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A Re-Examination of the Omamori Phenomenon
The Hilltop Review Volume 7 Issue 2 Spring Article 19 April 2015 Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon Eric Mendes Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Recommended Citation Mendes, Eric (2015) "Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon," The Hilltop Review: Vol. 7 : Iss. 2 , Article 19. Available at: https://scholarworks.wmich.edu/hilltopreview/vol7/iss2/19 This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 152 Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon Runner-Up, 2013 Graduate Humanities Conference By Eric Teixeira Mendes Fireworks exploded, newspapers rushed “Extra!” editions into print and Japanese exchanged “Banzai!” cheers at news of Japan`s crown princess giving birth to a girl after more than eight years of marriage… In a forestate of the special life that awaits the baby, a purple sash and an imperial samurai sword were bestowed on the 6.8 pound girl just a few hours after her birth - - along with a sacred amulet said to ward off evil spirits. The girl will be named in a ceremony Friday, after experts are consulted on a proper name for the child. (Zielenziger) This quote, which ran on December 2, 2001, in an article from the Orlando Sentinel, describes the birth of one of Japan`s most recent princesses. -
Usporedba Svakodnevnog Života U Japanu Prikazanog U Animangama I Stvarnosti
Usporedba svakodnevnog života u Japanu prikazanog u animangama i stvarnosti Matika, Melani Undergraduate thesis / Završni rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:328916 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula Sveučilište Jurja Dobrile u Puli Filozofski fakultet MELANI MATIKA USPOREDBA SVAKODNEVNOG JAPANSKOG ŽIVOTA PRIKAZANOG U ANIMANGAMA I STVARNOSTI Završni rad Pula, rujan, 2020. godine 0 Sveučilište Jurja Dobrile u Puli Filozofski fakultet MELANI MATIKA USPOREDBA SVAKODNEVNOG JAPANSKOG ŽIVOTA PRIKAZANOG U ANIMANGAMA I STVARNOSTI Završni rad JMBAG: 0269103729, redovita studentica Studijski smjer: Jednopredmetni preddiplomski sveučilišni studij Japanski jezik i kultura Predmet: Elektronički izvori za učenje japanskog jezika i kulture Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: japanologija Mentor: izv. prof. dr. sc. Irena Srdanović Pula, rujan, 2020. godine IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Melani Matika, kandidat za prvostupnika Japanskog jezika i kulture ovime izjavljujem da je ovaj Završni rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Završnog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. Izjavljujem, također, da nijedan dio rada nije iskorišten za koji drugi rad pri bilo kojoj drugoj visokoškolskoj, znanstvenoj ili radnoj ustanovi. Student ____Melani Matika___________ U Puli, 25. -
Kap 1 Innledning
KAP 1 INNLEDNING. ......................................................................................................................................... 1 KAP 2 MEIJI OG ENDREDE RELIGIØSE FORHOLD................................................................................. 9 2.1 SHINBUTSU BUNRI......................................................................................................................................... 9 2.2 ETABLERINGEN AV STAT-SHINTO OG SEKT-SHINTO. .................................................................................... 14 2.3 NYE RELIGIØSE GRUPPER. DERES TILKNYTNING TIL SHINTO OG BEHOVET FOR ORGANISERING................... 19 2.4 SEKT-SHINTO, EN DEL AV SAMFUNNET........................................................................................................ 20 KAP 3 FUJIKÔ FØR MEIJI. ............................................................................................................................ 24 3.1 KAKUGYÔ TÔBUTSU KÛ. ............................................................................................................................ 24 3.2 JIKIGYÔ MIROKU......................................................................................................................................... 28 KAP 4 FUJIKÔ – EN NY VIRKELIGHET ETTER 1868.............................................................................. 34 4.1 ITÔ ROKURÔBEI OG MARUYAMAKÔ 1868-1875.......................................................................................... 35 4.1.1 Reformasjonen -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
Talismans and Amulets in the Japanese Collection1
