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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Edmond Press
International Press International Sales Venice: wild bunch The PR Contact Ltd. Venice Phil Symes - Mobile: 347 643 1171 Vincent Maraval Ronaldo Mourao - Mobile: 347 643 0966 Tel: +336 11 91 23 93 Email: [email protected] Email: [email protected] Fax: 041 5265277 Carole Baraton 62nd Mostra Venice Film Festival: Tel: +336 20 36 77 72 Hotel Villa Pannonia Email: [email protected] Via Doge D. Michiel 48 Gaël Nouaile 30126 Venezia Lido Tel: +336 21 23 04 72 Tel: 041 5260162 Email: [email protected] Fax: 041 5265277 Silva Simonutti London: Tel: +33 6 82 13 18 84 The PR Contact Ltd. Email: [email protected] 32 Newman Street London, W1T 1PU Paris: Tel: + 44 (0) 207 323 1200 Wild Bunch Fax: + 44 (0) 207 323 1070 99, rue de la Verrerie - 75004 Paris Email: [email protected] tel: + 33 1 53 01 50 20 fax: +33 1 53 01 50 49 www.wildbunch.biz French Press: French Distribution : Pan Européenne / Wild Bunch Michel Burstein / Bossa Nova Tel: +33 1 43 26 26 26 Fax: +33 1 43 26 26 36 High resolution images are available to download from 32 bd st germain - 75005 Paris the press section at www.wildbunch.biz [email protected] www.bossa-nova.info Synopsis Cast and Crew “You are not where you belong.” Edmond: William H. Macy Thus begins a brutal descent into a contemporary urban hell Glenna: Julia Stiles in David Mamet's savage black comedy, when his encounter B-Girl: Denise Richards with a fortune-teller leads businessman Edmond (William H. -
3 Fact Book 2009 10 Teachingacademicsupport
Teaching and Academic Support Table of Contents Teaching and Academic Support Introduction 3.1 Academic Development 3.2 Intercultural Communication Center 3.3 Library Collections and Utilization 3.4 Media Technology Services 3.6 Pittsburgh Council on Higher Education (PCHE) and Pittsburgh Filmmakers 3.7 Units Taught: by College and Student Level 3.8 by Department and Student Level 3.9 Teaching and Academic Support Data Sources: The data used for the teaching and academic support section of this book come from: Academic Development: Academic Development Library Collections and Utilization: University Libraries Media Technology Services: Media Technology Services Pittsburgh Council on Higher Education (PCHE) and Pittsburgh Filmmakers: Units both taught by PCHE schools and taken by PCHE students are collected through the Student Information System (SIS) Intercultural Communication Center: Intercultural Communication Center Units Taught: Student Information System (SIS) Video Collection Viewing Area: University Libraries Definitions: PCHE: Pittsburgh Council on Higher Education - a consortium of the ten accredited colleges and universities in Allegheny County, Pennsylvania. As part of the consortium agreement, full-time graduate or undergraduate students at each PCHE school can cross-register at any other PCHE school at no additional expense to the student. Pittsburgh Filmmakers: Carnegie Mellon students are eligible to take courses at Pittsburgh Filmmakers at no additional expense to the student. Units Taught: Academic Year: Consists of the fall and spring semesters of a given academic year Data Source: All units taught are taken from the Student Information System (SIS) at the completion of each semester Level: Based on the level of the student taking each course Other: Includes units taught to special/non-degree students and students from other colleges attending Carnegie Mellon through the Pittsburgh Council of Higher Education (PCHE) Units: A student earns a specified number of units for each course taken at the university. -
2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based -
Julia Reichert and the Work of Telling Working-Class Stories
FEATURES JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES Patricia Aufderheide It was the Year of Julia: in 2019 documentarian Julia Reichert received lifetime-achievement awards at the Full Frame and HotDocs festivals, was given the inaugural “Empowering Truth” award from Kartemquin Films, and saw a retrospec- tive of her work presented at the Museum of Modern Art in New York. (The International Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019)—made, as have been all her films in the last two decades, with Steven Bognar—is being championed for an Academy Award nomination, which would be Reichert’s fourth, and has been picked up by the Obamas’ new Higher Ground company. A lifelong socialist- feminist and self-styled “humanist Marxist” who pioneered independent social-issue films featuring women, Reichert was also in 2019 finishing another film, tentatively titled 9to5: The Story of a Movement, about the history of the movement for working women’srights. Yet Julia Reichert is an underrecognized figure in the contemporary documentary landscape. All of Reichert’s films are rooted in Dayton, Ohio. Though periodically rec- ognized by the bicoastal documentary film world, she has never been a part of it, much like her Chicago-based fellow Julia Reichert in 2019. Photo by Eryn Montgomery midwesterners: Kartemquin Films (Gordon Quinn, Steve James, Maria Finitzo, Bill Siegel, and others) and Yvonne 2 The Documentary Film Book. She is absent entirely from Welbon. 3 Gary Crowdus’s A Political Companion to American Film. Nor has her work been a focus of very much documentary While her earliest films are mentioned in many texts as scholarship. -
