Iowa Family Day Care Handbook
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1-Intro Pages 3
Handout #8.1 Diapering/ Toileting Diapering and the use of potty chairs carry distinct risks to the child care environment. Since the changing area is one of the places where germs which cause disease are most likely to live and spread, these activities must be handled with extreme care and attention to sanitation. The Diapering Area The health and safety of the children in your child care setting demand that diapering be carried out in an environment that has been carefully planned. These are some important rules about the diapering area that should be remembered: • Use the area only for diapering. • Set up the diapering area as far away as possible from any food handling area. • Provide running water so hands can be washed immediately after a diaper is changed. Ideally, a diaper changing area should be within arm’s reach of a sink. • Construct a flat and safe diapering surface high enough so that you do not put extra stress on your back. • Be sure this surface is clean, waterproof and free of cracks or crevices. A good pad on the surface with a waterproof cover is more comfortable for the child. • Cover the surface with a disposable cover. Use cheap materials such as paper bags, used computer paper (on the “wrong” side), rolls of paper, etc. or buy disposable squares from discount medical supply companies. • Keep all creams, lotions and cleaning items out of the reach of children, but within your reach. Never give a child any of these to play with while being diapered, since s/he could be poisoned. -
Text Collection
GRADE TM 4 Ac GEN b Text Collection Glenview, Illinois • Boston, Massachusetts • Chandler, Arizona • Hoboken, New Jersey Copyright © 2014 Pearson Education, Inc., or its affiliates. All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. For information regarding permissions, write to Rights Management & Contracts, Pearson Education, Inc., 221 River Street, Hoboken, New Jersey 07030. Pearson and ReadyGEN are trademarks, in the U.S. and/or other countries of Pearson Education, Inc., or its affiliates. Common Core State Standards: © Copyright 2010. National Governors Association for Best Practices and Council of Chief State School Officers. All rights reserved. ISBN-13: 978-0-328-78846-0 ISBN-10: 0-328-78846-5 4 5 6 7 8 9 10 V003 18 17 16 15 14 RGEN14_SC4_V1_FM.indd 1 2/11/14 1:37 PM Table of Contents Unit 1 Becoming Researchers The Frog Scientist by Pamela S. Turner ......................................................... 5 Movers & Shapers by Dr. Patricia Macnair ......................................................13 King of the Parking Lot by Gaby Triana ...........................................................33 Spider by Shel Silverstein ..........................................................45 The Frog by Hilaire Belloc ...........................................................45 -
Section 10: Outdoor Action Song Guide
Section 10: Outdoor Action Song Guide Songs, just like games, can be a useful and fun addition to a trip. Whether used to get the group warmed up on a chilly morning or to lighten the mood on the trail, songs should be a part of your leader bag of tricks. Most of these songs represent relatively low interpersonal risk except for songs that single out individuals such as Little Sally Walker. As for any activity, use your leader radar to determine when the individual and group dynamics are appropriate for a particular song. Enjoy! 10-1 Old Nassau Tune every heart and every voice, bid every care withdraw; Let all with one accord rejoice, in praise of Old Nassau. In praise of Old Nassau we sing, Hurrah! hurrah! hurrah! Our hearts will give while we shall live, three cheers for Old Nassau. 10-2 10-3 10-4 10-5 10-6 10-7 10-8 Go Bananas CHORUS (With Actions) LEADER: Bananas of the world…UNITE! Thumbs up! Elbows back! LEADER: Bananas…SPLIT! Thumbs up! Elbows back! Knees together! Toes together ALL: Peel bananas, peel peel bananas Butt out Slice bananas… Head out Mash bananas… Spinning round Dice bananas… Tongue out Whip bananas… Jump bananas… GO BANANAS… The Jellyfish (Jellyfish should be yelled in silly voice to yield its full comedic effect.) CHORUS Penguin Song ALL: The jellyfish, the jellyfish, the jellyfish (while (With Actions) moving like a jellyfish). CHORUS ALL: Have you ever seen a penguin come to tea? LEADER: Feet together!! Take a look at me, a penguin you will see ALL: Feet together!! Penguins attention! Penguins begin! (Salute here) -
2015-2016 SHM Parent Handbook (10-15-15)
