The Disaster of the Third Princess
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説
別紙２ Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説 I Literature in Jodai じょうだいのぶんがく (Ancient Times) While Japanese history often uses the term "kodai" to mean ancient times, the history of literature generally calls the times before the Heian period "jodai." Its beginning is uncertain, but its end is defined as the end of the 8th century. Politically, the state had progressed to unity and completion of its regime during this period. From the perspective of literature, this period was the time when Japanese people—who had not had characters for writing—first met kanji or Chinese characters and attempted various ways to express themselves using kanji. Literature in the period primarily when the capital was at Yamato before it was transferred to Heian-kyo in 794. While the categories range from myths to legends, songs, waka or Japanese poetry, Chinese poetry, Literature in Jodai じょうだいのぶんがく biographies, histories and topographies, there were not so many works as a whole. Every extant work containing ancient contents was actually compiled into a book in the Nara period (710–794). Some of those books were established against the background of the regime establishment of the state. Kojiki was established in 712. O no Yasumaro composed this book by writing down the ancient history inherited by Hieda no Are. Kojiki contains the history from the age of the gods to the reign of Empress Suiko (reign: 593–629). Nihon Shoki was established in 720 through a compilation carried out by Prince Myths and History しんわ・れきし Toneri. -
The Case of Sugawara No Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho''
Ideology and Historiography : The Case of Sugawara no Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho'' 著者 PLUTSCHOW Herbert 会議概要（会議名, Historiography and Japanese Consciousness of 開催地, 会期, 主催 Values and Norms, カリフォルニア大学 サンタ・ 者等） バーバラ校, カリフォルニア大学 ロサンゼルス校, 2001年1月 page range 133-145 year 2003-01-31 シリーズ 北米シンポジウム 2000 International Symposium in North America 2014 URL http://doi.org/10.15055/00001515 Ideology and Historiography: The Case of Sugawara no Michizane in the Nihongiryaku, Fusi Ryakki and the Gukanshd Herbert PLUTSCHOW University of California at Los Angeles To make victims into heroes is a Japanese cultural phenomenon intimately relat- ed to religion and society. It is as old as written history and survives into modem times. Victims appear as heroes in Buddhist, Shinto, and Shinto-Buddhist cults and in numer- ous works of Japanese literature, theater and the arts. In a number of articles I have pub- lished on this subject,' I tried to offer a religious interpretation, emphasizing the need to placate political victims in order to safeguard the state from their wrath. Unappeased political victims were believed to seek revenge by harming the living, causing natural calamities, provoking social discord, jeopardizing the national welfare. Beginning in the tenth century, such placation took on a national importance. Elsewhere I have tried to demonstrate that the cult of political victims forced political leaders to worship their for- mer enemies in a cult providing the religious legitimization, that is, the mainstay of their power.' The reason for this was, as I demonstrated, the attempt leaders made to control natural forces through the worship of spirits believed to influence them. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
EVOLUTION of JAPANESE WOMEN's KIMONO from A.D. 200 to 1960
THE EVOUTCION OF JAPANESE WOMEN'S KIMONO FEOK A.D. 200 TO 1960 *"> MASAKO TOYOSHMA B. S., Fukuoka Women's University, 1963 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE General Home Economics College of Home Eoonomios KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved byi Major Professor TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. HU-STYLE PERIOD (A.D. 200-552) 7 Political Situation 7 Dress of tha Period 9 III. T'ANG-STYLE PERIOD (552-894) 13 Politioal Situation 13 Dress of T'ang-stylo Period 18 IV. OS0DE-FASHI0N PERIOD (894-1477) 26 Political Situation 26 Dress of the OBode-Fashion Period 33 V. KOSODE-FASHION PERIOD (1477-1868) 44 Politioal Situation 44 Dress of Kosode-fashion Period •• 52 VI. JAPANESE-WESTERN PERIOD (1868-1960) 68 Politioal Situation 68 Dress of Japanese -'Western Period • 75 VII. SUMMARY AND RECOMMENDATIONS 83 Summary ............. 83 Recommendations •• •• 87 88 BIBLIOGRAPHY • • • ii LIST OF PLATES PLATE PAGE I Dress of Hu-style Period ..... ... 11 II Dress of T'ang-style Period 21 III Dress of Osode-fashion Period 37 17 Dress of Kosode-fashion Period 54 V Dress of Japanese -We stern Period. ............ 82 iii CHAPTER I INTRODUCTION Costume expresses a relationship to the ideals and the spirit - of the country during a particular time. Hurlock states in The Psych ology of Pre s s : In every age, some ideal is developed which predominates over all others. This ideal may be religious or political; it may re- late to the crown or to the people; it may be purely social or artistic, conservative or radical. -
