09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
FLM4200 Concepts and History View Online
Module convenors: Dr Guy Westwell and Dr Anat Pick
1:1 The cinema of attractions Prezi (no date).
1:2 Rise of the story film Prezi (no date).
1:3 Birth of a Nation Prezi (no date). Available at: https://prezi.com/xddthwuyzpyg/edit/#0_24309637.
1:4 Performance Prezi (no date).
1:5 Sound Prezi (no date).
1:6 Censorship Prezi (no date).
1:8 Narrative Prezi (no date).
1:9 Mise-en-scene and cinematography Prezi (no date).
1.10 Classical Hollywood Cinema Prezi (no date).
2.1 Editing Prezi (no date).
2:2 Race, Communism and the Hollywood Blacklist Prezi (no date).
2.3 Technology Prezi (no date).
2:8 New Hollywood Prezi (no date).
2:11 Lone Star (i) Prezi (no date).
2:12 Lone Star (ii) Prezi (no date).
¡Alambrista!: Inside the Undocumented Experience - From the Current - The Criterion Collection (no date). Available at: https://www.criterion.com/current/posts/2256-alambrista-inside-the-undocumented-experi ence.
Allen, Robert Clyde and Gomery, Douglas (1993) Film history: theory and practice. New York: McGraw-Hill.
American Cinema, 1895-1915 - Cinema and Media Studies - Oxford Bibliographies (no date). Available at:
1/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-978019979 1286-0074.xml?rskey=ke838o&result=3&q=.
American Independent Cinema - Cambridge Books Online - Cambridge University Press (no date). Available at: https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/books/american-independent-c inema/725FC9FADFF5FC85BDCA493B4265F02E#.
American Independent Cinema - Cinema and Media Studies - Oxford Bibliographies (no date). Available at: http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780 199791286/obo-9780199791286-0061.xml.
‘A Movie’ (1958). doi: https://www.dailymotion.com/video/x248brc.
ASC: The American Society of Cinematographers (no date).
A Short History of Black US Indie Cinema | BFI (no date). Available at: http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.
A short history of black US indie cinema | BFI (no date). Available at: http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.
A Snapshot of Independent Film History (no date). Available at: http://www.fandor.com/infographics/a-snapshot-of-independent-film-history.
Barsam, R. M. and Monahan, D. (2015a) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015b) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015c) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015d) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015e) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015f) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015g) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015h) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
2/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Barsam, R. M. and Monahan, D. (2015i) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015j) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2015k) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
BBC News - World’s first colour moving pictures discovered (no date).
BBC Radio 4 - Start the Week, Salman Rushdie (no date).
Belton, John (1993) Widescreen cinema. Harvard U. P.
Bernstein, Matthew (2000) Controlling Hollywood: Censorship and Regulation in the Studio Era. London: Athlone.
BFI | Sight & Sound | Is Citizen Kane still the greatest ... of all time (no date).
Biberman, H. J., Wilson, M. and Monaco, J. (no date) Salt of the earth: the story of a film. Fiftieth anniversary ed. New York: Harbor Electronic Pub.
Biskind, Peter (1999) Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock’n'roll Generation Saved Hollywood. London: Bloomsbury.
Black, Gregory D. (1994) Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge: Cambridge University Press.
Border Film Project (no date).
Bordwell, David and American Council of Learned Societies (2006) The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: University of California Press.
Bordwell, David, Staiger, Janet and Thompson, Kristin (1985) ‘“Classical Narration” in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’, in. London: Routledge & Kegan Paul.
Bordwell, David and Thompson, Kristin (2008) Film Art: An Introduction. 8th ed. Boston: McGraw Hill.
Bould, M. (2005) Film noir: from Berlin to Sin City. London: Wallflower Press.
Bould, M. (2009) The Cinema of John Sayles: Lone Star. London: Wallflower Press.
B. Pettey, H. (2016) Film noir. Edinburgh: Edinburgh Univ Press.
Buster Keaton | Senses of Cinema (no date).
Carney, R. (1994) ‘Selves in the making,’ in The films of John Cassavetes: pragmatism, modernism, and the movies. Cambridge [England]: Cambridge University Press. Available at: http://catdir.loc.gov/catdir/toc/cam025/93004474.html.
3/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Charles Burnett (1977) Killer of Sheep. Available at: http://shop.bfi.org.uk/killer-of-sheep-dvd-bluray.html#.V7cJgK7uc-8.
CLOSE-UP | Free Radicals: A Story of Experimental Film (no date). doi: https://www.closeupfilmcentre.com/film_programmes/2012/free-radicals-a-history-of-exper imental-film/.
