The Nerevarine Chronicles
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Dueling, Honor and Sensibility in Eighteenth-Century Spanish Sentimental Comedies
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES Kristie Bulleit Niemeier University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Niemeier, Kristie Bulleit, "DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES" (2010). University of Kentucky Doctoral Dissertations. 12. https://uknowledge.uky.edu/gradschool_diss/12 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Kristie Bulleit Niemeier The Graduate School University of Kentucky 2010 DUELING, HONOR AND SENSIBILITY IN EIGHTEENTH-CENTURY SPANISH SENTIMENTAL COMEDIES _________________________________________________ ABSTRACT OF DISSERTATION _________________________________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of the University of Kentucky By Kristie Bulleit Niemeier Lexington, Kentucky Director: Dr. Ana Rueda, Professor of Spanish Literature Lexington, Kentucky 2010 Copyright © Kristie Bulleit Niemeier 2010 ABSTRACT OF DISSERTATION DUELING, HONOR AND -
Saraband for Dead Lovers
Saraband for Dead Lovers By Helen de Guerry Simpson Saraband for Dead Lovers I - DUCHESS SOPHIA "I send with all speed," wrote Elizabeth-Charlotte, Duchesse d'Orléans, tucked away in her little room surrounded by portraits of ancestors, "to wish you, my dearest aunt and Serene Highness, joy of the recent betrothal. It will redound to the happiness of Hanover and Zelle. It links two dominions which have long possessed for each other the affection natural to neighbours, but which now may justly embrace as allies. It appears to me that no arrangement could well be more suitable, and I offer to the high contracting parties my sincerest wishes for a continuance of their happiness." The Duchess smiled grimly, dashed her quill into the ink, and proceeded in a more homely manner. "Civilities apart, What in heaven's name is the Duke of Hanover about? This little Sophie-Dorothée will never do; she is not even legitimate, and as for her mother, you know as well as I do that Eléonore d'Olbreuse is nothing better than a French she-poodle to whom uncle George William of Zelle treated himself when he was younger, I will not say more foolish, and has never been able to get rid of since. What, with all respect, was your husband thinking of to bring French blood into a decent German family, and connected with the English throne, too! In brief, my dearest aunt, all this is a mystery to me. I can only presume that it was concluded over your head, and that money played the chief role. -
Works S11-1.Pub
Fall 2010-Spring 2011 The Official Arts Publication of Sauk Valley Community College TheThe WorksWorks honorable mention in student visual art contest (above): Carlow, Ireland by William Brown Fiction Poetry Visual Arts The Anne Horton Writing Award 2011 Film Review Contest The Works Editorial Staff . Sara Beets Elizabeth Conderman Cody Froeter Tessa Ginn Tracy Hand Steven Hoyle James Hyde Jamie Lybarger Lauren Walter David Waters Faculty Advisor . Tom Irish * * * * * Special thanks to SVCC’s Foundation, Student Government Association, and English Department 2 Table of Contents . POETRY: First Place: Human Cannibalization: A Study, by Lauren Walter . 4 Honorable Mention: At the End of the Wind, by Phil Arellano . 6 Doesn’t Feel Right, by Sara Beets . 7 Goodnight, by Hayleigh Covella . 8 Two Caves, by Corey Coomes . .10 Doesn’t Feel Right, by Tessa Ginn . 11 Speed Kills, by Corey Coomes . 12 Something About Bravery, by Lauren Walter . .13 In My Place, by Jamie Lybarger . 14 Oh Sweetie, Oh Please, by Hayleigh Covella . 16 Mortal, by Sara Beets . 17 Hot Tears of Love, by Len Michaels . 18 Unimpressed, by Hayleigh Covella . 19 Planet Mars-Population: Failure, by Sara Beets . 20 Seventh Sin: A Collection of Poetry, by Sara Beets , Tessa Ginn, and Lauren Walter . 22 FICTION: First Place: Emperor Onion, by Elizabeth Conderman . 32 Honorable Mention: Buried, by Lauren Walter . 35 The Legend of the Pipperwhill, by Brooke Ehlert. 38 MICHAEL JUSTIN, by Rebekah Megill . 40 Just Animals, by Nick Sobottka . 42 The FINAL CHAPTER of NICK CARTER: The Price, by Jason Hedrick . 44 Pleasant Dreams, by Len Michaels . 47 A Very Short Story About Fruit Snacks, by Tom Irish . -
1822: Cain; Conflict with Canning; Plot to Make Burdett the Whig Leader
1 1822 1822: Cain ; conflict with Canning; plot to make Burdett the Whig leader; Isaac sent down from Oxford, but gets into Cambridge. Trip to Europe; the battlefield of Waterloo; journey down the Rhine; crossing the Alps; the Italian lakes; Milan; Castlereagh’s suicide; Genoa; with Byron at Pisa; Florence; Siena, Rome; Ferrara; Bologna; Venice; Congress of Verona; back across the Alps; Paris, Benjamin Constant. [Edited from B.L.Add.Mss. 56544/5/6/7.] Tuesday January 1st 1822: Left two horses at the White Horse, Southill (the sign of which, by the way, was painted by Gilpin),* took leave of the good Whitbread, and at one o’clock (about) rode my old horse to Welwyn. Then [I] mounted Tommy and rode to London, where I arrived a little after five. Put up at Douglas Kinnaird’s. Called in the evening on David Baillie, who has not been long returned from nearly a nine years’ tour – he was not at home. Wednesday January 2nd 1822: Walked about London. Called on Place, who congratulated me on my good looks. Dined at Douglas Kinnaird’s. Byng [was] with us – Baillie came in during the course of the evening. I think 1 my old friend had a little reserve about him, and he gave a sharp answer or two to Byng, who good-naturedly asked him where he came from last – “From Calais!” said Baillie. He says he begins to find some of the warnings of age – deafness, and blindness, and weakness of teeth. I can match him in the first. This is rather premature for thirty-five years of age. -