PARENT HANDBOOK 2015 – 2016 Academic Year Sunny Hollow Montessori 636 South Mississippi River Boulevard Saint Paul, MN 55116 Phone: 651-690-2307 Fax: 651-690-0684 sunnyhollow.org Revised 10/15/15 Parent Handbook WELCOME We are delighted that your family is a part of the Sunny Hollow Montessori community! This handbook provides you with the tools you need to be informed and connected at Sunny Hollow. Included are the guidelines, policies, and procedures for families. If you have any questions, please ask our administrative staff. Here’s to a strong year of partnership, joy, and learning at Sunny Hollow! CHANGES TO THIS HANDBOOK We have revised the 2015-2016 Parent Handbook to make it easier to use and to include our new Toddler Community. Please review and let us know if you have questions. For returning families, here are important changes to drop-off times: • All Casa and Elementary children are expected to be in the school by 8:30 am. • Casa staff will now greet children from 8:20 to 8:30 am. • Car drop-off is now from 8:20 to 8:30 am. 2 Parent Handbook TABLE OF CONTENTS WELCOME 2 OVERVIEW OF SUNNY HOLLOW MONTESSORI 5 Our Mission 5 Our Vision 5 Our Values 5 Our History 5 Accreditation, Licensing, and Associations 6 Non-Discrimination Policy 6 STAFF DIRECTORY 7 WHO TO CONTACT WITH QUESTIONS 9 BOARD OF TRUSTEES 10 THE MONTESSORI METHOD 11 MONTESSORI EDUCATION PROGRAMS 13 Toddler Community (16 to 33 Months) 13 Casa (33 Months to 6 years) 16 Elementary (Grades 1 to 6) 19 CASA AND ELEMENTARY EXTRA CURRICULAR PROGRAMS 22 Foreign Language -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Multiple Personality Climbs Progressive Hill Climbs
Audio Master Class Multiple Personality Climbs Progressive Hill Climbs Created By: Jennifer Sage Ride Objective: Five progressive climbs Working intensity: Zones 3–5a Class Length: 60 minutes Ride Objective The primary objective of this ride is five progressive climbs of varying cadence and intensity. The first is more for fun; the second raises the intensity and emotion. The third and fourth climbs are the hardest, and the final climb becomes a consistent, inward-focusing, Zen-like experience. When you ride outside, every climb is different. Some are steeper or longer, some are undulating, some are consistent in grade. Some are straight, some curve gently, some have 180- degree hairpin turns. The sights and sounds, the trees and scenery—they will be different on every climb. Even the same climb done on different days may feel different. This could be due to your mood or thoughts, the weather, your level of fatigue or fitness, or your personal motivation on that day to push hard or ride easier. It could be due to whom you are riding with, or if you are alone. Sometimes your goal is just to ride for fun; sometimes it’s for a specific training purpose. In this profile, each climb will be different. The personalities of the climbs will be achieved through varying genres of music. This particular profile uses pop, indie rock, classic rock, alternative electronic (an angry song), and a world-beat song for each of the differing personalities. You can create many rides based on this concept using some of the following additional genres: • Hip-hop • Rap • Heavy metal • Acid rock • Dance/trance • Psychedelic trance • Heavy drums • Retro • Disco • Grunge • Downtempo • Movie soundtracks • Trailer music/symphonic • Country • Reggae • Classical Copyright © 2015 Jennifer Sage and Indoor Cycling Association Page 1 Indoor Cycling Association Audio Master Class Multiple Personality Climbs As you can see, the possibilities are endless! The beauty of this profile is that it is also an educational tool to show your riders why you use different genres. -
Dr. Barton Schmitt's Toilet Training Guidelines for Parents
Dr. Barton Schmitt’s Toilet Training Guidelines For Parents Provided by McKenzie Pediatrics 2007 Dr. Barton Schmitt is a professor of pediatrics at the University of Colorado School of Medicine, and perhaps the most well-known living pediatrician. The following is adapted from his writings, with some of our own additions. Toilet training is accomplished when a child uses a potty chair or toilet for bladder & bowel functions during waking hours. Nighttime bladder control usually occurs later, because it requires the ability to suppress the urge to urinate during sleep, or the advance skill of awakening from sleep to the signal of a full bladder. Even at 6 years of age, 10% of children still wet their bed. Successful toilet training is good for both parents and children. Not having to change diapers and wash of a bottom frees up considerable parental time, and saves a significant amount of money. Once a child is toilet trained, the options for travel, babysitters, day care and preschool multiply. From the child’s standpoint, using the toilet can enhance the sense of mastery and self-esteem, as well as prevent the discomfort of a diaper rash. Yet many parents postpone toilet training. The predominant reason seems to be the ease and availability of disposable diapers and pull-ups. Other factors are busy, dual-career families, and just plain procrastination. To keep toilet training in perspective, remember that half of children around the world not having access to diapers are toilet trained between 12 and 18 months of age. Even here in the U.S., low income families tend to toilet train their children earlier to save money on diapers. -