The BG News February 13, 1987
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-13-1987 The BG News February 13, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 13, 1987" (1987). BG News (Student Newspaper). 4620. https://scholarworks.bgsu.edu/bg-news/4620 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Spirits and superstitions in Friday Magazine THE BG NEWS Vol. 69 Issue 80 Bowling Green, Ohio Friday, February 13,1987 Death Funding cut ruled for 1987-88 Increase in fees anticipated suicide by Mike Amburgey said. staff reporter Dalton said the proposed bud- get calls for $992 million Man kills wife, The Ohio Board of Regents statewide in educational subsi- has reduced the University's dies for 1987-88, the same friend first instructional subsidy allocation amount funded for this year. A for 1987-88 by $1.9 million, and 4.7 percent increase is called for by Don Lee unless alterations are made in in the academic year 1988-89 Governor Celeste's proposed DALTON SAID given infla- wire editor budget, University students tionary factors, the governor's could face at least a 25 percent budget puts state universities in The manager of the Bowling instructional fee increase, a difficult place. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
Jacob Koestler
JACOB KOESTLER www.jacobkoestler.com [email protected] • 814-341-2540 Education 2014 MFA, Photography and Integrated Media, Ohio University 2011 BS, Photography, The Art Institute of Pittsburgh Solo & Two-Person Exhibitions 2021 Interrupter, Gallery W, Westlake, OH (Postponed due to COVID-19) 2019 Casual Water, SPACES, Cleveland, OH 2018 Copy of a Copy, The Print Center, Philadelphia, PA 2017 Dream Baby, Kitchen Table Gallery, Philadelphia, PA 2016 Go Away Everywhere, FORUM Art Space, Cleveland, OH 2014 Go Away Everywhere, Ohio University Art Gallery, Athens, OH 2009 Sound Structures, Image Box, Pittsburgh, PA 2008 Sound Structures, 709 Railroad Street, Johnstown, PA Select Group Exhibitions 2020 VARIOUS small FIRES, Emily Davis Gallery, Akron, OH (forthcoming) Enduring Images, Mid-Atlantic Print Conference (forthcoming) 2019 Radial Survey, Silver Eye Center for Photography, Pittsburgh, PA A Room of One’s Own, The Morgan Conservatory, Cleveland, OH Faculty Exhibition, Reinberger Gallery, The Cleveland Institute of Art 2018 Altered Landscapes, SGC International Conference, Las Vegas, NV 2017 THEM, Transformer Station, Cleveland, OH 2016 On the Shelf, Filter Photo, Chicago, IL SCAL3, Cleveland Print Room, Cleveland, OH Emerge: New Photography CLE, 2731 Prospect Gallery, Cleveland OH 2015 Orange River (Road to Nowhere), Ingenuity Fest, Cleveland, OH 2014 FlakPhoto Midwest Print Show, Madison Public Library, Madison, WI Image OHIO, Shot Tower Gallery, Columbus, OH 2012 The Photocopy Club, Beach Gallery, London, England SPE Juried Exhibition, -
ECON 3240 American Factory Workers in Chinese Factory Spring 2020
ECON 3240 American Factory workers in Chinese Factory Spring 2020 American Factory is great documentary for us, mainly because it discusses how some can fall out of the middle class, becoming vulnerable if not poor, but then thanks to government policy (what government) claw the their way back into the middle class, keeping the Dream alive for themselves and their children we hope (IG mobility). It is also the almost universal story but a story of how workers and manageres learng by doing (aka learning by doing). For reasons that become obviout in the film the same factories and workers learn to do better overtime, like AI but not artificial, more of a group dynamic with input from workers and managers. Somehow workers can become much more productive over time, using lesst time to produce the same number of cars (or glass panels..). The makers of this documentatry sense this dynamic: the camera dwells on the machinery and workers converting sand (silicon) many shapes of very transparent glass (our Coa our Chinese owner entreprenuer writes a song about transparency, which could have two meanings, and Fu, see the Terry Gross interview below. We see the last GM S-10 truck role through the assembly line and we are off, new owners, some new workers from China and 2000 American workers, some from the GM plant that clased. To spread the pain/ privelidge we can the divide the 1 hour 50 minute file into three sectiosn. Everyone read the cast of characters below should watch the first 20 minutes (some of the key cast members are listed below, the huge factory building itself is a star…I thought it was in Dayton, Ohio but actually in another town, this happens when land intensive factories spring up near cities). -
