An Intimate Look Back at 1968
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download (2399Kb)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form. -
The Raw Art Review: Summer 2019
The Raw Art Review: A Journal of Storm and Urge Summer 2019 The Raw Art Review A Journal of Storm and Urge Summer 2019 The Raw Art Review: A Journal of Storm and Urge The Raw Art Review is a publication of UnCollected Press published quarterly. RAR accepts submissions for publication from the Submittable platform or by email invitation from RAR editors. Subscriptions to RAR are $35 per year and can be purchased at the RAR website. Subscriptions for 2019 will include all 4 issues of RAR and at least 2 books published by UnCollected Press. Please consider subscribing, donating or becoming a patron. All three levels of giving can be found on the RAR “Subscribe and Support” page: https://therawartreview.com/subscribe-and-support/ COVER ART: Heisenberg by J. Ray Paradiso 24”x24” Mixed Media on Board (Winner of the RAR Summer Cover Art Contest) ©2019 Henry G. Stanton, UnCollected Press Liars Fire wouldn't scorch you. You're exempt from the ash and fizzle, the cold stain that daybreak leaves. The flapping blind, the drain that chokes, will heal unhandled. Not a cent demands the baker when you ask for bread. Your latest love would give you lungs to breathe beneath the sea. (Is that what you believe?) I never needed your adventurous bed, your one-way spectacles. I saw a day the sun refused to rise, but you maintained my eyes alone were black as burnt-down wood. No, I could turn a thousand times away: the song that's ceased, sweetest of all refrains. I'm only saying this for your own good. -
The Aroostook Times, September 22, 1905
iAN INDEPENDENT FAMIV NEWSPAPER. J. ,<>c Houlton, Maine, September 22, I 906. Vol. 46. t * No. 39. have F we assume to be like our neighbor who Dirigo, other ,-t;tfes (,ne and all enactments as will secure the appoint Bir Hiram Maxim, who knows the looked to us for guidance Imv'ni' been ment of a suitable nerson to this office. ! America ! t Flo re hath been laid on thee is a “ blue-stocking” and bored by people about whom he speaks, haa Church Directory the first to ft derate ;u ; appoint ati (d- Ki.-oj.v kd, That the Maine Federa The honorable charge to mediate practical things, instead of developing written for the press an interesting ar neat ional iiumit-r. M\ inability to tion! views with approval the move First Unitarian Church. With words of peace ’twixt ’battled ourselves so as to make our lives the ticle on the unjust treatment to which joy that was intended, eliminating the carry oh the work aiu her sear, is not ment of the General Federation to se Conn Kit Kekkkkan ash Mimtaiu State and State, the Chinese have been subjected dur l*aator REVLKVKRKTT R. DASIEBS. unnecessary and injurious,, and substi your lo hut n; nun ami it does not cure the preservation of certain, es ing the last sixty-five years. Beginning Aiding to spread the hopes that make Residence 43 School Strict. tuting refreshing and healthy condition* mean that I shall not , mrimie my in- pecially valuable and interesting sp ci- with England’s opium war, he points SUNDAY .SERVICES. -
FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
Secrets for New Dads
Must-Know, Time Saving, 25 Stress Reducing Secrets for New Dads By Michael E. Farrell, Fatherville.com Michael F. Weber, DaddyDesigns.com 1 Copyright Copyright 2004 by Michael E. Farrell and Michael F. Weber. All rights reserved. No part of this book may be reproduced or transmitted in any form, by any means, (electronic, photocopying, recording, or otherwise) without the prior written permission of the author. No liability is assumed with respect to the use of the information contained within. Although every precaution has been taken, the author assumes no liability for errors or omissions. Neither is any liability assumed for damages