Chapter 1. Meiji Revolution: Start of Full-Scale Modernization
Seven Chapters on Japanese Modernization Chapter 1. Meiji Revolution: Start of Full-Scale Modernization Contents Section 1: Significance of Meiji Revolution Section 2: Legacies of the Edo Period Section 3: From the Opening of Japan to the Downfall of Bakufu, the Tokugawa Government Section 4: New Meiji Government Section 5: Iwakura Mission, Political Crisis of 1873 and the Civil War Section 6: Liberal Democratic Movement and the Constitution Section 7: End of the Meiji Revolution It’s a great pleasure to be with you and speak about Japan’s modernization. Japan was the first country and still is one of the very few countries that have modernized from a non-Western background to establish a free, democratic, prosperous, and peace- loving nation based on the rule of law, without losing much of its tradition and identity. I firmly believe that there are quite a few aspects of Japan’s experience that can be shared with developing countries today. Section 1: Significance of Meiji Revolution In January 1868, in the palace in Kyoto, it was declared that the Tokugawa Shogunate was over, and a new government was established under Emperor, based on the ancient system. This was why this political change was called as the Meiji Restoration. The downfall of a government that lasted more than 260 years was a tremendous upheaval, indeed. It also brought an end to the epoch of rule by “samurai,” “bushi” or Japanese traditional warriors that began as early as in the 12th century and lasted for about 700 years. Note: This lecture transcript is subject to copyright protection. -
Sengoku Revised Edition E-Book
SENGOKUSENGOKUTM CHANBARA ROLEPLAYING IN FEUDAL JAPAN Revised Edition CREDITS Authors: Anthony J. Bryant and Mark Arsenault Michelle Knight, Charles Landauer, Bill Layman, Greg Lloyd, Fuzion Roleplaying Rules: David Ackerman-Gray, Bruce Paradise Long, Steve Long, Jonathan Luse, Kevin MacGregor, Harlick, Ray Greer, George MacDonald, Steve Peterson, Mike Shari MacGregor, Paul Mason, John Mehrholz, Edwin Pondsmith, Benjamin Wright Millheim, Mike Montesa, Dale Okada, Arcangel Ortiz, Jr., Sengoku-specific Rules: Mark Arsenault Ken Pryde, Mauro Reis, David Ross, Arzhange Safdarzadeh, Project Developer & Revisions: Mark Arsenault Rick Sagely, Janice Sellers, Matt Smith, Susan Stafford, Editorial Contributions: David Carroll, Dorian Davis, Paul Patrick Sweeney, Simon Taylor, Andy Vetromile, Marissa Mason, Andrew Martin, Sakai Naoko Way, Paul Wilcox, Chris Wolf. Cover Illustration: Jason A, Engle Additional Thanks: To Paul Hume, and to everyone on the Interior Illustrations: Paul Abrams, Mark Arsenault, Heather Sengoku mailing list for their suggestions and encouragement, Bruton, Nancy Champion, Storn Cook, Audrey Corman, Steve especially Dorian Davis, Anthony Jackson, Dave Mattingly, Goss, John Grigni, Kraig Horigan, Bryce Nakagawa, J. Scott Mike Montesa, Simon Seah, and Paul Wilcox. Reeves, Greg Smith, Tonya Walden Revised Edition Thanks: To Peter Corless for helping us real- Layout Design & Graphics: Mark Arsenault ize the “new” dream, Sakai Naoko and David Carroll for edi- Cartography: Mark Arsenault & Anthony J. Bryant torial contributions, Kurosawa Akira and Mifune Toshirô for Playtesters: Margaret Arsenault, Mark Arsenault, Andrew feuling the fire, Margaret for continued support, and to all the Bordner, Theron Bretz, Matt Converse-Willson, Josh Conway, fans for keeing Sengoku alive! Mark Craddock, Dorian Davis, Paul Delon, Frank Foulis, Scott Sengoku Mailing List: To join the Sengoku e-mail list just Galliand, Steve B. -
Of Ban Dainagon Ekotoba