2019 State of Downtown Pittsburgh
20 STATE OF DOWNTOWN PITTSBURGH19 TABLE OF CONTENTS For the past eight years, the Pittsburgh Downtown Partnership has been pleased to produce the State of Downtown Pittsburgh Report. This annual compilation and data analysis allows us to benchmark our progress, both year over year and in comparison to peer cities. In this year’s report, several significant trends came to light helping us identify unmet needs and better understand opportunities for developing programs and initiatives in direct response to those challenges. Although improvements to the built environment are evident in nearly every corridor of the Golden Triangle, significant resources are also being channeled into office property interiors to meet the demands of 21st century companies and attract a talented workforce to Pittsburgh’s urban core. More than $300M has been invested in Downtown’s commercial office stock over the 4 ACCOLADES AND BY THE NUMBERS last five years – a successful strategy drawing new tenants to Downtown and ensuring that our iconic buildings will continue to accommodate expanding businesses and emerging start-ups. OFFICE, EMPLOYMENT AND EDUCATION Downtown experienced a 31% growth in residential population over the last ten years, a trend that will continue with the opening 6 of hundreds of new units over the next couple of years. Businesses, from small boutiques to Fortune 500 companies, continued to invest in the Golden Triangle in 2018 while Downtown welcomed a record number of visitors and new residents. HOUSING AND POPULATION 12 Development in Downtown is evolving and all of these investments combine to drive the economic vitality of the city, making Downtown’s thriving renaissance even more robust. -
History Overview Detailed 2020-2021 Tri 2
TRIMESTERTRIMESTER 2 HISTORYHISTORY OVERVIEWOVERVIEW 2020-2021 1/4-1/4-1/1/77 The Constitution Date 1787 Themes Rise and Fall of Empires and Nations Trade and Commerce Readings 1/4-5 Hist US V3 Ch 35, 36 Shhh! p 7-26 1/6-7 Hist US V3 Ch 37, 38 Shhh! p 28-44 1/11-12 Hist US V3 Ch 39, 40 Who Was Geo Washington? pp 1-21 Founding Mothers – Mrs. Jay Story of George Washington Ch 1-2 1/13-14 Hist US V3 Ch 41, 42 Who Was Geo Washington? pp 22-42 Story of George Washington Ch 3-4 BriefBrief OverviewOverview ofof AmericaAmerica inin thethe AftermathAftermath ofof thethe RevolutionaryRevolutionary WarWar The state of American affairs post-Revolutionary War: Congress and the states are in debt, and a postwar depression on the scale of the Great Depression of the 1930s exacerbates the troubles. Currency is losing value. Army vets are unpaid – given promissory notes that are worth little due to inflation. Vets sell their notes to put clothes on their backs and food in their mouths. Economic slump of the 1780s had many sources: • Massive quantities of property were destroyed in the war. • Because men were fighting in the war, they were unable to perform their regular jobs. Economic output fell. • Enslaved men, women, and children emancipated themselves by leaving with the British or simply running into forests and swamps. This was a financial loss to their enslavers. • Britain refused to allow Americans to trade with British sugar islands in the Caribbean – one of the American’s greatest income sources. -
April Friges Resume 2016
APRIL DAWN FRIGES EDUCATION 2010 University of California, Irvine, California, MFA 2004 University of Akron, Ohio, BFA SELECTED GROUP AND SOLO EXHIBITIONS 2017 (tba), Loyola University, Chicago, IL *(tba), UnSmoke Art Systems, Braddock, PA (solo) 2016 Materials and Processes, Silver Eye Center for Photography, Pittsburgh, PA Darkroom, MoCP, Chicago, IL PGH Photo Fair, Silver Eye Center for Photography Exhibition Booth, Carnegie Museum of Art, Pittsburgh, PA Gallery Tally, Los Angeles Contemporary Exhibitions (LACE), Hollywood, CA Geometry In the Expanded Field, Fine Art Complex 1011, Tempe, AZ John Riegert, SPACE, Pittsburgh, PA Gallery Tally, Center for Contemporary Arts, Santa Fe, NM 2015 From Now, Filter Space, Chicago, IL *Spectator: Selected Works (2012-2014), Pittsburgh Center for the Arts at Filmmakers Gallery, Pittsburgh, PA (solo) Looking Forward, Looking Back, New Mexico Museum of Art, Santa Fe, NM (en)Gendered (in)Equity: The Gallery Tally Project, Matucana 100 Cultural Center, Santiago, Chile PhAb Now (Photography and Abstraction), Pittsburgh Center for the Arts at Filmmakers Gallery, Pittsburgh, PA Radiant Hall Group Show, Three Rivers Film Festival, Pittsburgh, PA No Vacancy, The Mine Factory, Pittsburgh, PA Shaping New Worlds, Sweetwater Center for the Arts, Sewickley, PA As Good as the Guys: 14 Women Photographers in Pittsburgh, Jask Gallery, Pittsburgh, PA Gallery Tally Poster Project, Woman Made Gallery, Chicago, IL 2014 Catastrophe, F+Gallery, Santa Ana, CA 103rd Associated Artists of Pittsburgh Exhibition, Westmoreland