FILM STUDIES a Level

Total Page：16

File Type：pdf, Size：1020Kb

SIXTH FORM OPEN EVENING www.alsophighschool.co.uk FILM STUDIES A Level COURSE CONTENT ASSESSMENT CRITERIA Component 1: Varieties of Film and Component 1 - 2hr 30min exam 35% Filmmaking Component 2 – 2hr 30min exam 35% Section A: Hollywood 1930-1990 Component 3 – Coursework including both (two film comparative study) practical filmmaking and a written work 30% Vertigo (Alfred Hitchcock, 1958) Blade Runner (Ridley Scott, 1982) EXTRA-CURRICULAR OR ENRICHMENT OPPORTUNITIES Visits to local events including filmmakers Section B: American Film since 2005 presenting on their work; film tours; cinema (two film study) visits. No Country for Old Men (Joel and Ethan Coen, 2007) FUTURE OPPORTUNITIES Captain Fantastic (Matt Ross, 2015) Apprenticeships within the creative industries – a growth area in the North West. Section C: British Film since 1995 Film Studies A Level is a widely regarded (two film study) qualification that can be used to progress to Trainspotting (Danny Boyle, 1996) a range of degree courses. This is England (Shane Meadows, 2006) Progression to Arts degrees Component 2: Global Filmmaking Perspectives PRIOR KNOWLEDGE Section A: Global Film (two film study) Useful: An enjoyment of film. City of God (Fernando Mereilles, 2002) Pan’s Labyrinth (Guillermo Del Toro, 2006) Desirable: An interest in how films are made from conception to premiere. Section B: Documentary Film (one film study) Amy (Kapadia, 2015) Essential: Command of the written word and essay writing skills. Section C: Film Movements: Silent Film (one film study) Buster Keaton shorts – One Week (1920); The Scarecrow (1920); The High Sign (1921); Cops (1922) Section D: Film Movements: Experimental Film (one film study) Pulp Fiction (Tarantino, 1994) Component 3 – Production (Coursework / 30%) A short film (4-5 minutes) which you will produce individually and plan, film and edit yourself. A written evaluative analysis of your own short film (1600-1800 words) .

Copy Link

Recommended publications

Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman.
[Show full text]
My Wonderful World of Slapstick
THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
[Show full text]
Susannah Buxton - Costume Designer
SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV.
[Show full text]
Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux D’Artifices / the Last Days of Disco / Le Septième Ciel / Wild Man Blues]
Document generated on 09/27/2021 9:20 p.m. Ciné-Bulles Le cinéma d’auteur avant tout Critiques Bulworth Fear and Loathing in Las Vegas Feux d’artifices The Last Days of Disco le Septième Ciel Wild Man Blues Paul Beaucage, Charles-Stéphane Roy and Jean Beaulieu Volume 17, Number 2, Summer 1998 URI: https://id.erudit.org/iderudit/34365ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Beaucage, P., Roy, C.-S. & Beaulieu, J. (1998). Review of [Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux d’artifices / The Last Days of Disco / le Septième Ciel / Wild Man Blues]. Ciné-Bulles, 17(2), 48–56. Tous droits réservés © Association des cinémas parallèles du Québec, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques BULWORTH de Jay Bulworth (Warren Beatty), un sénateur dé de Warren Beatty mocrate qui, las des mensonges et de la corruption politiques, décide d'avouer la vérité (si âpre soit- elle) à ses électeurs. À quoi doit-on attribuer sa sou par Paul Beaucage daine volte-face? Mystère.