ANNALS OF THE NÁPRSTEK MUSEUM 35/1 • 2014 • (p. 39–68) TALISMANS AND AMULETS IN THE JAPANESE COLLECTION1 Alice Kraemerová2 ABSTRACT: This article describes all types of amulets and talismans present in the Náprstek Museum Japanese collection and uncovers their symbolic meaning. These are mostly talismans from shrines and temples dating to the beginning of the 20th century, traditional hand-crafted items from famous places of pilgrimage and toys used as talismans. KEY WORDS: Japan – Buddhist temple – Shintǀ shrine – shamanism – talisman – amulet– ofuda – ema – omamori – collecting – Náprstek Museum of Asian, African and American Cultures (Prague) 1. Defining terminology Amulet is considered to have protective or otherwise salutary effects while talisman primarily attracts fortune. Various authors describe different classifications of amulets and talismans according to their functional principles: homeopathic principle, contact principle, the principle of the magic of the written word, principle of colour magic, the principle of magic substances, the principle of the personifies higher power and the combinatorial principle (Nuska 2012). In this article we shall not use this division as for such a detailed analysis it would be necessary to acknowledge all types of amulets and talismans, not just those collected by the Czech travellers and brought into the NpM collections. Most of the available literature deals with the European view on amulets and talismans; the furthest it gets is the Near East. The Far East is usually not that well mapped due to the geographical distance and the language barrier. For the Japanese talismans, there are several often used terms: mayoke (㨱 㝖ࡅ) or yakuyoke (གྷ㝖ࡅ), omamori (࠾Ᏺࡾ) and ofuda (ᚚᮐ) or gofu (ㆤ➢). -
A Shinto Shrine Turned Local: the Case of Kotohira Jinsha Dazaifu Tenmangu and Its Acculturation on O'ahu
A SHINTO SHRINE TURNED LOCAL: THE CASE OF KOTOHIRA JINSHA DAZAIFU TENMANGU AND ITS ACCULTURATION ON O'AHU A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION MAY 2018 By Richard Malcolm Crum Thesis Committee: Helen Baroni, Chairperson Michel Mohr Mark McNally ABSTRACT This project examines the institution of Hawai’i Kotohira Jinsha Dazaifu Tenmangu in Honolulu as an example of a New Religious Movement. Founded in Hawai`i, the shrine incorporated ritual practices from Sect Shinto customs brought to the islands by Japanese immigrants. Building on the few available scholarly studies, I hypothesize that while Hawai`i Kotohira Jinsha Dazaifu Tenmangu takes the ritual conduct, priestly training, and the festival calendar from a Japanese mainland style of Shinto, the development of the shrine since its foundation in 1920 to the present reflects characteristics of a New Religious Movement. Elements such as the location of the shrine outside of Japan, attendee demographics, non-traditional American and Hawaiian gods included in the pantheon, the inclusion of English as the lingua-franca during festivals and rituals, and the internal hierarchy and structure (both political and physical) lend to the idea of Hawaiian Shinto being something unique and outside of the realm of Sect, Shrine, or State Shinto in Japan. i Table of Contents Introduction Local Scholarship Review, the Hawaiian Islands, and Claims…………………………………….1 How do we define -
The Spiritual Quest of Uchimura Kanzō by Christopher A
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2017 Native Roots and Foreign Grafts: The pirS itual Quest of Uchimura Kanzō Christopher Andrew Born Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, Asian Studies Commons, East Asian Languages and Societies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Born, Christopher Andrew, "Native Roots and Foreign Grafts: Thep S iritual Quest of Uchimura Kanzō" (2017). Arts & Sciences Electronic Theses and Dissertations. 1247. https://openscholarship.wustl.edu/art_sci_etds/1247 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Dissertation Examination Committee: Marvin H. Marcus, Chair Rebecca Copeland Jamie Lynn Newhard David Schmitt Lori Watt Native Roots and Foreign Grafts: The Spiritual Quest of Uchimura Kanzō by Christopher A. Born A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree -
Muzej Slavonije Osijek 2017 Mdc.Pdf
MUZEJ SLAVONIJE IZVJEŠĆE O RADU ZA 2017.GODINU 1. SKUPLJANJE GRAĐE 1.1. Kupnja Etnografski odjel Priprema dokumentacije i ekspertize uz ponude za otkup: Vardarac (igračka, obuća), Trnava (ž. nošnja), B. Brdo (ćilim) Numizmatički odjel Otkup značaka - Senad Gradašćević ( 25) Povijesni odjel diploma Hrvatskog pjevačkog društva „Zrinski“ u Osijeku (Osijek od 1. ožujka 1945.) (Mladen Radić, Osijek) diploma Technikuma Mittweida, 23. studeni 1914.