ABSTRACT MY LIFE AS a PINBALL by Jennifer Davis My Life As A
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The Raw Art Review: Summer 2019
The Raw Art Review: A Journal of Storm and Urge Summer 2019 The Raw Art Review A Journal of Storm and Urge Summer 2019 The Raw Art Review: A Journal of Storm and Urge The Raw Art Review is a publication of UnCollected Press published quarterly. RAR accepts submissions for publication from the Submittable platform or by email invitation from RAR editors. Subscriptions to RAR are $35 per year and can be purchased at the RAR website. Subscriptions for 2019 will include all 4 issues of RAR and at least 2 books published by UnCollected Press. Please consider subscribing, donating or becoming a patron. All three levels of giving can be found on the RAR “Subscribe and Support” page: https://therawartreview.com/subscribe-and-support/ COVER ART: Heisenberg by J. Ray Paradiso 24”x24” Mixed Media on Board (Winner of the RAR Summer Cover Art Contest) ©2019 Henry G. Stanton, UnCollected Press Liars Fire wouldn't scorch you. You're exempt from the ash and fizzle, the cold stain that daybreak leaves. The flapping blind, the drain that chokes, will heal unhandled. Not a cent demands the baker when you ask for bread. Your latest love would give you lungs to breathe beneath the sea. (Is that what you believe?) I never needed your adventurous bed, your one-way spectacles. I saw a day the sun refused to rise, but you maintained my eyes alone were black as burnt-down wood. No, I could turn a thousand times away: the song that's ceased, sweetest of all refrains. I'm only saying this for your own good. -
NJSO Welcomes Michael Cavanaugh for Classic Rock Program Featuring Greatest Hits of Elton John and More
New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Senior Manager of Public Relations & Communications 973.735.1715 | [email protected] State Theatre Press Contact: Kelly Blithe, State Theatre Director of Communications 732.247.7200, ext. 542 | [email protected] www.njsymphony.org/pressroom FOR IMMEDIATE RELEASE NJSO welcomes Michael Cavanaugh for classic rock program featuring greatest hits of Elton John and more Cavanaugh, original star of Broadway’s Movin’ Out, takes center stage Program features ‘Tiny Dancer,’ ‘Bennie and the Jets,’ ‘Rocket Man,’ ‘Live and Let Die,’ ‘Pinball Wizard’ and more classic rock favorites NJSO Accents include pre-concert sing-alongs State Theatre co-presents New Brunswick performance Sat, Nov 12, at NJPAC in Newark Sun, Nov 13, at State Theatre in New Brunswick NEWARK, NJ (October 6, 2016)—Broadway star Michal Cavanaugh, of Movin’ Out fame, joins the New Jersey Symphony Orchestra for a program of hits from Elton John and other classic rock legends, November 12–13 in Newark and New Brunswick. Cavanaugh performs Elton John hits like “Tiny Dancer,” “Bennie and the Jets” and “Rocket Man,” as well as classics like “Live and Let Die” and “Pinball Wizard,” in a high-energy show led by frequent NJSO guest conductor and audience favorite Thomas Wilkins. “Michael Cavanaugh with the NJSO: Greatest Hits of Elton John and More” is the first of five 2016–17 NJSO Pops programs. Performances take place on Saturday, November 12, at 8 pm at the New Jersey Performing Arts Center (NJPAC) in Newark and Sunday, November 13, at 3 pm at the State Theatre in New Brunswick. -
Text Collection
GRADE TM 4 Ac GEN b Text Collection Glenview, Illinois • Boston, Massachusetts • Chandler, Arizona • Hoboken, New Jersey Copyright © 2014 Pearson Education, Inc., or its affiliates. All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. For information regarding permissions, write to Rights Management & Contracts, Pearson Education, Inc., 221 River Street, Hoboken, New Jersey 07030. Pearson and ReadyGEN are trademarks, in the U.S. and/or other countries of Pearson Education, Inc., or its affiliates. Common Core State Standards: © Copyright 2010. National Governors Association for Best Practices and Council of Chief State School Officers. All rights reserved. ISBN-13: 978-0-328-78846-0 ISBN-10: 0-328-78846-5 4 5 6 7 8 9 10 V003 18 17 16 15 14 RGEN14_SC4_V1_FM.indd 1 2/11/14 1:37 PM Table of Contents Unit 1 Becoming Researchers The Frog Scientist by Pamela S. Turner ......................................................... 5 Movers & Shapers by Dr. Patricia Macnair ......................................................13 King of the Parking Lot by Gaby Triana ...........................................................33 Spider by Shel Silverstein ..........................................................45 The Frog by Hilaire Belloc ...........................................................45 -
Stranje House
Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society. -
Disability and Music
th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves. -
Section 10: Outdoor Action Song Guide