Interaction Between Record Matching and Data Repairing
Interaction between Record Matching and Data Repairing Wenfei Fan1;2 Jianzhong Li2 Shuai Ma3 Nan Tang1 Wenyuan Yu1 1University of Edinburgh 2Harbin Institute of Technology 3Beihang University fwenfei@inf., ntang@inf., [email protected] [email protected] [email protected] Abstract cost: it costs us businesses 600 billion dollars each year [16]. Central to a data cleaning system are record matching and With this comes the need for data cleaning systems. As data repairing. Matching aims to identify tuples that re- an example, data cleaning tools deliver \an overall business fer to the same real-world object, and repairing is to make a value of more than 600 million GBP" each year at BT [31]. In database consistent by fixing errors in the data by using con- light of this, the market for data cleaning systems is grow- straints. These are treated as separate processes in current ing at 17% annually, which substantially outpaces the 7% data cleaning systems, based on heuristic solutions. This pa- average of other IT segments [22]. per studies a new problem, namely, the interaction between There are two central issues about data cleaning: ◦ record matching and data repairing. We show that repair- Recording matching is to identify tuples that refer to ing can effectively help us identify matches, and vice versa. the same real-world entity [17, 26]. ◦ To capture the interaction, we propose a uniform frame- Data repairing is to find another database (a candidate work that seamlessly unifies repairing and matching oper- repair) that is consistent and minimally differs from ations, to clean a database based on integrity constraints, the original data, by fixing errors in the data [4, 21]. -
The Lives of the Chief Justices of England
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com I . i /9& \ H -4 3 V THE LIVES OF THE CHIEF JUSTICES .OF ENGLAND. FROM THE NORMAN CONQUEST TILL THE DEATH OF LORD TENTERDEN. By JOHN LOKD CAMPBELL, LL.D., F.E.S.E., AUTHOR OF 'THE LIVES OF THE LORd CHANCELLORS OF ENGL AMd.' THIRD EDITION. IN FOUE VOLUMES.— Vol. IT;; ; , . : % > LONDON: JOHN MUEEAY, ALBEMAELE STEEET. 1874. The right of Translation is reserved. THE NEW YORK (PUBLIC LIBRARY 150146 A8TOB, LENOX AND TILBEN FOUNDATIONS. 1899. Uniform with the present Worh. LIVES OF THE LOED CHANCELLOKS, AND Keepers of the Great Seal of England, from the Earliest Times till the Reign of George the Fourth. By John Lord Campbell, LL.D. Fourth Edition. 10 vols. Crown 8vo. 6s each. " A work of sterling merit — one of very great labour, of richly diversified interest, and, we are satisfied, of lasting value and estimation. We doubt if there be half-a-dozen living men who could produce a Biographical Series' on such a scale, at all likely to command so much applause from the candid among the learned as well as from the curious of the laity." — Quarterly Beview. LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARINg CROSS. CONTENTS OF THE FOURTH VOLUME. CHAPTER XL. CONCLUSION OF THE LIFE OF LOKd MANSFIELd. Lord Mansfield in retirement, 1. His opinion upon the introduction of jury trial in civil cases in Scotland, 3. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries. -
Better Is Better Than More: Complexity, Economic Progress, and Qualitative Growth
Better is Better Than More Complexity, Economic Progress, and Qualitative Growth by Michael Benedikt and Michael Oden Center for Sustainable Development Working Paper Series - 2011(01) csd Center for Sustainable Development The Center for Sustainable Development Better is Better than More: Complexity, Economic Working Paper Series 2011 (01) Progress, and Qualitative Growth Better is Better than More: Complexity, Economic Progress, and Qualitative Growth Michael Benedikt Hal Box Chair in Urbanism Michael Oden Professor of Community & Regional Planning Table of Contents The University of Texas at Austin 1. Introduction, and an overview of the argument 2 © Michael Benedikt and Michael Oden 2. Economic growth, economic development, and economic progress 6 Published by the Center for Sustainable Development The University of Texas at Austin 3. Complexity 10 School of Architecture 1 University Station B7500 Austin, TX 78712 4. The pursuit of equity as a generator of complexity 21 All rights reserved. Neither the whole nor any part of this paper may be reprinted or reproduced or quoted 5. The pursuit of quality as a generator of complexity 26 in any form or by any electronic, mechanical, or other Richness of functionality 31 means, now known or hereafter invented, including photocopying and recording, or in any information Reliability/durability 32 storage or retrieval system, without accompanying full Attention to detail 33 bibliographic listing and reference to its title, authors, Beauty or “style” 33 publishers, and date, place and medium of publication or access. Generosity 36 Simplicity 37 Ethicality 40 The cost of quality 43 6. Quality and equity together 48 The token economy 50 7. -
