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Dueling, Honor and Sensibility in Eighteenth-Century Spanish Sentimental Comedies
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES Kristie Bulleit Niemeier University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Niemeier, Kristie Bulleit, "DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES" (2010). University of Kentucky Doctoral Dissertations. 12. https://uknowledge.uky.edu/gradschool_diss/12 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Kristie Bulleit Niemeier The Graduate School University of Kentucky 2010 DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES _________________________________________________ ABSTRACT OF DISSERTATION _________________________________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of the University of Kentucky By Kristie Bulleit Niemeier Lexington, Kentucky Director: Dr. Ana Rueda, Professor of Spanish Literature Lexington, Kentucky 2010 Copyright © Kristie Bulleit Niemeier 2010 ABSTRACT OF DISSERTATION DUELING, HONOR AND -
Saraband for Dead Lovers
Saraband for Dead Lovers By Helen de Guerry Simpson Saraband for Dead Lovers I - DUCHESS SOPHIA "I send with all speed," wrote Elizabeth-Charlotte, Duchesse d'Orléans, tucked away in her little room surrounded by portraits of ancestors, "to wish you, my dearest aunt and Serene Highness, joy of the recent betrothal. It will redound to the happiness of Hanover and Zelle. It links two dominions which have long possessed for each other the affection natural to neighbours, but which now may justly embrace as allies. It appears to me that no arrangement could well be more suitable, and I offer to the high contracting parties my sincerest wishes for a continuance of their happiness." The Duchess smiled grimly, dashed her quill into the ink, and proceeded in a more homely manner. "Civilities apart, What in heaven's name is the Duke of Hanover about? This little Sophie-Dorothée will never do; she is not even legitimate, and as for her mother, you know as well as I do that Eléonore d'Olbreuse is nothing better than a French she-poodle to whom uncle George William of Zelle treated himself when he was younger, I will not say more foolish, and has never been able to get rid of since. What, with all respect, was your husband thinking of to bring French blood into a decent German family, and connected with the English throne, too! In brief, my dearest aunt, all this is a mystery to me. I can only presume that it was concluded over your head, and that money played the chief role. -
1822: Cain; Conflict with Canning; Plot to Make Burdett the Whig Leader
1 1822 1822: Cain ; conflict with Canning; plot to make Burdett the Whig leader; Isaac sent down from Oxford, but gets into Cambridge. Trip to Europe; the battlefield of Waterloo; journey down the Rhine; crossing the Alps; the Italian lakes; Milan; Castlereagh’s suicide; Genoa; with Byron at Pisa; Florence; Siena, Rome; Ferrara; Bologna; Venice; Congress of Verona; back across the Alps; Paris, Benjamin Constant. [Edited from B.L.Add.Mss. 56544/5/6/7.] Tuesday January 1st 1822: Left two horses at the White Horse, Southill (the sign of which, by the way, was painted by Gilpin),* took leave of the good Whitbread, and at one o’clock (about) rode my old horse to Welwyn. Then [I] mounted Tommy and rode to London, where I arrived a little after five. Put up at Douglas Kinnaird’s. Called in the evening on David Baillie, who has not been long returned from nearly a nine years’ tour – he was not at home. Wednesday January 2nd 1822: Walked about London. Called on Place, who congratulated me on my good looks. Dined at Douglas Kinnaird’s. Byng [was] with us – Baillie came in during the course of the evening. I think 1 my old friend had a little reserve about him, and he gave a sharp answer or two to Byng, who good-naturedly asked him where he came from last – “From Calais!” said Baillie. He says he begins to find some of the warnings of age – deafness, and blindness, and weakness of teeth. I can match him in the first. This is rather premature for thirty-five years of age. -
The Lives of the Chief Justices of England