‘Complete Nudity Is Never Permitted’: The Motion Picture Production Code of 1930 (no date).
‘Composition Techniques for Widescreen Aspect Ratios’ (no date). Available at: http://vimeo.com/68830484.
Cook, D. A. (2004) A History of Narrative Film. 4th ed. New York: W.W. Norton.
Cook, Pam (2007a) The Cinema Book. 3rd ed. London: BFI.
Cook, Pam (2007b) The Cinema Book. 3rd ed. London: BFI.
Cook, Pam (2007c) The Cinema Book. 3rd ed. London: BFI.
Cook, Pam (2007d) The Cinema Book. 3rd ed. London: BFI.
Corpus Fluxus (2017) ‘Film (2017).’ [United Kingdom]: British Film Institute. Available at: https://vimeo.com/227365573.
Curtiz, Michael and Warner Bros. Pictures (1942) ‘Casablanca.’ [U.K.]: Warner Home Video (UK) Ltd. Available at: http://bobnational.net/record/253219.
‘Daring Daylight Burglary’ (no date). Available at: https://www.youtube.com/watch?v=t8npdTSVnZ0.
davidbordwell.net : essays (no date).
Davis, Mike (2000) Magical urbanism: Latinos reinvent the US city. Rev. and expanded ed. London: Verso.
Deborah Shaw (no date) ‘Films you should watch to counter American anti-migrant rhetoric’, The Conversation. Available at: https://theconversation.com/films-you-should-watch-to-counter-american-anti-migrant-rhet oric-69540.
Deren, Maya, Itō, Teiji and Hammid, Alexander (1943) ‘Maya Deren: Experimental Films.’ New York, NY: Mystic Fire Video.
Deren, Maya and McPherson, Bruce R. (2004) Essential Deren: collected writings on film. 1st ed. Kingston, N.Y.: Documentext. Available at: http://catdir.loc.gov/catdir/toc/ecip0422/2004020351.html.
Dixon, W. W. (2009) Film Noir and the Cinema of Paranoia. New Brunswick, NJ: Rutgers University Press. Available at: http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://hdl.handle.net/2027/heb.0
4/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
8059.
Doherty, Thomas Patrick (1999) Pre-code Hollywood: sex, immorality, and insurrection in American cinema, 1930-1934. New York: Columbia University Press.
‘Early Cinema: Primitives and Pioneers’ (2005). London: bfi Video Publishing.
Education resources | British Board of Film Classification (no date). Available at: http://www.bbfc.co.uk/education-resources.
Elsässer, T. and Barker, Adam (1990) Early Cinema: Space, Frame, Narrative. London: British Film Institute Publishing.
Films | The Public Domain Review (no date).
FilmSound.org (no date).
Film Studies 101: The A-Z Of The Birth Of Cinema | Features | Empire (no date). Available at: http://www.empireonline.com/features/film-studies-101-birth-of-cinema.
Finding His Voice - 1929 Max Fleischer cartoon - YouTube (no date).
Fischer, Lucy (1998) ‘Sound/Silence & Country/City’ in Sunrise: A Song of Two Humans. London: British Film Institute.
Fojas, Camilla (2008) Border bandits: Hollywood on the southern frontier. Austin: University of Texas Press.
Ford, John, Walter Wanger Productions and United Artists (1939) ‘Stagecoach.’ [U.K.]: Universal Pictures (UK) Ltd.
Getting a graduate job: Directgov (no date).
Gibbs, John Edward (2002) Mise-en-scène: film style and interpretation. London: Wallflower.
‘GO FOR SISTERS Movie Trailer’ (5AD). Available at: https://www.youtube.com/watch?v=fQ4vCFepS9Y&feature=youtu.be.
Grainge, Paul (2003) Memory and Popular Film. Manchester: Manchester University Press.
Gregory Nava (1983) El Norte. Available at: https://www.amazon.co.uk/Criterion-Collection-Norte-Region-NTSC/dp/B001ILTUKQ/ref=sr_ 1_1?s=dvd&ie=UTF8&qid=1471604403&sr=1-1&keywords=el+norte.
Hawks, H. (1946) ‘The Big Sleep.’ Warner Home Video (UK) Ltd.
Hillier, J. (2001) American Independent Cinema. London: British Film Institute Publishing.
Hopper, D. and Columbia Pictures Corporation (1969) ‘Easy Rider.’ [U.K.]: Sony Pictures
5/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Home Entertainment.
Horwath, A., King, N. and Elsaesser, T. (2004) The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: Amsterdam University Press.