LL-L5R Rules.Pdf
A few months ago, the Empress of Rokugan’s third child, Iweko Miaka, came of age. This instantly made her the most eligible maiden in the Empire, and prominent samurai from every clan and faction have set out to court her. Of course, in Rokugan marriage is a matter of duty and politics far more often than love, but the personal affection of a potential spouse can be a very effective tool in marriage negotiations. And when that potential spouse is an Imperial princess, her affection can be more influential than any number of political favors. 2 Of course, winning a princess’ heart is hardly an easy task in the tightly- monitored world of the Imperial Palace. The preferred tool of courtly romance in Rokugan is the letter, and every palace’s corridors are filled with the soft steps of servants carrying letters back and forth. But such letters can be intercepted by rivals or turned away by hostile guards. For a samurai to succeed in his suit, he will have to find ways of getting his own letters into Miaka’s hands – while blocking the similar efforts of rival suitors. 3 Object In the wake of many recent tragic events, Empress Iweko I has sought to bring a note of joy back to the Imperial City, Toshi Ranbo, by announcing the gempukku (coming- of-age) of her youngest child and only daughter, Iweko Miaka. Prominent samurai throughout the Imperial City have immediately started to court the Imperial princess, whose hand in marriage would be a prize beyond price in Rokugan. -
How to Be the Branch Herald
How to Be the Branch Herald by Lord Michael FitzGeoffrey, GdS, OLM Argent Scroll Herald Taught as a 90-minute class at the annual Kingdom Heraldic & Scribal Symposium Kingdom of An Tir October 11, anno societatis XLIX (being 2014 in the common reckoning) INTRODUCTION: For every barony in the SCA, the office of baronial herald is a requirement. Even for smaller groups, the vast majority have a herald as well. But just what is the duty of this officer-of-arms? This class discusses the role of a branch herald considering both the responsibilities and the opportunities that it carries. For purposes of discussion, this course will categorize the functions of a branch herald into three areas: administrative, ceremonial, and technical. Administrative responsibilities are those for which the branch herald is responsible because s/he is an officer of the branch, and are similar to the responsibilities of every other officer in the branch, but not necessarily the job of other heralds. The ceremonial roles of the branch herald are (to a greater or lesser extent) those tasks that set the herald’s office apart from other offices in the branch. When it comes right down to the fundamentals, ceremony is a great part what heraldry entails. This course will discuss what some of those roles are. Finally, for better or for worse, heralds are viewed as technical experts. As such, the branch herald needs to know (or to learn) some of the basics, at least, of book heraldry, and voice heraldry, as well as where to go for further expertise. -
Jack the Ripper in Film and Culture
Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
Exploring Musical Relations Using Association Rule Networks
EXPLORING MUSICAL RELATIONS USING ASSOCIATION RULE NETWORKS Renan de Padua1;2 Veronicaˆ Oliveira de Carvalho3 Solange de Oliveira Rezende1 Diego Furtado Silva4 1 Instituto de Cienciasˆ Matematicas´ e de Computac¸ao˜ – Universidade de Sao˜ Paulo, Sao˜ Carlos, Brazil 2 Data Science Team, Itau-Unibanco,´ Sao˜ Paulo, Brazil* 3 Instituto de Geocienciasˆ e Cienciasˆ Exatas – Universidade Estadual Paulista, Rio Claro, Brazil 4 Departamento de Computac¸ao˜ – Universidade Federal de Sao˜ Carlos, Sao˜ Carlos, Brazil [email protected], [email protected], [email protected], [email protected] ABSTRACT features from subsequences to obtain a more robust set of features [2, 8]. Moreover, Silva et al. [12] showed how as- Music information retrieval (MIR) has been gaining in- sessing distances between subsequences can be used as a creasing attention in both industry and academia. While subroutine for different MIR tasks, from cover recognition many algorithms for MIR rely on assessing feature sub- to visualization. sequences, the user normally has no resources to interpret In this work, we propose the use of a novel category the significance of these patterns. Interpreting the relations of association rules networks to support understanding the between these temporal patterns and some aspects of the relations between sequential patterns and labels which de- assessed songs can help understanding not only some algo- scribe our data. The exploration of these association rules rithms’ outcomes but the kind of patterns which better de- may provide insights on what kind of pattern defines one fines a set of similarly labeled recordings. In this work, we label, which may have implications on musicology or other present a novel method to assess these relations, construct- MIR tasks.