The Balkans in Travel Writing
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Južnoslovenski Filolog
ЈУЖНОСЛОВЕНСКИ ФИЛОЛОГ ПОВРЕМЕНИ СПИС ЗА СЛОВЕНСКУ ФИЛОЛОГИЈУ И ЛИНГВИСТИКУ УРЕЂУЈЕ А. БЕЛИЋ УЗ СТАЛНУ САРАДЊУ г. г. А. МЕЈЕ-А, проф. Collège de France, A. CTОЈИЋЕВИЋА, проф. Унив. у Љубљани, К. ЊИЧА, проф. Унив. у Кракову, Љ. СТОЈAНОВИЋА, акад. у Београду, М. РЕШЕТАРА, проф. Унив. у Загребу, О. ХУЈЕРА, проф. Унив. у Прагу, Р. НАХТИГАЛА, проф. Унив. у Љубљани, СТ. ИBШИЋА, проф. Унив. у Загребу, СТ. М. КУЉВАКИНА, проф. Унив. у Београду, ФР. ИЛЕШИЋА, проф. Унив. у Загребу, ФР. РАМОВША, проф. Унив. у Љубљани и Х. БAРИЋА, проф. Унив. у Београду. КЊИГА III. ШТАМПАЊЕ ОВЕ КЊИГЕ ПОТПОМОГНУТО ЈЕ ИЗ ЗАДУЖБИНА СРП. КР, АКАДЕМИЈЕ: арх. НИЋИФОРА ДУЧИЋА и Д-ра. ЉУБ. РАДИВОЈЕВИЋА. БЕОГРАД, 1922–1923. : г САДРЖАЈ ШЋЕ КЊИГЕ. -о-до-ко Расправе. стpд М. Решетар: Završetak -u u gen. sing. muških imenica u slovenskom jeziku . 1–6 Лbуб. Стојановић: Реченичне конструкције без verbum-a finitum-a . 7–10 Dr. Franjo Fancev : О avtorstvu i postanju rječnika „Lexicon latinum . Zagrabiae 1742“ . 11–25 Г. Ил њи н скi W : Књ зтимологiи имени chrbrvatЋ „Хорватњ“ . 36—30 А. Белић: О промени ст. слов. кли „фиi“ . 31–34 Dr. Nikola Majnarić: Jedna zanimljiva pojava u ravnogorskom narječju . 35–40 П. К. Булат: Из живота речи . 41–47 Др. Ст. Куљбаки н: Акценатска питања . 48—70 Прилози. 1. Ivan Koštial: Stsl. zajeсњ . 71—72 2. P. Skok: Iz srpskohrvatske toponomastike . 72—77 3. В. Зрнић: Неколико ситних прилога . 78 4. А. Белић: Двојица, неколицина и слична обра зовања . 79—81 5. Ђуро Шкарић: Јужнословенска ријечца „ве“ 81—83 6. Dr. Fr. Ilešić: Slovenske „etimologije“ . -
Pocono Fall Folk Dance Weekend 2017
Pocono Fall Folk Dance Weekend 2017 Dances, in order of teaching Steve’s and Yves’ notes are included in this document. Steve and Susan 1. Valle e Dados – Kor çë, Albania 2. Doktore – Moh ács/Moha č, Hungary 3. Doktore – Sna šo – Moh ács/Moha č, Hungary 4. Kukunje šće – Tököl (R ác – Serbs), HungaryKezes/Horoa - moldaviai Cs áng ó 5. Kezes/Hora – Moldvai Cs áng ó 6. Bácsol K ék Hora – Circle and Couple ____ 7. Pogonisht ë – Albania 8. Gajda ško 9. Staro Roko Kolo 10. Kupondjijsko Horo 11. Gergelem (Doromb) 12. Gergely T ánc 13. Hopa Hopa Yves and France 1. Srebranski Danets (Bulgaria/Dobrudzha) 2. Svornato (Bulgaria/Rhodopes) 3. Tsonkovo (Bulgaria/Trakia) 4. Nevesto Tsarven Trendafil (Macedonia) 5. Zhensko Graovsko (Bulgaria/Shope) _____ 6. Belchova Tropanka (Bulgaria/Dobrudzha) 7. Draganinata (Bulgaria/ W. Trakia) 8. Chestata (North Bulgaria) 9. Svrlji ški Čačak (East Serbia) DOKTORE I SNAŠO (Mo hács, Hungary) Doktore and Snašo are part of the “South Slavic” ( Délszláv) dance repertoire from Mohács/Moha č, Hungary. Doktore is named after a song text and is originally a Serbian Dance, but is enjoyed by the Croatian Šokci as well. Snašno (young married woman) or Tanac is a Šokac dance. Recording: Workshop CD Formation: Open circle with “V” hold, or M join hands behind W’s back and W’s hands Are on M’s nearest shoulders. Music: 2/4 Meas: DOKTORE 1 Facing center, Step Rft diag fwd to R bending R knee slightly (ct 1); close Lft to Rft and bounce on both feet (ct 2); bounce again on both feet (ct &); 2 Step Lft back to place (bend knee slightly)(ct -
Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
FATIŠE KOLO Serbian