How to Clean and Sanitize a Bedside Commode
How to Clean and Sanitize a Bedside Commode Cleaning Keeping a bedside commode clean and odor free doesn't have to be a chore. Much like your toddler's old potty chair, bedside commodes are relatively easy to clean. All it takes is a pair of disposable gloves, Clorox wipes, and a can of Lysol aerosol spray. Step 1: Put on a pair of disposable gloves. Step 2: Place the lid on the waste container and carry with both hands to the bathroom. (For models with a carrying handle, it's a wise practice to support the bucket with one hand in case the handle detaches). Lift up the toilet seat and pour the contents into the toilet. Step 3: Rinse the bucket with some warm water and pour into the toilet. This will help to remove residual amount of waste. Step 4: Wipe down the inside of the bucket with Clorox wipes, disposing of the wipes in a separate container. For the frugally minded, a less expensive solution is to make your own cleaning agent by mixing up a pint of warm water with a tablespoons of bleach, which can then be decanted in a spray bottle. Spray the solution directly onto a paper towel which can then be used to wipe down the inside of the waste bucket and the underside of the lid. Take care not to spill any of the solution on your clothes or the bathroom rug! Step 5: Rinse the waste pail thoroughly with warm water and dry with a clean rag. Step 6: Spray the inside of the container with Lysol spray, and then place the bucket back under the commode. -
Script Sample
ALL RIGHTS RESERVED Original Works Publishing CAUTION: Professionals and amateurs are hereby warned that this play is subject to royalty. It is fully protected by Original Works Publishing, and the copyright laws of the United States. All rights, including professional, amateur, motion pic- tures, recitation, lecturing, public reading, radio broadcasting, tele- vision, and the rights of translation into foreign languages are strictly reserved. The performance rights to this play are controlled by Original Works Publishing and royalty arrangements and licenses must be secured well in advance of presentation. PLEASE NOTE that amateur royalty fees are set upon application in accordance with your producing circumstances. When applying for a royalty quotation and license please give us the number of performances intended, dates of production, your seating capacity and admission fee. Royalties are payable with negotiation from Original Works Publishing. Royalty of the required amount must be paid whether the play is presented for charity or gain and whether or not admission is charged. Particular emphasis is laid on the question of amateur or professional readings, permission and terms for which must be secured from Original Works Publishing through direct contact. Copying from this book in whole or in part is strictly for- bidden by law, and the right of performance is not transferable. Whenever the play is produced the following notice must appear on all programs, printing, and advertising for the play: “Produced by special arrangement with Original Works Publishing. www.originalworksonline.com” Due authorship credit must be given on all programs, printing and advertising for the play. Keeping Faith © 2007, Mark Scharf Trade Edition, 2013 ISBN 978-1-63092-003-6 More Great Plays Available From Original Works Publishing American Whup-Ass by Justin Warner 5 Males, 1 Female (with doubling) Synopsis : The re-election campaign of Nevada Senator and former UNLV football star Wayne “Wall of Pain” Kight has hit some serious snags. -
Compendium of Sanitation Technologies in Emergencies
