A Shinto Shrine Turned Local: the Case of Kotohira Jinsha Dazaifu Tenmangu and Its Acculturation on O'ahu
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The Resurgence of Asa'ib Ahl Al-Haq
December 2012 Sam Wyer MIDDLE EAST SECURITY REPORT 7 THE RESURGENCE OF ASA’IB AHL AL-HAQ Photo Credit: Asa’ib Ahl al-Haq protest in Kadhimiya, Baghdad, September 2012. Photo posted on Twitter by Asa’ib Ahl al-Haq. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. ©2012 by the Institute for the Study of War. Published in 2012 in the United States of America by the Institute for the Study of War. 1400 16th Street NW, Suite 515 Washington, DC 20036. http://www.understandingwar.org Sam Wyer MIDDLE EAST SECURITY REPORT 7 THE RESURGENCE OF ASA’IB AHL AL-HAQ ABOUT THE AUTHOR Sam Wyer is a Research Analyst at the Institute for the Study of War, where he focuses on Iraqi security and political matters. Prior to joining ISW, he worked as a Research Intern at AEI’s Critical Threats Project where he researched Iraqi Shi’a militia groups and Iranian proxy strategy. He holds a Bachelor’s Degree in Political Science from Middlebury College in Vermont and studied Arabic at Middlebury’s school in Alexandria, Egypt. ABOUT THE INSTITUTE The Institute for the Study of War (ISW) is a non-partisan, non-profit, public policy research organization. ISW advances an informed understanding of military affairs through reliable research, trusted analysis, and innovative education. ISW is committed to improving the nation’s ability to execute military operations and respond to emerging threats in order to achieve U.S. -
A Re-Examination of the Omamori Phenomenon
The Hilltop Review Volume 7 Issue 2 Spring Article 19 April 2015 Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon Eric Mendes Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Recommended Citation Mendes, Eric (2015) "Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon," The Hilltop Review: Vol. 7 : Iss. 2 , Article 19. Available at: https://scholarworks.wmich.edu/hilltopreview/vol7/iss2/19 This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 152 Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon Runner-Up, 2013 Graduate Humanities Conference By Eric Teixeira Mendes Fireworks exploded, newspapers rushed “Extra!” editions into print and Japanese exchanged “Banzai!” cheers at news of Japan`s crown princess giving birth to a girl after more than eight years of marriage… In a forestate of the special life that awaits the baby, a purple sash and an imperial samurai sword were bestowed on the 6.8 pound girl just a few hours after her birth - - along with a sacred amulet said to ward off evil spirits. The girl will be named in a ceremony Friday, after experts are consulted on a proper name for the child. (Zielenziger) This quote, which ran on December 2, 2001, in an article from the Orlando Sentinel, describes the birth of one of Japan`s most recent princesses. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Usporedba Svakodnevnog Života U Japanu Prikazanog U Animangama I Stvarnosti
Usporedba svakodnevnog života u Japanu prikazanog u animangama i stvarnosti Matika, Melani Undergraduate thesis / Završni rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:328916 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula Sveučilište Jurja Dobrile u Puli Filozofski fakultet MELANI MATIKA USPOREDBA SVAKODNEVNOG JAPANSKOG ŽIVOTA PRIKAZANOG U ANIMANGAMA I STVARNOSTI Završni rad Pula, rujan, 2020. godine 0 Sveučilište Jurja Dobrile u Puli Filozofski fakultet MELANI MATIKA USPOREDBA SVAKODNEVNOG JAPANSKOG ŽIVOTA PRIKAZANOG U ANIMANGAMA I STVARNOSTI Završni rad JMBAG: 0269103729, redovita studentica Studijski smjer: Jednopredmetni preddiplomski sveučilišni studij Japanski jezik i kultura Predmet: Elektronički izvori za učenje japanskog jezika i kulture Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: japanologija Mentor: izv. prof. dr. sc. Irena Srdanović Pula, rujan, 2020. godine IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Melani Matika, kandidat za prvostupnika Japanskog jezika i kulture ovime izjavljujem da je ovaj Završni rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Završnog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. Izjavljujem, također, da nijedan dio rada nije iskorišten za koji drugi rad pri bilo kojoj drugoj visokoškolskoj, znanstvenoj ili radnoj ustanovi. Student ____Melani Matika___________ U Puli, 25. -
Kap 1 Innledning
KAP 1 INNLEDNING. ......................................................................................................................................... 1 KAP 2 MEIJI OG ENDREDE RELIGIØSE FORHOLD................................................................................. 9 2.1 SHINBUTSU BUNRI......................................................................................................................................... 9 2.2 ETABLERINGEN AV STAT-SHINTO OG SEKT-SHINTO. .................................................................................... 14 2.3 NYE RELIGIØSE GRUPPER. DERES TILKNYTNING TIL SHINTO OG BEHOVET FOR ORGANISERING................... 19 2.4 SEKT-SHINTO, EN DEL AV SAMFUNNET........................................................................................................ 20 KAP 3 FUJIKÔ FØR MEIJI. ............................................................................................................................ 24 3.1 KAKUGYÔ TÔBUTSU KÛ. ............................................................................................................................ 24 3.2 JIKIGYÔ MIROKU......................................................................................................................................... 28 KAP 4 FUJIKÔ – EN NY VIRKELIGHET ETTER 1868.............................................................................. 34 4.1 ITÔ ROKURÔBEI OG MARUYAMAKÔ 1868-1875.......................................................................................... 35 4.1.1 Reformasjonen -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
1Changes in Religious Tourism in Poland at The
ISSN 0867-5856 DOI: http://dx.doi.org/10.18778/0867-5856.29.2.09 e-ISSN 2080-6922 Tourism 2019, 29/2 Franciszek Mróz https://orcid.org/0000-0001-6380-387X Pedagogical University of Krakow Institute of Geography Department of Tourism and Regional Studies [email protected] CHANGES IN RELIGIOUS TOURISM IN POLAND AT THE BEGINNING OF THE 21ST CENTURY Abstract: This study presents changes in religious tourism in Poland at the beginning of the 21st century. These include the develop- ment of a network of pilgrimage centers, the renaissance of medieval pilgrim routes, the unflagging popularity of pilgrimages on foot as well as new forms using bicycles, canoes, skis, scooters, rollerblades and trailskates; along with riding, Nordic walking, running and so on. Related to pilgrimages, there is a growing interest in so-called ‘holidays’ in monasteries, hermitages and retreat homes, as well as a steady increase in weekend religious tourism. Religious tourists and pilgrims are attracted to shrines by mysteries, church fairs and religious festivals, in addition to regular religious services and ceremonies. Keywords: religious tourism, pilgrimages, shrine, pilgrim routes, Camino de Santiago (Way of St James). 1. INTRODUCTION Religious tourism is one of the most rapidly developing This article reviews the main trends and changes in types in the world. According to data from the World religious tourism and pilgrimage in Poland at the be- Tourism Organization (UNWTO) from 2004, during ginning of the 21st century. It is worth noting that in the that year approx. 330 million people took trips with analyzed period a number of events took place which a religious or religious-cognitive aim by visiting major have left a mark on the pilgrimage movement and reli- world pilgrimage centers (Tourism can protect and pro- gious tourism in Poland: the last pilgrimage of John mote religious heritage, 2014). -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
The Making of an American Shinto Community
THE MAKING OF AN AMERICAN SHINTO COMMUNITY By SARAH SPAID ISHIDA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2007 Sarah Spaid Ishida 2 To my brother, Travis 3 ACKNOWLEDGMENTS Many people assisted in the production of this project. I would like to express my thanks to the many wonderful professors who I have learned from both at Wittenberg University and at the University of Florida, specifically the members of my thesis committee, Dr. Mario Poceski and Dr. Jason Neelis. For their time, advice and assistance, I would like to thank Dr. Travis Smith, Dr. Manuel Vásquez, Eleanor Finnegan, and Phillip Green. I would also like to thank Annie Newman for her continued help and efforts, David Hickey who assisted me in my research, and Paul Gomes III of the University of Hawai’i for volunteering his research to me. Additionally I want to thank all of my friends at the University of Florida and my husband, Kyohei, for their companionship, understanding, and late-night counseling. Lastly and most importantly, I would like to extend a sincere thanks to the Shinto community of the Tsubaki Grand Shrine of America and Reverend Koichi Barrish. Without them, this would not have been possible. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT.....................................................................................................................................7 -
Towards a Deleuzian Approach in Urban Design
Difference and Repetition in Redevelopment Projects for the Al Kadhimiya Historical Site, Baghdad, Iraq: Towards a Deleuzian Approach in Urban Design A Dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN ARCHITECTURE In the School of Architecture and Interior Design Of the college of Design, Architecture, Art, and Planning 2018 By Najlaa K. Kareem Bachelor of Architecture, University of Technology 1999 Master of Science in Urban and Regional Planning, University of Baghdad 2004 Dissertation Committee: Adrian Parr, PhD (Chair) Laura Jenkins, PhD Patrick Snadon, PhD Abstract In his book Difference and Repetition, the French philosopher Gilles Deleuze distinguishes between two theories of repetition, one associated with the ‘Platonic’ theory and the other with the ‘Nietzschean’ theory. Repetition in the ‘Platonic’ theory, via the criterion of accuracy, can be identified as a repetition of homogeneity, using pre-established similitude or identity to repeat the Same, while repetition in the ‘Nietzschean’ theory, via the criterion of authenticity, is aligned with the virtual rather than real, producing simulacra or phantasms as a repetition of heterogeneity. It is argued in this dissertation that the distinction that Deleuze forms between modes of repetition has a vital role in his innovative approaches to the Nietzschean’s notion of ‘eternal return’ as a differential ontology, offering numerous insights into work on issues of homogeneity and heterogeneity in a design process. Deleuze challenges the assumed capture within a conventional perspective by using German philosopher Friedrich Nietzsche’s conception of the ‘eternal return.’ This dissertation aims to question the conventional praxis of architecture and urban design formalisms through the impulse of ‘becoming’ and ‘non- representational’ thinking of Deleuze.