How to cross the US-Mexico border: making El Mar La Mar | Film | The Guardian (no date). Available at: https://www.theguardian.com/film/2017/feb/15/making-el-mar-la-mar-sonoran-desert-joshu a-bonnetta-jp-sniadecki.
Inventing Entertainment: the Early Motion Pictures and Sound Recordings of the Edison Companies (no date).
Is Kane still the greatest ... of all time | British Film Institute (no date).
Jacobs, Lea (1991) The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. London: University of Wisconsin Press.
Jerry Goldsmith Online (no date).
John Cassavetes (1959) ‘Shadows.’ Available at: https://www.amazon.co.uk/Shadows-John-Cassavetes-Collection-Blu-ray/dp/B007A0FWWY/r ef=sr_1_1?s=dvd&ie=UTF8&qid=1471531405&sr=1-1&keywords=sh adows+cassavetes.
John Cassavetes - Cinema and Media Studies - Oxford Bibliographies (no date). Available at: http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780 199791286/obo-9780199791286-0238.xml.
‘John Ford’s Vision of the West’ (no date).
Kaplan, E. A. (1998) Women in Film Noir. New ed. London: B.F.I.
Keaton, Buster (1923) ‘Our Hospitality.’ [U.K.]: Network. doi: https://www.youtube.com/results?search_query=our+hospitality+1923+full+movie.
Keaton, Buster (1927) ‘The Buster Keaton chronicles: The General.’ [U.K.]: Network. doi: https://www.youtube.com/results?search_query=buster+keaton+the+general.
Keaton, Buster and Cline, Edward F. (1921) ‘The High Sign.’ doi: https://www.youtube.com/results?search_query=the+high+sign+buster+keaton.
Key concept summary: Citizen Kane (no date). doi: [object Object].
‘Killer of Sheep Guide’ (no date). Available at: https://cdn.shopify.com/s/files/1/0150/7896/files/KOSfinalPK.pdf.
King, Geoff (2002) New Hollywood Cinema: An introduction. London: I.B. Tauris.
Kolker, R. P. (2004) Alfred Hitchcock’s Psycho: A Casebook. New York: Oxford University Press. Available at: http://catdir.loc.gov/catdir/toc/ecip047/2003016992.html.
6/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Krutnik, F. (2007) ‘Un-American’ Hollywood: Politics and Film in the Blacklist Era. New Brunswick, N.J.: Rutgers University Press. Available at: http://catdir.loc.gov/catdir/toc/ecip0710/2007006054.html.
Kuhn, Annette and Westwell, Guy (2020) A Dictionary of Film Studies. Oxford: Oxford University Press. Available at: https://www.oxfordreference.com/view/10.1093/acref/9780199587261.001.0001/acref-978 0199587261.
Lacey, Nick (2005) Introduction to film. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Lang, R. (1994) The Birth of a Nation: D.W. Griffith, Director. New Brunswick, N.J.: Rutgers University Press.
Leff, Leonard J. and Simmons, Jerold (1990) The Dame in the Kimono: Hollywood, Censorship and the Production Code from the 1920s to the 1960s. London: Weidenfeld and Nicolson.
Letters of Note: I like words (no date).
Limon (no date) ‘Tex-Sex-Mex: American identities, Lone Stars, and the politics of racialized sexuality’, American literary history, 9(3).
‘Manhatta (1921)’ (no date). Available at: https://www.youtube.com/watch?v=qduvk4zu_hs.
Melinda Szaloky (2002) ‘Sounding Images in Silent Film: Visual Acoustics in Murnau’s “Sunrise”’, Cinema Journal, 41(2), pp. 109–131. Available at: http://www.jstor.org/stable/1225854?pq-origsite=summon&seq=1#page_scan_tab_co ntents.
MGM Stories Part Three: Buster Keaton’s Biggest Mistake (no date). Available at: http://www.youmustrememberthispodcast.com/episodes/youmustrememberthispodcastblo g/2015/9/24/mgm-stories-part-three-buster-keatons-biggest-mistake.
Montoya (no date) ‘Lines of Demarcation in a Town Called Frontera: A Review of John Sayles’ Lone Star’, New Mexico law review, 27(1), pp. 223–240.
Movie Journal: The Rise of the New American Cinema, 1959-1971 - BFI (no date). Available at: http://shop.bfi.org.uk/movie-journal-the-rise-of-the-new-american-cinema-1959-1971.html #.V9qnr4Xuc-8.
Murnau, F.W. (Friedrich Wilhelm) and Fox Film Corporation (1927) ‘Sunrise: A Song of Two Humans (1927).’ [U.K.]: Eureka Video. doi: https://www.youtube.com/results?search_query=sunrise+a+song+of+two+humans+.