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com I . i /9& \ H -4 3 V THE LIVES OF THE CHIEF JUSTICES .OF ENGLAND. FROM THE NORMAN CONQUEST TILL THE DEATH OF LORD TENTERDEN. By JOHN LOKD CAMPBELL, LL.D., F.E.S.E., AUTHOR OF 'THE LIVES OF THE LORd CHANCELLORS OF ENGL AMd.' THIRD EDITION. IN FOUE VOLUMES.— Vol. IT;; ; , . : % > LONDON: JOHN MUEEAY, ALBEMAELE STEEET. 1874. The right of Translation is reserved. THE NEW YORK (PUBLIC LIBRARY 150146 A8TOB, LENOX AND TILBEN FOUNDATIONS. 1899. Uniform with the present Worh. LIVES OF THE LOED CHANCELLOKS, AND Keepers of the Great Seal of England, from the Earliest Times till the Reign of George the Fourth. By John Lord Campbell, LL.D. Fourth Edition. 10 vols. Crown 8vo. 6s each. " A work of sterling merit — one of very great labour, of richly diversified interest, and, we are satisfied, of lasting value and estimation. We doubt if there be half-a-dozen living men who could produce a Biographical Series' on such a scale, at all likely to command so much applause from the candid among the learned as well as from the curious of the laity." — Quarterly Beview. LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARINg CROSS. CONTENTS OF THE FOURTH VOLUME. CHAPTER XL. CONCLUSION OF THE LIFE OF LOKd MANSFIELd. Lord Mansfield in retirement, 1. His opinion upon the introduction of jury trial in civil cases in Scotland, 3. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries. -
The Nerevarine Chronicles
The Nerevarine Chronicles Peace and Prosperity The kingdom of Avalon had existed for nearly a millennium, enjoying peace and prosperity for many of those centuries. In the ebb and flow of time, the races of Avalon united when necessary to converge on a common foe. For the most part, however the dwarves and elves tended to themselves and let the humans, with their shorter life spans, micro-manage the kingdom. As was the custom among humans at the time, people were addressed first by their surname and then their given name. The family name had taken precedence some generations prior, when the Great Houses of Northwind took prominence. Each ruling family was designated as House so-and-so. It did not take long for the custom to trickle out to the human rulers in Dai-Rynn and Dormack. The Great Houses were sometimes referenced by the family crest. House Dagoth, who were worshippers of Pelor, sported a rising sun above a sword, and was commonly called the Sun-and-Sword. House Indoril was called the Moon-and-Star, after their crest, which resembled a tiny slice of the night sky. House Indoril followed Heironeous and the origin of their crest remains a mystery. After the events surrounding the Nerevarine Prophecies, however, this all but ended. Family names were held with honor and pride, but took no more importance over the individual than they had prior. The Great Houses stopped referring to each other as such and that era was left in the wake of these unfortunate events to fade only into the annals of history. -
A Jewish Agent in Eighteenth-Century Paris: Israël Bernard De Valabrègue
W&M ScholarWorks Arts & Sciences Articles Arts and Sciences Spring 2006 A Jewish Agent in Eighteenth-Century Paris: Israël Bernard de Valabrègue Ronald Schechter College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/aspubs Part of the European History Commons Recommended Citation Schechter, Ronald, A Jewish Agent in Eighteenth-Century Paris: Israël Bernard de Valabrègue (2006). Historical Reflections/Réflexions Historiques, 32(1), 39-63. https://scholarworks.wm.edu/aspubs/779 This Article is brought to you for free and open access by the Arts and Sciences at W&M ScholarWorks. It has been accepted for inclusion in Arts & Sciences Articles by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 1 A Jewish Agent in Eighteenth-Century Paris: Israël Bernard de Valabrègue Ronald Schechter, The College of William and Mary In Lettres orientales, an unfinished novel from 1754, the Arab merchant Aben- Zaïd writes from Constantinople to two friends: A Turk named Zadé and a Frenchman, the Chevalier de ***. Following the conventions of the epistolary novel, an "editor" introduces the correspondents. We learn that Aben-Zaïd is a "learned Oriental" who has grown wise through his travels. Although characterized by a "phlegmatic Asian temperament," Aben-Zaïd is amused by "stories, fables and accounts," which he enjoys sharing with his friends. In the first letter, Aben-Zaïd writes Zadé of his arrival in Constantinople, "the residence of the most powerful prince in the world," Sultan Mahmud. After reflecting on the vicissitudes of Turkish history, he complains of the time that business has taken from his studies. -