Section 10: Outdoor Action Song Guide Songs, just like games, can be a useful and fun addition to a trip. Whether used to get the group warmed up on a chilly morning or to lighten the mood on the trail, songs should be a part of your leader bag of tricks. Most of these songs represent relatively low interpersonal risk except for songs that single out individuals such as Little Sally Walker. As for any activity, use your leader radar to determine when the individual and group dynamics are appropriate for a particular song. Enjoy! 10-1 Old Nassau Tune every heart and every voice, bid every care withdraw; Let all with one accord rejoice, in praise of Old Nassau. In praise of Old Nassau we sing, Hurrah! hurrah! hurrah! Our hearts will give while we shall live, three cheers for Old Nassau. 10-2 10-3 10-4 10-5 10-6 10-7 10-8 Go Bananas CHORUS (With Actions) LEADER: Bananas of the world…UNITE! Thumbs up! Elbows back! LEADER: Bananas…SPLIT! Thumbs up! Elbows back! Knees together! Toes together ALL: Peel bananas, peel peel bananas Butt out Slice bananas… Head out Mash bananas… Spinning round Dice bananas… Tongue out Whip bananas… Jump bananas… GO BANANAS… The Jellyfish (Jellyfish should be yelled in silly voice to yield its full comedic effect.) CHORUS Penguin Song ALL: The jellyfish, the jellyfish, the jellyfish (while (With Actions) moving like a jellyfish). CHORUS ALL: Have you ever seen a penguin come to tea? LEADER: Feet together!! Take a look at me, a penguin you will see ALL: Feet together!! Penguins attention! Penguins begin! (Salute here) -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
THE BEST in CLASSIC ROCK and ROLL Lancaster’S Premier Classic Rock Band
THE BEST IN CLASSIC ROCK and ROLL Lancaster’s premier classic rock band Booking Information Contact Kim Garner Phone: 717-421-2626 EMail: [email protected] www.offourrockers.org “Like” us on Facebook at www.facebook.com/lancasterrockers About Off Our Rockers Off Our Rockers is a group of musicians who on average have over thirty years of professional experience. We all share a love for classic 60’s and 70’s music and have deep roots in the Delaware, New Jersey and Pennsylvania music scene. Music Style: 60’s, 70’s and 80’s Rock / British Invasion (Our specialty) Musical Influences: Jeff Beck, Joe Perry, Ritchie Blackmore, The Beatles, Grand Funk Railroad, Steve Howe, Led Zeppelin, John Fogerty, Cream, Joe Bonamassa, ZZ Top Members: Derek Weaver: Guitar , Dave Mutzabaugh : Drums , Jeff Barninger : Guita r, Buddy Tomko Bass , Kim Garner: Vocals , Iggy Taylor: Keyboards. Albums / CD’s: Iggy Taylor: Best of Bad Betsy, Bad Betsy Again?, Media, Alter Ego, Schtuff, All Alone, Ataraxis Off our Rockers is also available for corporate or private events and concert type venues. A Few Songs covered by: Off Our Rockers Day Tripper The Beatles From Me to You The Beatles I Am the Walrus The Beatles Slow Down The Beatles I Saw Her Standing There The Beatles Hey Bulldog The Beatles She Loves You The Beatles Black Velvet Alannah Myles Born on Bayou CCR Born to be Wild Stepenwolf Cheap Sunglasses ZZ Top Crossfire Stevie Ray Vaughan Fire Woman The Cult Free Ride Edgar Winter Green River CCR Give Me One Reason Tracy Chapman Good Girls Don't The Knack -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Dancing in My Underwear
Dancing in My Underwear The Soundtrack of My Life By Mike Morsch Copyright© 2012 Mike Morsch i Dancing in My Underwear With love for Judy, Kiley, Lexi, Kaitie and Kevin. And for Mom and Dad. Thanks for introducing me to some great music. Published by The Educational Publisher www.EduPublisher.com ISBN: 978-1-62249-005-9 ii Contents Foreword By Frank D. Quattrone 1 Chapters: The Association Larry Ramos Dancing in my underwear 3 The Monkees Micky Dolenz The freakiest cool “Purple Haze” 9 The Lawrence Welk Show Ken Delo The secret family chip dip 17 Olivia Newton-John Girls are for more than pelting with apples 25 Cheech and Chong Tommy Chong The Eighth-Grade Stupid Shit Hall of Fame 33 iii Dancing in My Underwear The Doobie Brothers Tom Johnston Rush the stage and risk breaking a hip? 41 America Dewey Bunnell Wardrobe malfunction: Right guy, right spot, right time 45 Three Dog Night Chuck Negron Elvis sideburns and a puka shell necklace 51 The Beach Boys Mike Love Washing one’s hair in a toilet with Comet in the middle of Nowhere, Minnesota 55 Hawaii Five-0 Al Harrington Learning the proper way to stretch a single into a double 61 KISS Paul Stanley Pinball wizard in a Mark Twain town 71 The Beach Boys Bruce Johnston Face down in the fields of dreams 79 iv Dancing in My Underwear Roy Clark Grinnin’ with the ole picker and grinner 85 The Boston Pops Keith Lockhart They sound just like the movie 93 The Beach Boys Brian Wilson Little one who made my heart come all undone 101 The Bellamy Brothers Howard Bellamy I could be perquaded 127 The Beach Boys Al Jardine The right shirt at the wrong time 135 Law & Order Jill Hennessy I didn’t know she could sing 143 Barry Manilow I right the wrongs, I right the wrongs 151 v Dancing in My Underwear A Bronx Tale Chazz Palminteri How lucky can one guy be? 159 Hall & Oates Daryl Hall The smile that lives forever 167 Wynonna Judd I’m smelling good for you and not her 173 The Beach Boys Jeffrey Foskett McGuinn and McGuire couldn’t get no higher . -
“Quiet Please, It's a Bloody Opera”!
UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring.