Seach Terms: Princesses, Eduard Von Keyserling, Novel, German, Baltic Aristocracy, Altesses, Schlossroman, 1917, Fürstinnen, Roman, Translation, Novella]

Total Page:16

File Type:pdf, Size:1020Kb

Seach Terms: Princesses, Eduard Von Keyserling, Novel, German, Baltic Aristocracy, Altesses, Schlossroman, 1917, Fürstinnen, Roman, Translation, Novella] View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository [Seach terms: Princesses, Eduard von Keyserling, novel, German, Baltic aristocracy, Altesses, Schlossroman, 1917, Fürstinnen, Roman, translation, Novella] Princesses A Novella by E[duard] von Keyserling [Translated by John B. Rutledge] [Index of Persons: Princess Adelheid of Neustatt-Birkenstein Prince Ernst of Birkenstein, deceased husband of Adelheid Roxane, oldest daughter of Adelheid Eleonore, middle daughter of Adelheid Marie, youngest daughter of Adelheid Major Bützow, Adelheid's financial advisor Prince Konrad of Birkenstein, brother of Ernst Prince Joachim von Neustatt-Birkenstein, heir to the throne Baron Fürwit, retired major-domo, seneschal to the Neustatt-Birkensteins Count Donalt Streith, friend of the family Böttinger, a valet Oskar, Streith's manservant Dimitri, a Grand Duke from Russia, engaged to Roxane Mademoiselle Laure de Bouttancourt, a tutor Fräulein von Dietheim, a tutor Fräulein v. Dachsberg, a tutor Professor Wirth, private teacher to the three sisters at Gutheiden Count and Countess von Dühnen, a neighboring family the three Dühnen sons: Felix, Bruno and Coco Baron Üchtlitz, owner of a neighboring country home Baroness Üchtlitz, the three Üchtlitz daughters, Henriette, Marga, and Hilda Captain von Keck, assistant to Prince Joachim Baroness Dünhof, friend and lady companion to the Princess von Neustatt-Birkenstein Princess Agnes, unmarried sister-in-law of Adelheid Fräulein von Reckhausen, assistant to Princess Agnes Alwine, a chambermaid Emilie, lady's maid Barnitz, officer cousin to Hilda Üchtlitz Frau von Syrman, divorced wife of a banker Britta, her daughter Frau Buche, Count Streith's cook and housekeeper Annlise, poor woman in the neighborhood Dr. Ruck, physician to Count Streith] Chapter 1. Around noon on a hot summer day the widowed Princess1 Adelheid of Neustatt-Birkenstein went over to the office of retired Major Bützow, who managed her property, to talk about her finances. Prince Ernst of Birkenstein had died in his prime. An insidious lung disease him carried off quickly. Since the prince left no male heir, his younger brother, Prince Konrad, succeeded him in governing the principality. The widowed Princess, for her part, chose to retire with her three daughters to Gutheiden, a property she owned in the east of the empire. The late Prince was a high-spirited man, and at his death the family's fortune was in a fairly depleted condition. Her widow's state pension itself was meager enough, so the noble lady decided to educate their daughters in rustic tranquility. But even so, much prudence was required to secure an income commensurate with their position in society. These visits to the Major Bützow's office and the long talks about money always made the Princess tired and sad. She sat in the wicker chair in front of his large desk, which was covered with account books. Opposite her sat the Major in a gray linen suit, very overheated; his little round face was flushed, and his scalp shone red through the threads of thin, gray hair; the ends of his gray mustache hung limply over the corner of his mouth. He quietly rattled off his report. Sometimes he stopped and directed his protruding blue eyes towards the Princess, to see what kind of impression his report was making. The Princess, however, sat motionless in her chair and looked out through the open window into the courtyard, which during the break in the workday lay quite still in the sunshine. The only activity was over in the stables where a groom wearing a be-ribboned cap washed a large shiny automobile. There could be nothing more discouraging than the Major's voice, the Princess thought. And how hostile it sounds with its series of numbers, all those debits and credits and balances! A large buzzing fly had strayed into the room and began to hum loudly and angrily, as if to drown out the mournful ratcheting of the Major's voice. The Princess was still a beautiful woman; she sat there motionless in a white piqué dress, her hair very dark beneath the black lace veil. The brownish pallor of her narrow face had something like a matte bronzing; the features of her face were of wonderful quiet regularity, and her large brown eyes suggested the languid pathos of Byzantine Madonnas. Her petite hands, heavy with rings, rested in her lap. Finally the report was finished. The Major paused, 1 Princess Adelheid of Neustatt-Birkenstein is the widow of a deceased head of state, a Fürst. Her title in German is Fürstin, the feminine form of Fürst. In this translation she is referred to as the Princess or Princess Adelheid. Other princesses are referred to by name when necessary to distinguish them from Adelheid. pushed up the white tufts of his eyebrows, and looked at his client expectantly. The Princess was still looking out at the courtyard, as if in her thoughts she was far away, but she began to speak, spoke slowly and somewhat plaintively: "None of this is encouraging, but nothing can be done about the large expenses that we have recently had, nor about the ones yet to come. During the winter I had to travel with the princesses to Birkenstein to participate in social events; and then we had the betrothal of Princess Roxane. The furniture in the great hall and in the green and blue rooms had to be re- upholstered before the young Grand Prince came to visit. And then we have her dowry, and even if the wedding takes place at my brother's, the Grand Duke's, estate, there will still be significant expenses. There cannot be the slightest change in any of this. When it is over, so we can try again to rest for a while and try to save a bit." There was a knock on the door, and the door opened without anyone's saying "Come in." Count Donalt Streith entered the room, tall and thin, in a white flannel suit. "You're just in time, my dear Count," said the Princess, without looking round, and stretched out her hand, "we had just gotten to our deficits." The Count kissed the proffered hand and said: "Well, well! Our Major once again has a pocketful of worries." The Major shrugged his shoulders, and the Princess complained. "Oh, it's that terrible brick factory again." The Count seated himself in an armchair away from the desk, stretched out his legs and gently rubbed his fingertips together, his small, oblong head covered with curly, slightly graying hair. His gray-blue eyes lay strangely close together on his tanned face. But what completely dominated the face was the powerful, bold aquiline nose. The beard “commas” on his upper lip and chin were black as coal. His whole appearance had something of an elegant Don Quixote about it. The Count had been chamberlain to Prince Ernst Birkenstein while the Prince lived. Now he had a forested property near Gutheiden and lived alone in his hunting lodge. His main job was to advise the Princess in the management of her estate. At any time of day one could see his small automobile or his dun 2 horse standing in courtyard of Gutheiden castle courtyard, and everyone on the estate knew that the real master of the estate, the one who made the decisions, was Count Streith. “Well,” the Count began, “if the brick factory can't support us, then the forest will have to.” “Do you think it can?” said the Princess and looked hopefully at the Count. “I knew you would come up with something.” The Major had closed his account books, and now rose: “May I return to my work now?” he murmured. “Certainly,” replied the Princess, “Thank you, my dear Major,” and she extended her hand to him and he kissed it. “You see, some kind of solution can always be found.” But the Major's face retained its expression of concern as he bowed to the Count and left the room. The Princess stared pensively out the window again, and the Count rubbed his fingertips together. Both were silent for a while as they listened to a quiet sound that wafted through the mid-day air. Finally, the Princess said, as if she were talking to herself, “When the Major starts speaking about all those unpleasant things, I hear a tone of reproach in his voice. But it's not my fault that the brick factory isn't earning any money and I certainly don't intend to hide my daughters out here in the country. We have to go to social events in Birkenstein and in Karlstadt, for, after all, they do need to get married. An unmarried princess is at home nowhere. They remind me of those bead-work pieces that 2 Dun: bark-colored; red- or yellow-brown. governesses give as birthday presents, or doilies, or feather dusters—you just don't know where to put things like that.” The Count's sonorous laugher startled the Princess and she looked at him with surprise for a moment, then she too began to laugh. Quickly, though, she turned serious again and sighed, “No, no, I'm not in the mood for laughter.” “Our princesses will get married,” the Count offered as consolation. “We're already off to a good start.” “Well, yes,” the Princess said with some hesitation, “I am happy enough with Roxane's engagement. I do like the young man, but those people from over there, you know how strange it all is. And to send one's child off to a distant place is difficult.
Recommended publications
  • The Raw Art Review: Summer 2019
    The Raw Art Review: A Journal of Storm and Urge Summer 2019 The Raw Art Review A Journal of Storm and Urge Summer 2019 The Raw Art Review: A Journal of Storm and Urge The Raw Art Review is a publication of UnCollected Press published quarterly. RAR accepts submissions for publication from the Submittable platform or by email invitation from RAR editors. Subscriptions to RAR are $35 per year and can be purchased at the RAR website. Subscriptions for 2019 will include all 4 issues of RAR and at least 2 books published by UnCollected Press. Please consider subscribing, donating or becoming a patron. All three levels of giving can be found on the RAR “Subscribe and Support” page: https://therawartreview.com/subscribe-and-support/ COVER ART: Heisenberg by J. Ray Paradiso 24”x24” Mixed Media on Board (Winner of the RAR Summer Cover Art Contest) ©2019 Henry G. Stanton, UnCollected Press Liars Fire wouldn't scorch you. You're exempt from the ash and fizzle, the cold stain that daybreak leaves. The flapping blind, the drain that chokes, will heal unhandled. Not a cent demands the baker when you ask for bread. Your latest love would give you lungs to breathe beneath the sea. (Is that what you believe?) I never needed your adventurous bed, your one-way spectacles. I saw a day the sun refused to rise, but you maintained my eyes alone were black as burnt-down wood. No, I could turn a thousand times away: the song that's ceased, sweetest of all refrains. I'm only saying this for your own good.
    [Show full text]
  • Stranje House
    Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society.
    [Show full text]
  • Disability and Music
    th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves.
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • THE BEST in CLASSIC ROCK and ROLL Lancaster’S Premier Classic Rock Band
    THE BEST IN CLASSIC ROCK and ROLL Lancaster’s premier classic rock band Booking Information Contact Kim Garner Phone: 717-421-2626 EMail: [email protected] www.offourrockers.org “Like” us on Facebook at www.facebook.com/lancasterrockers About Off Our Rockers Off Our Rockers is a group of musicians who on average have over thirty years of professional experience. We all share a love for classic 60’s and 70’s music and have deep roots in the Delaware, New Jersey and Pennsylvania music scene. Music Style: 60’s, 70’s and 80’s Rock / British Invasion (Our specialty) Musical Influences: Jeff Beck, Joe Perry, Ritchie Blackmore, The Beatles, Grand Funk Railroad, Steve Howe, Led Zeppelin, John Fogerty, Cream, Joe Bonamassa, ZZ Top Members: Derek Weaver: Guitar , Dave Mutzabaugh : Drums , Jeff Barninger : Guita r, Buddy Tomko Bass , Kim Garner: Vocals , Iggy Taylor: Keyboards. Albums / CD’s: Iggy Taylor: Best of Bad Betsy, Bad Betsy Again?, Media, Alter Ego, Schtuff, All Alone, Ataraxis Off our Rockers is also available for corporate or private events and concert type venues. A Few Songs covered by: Off Our Rockers Day Tripper The Beatles From Me to You The Beatles I Am the Walrus The Beatles Slow Down The Beatles I Saw Her Standing There The Beatles Hey Bulldog The Beatles She Loves You The Beatles Black Velvet Alannah Myles Born on Bayou CCR Born to be Wild Stepenwolf Cheap Sunglasses ZZ Top Crossfire Stevie Ray Vaughan Fire Woman The Cult Free Ride Edgar Winter Green River CCR Give Me One Reason Tracy Chapman Good Girls Don't The Knack
    [Show full text]
  • John Wetton's Official Website
    John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents.
