Affirming Genocide Knowledge Through Rituals
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Download Book # Ravished Armenia: the Story of Aurora Mardiganian
NHT7XGORXZTT ^ Kindle Ravished Armenia: The Story of Aurora Mardiganian, the Christian Girl, Who Survived... Ravished Armenia: The Story of Aurora Mardiganian, the Christian Girl, Who Survived the Great Massacres Filesize: 2.33 MB Reviews A whole new eBook with a brand new point of view. It is definitely simplistic but shocks in the 50 percent of the publication. I am just pleased to explain how this is the greatest ebook i have read during my very own daily life and could be he best ebook for possibly. (Mitchell Kuhn III) DISCLAIMER | DMCA RNPHNY9VIQO6 « eBook « Ravished Armenia: The Story of Aurora Mardiganian, the Christian Girl, Who Survived... RAVISHED ARMENIA: THE STORY OF AURORA MARDIGANIAN, THE CHRISTIAN GIRL, WHO SURVIVED THE GREAT MASSACRES To save Ravished Armenia: The Story of Aurora Mardiganian, the Christian Girl, Who Survived the Great Massacres eBook, remember to refer to the web link below and save the file or gain access to additional information which are have conjunction with RAVISHED ARMENIA: THE STORY OF AURORA MARDIGANIAN, THE CHRISTIAN GIRL, WHO SURVIVED THE GREAT MASSACRES ebook. Indoeuropeanpublishing.com, United States, 2014. Paperback. Book Condition: New. 228 x 150 mm. Language: English . Brand New Book ***** Print on Demand *****. Aurora (Arshaluys) Mardiganian (January 12, 1901 - February 6, 1994) was an Armenian American author, actress and a survivor of the Armenian Genocide. Aurora Mardiganian was the daughter of a prosperous Armenian family living in Chmshgatsak twenty miles north of Harput, Ottoman Turkey. Witnessing the deaths of her family members and being forced to march over 1,400 miles, during which she was kidnapped and sold into the slave markets of Anatolia, Mardiganian escaped to Tiflis (modern Tbilisi, Georgia), then to St. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
The Armenian Genocide
The Armenian Genocide During World War I, the Ottoman Empire carried out what most international experts and historians have concluded was one of the largest genocides in the world's history, slaughtering huge portions of its minority Armenian population. In all, over 1 million Armenians were put to death. To this day, Turkey denies the genocidal intent of these mass murders. My sense is that Armenians are suffering from what I would call incomplete mourning, and they can't complete that mourning process until their tragedy, their wounds are recognized by the descendants of the people who perpetrated it. People want to know what really happened. We are fed up with all these stories-- denial stories, and propaganda, and so on. Really the new generation want to know what happened 1915. How is it possible for a massacre of such epic proportions to take place? Why did it happen? And why has it remained one of the greatest untold stories of the 20th century? This film is made possible by contributions from John and Judy Bedrosian, the Avenessians Family Foundation, the Lincy Foundation, the Manoogian Simone Foundation, and the following. And others. A complete list is available from PBS. The Armenians. There are between six and seven million alive today, and less than half live in the Republic of Armenia, a small country south of Georgia and north of Iran. The rest live around the world in countries such as the US, Russia, France, Lebanon, and Syria. They're an ancient people who originally came from Anatolia some 2,500 years ago. -
1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini. -
Atom Egoyan's Ararat
Genocide Studies and Prevention: An International Journal Volume 3 Issue 2 Article 7 August 2008 Cycles of Genocide, Stories of Denial: Atom Egoyan's Ararat Donna-Lee Frieze Follow this and additional works at: https://scholarcommons.usf.edu/gsp Recommended Citation Frieze, Donna-Lee (2008) "Cycles of Genocide, Stories of Denial: Atom Egoyan's Ararat," Genocide Studies and Prevention: An International Journal: Vol. 3: Iss. 2: Article 7. Available at: https://scholarcommons.usf.edu/gsp/vol3/iss2/7 This Article is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Genocide Studies and Prevention: An International Journal by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Cycles of Genocide, Stories of Denial: Atom Egoyan’s Ararat Donna-Lee Frieze School of History, Heritage and Society, Deakin University, Australia This article focuses on Atom Egoyan’s Ararat and explores how, through a convoluted narrative structure, Egoyan grapples with denial of the Armenian Genocide and the consequences of those denials for present generations—both Turkish and Armenian—illuminated in the film as an extension of the genocide. Egoyan uses a film-within-a-film to move beyond a popular definition of genocide as mass killing alone and links the understanding of stories, truths, and perspectives in everyday life to the dehumanizing acts of genocide. Employing the philosopher Emmanuel Levinas’ ethical theory of the Other (the ethical) and philosophical understandings of ontology (dehumanization) to illuminate the genocide and its ongoing denial, this article contends that Egoyan’s focus on the generations of genocide survivors points to the ethical responsibility to one another that underlies everyday lives and sits at the heart of what is absent in the acts of genocide. -