resulting from the use of the information contained herein. Michael E. Farrell, Fatherville.com Michael F. Weber, DaddyDesigns.com 2 Meet The Authors Michael E. Farrell My wife, Dawn, and I are the parents of three beautiful children, ages 9, 5 and 3. We’ve been married twelve years. In 1991 I graduated with a B.A. Degree in English with an emphasis in Secondary Education. I never became a teacher. Go figure. Instead, I became a professional in the information technology industry with experience in networking, data center operations and web site design and development. In my ‘spare time’ I enjoy golf, computers, swimming, serving in my church and of course spending time with my family. I am also the owner, operator and Senior Editor of Fatherville.com. My dream is to raise three very smart children who will one day become rich and support me in a manner to which I’ve never been accustomed. Michael F. -
Chart Action News
Thursday, November 10, 2016 NEWS CHART ACTION No. 1 Challenge Coin- Easton Corbin New On The Chart —Debuting This Week Artist/song/label—chart pos. LOCASH/Ring On Every Finger/Reviver Records— 72 Keith Walker/Me Too— 76 Nick Hickman/Rain/Break The Cycle Entertainment— 79 !Kelsey Hickman/Gone/Go Time Records— 80 Greatest Spin Increase Artist/song/label—Spin Increase Little Big Town/Better Man/Capitol Nashville— 372 Thomas Rhett/Star Of The Show/Valory Music Co— 325 Dierks Bentley/Black/Capitol Nashville— 307 Blake Shelton/A Guy With A Girl/Warner Bros.— 244 !Garth Brooks/Baby, Let’s Lay Down And Dance/Pearl Records— 214 Most Added Artist/song/label—No. of Adds Dierks Bentley/Black/Capitol Nashville—27 Little Big Town/Better Man/Capitol Nashville—15 Easton Corbin visited the MusicRow of+ice and while he was here, Justin Moore/Somebody Else Will/Valory Music Co— 10 accepted a MusicRow No. 1 Challenge Coin for his hit, “Baby Be My Love LOCASH/Ring On Every Finger/Reviver Records—9 Song,” from his third album About To Get Real. Jim Collins and Brett James Tyler Farr/Our Town/Columbia Nashville— 8 penned “Baby Be My Love Song.” All artists and songwriters who reach the Aaron Goodvin/Woman In Love/Warner Musi Canada-AJG Music Group—7 top of the CountryBreakout chart receive the challenge coin. To view the Jason Pritchett/Hung Over You/BDMG—7 full list of recipients, click here. And to read the full article from Corbin’s Kelsea Ballerini/Yeah Boy/Black River Ent— 6 !visit, click here. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
BROADSIDE Hoots Will Be Held Sunday, Jan
1F53 THE NATIONAL TOPICAL SONG l·1A.GAZINE DECEHBER 20, 1964 PRICE -- 50¢ BY @ 1964 PETER Hopi Busic LA FARGE New York jin - "l<t 'fir 'b in +hl!.. +wo- bit CMait-- in' ~( 1:0. '1.Ic.Jc-er just -to +h, .... 1c. +h~t- SY1akes wen.. 0.1 - w--oyr:;. 'Gut the..y Ai~lr r~rtic:.·Il\'" tbout 'the @] fv' r'l t;fhf- o~ of" thU"rl ~S&'cI nell f"1 :r: Tk 1)~~rJ them too at 0. ..f!o.r)- Coy ~lJ. en- Chorl.lS beArd the. (at- ..... le.. e>olllce loud bfld de..3r c.irdJ Dy dib -.q\al1~S ;he.. rattle. - ~nbtes C"l)il f\ : I j , j ~ 0 I jg~ J~ I Cl I .-I .. fJ r~t- +-Ie....- sl'lak~• R. r6t -t\e. sna.ke. noise he-II ~~e ~---- 2. I'Ve heard it too alley's side Where the pushers deal and the addicts glide Heroin's quiet, it enchants the boys But I've heard its anthem and the rattlesnake's noise ~iJ.Jf II Then there's the uptown doctor with his needle clean ra±- He_ st'\a.ke. He's always nice and never mean He gives them dope by another name But I heard the rattlesnake just the same. (Chorus) 3. There's the city official 'way down low Keepin' his pockets full of dough If you want help don't ask his aid There's a rattlesnake sitting in his shade " There's a politician 'way up h!gh ! Too far to hear the people cry ,I Passin' bills for the wealthy men He won't explain but the rattlesnake can. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Stranje House
Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society.