[Show full text]
Brian Tufano BSC Resume
BRIAN TUFANO BSC - Director of Photography FEATURE FILM CREDITS Special Jury Prize for Outstanding Contribution To British Film and Television - British Independent Film Awards 2002 Award for Outstanding Contribution To Film and Television - BAFTA 2001 EVERYWHERE AND NOWHERE Director: Menhaj Huda. Starring Art Malik, Amber Rose Revah, Adam Deacon, Producers: Menhaj Huda, Sam Tromans and Stella Nwimo. Stealth Films. ADULTHOOD Director: Noel Clarke Starring Noel Clarke, Adam Deacon, Red Mandrell, Producers: George Isaac, Damian Jones And Scarlett Johnson Limelight MY ZINC BED Director: Anthony Page Starring Uma Thurman, Jonathan Pryce, and Producer: Tracy Scofield Paddy Considine Rainmark Films/HBO I COULD NEVER BE YOUR WOMAN Director: Amy Heckerling Starring Michelle Pfeiffer and Paul Rudd Producer: Philippa Martinez, Scott Rudin Paramount Pictures KIDULTHOOD Director: Menhaj Huda Starring Aml Ameen, Adam Deacon Producer: Tim Cole Red Mandrell and Jamie Winstone Stealth Films/Cipher Films ONCE UPON A TIME IN Director: Shane Meadows THE MIDLANDS Producer: Andrea Calderwood Starring Robert Carlyle, Rhys Ifans, Kathy Burke. Ricky Tomlinson and Shirley Henderson Slate Films / Film Four LAST ORDERS Director: Fred Schepisi Starring: Michael Caine, Bob Hoskins, Producers: Rachel Wood, Elizabeth Robinson Tom Courtenay, Helen Mirren, Ray Winstone Scala Productions LATE NIGHT SHOPPING Director: Saul Metzstein Luke De Woolfson, James Lance, Kate Ashfield, Producer: Angus Lamont. Enzo Cilenti andShauna MacDonald Film Four Intl / Ideal World Films BILLY ELLIOT Director: Steven Daldry Julie Walters, Gary Lewis, Jamie Draven and Jamie Bell Producers: Jon Finn and Gregg Brenman. Working Title Films/Tiger Aspect Pictures BBC/Arts Council Film. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] BRIAN TUFANO BSC - Director of Photography WOMEN TALKING DIRTY Director: Coky Giedroyc Helena Bonham-Carter, Gina McKee Producers: David Furnish and Polly Steele James Purefoy, Jimmy Nesbitt, Richard Wilson Petunia Productions.
[Show full text]
Cinefiles Document #13758
Document Citation Title The films of Buster Keaton Author(s) Raymond Rohauer Source Audio Film Center Date Type distributor materials Language English Pagination No. of Pages 24 Subjects Keaton, Buster (1895-1966), Piqua, Kansas, United States Film Subjects The blacksmith, Keaton, Buster, 1922 College, Horne, James W., 1927 Battling Butler, Keaton, Buster, 1926 Go west, Keaton, Buster, 1925 Seven chances, Keaton, Buster, 1925 The Navigator, Keaton, Buster, 1924 Our hospitality, Keaton, Buster, 1923 Cops, Keaton, Buster, 1922 The balloonatic, Keaton, Buster, 1923 Convict 13, Keaton, Buster, 1920 The electric house, Keaton, Buster, 1922 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) One week, Keaton, Buster, 1920 Day dreams, Keaton, Buster, 1922 The playhouse, Keaton, Buster, 1921 The General, Keaton, Buster, 1927 The frozen north, Keaton, Buster, 1922 My wife's relations, Keaton, Buster, 1922 The paleface, Keaton, Buster, 1921 The boat, Keaton, Buster, 1921 The goat, Keaton, Buster, 1921 Sherlock, Jr., Keaton, Buster, 1924 The high sign, Keaton, Buster, 1921 The haunted house, Keaton, Buster, 1921 Steamboat Bill, Jr., Reisner, Charles F., 1928 Neighbors, Keaton, Buster, 1920 The scarecrow, Keaton, Buster, 1920 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S.
[Show full text]
QUELLE COMÉDIE ! CHARLIE CHAPLIN BUSTER KEATON HAROLD LLOYD CINÉMA • VISITES 16 JUIN 2021 — 17 JUIL. 2021 Programmation D
QUELLE COMÉDIE ! CINÉMA • VISITES CHARLIE CHAPLIN 16 JUIN 2021 — 17 JUIL. 2021 BUSTER KEATON HAROLD LLOYD Programmation de films muets en ciné-concert, Centre de recherche, Galerie des collections, Visites guidées, Galerie des appareils Café, Librairie 1 PROGRAMME PROGRAMME ÉDITORIAL 16 JUIN 2021 - 17 JUIL. 2021 La Fondation Jérôme Seydoux-Pathé présente « Quelle comédie ! », un cycle dédié à Charlie Chaplin, Buster Keaton et Harold Lloyd, dont le génie burlesque continue de faire rire les spectateurs du monde entier. Composée de leurs longs métrages les plus fameux (The Gold Rush, 1925, Safety Last!, 1923, ou encore Our Hospitality, 1923) ainsi que de plu- sieurs séances de courts métrages, la programmation ravira petits et grands. Le thème de la mer revient régulièrement (Steamboat Bill Jr., 1928 ou A Sailor-Made Man, 1921), préparant en douceur l’arrivée des vacances d’été. En parallèle, une exposition met toujours à l’honneur l’illustrateur de cinéma Yves Thos, qui a notamment signé les affiches des films Il bidone, Les Dents du diable, La Femme et le Pantin ou encore Spartacus. Au début de sa carrière, il travaille pour le Consortium des Arts Publicitaires puis Pilote Publicité, deux sociétés qui collaborent étroi- tement avec Pathé. La Fondation expose principalement des affiches, des maquettes et des documents personnels de l’artiste. Guillaume Boulangé et Christian Rolot, commis- saires de l’exposition et auteurs d’une monographie consacrée à Yves Thos, proposent une visite commentée exceptionnelle, suivie d’une présentation de Marie-Octobre (1959) de Julien Duvivier le 22 juin. Ce mois-ci, nous poursuivons également notre série de projections en lien avec la parution d’ouvrages de cinéma.
[Show full text]
UNDER EMBARGO UNTIL March 14 at 3Pm ET/12Pm PT Images/Video
UNDER EMBARGO UNTIL March 14 at 3pm ET/12pm PT Images/Video: https://www.dropbox.com/sh/3uol0ajltadpdyq/AAC2Gw5jxUcPbpjXZYyP7sTCa?dl=0 TRIBECA FILM FESTIVAL® TO CLOSE WITH WORLD PREMIERE OF DANNY BOYLE’S YESTERDAY; GALAS TO INCLUDE SPECIAL SCREENINGS HONORING THE 40th ANNIVERSARY OF APOCALYPSE NOW AND THE 30 YEARS SINCE SAY ANYTHING… BECAME A CULT CLASSIC Galas Include World Premiere of ‘Between Me and My Mind’ featuring Phish’s Trey Anastasio with special music performance; Tribeca/ESPN Sports Film Festival World Premiere of ‘The Good, The Bad, The Hungry’ NEW YORK, NY – March 14, 2019 – The Tribeca Film Festival, presented by AT&T, announced today that Oscar-winning director Danny Boyle’s Yesterday, from Universal Pictures and Working Title, will world premiere as the closing night selection of the Festival’s 18th edition. Tribeca also announced this year’s Gala Anniversaries, including a never-before- seen restored version of Francis Ford Coppola’s cinematic masterpiece, Apocalypse Now, and the 30th anniversary and cast reunion of the iconic ‘80s coming-of-age film Say Anything… There will be additional Galas with the world premiere of Between Me and My Mind about Phish lead singer Trey Anastasio, followed by a special musical performance by the Trey Anastasio Band at the Beacon Theatre, as well as Tribeca/ESPN Sports Film Festival opener The Good, The Bad, The Hungry. Tickets for events at the Beacon Theatre go on sale March 19 at 11:00AM ET; Single tickets for all other Festival events go on sale March 26 at 11:00AM ET. The Tribeca Film Festival takes place from April 24 - May 5, 2019.
[Show full text]
Welcome to Film Studies
Film Studies Y11 into Y12 Martin Sheen in Apocalypse Now Welcome to Film Studies There’s been a real growth in the subject nationally and we’re delighted to offer it again at A-Level. This is just a quick booklet to give you a few pointers as to what we’ll be doing on the A-Level, how it’s laid out as a course and what you can do to prepare for starting the in September. There are activities designed to cover six weeks worth of time, but can be completed sooner if you were to combine them or do them in large chunks together. Note that the films included in this booklet are here for guidance and not necessarily the films that you will be studying. To help do the work, you will find a PowerPoint document which contains the clips and activity explanations you will need, as well as activities you can complete in the PowerPoint itself, or on paper if you prefer. If you’re still not sure about whether you want to do the course then please, have a read of this booklet. Pan’s Labyrinth 2 Component 1 The course is broken down below. You can see how you are introduced to how studying a film actually works and then the bulk of the examined work is covered. We study three paired sets of films and at the end of the year we introduce the coursework element of making a short film. Please note: the films included in this booklet are here for guidance and not necessarily the films that you will be studying.
[Show full text]
FLM4200 Concepts and History | Queen Mary, University of London
09/27/21 FLM4200 Concepts and History | Queen Mary, University of London FLM4200 Concepts and History View Online Module convenors: Dr Guy Westwell and Dr Anat Pick 1:1 The cinema of attractions Prezi (no date). 1:2 Rise of the story film Prezi (no date). 1:3 Birth of a Nation Prezi (no date). Available at: https://prezi.com/xddthwuyzpyg/edit/#0_24309637. 1:4 Performance Prezi (no date). 1:5 Sound Prezi (no date). 1:6 Censorship Prezi (no date). 1:8 Narrative Prezi (no date). 1:9 Mise-en-scene and cinematography Prezi (no date). 1.10 Classical Hollywood Cinema Prezi (no date). 2.1 Editing Prezi (no date). 2:2 Race, Communism and the Hollywood Blacklist Prezi (no date). 2.3 Technology Prezi (no date). 2:8 New Hollywood Prezi (no date). 2:11 Lone Star (i) Prezi (no date). 2:12 Lone Star (ii) Prezi (no date). Â¡Alambrista!: Inside the Undocumented Experience - From the Current - The Criterion Collection (no date). Available at: https://www.criterion.com/current/posts/2256-alambrista-inside-the-undocumented-experi ence. Allen, Robert Clyde and Gomery, Douglas (1993) Film history: theory and practice. New York: McGraw-Hill. American Cinema, 1895-1915 - Cinema and Media Studies - Oxford Bibliographies (no date). Available at: 1/11 09/27/21 FLM4200 Concepts and History | Queen Mary, University of London http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-978019979 1286-0074.xml?rskey=ke838o&result=3&q=. American Independent Cinema - Cambridge Books Online - Cambridge University Press (no date). Available at: https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/books/american-independent-c inema/725FC9FADFF5FC85BDCA493B4265F02E#.
[Show full text]
Happy 80Th Famous Players! Inside, a Look at the Company’S Past, Present and Future
Happy 80th Famous Players! Inside, a look at the company’s past, present and future february | march 2000 volume 1 number 3 canada’s entertainment lifestyle magazine Harland Williams dishes about The Whole Nine Yards Tim Robbins tells us what rocks his Cradle Kirk Douglas talks about his Diamond role Bonus Charlize Theron, Brad Pitt and other celebs discuss baring it all on screen Special Guide OscarsOscarsOscars Will Neve Campbell survive this time? The Beach Is it Leo? Or his double? see page 17 Director Wes Craven on $3 why we must Scream again plus HOROSCOPE, VIDEOGAMES GO HOLLY WOOD and DIANE KEATON ON VIDEO Colossus Toronto Coliseum Mississauga Coliseum Scarborough Paramount Toronto SilverCity North York at Empress Walk SilverCity Ancaster SilverCity Windsor Coliseum Ottawa Famous Players Moncton 8 Paramount Montreal Colisée Kirkland SilverCity Polo Park Coliseum Calgary SilverCity West Edmonton Mall SilverCity Riverport SilverCity Metropolis ©2000 World Wrestling FFederation Entertainment, Inc. AAllll RightsRights RReserved. Colossus Langley the big picture continued Simpatico (Feb. 4) Snow Day (Feb. 11) The Skulls (Feb. 18) Who’s In It? Nick Nolte, Jeff Bridges, Who’s In It? Chevy Chase, Chris Elliott, Iggy Who’s In It? Joshua Jackson, Paul Walker Sharon Stone Pop, Pam Grier Who Directed? Rob Cohen (Dragonheart) Who Directed? Matthew Warchus (debut) Who Directed? Chris Koch (debut) What’s It About? Luke (Jackson), an Ivy- What’s It About? Based on a Sam Shepard What’s It About? In this family-oriented League overachiever, joins an élite secret play, this psychological thriller revolves comedy,a group of ingenious kids hijack a society known as The Skulls in the hopes that around buddies Lyle (Bridges) and Vinnie snowplow in upstate New York in order to it will help secure his admittance to a presti- (Nolte), who devise a scam to get a lot keep the schools closed.
[Show full text]
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
[Show full text]