Compendium 1st Edition of Sanitation Technologies in Emergencies Compendium 1st Edition of Sanitation Technologies in Emergencies Robert Gensch (GTO), Amy Jennings (BORDA), Samuel Renggli (Eawag), Philippe Reymond (Eawag) We would like to thank the following individuals and their organisations/institutions for their invaluable contributions to this publication: Djilali Abdelghafour, Nienke Andriessen, Leonellha Barreto-Dillon, Andy Bastable, Magdalena Bäuerl, Benjamin Bernan- dino, Damian Blanc, Franck Bouvet, Patrick Bracken, Chris Buckley, Marc-Andre Bünzli, Chris Canaday, Daniel Clauss, Benjamin Dard, Malcolm Dickson, Paul Donahue, Georg Ecker, Miriam Englund, Marta Fernández Cortés, Suzanne Ferron, Claire Furlong, Sergio Gelli, Feline Gerstenberg, Moritz Gold, Celia González Otálora, Peter Harvey, Oliver Hoffmann, Tineke Hooijmans, Andrews Jacobs, Heidi Johnston, Christopher Kellner, Anthony Kilbride, Sasha Kramer, Jenny Lamb, Günther Langergraber, Anne Lloyd, Andreas Ludwig, Christoph Lüthi, Saskia Machel, Grover Mamani, Adeline Mertenat, Mona Mijthab, Alexander Miller, Patrice Moix, Paolo Monaco, Bella Monse, Hans-Joachim Mosler, Burt Murray, Arne Pane sar, Thilo Panzerbieter, Jonathan Parkinson, Dominique Porteaud, Nick Preneta, Torsten Reckerzügl, Bob Reed, Stefan Reuter, Romain Revol, Nina Röttgers, Johannes Rück, Vasco Schelbert, Jan-Christoph Schlenk, Jan-Hendrik Schmidt, Stephanie Schramm, Jan Spit, Haakon Spriewald, Steve Sugden, Annkatrin Tempel, Elisabeth Tilley, Erika Trabucco, Tobias Ulbrich, Lukas Ulrich, Claudio Valsangiacomo, -
Early Childhood Visits 1 Through 4 Years
Early Childhood Visits 1 Through 4 Years BFG 4TH ED.indb 501 1/20/17 2:47 PM BFG 4TH ED.indb 502 1/20/17 2:47 PM Early Childhood 12 Month Visit Context The 12-month-old stands proudly, somewhat bow- parents’ ability to let go, permit independence, and legged, belly protruding. Walking, one of the most enjoy aspects of his behavior that are out of their exciting developmental milestones, occurs around direct control. The toddler’s messy attempts to feed the toddler’s first birthday, bringing with it increas- himself can be difficult for his parents as they sort EARLY CHILDHOOD EARLY ing independence. During the first year of life, the out their own desire for order and neatness with 12 MONTH VISIT infant was rarely in conflict with his environment. his need for self-care. He might have been demanding when he cried, Fortunately, the toddler is endowed with a social he required considerable care, and he changed the feedback loop to recognize both pleasure and dis- balance in the family. However, he spent most of pleasure from significant caregivers. Adults build his first year getting to know and trust his parents on this characteristic by providing appropriate and his environment. As a toddler, he becomes responses to a toddler’s actions. Adult laughter increasingly competent in acting upon the world during a well-played game of peekaboo holds around him, all on his own. His world broadens, the key to future good times in other interactive bringing both excitement and challenge. games, and turning away, ignoring, or expressing Autonomy and independent mobility are develop- displeasure at a plate of food thrown on the floor, mental achievements of which the parents and which sends a message that this behavior is not toddler are justifiably proud, but the toddler acceptable, helps prevent later disruptive behaviors. -
ABSTRACT MY LIFE AS a PINBALL by Jennifer Davis My Life As A
ABSTRACT MY LIFE AS A PINBALL By Jennifer Davis My Life as a Pinball is a coming-of-age, first-person narrative about a female protagonist, a thirteen-year-old girl named Alex who bounces back and forth between parents—her mother’s house in Ohio and her father’s house in Florida. The novella is set mostly in Florida and the plot revolves around a developing girl who is searching for agape. Alex’s parents don’t know how to be nurturing, as she bounces through her narrative. Her ideas about sexual love and parental love are skewed by her experience with sexual abuse. But this fourteen-year-old also clings to a dream of an ideal sexual love that is selfless. In her desire to find what she needs both for healthy sexual development, she finds ways to cope with the abuse by using her imagination and becoming, as she calls herself, “a steely marble.” Alex explains her life in her breezy teen’s lingo. MY LIFE AS A PINBALL A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English By Jennifer Davis Miami University Oxford, Ohio 2007 Advisor____________________________ Brian Ascalon Roley Reader_____________________________ Margaret M. Luongo Reader______________________________ Mary Jean Corbett Contents Beach Bods…………………………….……………..1 Launching the Steely Marble………….…………….14 God as Pinball Wizard..……………………………..23 Motion of the Ocean & the Palms……………….…..32 Wave Lovers………………………………….………38 Boards Rock & Shake the Comet…………...….…….58 Tilt……………………………………………………66 ii For my teachers especially Jim & Jim iii Acknowledgements Many heartfelt thanks to my professors Brian Ascalon Roley and Margaret Luongo for their thoughtful editing, artistic mentoring, and great advising.