    [Show full text]
  • Songlines: Eric Bogle & John Schumann In
    STATE LIBRARY OF SOUTH AUSTRALIA J. D. SOMERVILLE ORAL HISTORY COLLECTION OH 598 Transcript of SONGLINES: ERIC BOGLE & JOHN SCHUMANN IN CONCERT & CONVERSATION on 18 February 2001 Recording available on CD Access for research: Unrestricted Right to photocopy: Copies may be made for research and study Right to quote or publish: Publication only with written permission from the State Library 1 J.D. SOMERVILLE ORAL HISTORY COLLECTION, MORTLOCK LIBRARY OF SOUTH AUSTRALIANA: INTERVIEW NO. OH 598 A concert event held early in the year 2001 featuring South Australian singer- songwriters Eric Bogle and John Schumann for the Songlines project of the Somerville Oral History Collection. The event took place at the Governor Hindmarsh Hotel. TAPE 1 SIDE A Thank you, ladies and gentlemen. Thank you for coming out on what’s been such a hot day, but what is going to be a very hot evening. I’m the Director of the State Library, my name is Bronwyn Halliday, and on behalf of the Board and of the staff of the State Library I’d really like to welcome everybody here tonight. Tonight’s event, Songlines, is the first of a series of events designed to promote the collections of the State Library, and in particular the audio-visual collections. Our collections are much more than books. They’re audio recordings, they’re films, they’re gramophone records there’s even some waxed cylinders out there. And we just want the rest of the community to know about our collections. Some of you will know that we’re planning a forty million dollar redevelopment at the State Library.
    [Show full text]
  • Favorite B K O Our E T Om Welc
    Taste Favorite b k o our e t om Welc Today’s specials are five novels that explore cultural and sexual identity, history, family, war, and more. Take a look at the menu to see what you may be in the mood for, dip into the first few chapters, and feel free to take notes on what you liked! Share your thoughts with us on social with #PenguinBookTasting! Ciao! Penguin Young Readers The Stars and the Blackness Between Them by Junauda Petrus ......................................... 4 Told in two distinct and irresistible voices, Junauda Petrus’s bold and lyrical debut is the story of two black girls from very different backgrounds finding love and happiness in a world that seems determined to deny them both. Patron Saints of Nothing by Randy Ribay ... 34 A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin’s murder. Lovely War by Julie Berry ........................... 69 A sweeping, multilayered romance set in the perilous days of World Wars I and II, where gods hold the fates—and the hearts—of four mortals in their hands. Frankly in Love by David Yoon ............. 105 Two friends. One fake dating scheme. What could possibly go wrong? The Fountains of Silence by Ruta Sepetys ... 152 A gripping, extraordinary portrait of love, silence, and secrets under a Spanish dictatorship. The Stars and the Blackness Between Them LGBTQIA Romance | ISBN: 978-0-525-55549-0 Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels—about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer.
    [Show full text]
  • ABSTRACT MY LIFE AS a PINBALL by Jennifer Davis My Life As A
    ABSTRACT MY LIFE AS A PINBALL By Jennifer Davis My Life as a Pinball is a coming-of-age, first-person narrative about a female protagonist, a thirteen-year-old girl named Alex who bounces back and forth between parents—her mother’s house in Ohio and her father’s house in Florida. The novella is set mostly in Florida and the plot revolves around a developing girl who is searching for agape. Alex’s parents don’t know how to be nurturing, as she bounces through her narrative. Her ideas about sexual love and parental love are skewed by her experience with sexual abuse. But this fourteen-year-old also clings to a dream of an ideal sexual love that is selfless. In her desire to find what she needs both for healthy sexual development, she finds ways to cope with the abuse by using her imagination and becoming, as she calls herself, “a steely marble.” Alex explains her life in her breezy teen’s lingo. MY LIFE AS A PINBALL A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English By Jennifer Davis Miami University Oxford, Ohio 2007 Advisor____________________________ Brian Ascalon Roley Reader_____________________________ Margaret M. Luongo Reader______________________________ Mary Jean Corbett Contents Beach Bods…………………………….……………..1 Launching the Steely Marble………….…………….14 God as Pinball Wizard..……………………………..23 Motion of the Ocean & the Palms……………….…..32 Wave Lovers………………………………….………38 Boards Rock & Shake the Comet…………...….…….58 Tilt……………………………………………………66 ii For my teachers especially Jim & Jim iii Acknowledgements Many heartfelt thanks to my professors Brian Ascalon Roley and Margaret Luongo for their thoughtful editing, artistic mentoring, and great advising.