FATIŠE KOLO Serbian PRONUNCIATION: FAH-tee-sheh KOH-loh TRANSLATION: [The Vranje girls] joined hands in the circle dance (see "Background" below). Fatiše is a form of dialect for the literary verb "hvatiti se," which is why it can't be found in dictionaries. SOURCE: Dick Oakes learned this dance from Anatol Joukowsky who introduced it to folk dancers on the West Coast of the United States at the Santa Barbara Folk Dance Conference in 1963. This dance description is based on original notes by Ruth Ruling. Dick Crum also introduced a similar dance on the East Coast in about 1967. BACKGROUND: The dance was originally a women's dance. It comes from the South Serbian town of Vranje, which has a fine Turkish bridge and Turkish baths dating from the 17th century. The song on the recommended recording tells about young women from Vranje who dance the kolo, the traditional Serbian dance, around the village fountain and that all recognize that Taša is the prettiest one. The dance is also known as "Kolo from Vranje" and "Vranjsko djevojačko kolo." Mr. Joukowsky described this dance (Kolo from Vranje) on pages 49-50 in his book The Teaching of Ethnic Dance. Mr. "J" was ballet master at the Belgrade Opera in the 1930s and undoubtedly had to choreograph this dance several times, which may explain the differences between the "character dance" form described here and that taught to Mr. Crum in 1952 by the local Vranje amateur folk dance group. According to Mr. Crum, in the Serbian language it is permissible to put predicate before subject, hence the predicate "fatiše kolo" ("joined [hands] in the kolo") comes before the subject ("vranjske devojke" - "the Vranje girls"). -
Teaching Folk Dance. Successful Steps. INSTITUTION High/Scope Educational Research Foundation, Ypsilanti, MI
DOCUMENT RESUME ED 429 050 SP 038 379 AUTHOR Weikart, Phyllis S. TITLE Teaching Folk Dance. Successful Steps. INSTITUTION High/Scope Educational Research Foundation, Ypsilanti, MI. ISBN ISBN-1-57379-008-7 PUB DATE 1997-00-00 NOTE 674p.; Accompanying recorded music not available from EDRS. AVAILABLE FROM High/Scope Press, High/Scope Educational Research Foundation, 600 North River Street, Ypsilanti, MI 48198-2898; Tel: 313-485-2000; Fax: 313-485-0704. PUB TYPE Books (010)-- Guides - Non-Classroom (055) EDRS PRICE EDRS Price MF04 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Aesthetic Education; Cultural Activities; Cultural Education; *Dance Education; Elementary Secondary Education; *Folk Culture; Music Education IDENTIFIERS *Folk Dance ABSTRACT This book is intended for all folk dancers and teachers of folk dance who wish to have a library of beginning and intermediatefolk dance. Rhythmic box notations And teaching suggestionsaccompany all of the beginning and intermediate folk dances in the book. Many choreographieshave been added to give beginning dancers more experience with basicdance movements. Along with each dance title is the pronunciation and translation of the dance title, the country of origin, and the "Rhythmically Moving"or "Changing Directions" recording on which the selectioncan be found. The dance descriptions in this book provide a quick recall of dances and suggested teaching strategies for those who wish to expand their repertoire of dances. The eight chapters include: (1) "Beginning and Intermediate Folk Dance: An Educational Experience"; (2) "Introducing Folk Dance to Beginners"; (3) "Introducing Even and Uneven Folk Dance Steps";(4) "Intermediate Folk Dance Steps"; (5) "Folk Dance--The Delivery System"; (6) "Folk Dance Descriptions"; (7) "Beginning Folk Dances"; and (8)"Intermediate Folk Dances." Six appendixes conclude the volume. -
Glossary Ahengu Shkodran Urban Genre/Repertoire from Shkodër
GLOSSARY Ahengu shkodran Urban genre/repertoire from Shkodër, Albania Aksak ‘Limping’ asymmetrical rhythm (in Ottoman theory, specifically 2+2+2+3) Amanedes Greek-language ‘oriental’ urban genre/repertory Arabesk Turkish vocal genre with Arabic influences Ashiki songs Albanian songs of Ottoman provenance Baïdouska Dance and dance song from Thrace Čalgiya Urban ensemble/repertory from the eastern Balkans, especially Macedonia Cântarea României Romanian National Song Festival: ‘Singing for Romania’ Chalga Bulgarian ethno-pop genre Çifteli Plucked two-string instrument from Albania