Musser, Charles and British Film Institute (1982) ‘Before the Nickelodeon: The Early Cinema of Edwin S. Porter.’ London, England: BFI. doi: https://www.youtube.com/results?search_query=before+the+nickelodeon+the+early+cin ema+of+edwin+s.+porter.
7/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Naremore, J. (2008) More than night: film noir in its contexts. Updated and expanded ed. Berkeley: University of California Press. Available at: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016360916 &line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
New Episodes & Show Notes - You Must Remember This (no date). Available at: http://www.youmustrememberthispodcast.com/episodes/?category=The%20Blacklist.
Newly Digitized Phenakistoscope Animations That Pre-Date GIFs by Over 150 Years | Colossal (no date). Available at: http://www.thisiscolossal.com/2015/10/newly-digitized-phenakistoscopes/.
Nichols, Bill (2001) Maya Deren and the American avant-garde. Berkeley: University of California Press. Available at: http://www.loc.gov/catdir/bios/ucal052/2001027112.html.
Observations on film art : Understanding film narrative: The trailer (no date). Available at: http://www.davidbordwell.net/blog/2014/01/12/understanding-film-narrative-the-trailer/.
O’Pray, M. (2003) The Avant-garde Film: Forms, Themes and Passions. London: Wallflower.
Otto Preminger and the End of Classical Cinema | Senses of Cinema (no date).
Out of the Past: Investigating Film Noir (no date). Available at: http://outofthepast.libsyn.com/.
Oxford Bibliographies - Citizen Kane (no date).
Policing Cinema: Movies and Censorship in Early-Twentieth-Century America (no date). Available at: http://quod.lib.umich.edu.ezproxy.library.qmul.ac.uk/cgi/t/text/text-idx?c=acls;cc=acls;idn o=heb08132.0001.001;view=toc;node=heb08132.0001.001%3A9.
Posner, Bruce and Shepard, David (2005) ‘Unseen cinema: early American avant-garde film ; 1894 - 1941 ; a DVD retrospective from the world’s leading film collections, 5: Picturing a metropolis : New York City unveiled.’ New York: Anthology Film Archives [u.a.].
Prezi: Lone Star: close reading of an academic journal article (no date). doi: [object Object].
‘Psycho (1960)’ (no date). Sky Movies Select. doi: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920.
Psycho - Cinema and Media Studies - Oxford Bibliographies (no date). Available at: http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780 199791286/obo-9780199791286-0051.xml.
Rain is sizzling bacon, cars are lions roaring: the art of sound in movies | Jordan Kisner | Film | The Guardian (no date). Available at: http://www.theguardian.com/film/2015/jul/22/rain-is-sizzling-bacon-cars-lions-roaring-art-of -sound-in-movies.
8/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Ray, Nicholas (1955) ‘Rebel Without a Cause.’ [U.K.]: Warner Home Video (UK) Ltd. Available at: http://bobnational.net/record/30453.
Resources , Queen Mary, University of London (no date).
Rhodes, J. D. and British Film Institute (2011) Meshes of the Afternoon. London: Palgrave Macmillan on behalf of the British Film Institute.
Ross, Benjamin (1999) ‘RKO 281.’ [EU]: Prism Leisure Corp.
Ruggles, Wesley, West, Mae and Paramount Pictures (1933) ‘I’m No Angel.’ [U.K.]: Universal Pictures (UK) Ltd.
‘Salt of the Earth’ (1954). Available at: https://www.amazon.co.uk/SALT-OF-THE-EARTH/dp/B00WMCOQNG/ref=sr_1_3_twi_dvd_3?i e=UTF8&qid=1471529431&sr=8-3&keywords=salt+of+the+earth+film.
‘Salt of the Earth’ by Deborah Rosenfelt (no date). Available at: http://www.ejumpcut.org/archive/onlinessays/jc12-13folder/saltofearth.html.
Salt of the Earth: Made of labour, by labour, for labour | Film | The Guardian (no date). doi: https://www.youtube.com/results?search_query=salt+of+the+earth+film.
Salt of the Earth: The Movie Hollywood Could Not Stop | HistoryNet (no date). Available at: http://www.historynet.com/salt-of-the-earth-the-movie-hollywood-could-not-stop.htm.
Sayles, John (1996) ‘Lone Star.’ Burbank, CA: Warner Home Video. Available at: http://bobnational.net/record/283807.
Shadows: Eternal Times Square (no date). Available at: https://www.criterion.com/current/posts/339-shadows-eternal-times-square.
Shaw, T. (2007) Hollywood’s Cold War. Edinburgh: Edinburgh University Press.