    [Show full text]
  • |||FREE||| Just for the Record
    JUST FOR THE RECORD FREE DOWNLOAD Geri Halliwell | 320 pages | 01 Nov 2003 | Ebury Publishing | 9780091888046 | English | London, United Kingdom What Does "Just for the Record" Mean? The phrase is idiomatic because its commonly understood use has Just For The Record to do with an actual public record. The Judy Garland Show October Streaming Picks. The Second Barbra Streisand Album October 12, People Spotify Amazon. Total length:. Archived from the original on September 13, Aladdin Sane. Old Just For The Record Katya Wyeth Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Looking for some great streaming picks? Edit Details Language: English. Season 1 Episode 6. Yes No Report this. Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. Color Me Barbra It includes 24 of the songs from Just for the Record Just For The Record for the Record" in Dutch. It was released by Columbia Records on September 24, The Wall 3 LP. Blues Classical Country. You'll Never Know. Fran Landesman Tommy Wolf. The Sweetest Sounds Richard Rodgers. Hanley credit only Steven Rogers Help Learn to edit Community portal Recent changes Upload file. The Witch Is Dead. Barbra Streisand feat: Judy Garland. Streisand Paul Williams. Awful backdrops, ridiculous villains, Jeff acting dumb and unprofessional when surrounded by beautiful women. Frank Loesser. Retrieved August 8, Burton Lane Alan Jay Lerner. The Singer. Frank Churchill Ann Ronell. Richard Rodgers. CK Dorothy Fields Cy Coleman. As they evolved in the s, retrospective box sets tended to contain a full complement of an artist's essential recordings, plus enough rarities to suggest the artist's inspirations and ambitions.
    [Show full text]
  • Hello, to All of You Who Are Gathered Here on Tonight
    A Moral Challenge to Economists Page 1 of 22 Hello, to all of you who are gathered here on tonight. Let’s thank one more time, our spoken word artists. [Audience applauding.] I want to ask before I say anything else if there’s any way for the light people – I’m an old Southern preacher, and there’s a lot of shadows in here, and I like to see people. So if there’s any way of bringing some of the house lights up, it would be extraordinarily helpful for my eyes that have begun to get older, and I will not buy glasses because I’m too vain but some of you all know. So let’s bring them up some now. I am so thankful to be here today, Brother Johnson, and thankful that all of us have a great role in working on the heart of America and the heart of the world. I am joined today by Ms. Charmaine Fletcher who is an Executive Assistant. We’ve just come off of a 22-state moral revival tour that concluded just a few days before the election with Sister Simone, Dr. James Forbes and Tracy Blackman. Quakers, Universalists, Muslims, Jews and indigenous persons; so many and activists, because I am fully convinced that we must recover the moral center in this country, and I am more convinced of it now after Tuesday than ever. Tonight, and I want to thank Sister Johnson for sharing your children with us. I have this strange way of judging people.
    [Show full text]
  • Photography by Alexander Zeleniuch
    PhotographyPhot by Alexander Zeleniuch (New York University, Bachelors Program, Global Liberal Studies) Table of Contents Letter from the Editor 3 Fiction Dostoevsky's Letter by Július Satinský 6 Translated, from the Slovak, by Magdalena Mullek. ENER-G after Juan José Arreola 10 Adapted, after the Spanish, by Diego Martin. Affront by Álvaro Enrigue 12 Translated, from the Spanish, by Ricardo López. Poetry South Han River by Chung Ho-seung 23 Translated, from the Korean, by Mia You. Bitter Song after Julia de Burgos 24 Adapted, after the Spanish, by Dariush Azimi. Turbulent Meditation by Tomas Tranströmer 25 Translated, from the Swedish, by Meagen Youngdahl. Weather Painting by Tomas Tranströmer 26 Translated, from the Swedish, by Meagen Youngdahl. Originally published at http://alchemy.ucsd.edu. 1 Creole Son of the Francophone World by René Depestre 27 Translated, from the French, by Anita Sagástegui. A Most Delicious Cheese Pie after Daniil Kharms 29 Adapted, after the Russian, by Susan Hogan. Credits 30 Originally published at http://alchemy.ucsd.edu. 2 Letter from the Editor Only 3% of books published in the United States are translations. Needless to say, the literary world and mainstream media have essentially closed their doors to works being produced in other countries and in other languages. Our intention, in initiating this journal, is to open a window. This issue represents the first of what will be many opportunities for contemporary readers to find work from all over the globe that they may not have had access to before. It is also our goal to encourage young writers to consider translation as an integral part or their creative writing and reading.
    [Show full text]