BIBLIOGRAPHY Commons People Maanagingbidin, Crystal
Total Page:16
File Type:pdf, Size:1020Kb
Cover Page The handle http://hdl.handle.net/1887/73550 holds various files of this Leiden University dissertation. Author: Juliastuti, N. Title: Commons people: managing music and culture in contemporary Yogyakarta Issue Date: 2019-05-21 BIBLIOGRAPHY COMMONS PEOPLE MAANAGINGbidin, Crystal. MUSI (2016).C AND CULTUREAren’t These IN CONTEM Young, RPichORARY Women YOGYAKARTA Doing Vain Things Online?: Influencer Selfies as Subversive Frivolity. Social Media + Society, April-June 2016, 1-17. Agamben, Giorgio. (2009). “What is an Apparatus?” and Other Essays. Stanford: Stanford University Press. Allen, Gwen. (2011). Artists’ Magazines: An Alternative Space for Art. Cambridge and London: The MIT Press. Al Rahab, Amiruddin. (2014). Ekonomi Berdikari Sukarno [Sukarno’s Berdikari Economy]. Jakarta: Komunitas Bambu. Anderson, Benedict. (2006). Imagined Communities: Reflections on the Origin and Spread of Nationalism. London and New York: Verso. Ang, Ien. (1991). Desperately Seeking the Audience. London and New York: Routledge. Antariksa. (2005). Tuan Tanah Kawin Muda: Hubungan Seni Rupa-Lekra 1950-1965. [A landlord married young: The relation between visual art and Lekra 1950-1965]. Yogyakarta: Yayasan Seni Cemeti. Aribowo, Taufiq. (2016). Netlabel, Kurasi dan Pengarsipan [Netlabel, Curation, and Archiving]. In Hermiasih L. (Ed.), Ensemble: Mozaik Musik dalam Masyarakat [Ensemble: The Mosaic of Music in Society] (pp.103-115). Yogyakarta: LARAS – Studies of Music in Society in collaboration with Tan Kinira. Asmaning, Titah. (2014). Walk the Folk: Picnic, music, stories, and walking. Retrieved from http://majalahcobra.com/blog/walk-the-folk-piknik- musik-kisah-dan-jalan-kaki.html/ -- (2015). Walk the Folk #2: A magic celebration of the ordinary day. Retrieved from http://majalahcobra.com/blog/walk-the-folk-2- perayaan-ajaib-tentang-hari-yang-biasa.html Barendregt, Bart. (2002). The sound of longing for home: Redefining a sense of community through Minang popular music. Bijdragen tot de Taal-, Land-, en Volkunkunde, 158, No 3, 411-450. -- (2011). Pop, politics, and piety: Nasyid boy band music in Muslim Southeast Asia. In Weintraub A.N. (Ed.), Islam and Popular Culture in Indonesia and Malaysia, (pp.235-256). London: Routledge. (2017). Princess Siti and the particularities of pop-Islamist pop. In Weintraub A.N., Barendregt B. (Eds.), Vamping the Stage, Female Voices of Asian Modernities, (pp.211-233). Honolulu: University of Hawai’i 283 Press. Barendregt, Bart, Els Bogaerts. (2014). Recollecting resonances: Listening NURAINtoI JULIASTUTI an Indonesian-Dutch musical heritage. In Barendregt B., Bogaerts B. (Eds.), Recollecting Resonance: Indonesian-Dutch Musical Encounters, (pp.1-30). Leiden: Brill. Barendregt, Bart, Chris Hudson. (2016). Islam’s Got Talent. In Martin F., Lewis T. (Eds.), Lifestyle Media in Asia: Consumption, Aspiration, and Identity, (pp.176-190). Abingdon Oxon: Routledge. Barendregt, Bart, Peter Keppy, Henk Schulte Nordholt. (2017). Popular Music in Southeast Asia: Banal Beats, Muted Histories. Amsterdam: Amsterdam University Press. Barker, Joshua, Johan Lindquist, Tom Boellstorff, Chris Brown, Aryo Danusiri, Dadi Darmadi, Sherri Gibbings, Jesse Grayman, James Hoesterey, Carla Jones, Doreen Lee, Daromir Rudnyckyj, Rachel Silvey, Karen Strassler. (2009). Figures of Indonesian Modernity. Indonesia, No. 87 (Apr., 2009), 35-72. Bartmanski, Dominik, Ian Woodward. (2015). Vinyl: The Analogue Record in the Digital Age. London and New York: Bloomsbury Academic. -- (2016). Vinyl record: An icon. Consumption Markets and Culture. 1-7. doi: 10.1080/10253866.2016.1212709. Baulch, Emma. (2002). Alternative music and mediation in late New Order Indonesia. Inter-Asia Cultural Studies, 3(2), 219-234. -- (2007). Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press. -- (2013). Longing Band Play at Beautiful Hope. International Journal of Cultural Studies, 16(3), 289-302. doi: 10.1177/1367877912474537. -- (2016). Genre Publics: Aktuil Magazine and Middle-class Youth in 1970s Indonesia. Indonesia, No 102 (Oct 2016), 85-113. Benjamin, Walter. (2007). Illuminations: Essays and Reflections. New York: Schocken Books. Benkler, Yochai. (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. Bijsterveld, Karin, Jose van Dijk. (2009). Introduction. In Bijsterveld K., van Dijk, J. (Eds.), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (pp.11-21). Amsterdam: Amsterdam University Press. Bishop, Claire. (2012). Artificial Hells: Participatory Art and the Politics of 284 Spectatorship. London and Brooklyn: Verso. Bodden, Michael. (2012). Dynamics and tensions of Lekra’s modern national COMMONStheatre. PEO In PLindsayLE J., Liem M.T. (Eds.), Heirs to the World Culture: MANAGINGBeing MIndonesianUSIC AND 1950-1965CULTURE IN (pp.453-484).CONTEMPORARY Leiden: YOGYAKARTA KITLV Press. Boon, Marcus. (2010). In Praise of Copying. Cambridge and London: Harvard University Press. -- (2013). Meditations in an emergency: On the apparent destruction of my MP3 collection. In Moist K.M., Banash D. (Eds.), Contemporary Collecting: Objects, Practices, and the Fate of Things (pp.3-12). Plymouth: Scarecrow Press. Bourriaud, Nicolas. (1998). Relational Aesthetics. Dijon: Le Presses du Reel. Bowen, John. R. (1986). On the political construction of tradition: Gotong royong in Indonesia. The Journal of Asian Studies, 45(3), 545-561. Boyle, John. (2007). Mertonianism unbound? Imagining free, decentralized access to most cultural and scientific material. In Hess C., Ostrom E. (Eds.), Understanding Knowledge as a Commons (pp.123-143). Cambridge and London: The MIT Press. -- (2008). The Public Domain: Enclosing the Commons of the Mind. New Haven: Yale University Press. Brabham, Daren. C. (2013). Crowdsourcing. Cambridge and London: The MIT Press. Budianta, Melani. (2003). The blessed tragedy: The making of women’s activism during the Reformasi years. In Heryanto A., Mandal S.K. (Eds.), Challenging Authorianism in Southeast Asia: Comparing Indonesia and Malaysia (pp. 145-178). London and New York: Routledge Curzon. Bull, Michael. (2007). Sound Moves: iPod Culture and Urban Experience. Oxon and New York: Routledge. Bustam, Mia. (2006). Sudjojono dan Aku (Sudjojono and Me). Jakarta: Pustaka Utan Kayu. Clifford, James. (1988). The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge: Harvard University Press. -- (1997). Routes: Travel and Translations in the Late Twentieth Century. Cambridge: Harvard University Press. Crosby, Alexandra. (2013). Festivals in Java: Localizing Cultural Activism and Environmental Politics, 2005-2010. PhD in International Studies. Sydney: University of Technology. Dahl, Sonja. (2016). Nongkrong and the non-productive time in Yogyakarta’s 285 contemporary arts. Parse Journal, Issue #4, 107-119. Darmawan, Ade. (2010). Fixing the chain of the cycle of ideas. In Yunanto A. NURAIN(IE JULIASTUTId.) Fixer: Exhibition of Alternative Spaces and Art Groups in Indonesia [pp.8-13]. Jakarta. North Art Space. Day, Tony. (2012). Honoured guests: Indonesian-American cultural traffic. In Lindsay J., Liem M.T. (Eds.), Heirs to World Culture: Being Indonesian 1950-1965 (pp.119-142). Leiden: KITLV Press. DeNora, Tia. (2004). Music in Everyday Life. Cambridge: Cambridge University Press. Derrida, Jacques. (1995). Archive fever: A Freudian impression. Translated by Eric Prenowitz. Chicago: University of Chicago Press. Dominguez, Monique. (2016, May 10). Wok the Rock, Founder of Yes No Wave Music. Retrieved from https://latitudes.nu/interview-with-the- wok-the-rok-founder-of-yes-no-wave-music/. Farram, Steven. (2007). Wage war agains Beatle Music! Censorship and music in Soekarno’s Indonesia. RIMA: Review of Indonesian and Malaysian Affairs, 41(2), 247-277. Federici, Sylvia. (2010). Feminism and the politics of the commons. Retrieved from http://www.commoner.org.uk/?p=113 Fonarow, Wendy. (2006). Empire of Dirt: The Aesthetics and Rituals of British Indie Music. Middletown: Wesleyan University Press. Foster, Hal. (1996). The Return of the Real: The Avant-Garde at the End of the Century. Cambridge and London: The MIT Press. Foulcher, Keith. (1986). Social Commitment in Literature and the Arts: The Indonesian “Institute of People’s Culture.” Clayton: Centre of Southeast Asian Studies, Monash University. Geertz, Clifford. (1962). The rotating credit association: A middle rung in development. Economic Development and Cultural Change, 10(3), 241-263. -- (1973). The Interpretation of Culture. New York: Basic Books. Gellert, Paul K. (2014). Optimism and education: The new ideology of development in Indonesia. Journal of Contemporary Asia, 45(3), 371-393. doi: http://dx.doi.org/10.1080/00472336.2014.978352 Gibbings, Sherry L. (2013). Unnamed interests and informal leaders: A street vendor relocation in Yogyakarta city. Indonesia, 96 (Special Issue: Wealth, Power, and Contemporary Indonesian Politics), 151-185. 286 Ginsburg, Faye D. (1997). From Little Things, Big Things Grow: Indigenous Media and Cultural Activism. In Fox R., Starn O. (Eds.), Between Resistence and Revolution: Cultural Politics and Social Protest (pp. 118-44). London: Routledge. COMMONS PEOPLE MGANAGINGraham, Stephen, MUSIC NANDigel CULTURE Thrift. (2007). IN CONTEM Out of Porder:ORARY Understanding YOGYAKARTA repair and maintenance. Theory Culture Society, 24(1), 1-25. doi: 10.1177/0263276407075954. Gregory, Georgina. (2012). Send in the Clones: A Cultural