Shepard, David (1997) ‘Landmarks of Early Film.’ Chatsworth, CA: Image Entertainment. doi: https://www.youtube.com/results?search_query=landmarks+of+early+film.
Silver, A. and Ward, E. (2008) Film noir: An Encyclopedic Reference to the American Style. 3rd ed. London: Duckworth.
Sitney, P. Adams (2002) Visionary Film: the American Avant-garde, 1943-2000. 3rd ed. Oxford: Oxford University Press.
Smile, Buster! | Farran Nehme | The Baffler (no date). doi: https://thebaffler.com/salvos/smile-buster.
Spicer, A. (2002) Film noir. Harlow, England: Longman.
Steadicam progress – the career of Paul Thomas Anderson in five shots (no date).
Sterritt, D. (2000) Robert Altman: interviews. Jackson, Miss [etc.]: University Press of Mississippi.
9/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Stokes, M. (2007) Introduction’ in D.W. Griffith's The Birth of a Nation: A History of ‘The Most Controversial Motion Picture of all Time’. New York: Oxford University Press. doi: https://www-vlebooks-com.ezproxy.library.qmul.ac.uk/vleweb/Product/Index/89981?page= 0.
Texas-Mexican Conjunto (no date).
‘The Birth of a Nation’ (no date). Available at: https://www.amazon.co.uk/BIRTH-NATION-Masters-Cinema-DVD/dp/B00CGZ6BPU/ref=sr_1_ 1_twi_dvd_2?ie=UTF8&qid=1471514400&sr=8-1&keywords=birth+of+a+nation.
The Birth of a Nation; BFI Classic (2015). British Film Inst.
The Birth of a Nation - Cinema and Media Studies - Oxford Bibliographies (no date). Available at: http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-978019979 1286-0070.xml.
The Birth of a Nation review (no date). Available at: https://www.theguardian.com/film/2016/jan/26/the-birth-of-a-nation-review-sundance-slave ry-epic-as-brutal-as-braveheart.
‘The Changing Shape of Cinema: The History of Aspect Ratio’ (no date). Available at: http://vimeo.com/68830569#.
The Cinema of Robert Altman: Hollywod Maverick (Directors’ Cuts) (2006). Wallflower Press. Available at: https://www.amazon.co.uk/dp/B01DV1Y7EY/ref=dp-kindle-redirect?_encoding=UTF8& btkr=1.
‘The Long Goodbye’ (1973). Santa Monica, CA: MGM/UA Home Video.
The University of Exeter - The Bill Douglas Centre for the History of Cinema and Popular Culture (no date).
This Analytical Essay Outline Will Kick Start Your Writing - Essay Writing (no date). Available at: https://www.kibin.com/essay-writing-blog/analytical-essay-outline/.
Thomson, D. and British Film Institute (1997) The Big Sleep. London: British Film Institute.
Top 10 Movie Sound Effects We All Recognize (no date).
‘Trumbo’ (2016). Available at: https://www.amazon.co.uk/Trumbo-DVD-Bryan-Cranston/dp/B01AO0YR9K/ref=sr_1_1?ie=U TF8&qid=1471603064&sr=8-1&keywords=trumbo.
‘Trumbo - Radio Play’ (no date). BBC Radio 4. doi: https://learningonscreen.ac.uk/ondemand/index.php/prog/010BF53C?bcast=108249697.
Unseen Cinema website (no date). Available at: http://www.unseen-cinema.com/.
10/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London
Video Essay: Our Hospitality (no date). doi: https://vimeo.com/channels/videoessaysonfilm/121528307.
Welcome to Skillset Film - Skillset (no date).
Welles, Orson (1941) ‘Citizen Kane.’ [U.K.]: Universal Pictures. Available at: http://bobnational.net/record/227123.
Which Way Home (no date). doi: https://www.youtube.com/results?search_query=which+way+home+full+movie.
Whitehouse, G. (no date) ‘Remember to Forget the Alamo: The Dynamics of Cultural Memory in John Sayles’ Lone Star’, Literature and Theology, 16(3), pp. 291–310. doi: 10.1093/litthe/16.3.291.
Wilson, M. and Rosenfelt, D. S. (1978) Salt of the Earth: Screenplay. Old Westbury, NY: Feminist Press.
Your Creative Future (no date). doi: https://www.creativefuture.org.uk/.
‘You’ve Gotta Do Something’: Cosmic Mobility and the Future of Mankind in Rebel Without a Cause - Bright Lights Film Journal (no date). Available at: http://brightlightsfilm.com/youve-gotta-something-cosmic-mobility-future-mankind-rebel-wi thout-cause/#.
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