Comunicato Stampa
COMUNICATO STAMPA Otello, omaggio a Giuseppe Verdi nel bicentenario della nascita, inaugura la Stagione lirica e di balletto 2013 Giovedì 2 maggio alle 20.30 si alza il sipario sulla Stagione lirica e di balletto 2013 del Teatro Lirico di Cagliari. Una stagione sempre molto attesa dal pubblico che, anche per quest’anno, segna la rinascita e la voglia di proseguire nella diffusione musicale del Teatro Lirico di Cagliari. Sei opere liriche ed un balletto, una produzione in più rispetto all’anno scorso, tutti titoli di grande interesse che, certamente, troveranno il gradimento del pubblico, sia per quelli noti che per quelli ricercati: Otello, Macbeth, L’amico Fritz, I Shardana, Così fan tutte, Pagliacci, Red Giselle. L’inaugurazione è affidata al doveroso omaggio, in occasione del bicentenario della nascita, a Giuseppe Verdi (Roncole di Busseto, Parma, 1813 - Milano, 1901), massimo operista italiano: Otello, dramma lirico in quattro atti, su libretto di Arrigo Boito, dalla tragedia omonima di William Shakespeare, e musica, appunto, di Verdi, va in scena per sei rappresentazioni, dal 2 al 10 maggio, per il XIII Festival di Sant’Efisio del Teatro Lirico di Cagliari. Lo spettacolo inaugurale, un stimolante allestimento dello scorso gennaio della Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari, conta dell’eccezionale regia di Eimuntas Nekrosius, geniale artista lituano, celebre in tutto il mondo dello spettacolo per aver curato importanti allestimenti teatrali e che ritorna a Cagliari dopo l’allestimento di La leggenda della città invisibile di Kitež e della fanciulla Fevronija di Nikolaj Rimskij-Korsakov che inaugurò la Stagione lirica e di balletto 2008, delle scene di Marius Nekrosius, dei costumi di Nadežda Gultiajeva e delle luci di Audrius Jankauskas che sfruttano tutte le potenzialità drammaturgiche dell’opera con pochi elementi scenici e colori assemblati con grande pulizia ed eleganza, oltre a movimenti essenziali, in un gioco di rimandi simbolici. -
'A Reign of Terror'
‘A Reign of Terror’ CUP Rule in Diyarbekir Province, 1913-1923 Uğur Ü. Üngör University of Amsterdam, Department of History Master’s thesis ‘Holocaust and Genocide Studies’ June 2005 ‘A Reign of Terror’ CUP Rule in Diyarbekir Province, 1913-1923 Uğur Ü. Üngör University of Amsterdam Department of History Master’s thesis ‘Holocaust and Genocide Studies’ Supervisors: Prof. Johannes Houwink ten Cate, Center for Holocaust and Genocide Studies Dr. Karel Berkhoff, Center for Holocaust and Genocide Studies June 2005 2 Contents Preface 4 Introduction 6 1 ‘Turkey for the Turks’, 1913-1914 10 1.1 Crises in the Ottoman Empire 10 1.2 ‘Nationalization’ of the population 17 1.3 Diyarbekir province before World War I 21 1.4 Social relations between the groups 26 2 Persecution of Christian communities, 1915 33 2.1 Mobilization and war 33 2.2 The ‘reign of terror’ begins 39 2.3 ‘Burn, destroy, kill’ 48 2.4 Center and periphery 63 2.5 Widening and narrowing scopes of persecution 73 3 Deportations of Kurds and settlement of Muslims, 1916-1917 78 3.1 Deportations of Kurds, 1916 81 3.2 Settlement of Muslims, 1917 92 3.3 The aftermath of the war, 1918 95 3.4 The Kemalists take control, 1919-1923 101 4 Conclusion 110 Bibliography 116 Appendix 1: DH.ŞFR 64/39 130 Appendix 2: DH.ŞFR 87/40 132 Appendix 3: DH.ŞFR 86/45 134 Appendix 4: Family tree of Y.A. 136 Maps 138 3 Preface A little less than two decades ago, in my childhood, I became fascinated with violence, whether it was children bullying each other in school, fathers beating up their daughters for sneaking out on a date, or the omnipresent racism that I did not understand at the time. -
Intent to Destroy, Directed and Produced by Joe Berlinger. 2017, 114 Minutes