263-264 Contents Copia
ROMANCE NOTES YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY VOLUME XLVI, NUMBER 3SPRING, 2006 YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY CONTENTS Specters of Naiveté and Nuance in Verlaine’s Poèmes Saturniens Matthew D. Anderson 265 “El amante liberal”: Cervantes’s Ironic Imitation of Heliodorus Sean McDaniel 277 Berceo’s “La casulla de San Ildefonso”: Thematic Transformation through Rhetoric Matthew A. Wyszynski 287 Jews in Voltaire’s Candide Arthur Scherr 297 Transatlantic Visions: Imagining Mexico in Juan Rejano’s La esfinge mestiza and Luis Buñuel’s Los olvidados Victoria Rivera-Cordero 309 João Cabral de Melo Neto and the Poetics of Bullfighting Robert Patrick Newcomb 319 Garnier’s La Troade between Homeric Fiction and French History: The Question of Moral Authority Marc Bizer 331 Reflections on Translating Nicolás Guillén’s Poetry into English Keith Ellis 341 Blurring Boundaries between Animal and Human: Animalhuman Rights in “Juan Darién” by Horacio Quiroga Bridgette W. Gunnels 349 Une réécriture de Constance Verrier chez George Sand: Malgrétout Dominique Laporte 359 Un voyage de l’oeil à l’autre ou Maldoror traverse le miroir. Quelques Remarques sur l’identité et le flou dans Les Chants de Malldoror Éloïse Sureau 367 Translating Tango: Sally Potter’s Lessons Carolyn Pinet 377 Las musas inquietantes de Cristina Peri Rossi. Problematización de la mirada masculina en las artes visuales Parizad Dejbord Sawan 387 YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY Other publications of the Department: Estudios de Hispanófila, Hispanófila, North Carolina Studies in the Romance Languages and Literatures. Impreso en España Printed in Spain Artes Gráficas Soler, S. L. Valencia, 2007 Depósito Legal: V. 963 - 1962 YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY SPECTERS OF NAIVETÉ AND NUANCE IN VERLAINE’S POÈMES SATURNIENS MATTHEW D. -
BCAS 11803 Mar 2020 Program Rev3 28 Pages.Indd
ANTHONY BLAKE CLARK Music Director SUNDAY, MARCH 1, 2020 Baltimore Choral Arts Society Anthony Blake Clark 54th Season: 2019-20 Sunday, March 1, 2020 at 3 pm Shriver Hall Auditorium, The Johns Hopkins University, Homewood Campus Monteverdi Vespers Anthony Blake Clark, conductor Leo Wanenchak, associate conductor Baltimore Baroque Band, Peabody’s Baroque Orchestra, Dr. John Moran and Risa Browder, co-directors Peabody Renaissance Ensemble, Mark Cudek, director; Adam Pearl, choral coach Washington Cornett and Sackbutt Ensemble, Michael Holmes, director The Baltimore Choral Arts Chorus James Rouvelle and Lili Maya, artists Vespro della Beata Vergine Claudio Monteverdi I. Domine ad adiuvandum II. Dixit dominus III. Nigra sum IV. Laudate pueri V. Pulchra es VI. Laetatus sum VII. Duo seraphim VIII. Nisi dominus Intermission IX. Audi coelum X. Lauda Ierusalem XI. Sonata sopra Sancta Maria ora pro nobis XII. Ave maris stella XIII. Magnificat 2 Monteverdi Vespers is generously sponsored by the William G. Baker, Jr. Memorial Fund, creator of the Baker Artists Portfolios, www.BakerArtists.org. This performance is supported in part by the Maryland State Arts Council (msac.org). Our concerts are also made possible in part by the Citizens of Baltimore County and Mayor Jack Young and the Baltimore Offi ce of Promotion and the Arts. Our media sponsor for this performance is Please turn the pages quietly, and please turn off all electronic devices during the concert. The use of cameras and recording equipment is not allowed. Thanks for your cooperation. Please visit our web site: www.BaltimoreChoralArts.org e-mail: [email protected] 1316 Park Avenue | Baltimore, MD 21217 410-523-7070 Copyright © 2020 by the Baltimore Choral Arts Society Notice: Baltimore Choral Arts Society, Inc. -
Cephrael C1-6 Excerpt