and Kosovo Čoček Dance and musical genre associated espe- cially with Balkan Roma Copla Sephardic popular song similar to, but not identical with, the Spanish genre of the same name Daouli Large double-headed drum Doina Romanian traditional genre, highly orna- mented and in free rhythm Dromos Greek term for mode/makam (literally, ‘road’) Duge pjesme ‘Long songs’ associated especially with South Slav traditional music Dvojka Serbian neo-folk genre Dvojnica Double flute found in the Balkans Echos A mode within the 8-mode system of Byzan- tine music theory Entekhno laïko tragoudhi Popular art song developed in Greece in the 1960s, combining popular musical idioms and sophisticated poetry Fanfara Brass ensemble from the Balkans Fasil Suite in Ottoman classical music Floyera Traditional shepherd’s flute Gaida Bagpipes from the Balkan region 670 glossary Ganga Type of traditional singing from the Dinaric Alps Gazel Traditional vocal genre from Turkey Gusle One-string, -
Travel Gives You Wings... for GROUPS
Travel gives you wings... FOR GROUPS : “DISCOVER THE CULTURES OF THE BALKANS “IN 12 DAYS INTRODUCTION During this tour you will discover a very special place in Europe marked by the dominant trade route in the Mediterranean until the 17th century, connecting Europe with Asia Minor. The trade route was already in use by the Celts, then appeared the Greeks, the Romans and finally the Slavs in the 7th century AD. This parade of civilizations happened before the eyes of the local population, the Illyrians, a people of shepherds, ancestors of today’s Albanians. This part of Europe was first dominated by Byzantium, then two great powers will fight for supremacy: Republics of Venice and Dubrovnik. Division of the Roman Empire was the event that marked the cultures. The border between the Eastern and Western Roman Empire goes through the Balkans. This separation will finally cause the schism in the Middle Age between the Catholic and Orthodox Church. The Ottoman Empire will enhance this cultural melting pot and create a colourful mosaic of local identities. The Balkans thus saw the appearance of various religious movements such as the Church of Bosnia called “Bogumil Church” or the Greek Catholic Church. The Balkans are determined by a surprising climate of tolerance and very original political systems. This tour’s goal is to emphasize this usually hidden side of South East Europe. The 20th century was marked by the nation-state creation games. Differences were weaponized in order to justify political struggles which inevitably led to great confusion. This was fertile ground for Tito's socialism seen as a gluing element which would restore the bygone harmony. -
Dances Inscribed in the UNESCO Intangible Cultural Heritage of Humanity a List Compiled by Alkis Raftis
Dances inscribed in the UNESCO Intangible Cultural Heritage of Humanity A list compiled by Alkis Raftis www.CID-world.org/Cultural-Heritage/ The International Dance Council CID, being the official organization for dance, presents a list of dances recognized by UNESCO as part of the Cultural Heritage of Humanity. Dances are part of many customs or rituals included either in the Representative List or the Urgent Safeguarding List. I have listed below only cultural manifestations where dance is the central part. For information visit www.CID-world.org/Cultural-Heritage/ Send comments to the CID Secretariat or CID Sections in the respective countries. Representative List & Urgent Safeguarding List 2018 Yalli (Kochari, Tenzere), traditional group dances of Nakhchivan - Azerbaijan Khon, masked dance drama in Thailand - Thailand Mooba dance of the Lenje ethnic group of Central Province of Zambia - Zambia Mwinoghe, joyous dance - Malawi 2017 Zaouli, popular music and dance of the Guro communities in Côte d’Ivoire - Côte d'Ivoire Kushtdepdi rite of singing and dancing - Turkmenistan Kolo, traditional folk dance - Serbia Kochari, traditional group dance - Armenia Rebetiko – Greece Taskiwin, martial dance of the western High Atlas - Morocco 2016 Almezmar, drumming and dancing with sticks - Saudi Arabia Momoeria, New Year's celebration in eight villages of Kozani area, West Macedonia, Greece - Greece Music and dance of the merengue in the Dominican Republic - Dominican Republic Rumba in Cuba, a festive combination of music and dances and all -