Japanese Journal of Religious Studies 2001 28/1-2 Explaining the “Mystery” of Ban Dainagon ekotoba M a t s u o Kenji 松尾剛次 In the Heian period vengeful spirits (goryo) were widely feared. This essay examines the identity of characters who appear in the twelfth-century handscroll Ban Dainagon ekotoba 伴大納言絵詞. This scroll is thought to have been composed to mollify the angry spirit ofTomo no Yoshio, a coun selor (dainagon) who was believed to have become “a god of pestilence.” Some scholars have concluded from studying the text that one or two of the unidentified figures in the scrolls can be identified as Tomo no Yoshio. A thorough analysis of the pictures accompanying the text, however, reveals that the two unidentified characters are indeed Minamoto no Makoto, the victim of a plot by Tomo no Yoshio, who was then exiled to Izu. Keywords: Ban Dainagon ekotoba — goryo — vengeful spirits — Tomo no Yoshio — Heian handscrolls — Minamoto no Makoto Translator’s Introduction Ban Dainagon ekotoba (The illustrated story of Counselor Ban)，currently held at the Idemitsu Museum, is a crucial work for the study of the devel opment of Japanese narrative, genre, and figural painting. The illustrated story as it comes down to us today is in three handscrolls, each over 800 centimeters long; but, according to a fifteenth-century text, they were all in a single long roll.1 The first scroll lacks any text, but it is clearly linked to the story “On the burning of the Oten-mon gate by Major Counselor Ban” in Jjji shui monogatan. -
Political and Ritual Usages of Portraits of Japanese
POLITICAL AND RITUAL USAGES OF PORTRAITS OF JAPANESE EMPERORS IN EIGHTEENTH AND NINETEENTH CENTURIES by Yuki Morishima B.A., University of Washington, 1996 B.F.A., University of Washington, 1996 M.S., Boston University, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Yuki Morishima It was defended on November 13, 2013 and approved by Katheryn Linduff, Professor, Art and Architecture Evelyn Rawski, Professor, History Kirk Savage, Professor, Art and Architecture Dissertation Advisor: Karen Gerhart, Professor, Art and Architecture ii Copyright © by Yuki Morishima 2013 iii POLITICAL AND RITUAL USAGES OF PORTRAITS OF JAPANESE EMPERORS IN EIGHTEENTH AND NINETEENTH CENTURIES Yuki Morishima, PhD University of Pittsburgh, 2013 This dissertation examines portraits of Japanese emperors from the pre-modern Edo period (1603-1868) through the modern Meiji period (1868-1912) by questioning how the socio- political context influenced the production of imperial portraits. Prior to Western influence, pre- modern Japanese society viewed imperial portraits as religious objects for private, commemorative use; only imperial family members and close supporters viewed these portraits. The Confucian notion of filial piety and the Buddhist tradition of tsuizen influenced the production of these commemorative or mortuary portraits. By the Meiji period, however, Western portrait practice had affected how Japan perceived its imperial portraiture. Because the Meiji government socially and politically constructed the ideal role of Emperor Meiji and used the portrait as a means of propaganda to elevate the emperor to the status of a divinity, it instituted controlled public viewing of the images of Japanese emperors. -
Volume 1 (2016)
VOLUME 1, SPRING 2016 Journal of Asian Humanities at Kyushu University ENVISIONING HISTORY Journal of Asian Humanities at Kyushu University VOLUME 1, SPRING 2016 THEME: ENVISIONING HISTORY CYNTHEA J. BOGEL, VOLUME EDITOR The Journal of Asian Humanities at Kyushu University (JAH-Q) is a peer-reviewed journal published by Kyushu University, School of Letters, Graduate School of Humanities, Faculty of Humanities 九州大学文学部 大学院人文科学府 大学院人文科学研究院. Copyright © 2016 Kyushu University Journal of Asian Humanities at Kyushu University Editorial Board Editor Design Cynthea J. Bogel (Kyushu University) Thomas Eykemans Managing Editor Special thanks for Volume 1, Spring 2016 Tomoyuki Kubo (Kyushu University) Lindsey DeWitt (Kyushu University) John Stevenson (editing) Volume Editor, Envisioning History Cynthea J. Bogel For information about submissions contact: Advisory Members Karl Friday (Saitama University) Shomu Gakari (General Affairs Division), Seinosuke Ide (Kyushu University) Faculty of Humanities, Kyushu University Fabio Rambelli (University of California, Santa Barbara) Address: 6-19-1 Hakozaki, Higashi-ku, Yasutoshi Sakaue (Kyushu University) Fukuoka 812-8581 Japan Takeshi Shizunaga (Kyushu University) Telephone: +81-92-642-2352 Fax: +81-92-642-2349 Melanie Trede (Heidelberg University) E-mail: [email protected] Ellen Van Goethem (Kyushu University) Catherine Vance Yeh (Boston University) Contents VOLUME 1, SPRING 2016 YASUTOSHI SAKAUE Prefatory Note . iv CYNTHEA J. BOGEL Editorial Foreword: Welcome to JAH-Q . v Articles ELLEN VAN GOETHEM WILLIAM MATSUDA Of Trees and Beasts: Site Selection The Birth of Kūkai as a Literary Figure: in Premodern East Asia . 1 A Translation and Analysis of Shinzei’s Preface to the Henjō Hokki Shōryōshū . 29 FLORIAN C. REITER Considerations of Thunder Magic LISA KOCHINSKI Rituals and Thunder Divinities . -
The Disaster of the Third Princess : Essays on the Tale of Genji / Royall Tyler
TheDisasTerof TheThirDPrincess EssaysonTheTaleofGenji TheDisasTerof TheThirDPrincess EssaysonTheTaleofGenji royallTyler Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/third_princess_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Tyler, Royall. Title: The disaster of the third princess : essays on the tale of Genji / Royall Tyler. ISBN: 9781921536663 (pbk.) 9781921536670 (pdf) Notes: Bibliography. Subjects: Murasaki Shikibu, b. 978? Genji monogatari.--Criticism and interpretation Japanese literature--To 1600--History and criticism. Japan--Social life and customs--794-1185--History Dewey Number: 895.6314 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse. Printed by University Printing Services, ANU This edition © 2009 ANU E Press Table of Contents Foreword vii Introduction 1 1. Genji and Murasaki: Between Love and Pride 15 2. Genji and Suzaku (1): The Disaster of the Third Princess 63 3. Genji and Suzaku (2): The Possibility of Ukifune 97 4. Genji and the Luck of the Sea 131 5. Pity Poor Kaoru 157 6. Two Post-Genji tales on The Tale of Genji 185 7. Feminine Veils over Visions of the Male 209 Abbreviations 229 Works cited 231 Foreword Four of these seven essays were published under different titles and in earlier forms between 1999 and 2006, and a fifth appeared in Japanese translation in 2008.1 The most recently written (“Genji and the Luck of the Sea”) dates from 2007. -
Japan and Its East Asian Neighbors: Japan’S Perception of China and Korea and the Making of Foreign Policy from the Seventeenth to the Nineteenth Century
JAPAN AND ITS EAST ASIAN NEIGHBORS: JAPAN’S PERCEPTION OF CHINA AND KOREA AND THE MAKING OF FOREIGN POLICY FROM THE SEVENTEENTH TO THE NINETEENTH CENTURY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Norihito Mizuno, M.A. ***** The Ohio State University 2004 Dissertation Committee: Approved by Professor James R. Bartholomew, Adviser Professor Philip C. Brown Adviser Professor Peter L. Hahn Graduate Program in History Copyright by Norihito Mizuno 2004 ABSTRACT This dissertation is a study of Japanese perceptions of its East Asian neighbors – China and Korea – and the making of foreign policy from the early seventeenth century to the late nineteenth century. Previous studies have overwhelmingly argued that after the Meiji Restoration of 1868, Japan started to modernize itself by learning from the West and changed its attitudes toward those neighboring countries. It supposedly abandoned its traditional friendship and reverence toward its neighbors and adopted aggressive and contemptuous attitudes. I have no intention of arguing here that the perspective of change and discontinuity in Japan’s attitudes toward its neighbors has no validity at all; Japan did adopt Western-style diplomacy toward its neighbors, paralleling the abandonment of traditional culture which had owed much to other East Asian civilizations since antiquity. In this dissertation, through examination primarily of official and private documents, I maintain that change and discontinuity cannot fully explain the Japanese policy toward its East Asian neighbors from the early seventeenth to the late nineteenth century. The Japanese perceptions and attitudes toward China and ii Korea had some aspects of continuity. -
A HISTORY of JAPAN: from STONE AGE to SUPERPOWER 2Nd Edition
A HISTORY OF JAPAN FROM STONE AGE TO SUPERPOWER, 2nd edition KENNETH G. HENSHALL A History of Japan Also by Kenneth G. Henshall A GUIDE TO READING AND WRITING JAPANESE (Editor) A GUIDE TO REMEMBERING JAPANESE CHARACTERS COUNTRY TEACHER BY TAYAMA KATAI DIMENSIONS OF JAPANESE SOCIETY: Gender, Margins and Mainstream LITERARY LIFE IN TOKYO 1885–1915 THE LAST WAR OF EMPIRES: Japan and the Pacific War 1941–1945 THE QUILT AND OTHER STORIES BY TAYAMA KATAI A HISTORY OF JAPAN: FROM STONE AGE TO SUPERPOWER 2nd edition KENNETH G. HENSHALL © Kenneth G. Henshall 1999, 2004 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Design and Patents Act 1988. First edition published 1999 Second edition published 2004 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd.