Thammasat Review 2015, 18(1): 1-26 Affirmation of Shan Identities through Reincarnation and Lineage of the Classical Shan Romantic Legend ‘Khun Sam Law’ Khamindra Phorn Department of Anthropology & Sociology Faculty of Social Sciences, Chiang Mai University
[email protected] Abstract Khun Sam Law–Nang Oo Peim is an 18th-century legend popular among people in all walks of life in Myanmar’s Shan State. To this day, the story is narrated in novels, cartoons, films and songs. If Romeo and Juliet is a classical romance of 16th-century English literature, then Khun Sam Law–Nang Oo Peim, penned by Nang Kham Ku, is the Shan equivalent of William Shakespeare’s masterpiece. Based on this legend, Sai Jerng Harn, a former pop-star, and Sao Hsintham, a Buddhist monk, recast and reimagined the legendary figure as a Shan movement on the one hand, and migrant Shans in Chiang Mai as a Shan Valentine’s celebration and protector of Khun Sam Law lineage on the other. These two movements independently appeared within the Shans communities. This paper seeks to understand how this Shan legend provides a basic source for Shan communities to reimagine and to affirm their identities through the reincarnation and lineage. The pop-star claims to be a reincarnation of Khun Sam Law, while the migrant Shans in Chiang Mai, who principally hail from Kengtawng, claim its lineage continuity. Keywords: Khun Sam Law legend, Khun Sam Law Family, Khun Sam Law movement, Sai Jerng Harn, Sao Hsintham, Kengtawng Thammasat Review 1 Introduction According to Khun Sam Law–Nang Oo Peim, a popular folktale originating in Myanmar’s Shan State, Khun Sam Law was a young merchant from Kengtawng, a small princedom under Mongnai city-state.