9. Dancing and Politics in Croatia: the Salonsko Kolo As a Patriotic Response to the Waltz1 Ivana Katarinčić and Iva Niemčić
WALTZING THROUGH EUROPE B ALTZING HROUGH UROPE Attitudes towards Couple Dances in the AKKA W T E Long Nineteenth-Century Attitudes towards Couple Dances in the Long Nineteenth-Century EDITED BY EGIL BAKKA, THERESA JILL BUCKLAND, al. et HELENA SAARIKOSKI AND ANNE VON BIBRA WHARTON From ‘folk devils’ to ballroom dancers, this volume explores the changing recep� on of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing interven� on in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across compara� vely narrow but W markedly heterogeneous locali� es. Rooted in inves� ga� ons of o� en newly discovered primary sources, the essays aff ord many opportuni� es to compare sociocultural and ALTZING poli� cal reac� ons to the arrival and prac� ce of popular rota� ng couple dances, such as the Waltz and the Polka. Leading contributors provide a transna� onal and aff ec� ve lens onto strikingly diverse topics, ranging from the evolu� on of roman� c couple dances in Croa� a, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of T cultural preserva� on and expression in twen� eth-century Finland. HROUGH Waltzing Through Europe creates openings for fresh collabora� ons in dance historiography and cultural history across fi elds and genres. It is essen� al reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms. E As with all Open Book publica� ons, this en� re book is available to read for free on the UROPE publisher’s website. -
08D Serbia & Mokra Gora Steam Train
08D SERBIA & MOKRA GORA STEAM TRAIN Tel: (021) 567 3222 21 Aug 2021 - (8D) by Turkish Airlines Whatsapp: +6281545558888 HARI 1 : JAKARTA – BELGRADE SAT, 21 AUG 2021 Hari ini Anda berkumpul di Bandara Soekarno - Hatta untuk menuju kota Belgrade, Serbia Akomodasi: Dalam pesawat HARI 2 : TIBA DI BELGRADE SUN, 22 AUG 2021 SELAMAT DATANG DI BELGRADE. Anda akan memulai city tour dengan mengunjungi Belgrade Fortress guna melihat pemandangan kota Belgrade dari atas bukit, Church of Saint Sava yang merupakan salah satu gereja orthodox terbesar di dunia, Cemetery of Josip Broz Tito yang merupakan Presiden pertama Yugoslavia serta tokoh penting dalam pendiri “Gerakan Non Blok” (Mausoleum tutup setiap hari Senin). Kemudian melewati Knez Mihailova Street, Republic Square, Statue of Prince Michael, National Theater, National Museum, Terazije Square, National Assembly, City Council. Kemudian menikmati makan malam lokal Serbia. Akomodasi: Hotel INN atau setaraf Dinner HARI 3 : BELGRADE – SMEDEREVO – TOPOLA – NIS MON, 23 AUG 2021 Setelah makan pagi, Anda akan diajak menuju Smederevo Fortress benteng yang sudah berdiri dari abad ke-15 yang dulu konon katanya disebut ibukota dari Serbia dulunya, Republic Square yang merupakan dari pusat kota. Kemudian Anda akan diajak untuk mengunjungi Gereja Oplenac & Museum of Royal Serbian Dinasty yang merupakan tempat para raja dan keluarga dari dinasti Karadorde dan dinasti Serbia yang pernah berkuasa pada waktu negara ini menjadi negara sosialis Yugoslavia di tahun 1945. Kemudian perjalanan dilanjutkan menuju kota Nis, Anda akan diantar menuju ke hotel untuk beristirahat. Akomodasi: Best Western atau setaraf Breakfast Lunch Dinner HARI 4 : NIS - VRNJACKA BANJA TUE, 24 AUG 2021 Hari ini Anda akan menuju kota Nis yang merupakan sisa benteng-benteng yang dibangun oleh orang-orang Turki pada abad ke-18. -
OTTOMAN CULTURAL HERITAGE in SERBIA the CULTURAL TREASURES of SERBIA
NATIONAL TOURISM ORGANISATION of SERBIA OTTOMAN CULTURAL HERITAGE IN SERBIA THE CULTURAL TREASURES of SERBIA www.serbia.travel MAP OF SERBIA LEGEND INTRODUCTION International Border H Settlement Signs City County Center Rivers and Lakes RO Highway Highway Regional Road HR Airport Ottoman Heritage BIH Ot toman Cultural Heritage in Serbia BG Ottoman cultural heritage in the territory of Serbia can be The Ottoman Empire brought a new order, a new adminis- seen in preserved architectural monuments and the trac- trative apparatus and a new faith to Southeast Europe, but es left in the language, i.e. words of Turkish origin, also it did not dig up the roots of all the existing social relations known as Orientalisms, but also in the mutual influences and institutions, instead it partially accepted them, adapt- which created a specific cultural diet. ing them to its state model. The result of this synthesis was a new civilizational and cultural sphere, whose presence is At the height of its power, in the mid-16th century, the Ot- still felt today in most societies in the Balkans, which is de- toman Empire stretched across three continents and con- fined as “Oriental cultural heritage”. trolled the Black Sea, the Red Sea and the eastern part of the MNE Mediterranean. The civilizational, i.e. the social and cultural effects, were rarely one-sided. When two civilisations meet or clash, The Ottoman conquest of the lands which were part of the there is normally mutual permeation of two, where the powerful Serbian empire of Stefan Dušan, the Mighty, be- weakening society may offer something to the society that is gan after the Battle of Maritsa in 1371 and the Battle of Koso- on the rise, depending on how open said society is to foreign vo in 1389. -
Paradigms of Rural Tourism in Serbia in the Function of Village Revitalisation
HUMAN GEOGRAPHIES – Journal of Studies and Research in Human Geography (2011) 5.2, 93‐102 www.humangeographies.org.ro PARADIGMS OF RURAL TOURISM IN SERBIA IN THE FUNCTION OF VILLAGE REVITALISATION Jovo Medojevic*, Sasa Milosavljevic, Milan Punisic Faculty of Sciences‐Department of Geography, University of Pristina ‐ temporarily settled in Kosovska Mitrovica, Serbia Abstract: Rural regions in Serbia differ considerably in social, economic and demographic characteristics. Basic problems and trends almost all the rural regions share are migrations, poor diversification of economic activities, extensive agriculture, high level of unemployment, lack of employment possibilities, poor and underdeveloped infrastructure, low GDP per capita in comparison to the urban regions and unpolluted environment faced with potential threats . The subject of this paper is to point to the potentials of the rural tourism in Serbia with the aim of village revitalization, as well as its prevention from dying out. Also, the aim of the paper is to stress the fact that the rural tourism is a sustainable model of development and preservation of Serbian village and Serbian peasant from more aspects: economic, tourist, sociological, the spatial planning and ecological ones. Finally, the aim of the paper is to emphasize that it is possible to save village identity by its transformation into ethno village adopting the idea of European ethno villages. Rural tourism in Serbia must become `main` industry` and a generator of sleeping national economy. The main benefits belong to the rural households. Tourist agencies must be engaged in enabling a dialogue between their employees and local representatives. Clients must not only be observers but also critics in the spirit of trust and transparency.