Nationalities Papers (2019), 47: 1, 162–164 doi:10.1017/nps.2018.46 FILM REVIEW Intent to Destroy, directed and produced by Joe Berlinger. 2017, 114 minutes. English. Contact: Cailin McFadden, Cargo Releasing (New York), [email protected]. Webpage: https://www.asnconvention.com/intent-to-destroy. Shown at the ASN 2018 World Convention. Watching Intent to Destroy was for me not simply an evening at the movies. The film by the prolific documentary filmmaker Joe Berlinger seeks to understand the elusive and contested history of the Armenian Genocide and the efforts by the Turkish government and pseudo- scholars to deny the reality of the catastrophic events of 1915–1916. Not only does it provide a succinct and persuasive account of the mass deportations and massacres of Ottoman Armenians a century ago, in which some 800,000 to more than a million people died, but it also addresses the fraught issues of what we can learn about a traumatic past and how we can combat those who propose “alternative facts.” For a historian of the Genocide like myself, passive reception of the film is impossible. Instead, an active engagement with the talking heads (most of whom I know personally) and the archival footage (with which I was largely familiar) both riveted my attention and raised questions about the problems of representing the unthinkable. Berlinger’s ingenious device was to make his film about the making of another film, the rather melodramatic The Promise (2016) directed by Terry George, already famous for the Academy Award winning Hotel Rwanda (2004). Most reviewers panned The Promise, which lost most of its $90 million investment by the late Armenian billionaire Kirk Kerkorian, and conceded that Intent to Destroy was superior to its fictional predecessor. -
A Happy Musical New Year for Dilijan Students
JANUARY 5, 2019 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 24, Issue 4568 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Forbes: Armenia A Happy Among Top Budget Musical Travel Destinations YEREVAN — An article in Forbes magazine named Armenia among the best budget travel des- tinations for 2019. New Year “Set in the Caucasus Mountains, Armenia is a hidden gem that’s still untouched by mass tourism, and yet has so much to offer: rich history, wineries, For Dilijan impressive landscapes, ancient monasteries and breathtaking mountains as far as your eyes can see. The capital, Yerevan, is a lively city with wide Students avenues, delicious restaurants, museums and street markets selling local handicrafts,” the article by Alexandra Talty notes. “For wine lovers, Armenia is the perfect place to By Muriel Mirak-Weissbach try wines made from different fruits such as pome- Special to the Mirror-Spectator granate (Armenia’s national symbol), blackberries and cherries. Outside of the capital is picturesque nature. You can pay a visit to the oldest winery in DILIJAN, Armenia — Students at the the world in Areni, stop by stunning monasteries, State Art College of Dilijan are ringing in or check out the oldest cathedral in the world in the New Year with music, and with brand Echmiadzin.” new instruments, thanks to the initiative of Staff applauds the arrival of new Instruments the Foundation for Armenian Relief (FAR). FAR, established in 1988 as a relief effort President Sarkissian after the earthquake, has continued to part of Armenia) and coordinates 15 music and national instruments. -
Statement on the Second Global Forum Against the Crime Of
PC.DEL/589/16 29 April 2016 ENGLISH only Statement On the Second Global Forum Against the Crime of Genocide and Aurora Prize Award delivered by Ambassador Arman Kirakossian at the 1098thMeeting of the OSCE Permanent Council April 28, 2016 Mr. Chairman, The Remembrance and Education of Genocide is an important part of the OSCE human dimension commitments and we would like to draw the attention of the Permanent Council to two events, Global forum against Genocide and Aurora prize award ceremony, which were held in Yerevan and got wide international attention and participation in the framework of the Armenian Genocide commemoration. The Second Global Forum on the Crime of Genocide, was held in Yerevan on April 23-24. The statement of the President of the Republic of Armenia at the Forum was distributed in the OSCE. The general heading of this year’s forum was “Living Witnesses of Genocide”. Participation of a number of survivors of genocides and other crimes against humanity in different parts of the world made the conference indeed a remarkable and at the same time inspiring event. Mr. Youk Chhang, survivor of Khmer Rouge terror and currently Executive Director of the Documentation Center of Cambodia, Nadia Murat, survivor of the Genocide of Yezidi people in Iraq, who endured torture and degrading treatment by ISIL Mr. Kabanda Aloys, survivor of Rwanda Genocide and currently the Administrator of the Ibuka Memory and Justice Association along with other participants shared their stories of suffering, struggle, gratitude and revival. The very presence of these people in itself bore the powerful message that genocide perpetrators never win. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.