Foreword “In the fifth century of the Fifth Age in the realm of Alorin, the Adept Malachai ap’Kalien wielded the itinerant power widely referred to as elae to create—nay, not a mere dimension as is so widely professed—but an entirely new world, whole cloth, out of Alorin’s own aether. News of his accomplishment resounded throughout the thousand realms of Light, for it was a feat both unheard-of and unimaginable. Many were horrified by the working, naming it the penultimate blasphemy. Seeking understanding, Malachai appealed to the great Adept leaders who gathered in the revered Hall of a Thousand Thrones on the cityworld of Illume Belliel. He beseeched their mercy—if not for him, then for his fledgling world—but he met strong opposition. Aldaeon H’rathigian, Seat of Markhengar, was most outspoken in his outrage, and succeeded in a brief campaign to sway other Seats to his views. Thus was Malachai’s infant realm ruled an abomination, and its maker condemned an outcast. Even the Alorin Seat, Malachai’s own representative, turned his head in shame. Destitute, Malachai appealed to the darker gods. And they did not refuse him.” The Adept Race: Its Tragedies & Triumphs, Chapter 19, The Legend of T’khendar – as complied by Agasi Imperial Historian, Neralo DiRomini, in the year 607aV Copyright © 2014 by Melissa McPhail. All Rights Reserved. Prologue The dark-haired man leaned back in his armchair and rubbed one finger along his jaw. His blue eyes narrowed as his mind raced through the possibilities still available, each branching with hundredfold new and varied paths. -
A Newcomers Guide to the SCA
A Newcomers Guide to the SCA April 2021 Contents Known World Map About the SCA Geography Getting Started Persona and History Combat and Martial Arts Arts and Sciences Service Awards and Titles Attending Your First Event Terminology Come Share the Dream Copyright © 2021 Society for Creative Anachronism, Inc. For information on reprinting photographs, articles, or artwork from this publication, please contact the Society Chatelaine, who will assist you in contacting the original creator of the piece. Please respect the legal rights of our contributors. Members of The Society for Creative Anachronism, Inc., may photocopy this work in whole or in part for SCA use provided copyright credit is given and no changes are made to the content. The contents of the document are posted at http://www.sca.org Sources SCA website http://www.SCA.org SCA Newcomer's Portal http://welcome.sca.org East Kingdom Newcomer guide https://www.eastkingdom.org/newcomers-guide/ Your Persona: Who you are in the SCA https://caerthe-sca.org/content/your-persona-who-you-are-sca Forward into the the past https://www.sca.org/forward-into-the-past/ SCA Newcomer's Guide https://www.sca.org/sca-newcomers-guide-updates/ Map courtesy of Naomi bat Avraham, OL (Naomi A. Hampson, Ph.D.) Editor: Brett Chandler-Finch (Goldweard of St. Golias) About the SCA Welcome to the Current Middle Ages • Avoid behavior that reflects adversely on the SCA or other SCA members and participants. Imagine yourself standing on a field surrounded by colorful pavilions as banners flutter and snap overhead. Around The SCA provides an environment in which members can you, richly dressed lords and ladies are watching knights in recreate various aspects of the cultures and technology of armor who battle with sword and shield. -
The Title of Monsignor
Introduction was placed on sacramental orders in regard to bish- Monsignor is merely a title of honor that is be- ops and priests, rather than jurisdiction as formerly. OUR LADY OF PROVIDENCE CHAPEL stowed by the Holy Father on priests recommended The title of papal chamberlain was superseded by SAINT VINCENT HOSPITAL for such an honor by the local bishop. Collectively the more priestly-sounding designation of Chaplains WORCESTER MEDICAL CENTER known as monsignori, they either have a particular of His Holiness. The priest so-designated no longer Sixteenth Sunday in Ordinary Time function within the local church or have distin- would wear a purple cassock, but the more priestly guished themselves by the work they have done on looking garb of a black house cassock with purple July 19, 2009 behalf of the Church. No additional authority is trim, purple buttons/buttonholes and a purple silk gained by the title monsignor alone. cincture as his proper attire. When in choir, the The Title of Monsignor chaplain of his holiness will don a surplice. The Monsignor is the form of address used for members black biretta, as a sign of the priesthood, marks the of the clergy of the Catholic Church who hold those priesthood of the second order, namely, below the honorific titles. The title monsignor does not desig- rank of bishop. Currently, there are three ranks. The nate a different ecclesiastical office; instead, it is a highest honor among all monsignori is the (1) Ap- ostolic Protonotary of which there are two different title associated with honorary awards bestowed upon a particular priest by the Holy See.