(Mladen Radić, Osijek) rukopisna knjiga molitvi i protokola za kršćanske časnike i vojnike (Zdravko Balić, Osijek) rukopisna knjiga sadržajno vezana za srednjovjekovnu povijest (prijepis udžbenika) (Zdravko Balić, Osijek) Grafička zbirka – 1 kom (Hrvoje Malbaša, Osijek) Kamilo Krvarić, Ženski akt – Marija Malbaša, Osijek, 1936., (Hrvoje Malbaša, Osijek) Zbirka fotografija – 2 kom (Zoran Balaban, Osijek) 1 Album s fotografijama otvorenja sokolskog doma u Osijeku, 1929. Foto de Bode, (Zoran Balaban, Osijek) Fotografija unutrašnjosti osječke pošte, oko 1915., (Zoran Balaban, Osijek) FotografijaGabrijele Jahl s nakitom, koji smo također otkupili, 10.12.1924., (Zoran Balaban, Osijek) Zbirka razglednica – 1 kom (Zoran Balaban, Osijek) Album za razglednice iz 1897.,(Zoran Balaban, Osijek) Zbirka pečata i pečatnjaka – 1 kom (Aleksandar Orsić, Dalj) Pečatnjak Donji grad u Osijeku nakon 1945. (Aleksandar Orsić, Dalj) Zbirka skulptura i natpisa – 1 kom (Aleksandar Orsić, Dalj) Reklamna ploča obućarske radionice Zvonimira Šmiderera u Dalju (Aleksandar Orsić, Dalj) arhivski dokumenti koji se odnose na razdoblje Domovinskog rata kojima su tvorci s područja tzv. Srpske Krajine (Skupina dokumenata - Dalj, 1992.-1995.)(Aleksandar Orsić, Dalj) 5 diploma (dvije diplome Izložbe rasplodne stoke u Osijeku, 1952. i 1954., te tri diplome Planinarskog društva „Zanatlija“ iz Osijeka (1976.-1981.) (Senad Gradaščević, Osijek) 11 iskaznica (osječka društva, institucije i poduzeća (u razdoblju od iskaznice Osječke okružne blagajne za podporu bolestnika iz 1906. -
The University of Sydney
THE UNIVERSITY OF SYDNEY FACULTY OF ARTS SCHOOL OF LANGUAGES AND CULTURES DEPARTMENT OF JAPANESE AND KOREAN STUDIES DISSERTATION: Autonomy In Modern Japanese Literature Submitted by: Masahito Takayashiki In Fulfilment of the Requirements for the Degree of Doctor of Philosophy (Ph.D). DECEMBER 2007 PhD Dissertation: Autonomy in Modern Japanese Literature ABSTRACT This dissertation aims to examine the manner in which the concept of autonomy (jiritsu) is treated in modern and contemporary Japanese literature. This examination will be performed by analysing the autonomous attitude of a contemporary Japanese writer Nakagami Kenji (1946–1992). This dissertation focuses on examining Nakagami Kenji’s ambivalent attitude towards his act of writing. We will explore the manner in which his act of writing appears to be a paradox between self-identification and the integration into the collective. Then, we will observe the possibility in which Nakagami’s ambivalent attitude is extended to cover Maruyama Masao’s relative definition of autonomy and Karatani Kōjin’s interpretation of Immanuel Kant’s notion of freedom and responsibility. Nakagami’s attempt is certainly not confined to only his works. The notion of autonomy may be applied to perceive a similar thought that was represented by previous writers. We will also examine various never-ending autonomous attempts expressed by Sakaguchi Ango, Miyazawa Kenji and Nakahara Chūya. Moreover, we will analyse how Nakagami’s distrust of the modern Japanese language and his admiration of the body as an undeniable object are reflected in his major novels in detail and attempt to extend this observation into the works of the theatrical artists in the 1960s such as Betsuyaku Minoru, Kara Jūrō, Hijikata Tatsumi and Terayama Shūji and contemporary women writers such as Tsushima Yūko, Takamura Kaoru, Tawada Yōko and Yoshimoto Banana. -
Hawaii Kotohira Jinsha Hawaii Dazaifu Tenmangu MARCH 2021
Hawaii Kotohira Jinsha MARCH 2021 Hawaii Dazaifu Tenmangu A Boat Blessing was performed in Hawaii Kai on March 14 DONATIONS Sake, a byproduct of rice 2020 - 31 years since Nigorizake. Yohei Azegami has long been a vital Honolulu Sake Brewery Bradford Chun The shrine's annual part of Japanese closed it doors. Bill & Keiko Doughty Sake Appreciation culture. Anthony Fujii Islander Sake Brewery's Festival was initiated to Rodney & Sharon Isa Sake has an important owner and toji, Chiaki acknowledge the gift place at festivals, Takahashi was a that alcoholic beverages Islander Sake Brewery ceremonies and rituals. researcher and made from rice like sake Collin Kobayashi Whether imbibed instructor at the are to the world and James & Melba Kurashige during Sansankudo at a National Research of our lives. Clarence Kuroiwa Shinto wedding Brewing in Tokyo. Although the event was Mike Lee ceremony or at a She hopes to revive canceled this year due Carol Matsuwaki festival, sake has sake brewing in Hawaii to COVID-19, be sure to Steve Miwa symbolized the miracle and has already celebrate this miracle of Shinken & Marilyn Naitoh of nature. produced Daiginjo, nature - - sake, with Craig & Diane Nishida There were several Junmai Ginjo, Ginjo and family and friends!! Nicholas Ponce popular sake breweries Akiko Sanai on Oahu, however the Gary & Linda Shinsato most famous was Robert Stallings Honolulu Sake Brewery Shiho Wamura of Takara Masamune Brian & Dawn Yamanaka fame. A new sake brewery opened in Kakaako in GOKITO Private Blessings Yakudoshi years are said to hold Prayers for strength, resilience and Kanai Anzen family blessing was many physical and emotional comfort for an ohana member in performed on February 14 challenges especially Dai Yaku need of health and healing was (Major Yaku) years which are 42 for performed on February 12. -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS