-X-PM-12-00001 Updated Pre Draft for BEIS 01-05-2015 5 COP-SNS-V-XX-X-PM-12-00001 Draft for Consultation 16-09-2015 6 COP-SNS-V-XX-X-PM-12-00001 Final Version for BEIS 01-09-2016 Distribution List Name Company No of Copies David Farthing ConocoPhillips 1 Sandra Turin Britoil PLC/BP 1 Contents INST = Installations INST P/L Contents 3 A. TableofTerms and Abbreviations 4 B. Table of Figures and Tables 5 C. Table of Appendices 5 1. Executive Summary 6 1.1 Decommissioning Programme 6 1.2 Requirement for Decommissioning Programme 6 1.3 Introduction 6 1.4 Overview of Installations Being Decommissioned 8 1.4.1 Installations 8 1.5 Summary of Proposed Decommissioning Programme 9 1.6 Field Location including Field Layout and Adjacent Facilities 10 1.7 Industrial Implications 14 2. -
Tribute to Joe Farrell
Around the World in 40 Years! To the Great Joe Farrell from your friends at CIDEC, OISE/UT Created on www.MemoryPress.com Thank you Joe! In celebration of and gratitude for your generous and intellectually invigorating leadership of the Comparative, International and Development Education Centre and Programme at OISE, as well as the Comparative and International Education Society and the Education Sub-Committee of the Canadian Commission for UNESCO. Contents Tributes from Students, Past & Present ................................. 3 “Walking the talk” - Karen Jensen ........................................... 3 “What it means to be a teacher” - Daniel Morales-Gomes & Stephanie Amos ... 4 “No problem” - Jeff Trapp .................................................. 5 “You saved my dissertation and my life” - Mary Wan ......................... 5 “A source of support” - Suzanne Scott ....................................... 6 “A tribute” - Obed Mfum-Mensah ........................................... 7 “Best wishes” - Marie (Eggen) Ammar ....................................... 8 “A lot of heart” - Nhung Truong ............................................. 9 “Thank you, Joe, for everything” - Brenda Haiplik ........................... 10 “If it ain’t broke, don’t 'x it” - Alison Neilson ............................... 12 “From the other side of the pond” - Ted Howe ............................... 13 “This is the kind of stuff I want to do when I grow up!” - Zahra Bhanji ........ 13 “Model and mentor” - Nadya Weber .......................................