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Assumption Parking Lot Rosary.Pub
Thank you for joining in this celebration Please of the Blessed Mother and our Catholic park in a faith. Please observe these guidelines: designated Social distancing rules are in effect. Please maintain 6 feet distance from everyone not riding parking with you in your vehicle. You are welcome to stay in your car or to stand/ sit outside your car to pray with us. space. Anyone wishing to place their own flowers before the statue of the Blessed Mother and Christ Child may do so aer the prayers have concluded, but social distancing must be observed at all mes. Please present your flowers, make a short prayer, and then return to your car so that the next person may do so, and so on. If you wish to speak with others, please remember to wear a mask and to observe 6 foot social distancing guidelines. Opening Hymn—Hail, Holy Queen Hail, holy Queen enthroned above; O Maria! Hail mother of mercy and of love, O Maria! Triumph, all ye cherubim, Sing with us, ye seraphim! Heav’n and earth resound the hymn: Salve, salve, salve, Regina! Our life, our sweetness here below, O Maria! Our hope in sorrow and in woe, O Maria! Sign of the Cross The Apostles' Creed I believe in God, the Father almighty, Creator of heaven and earth, and in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Spirit, born of the Virgin Mary, suffered under Ponus Pilate, was crucified, died and was buried; he descended into hell; on the third day he rose again from the dead; he ascended into heaven, and is seated at the right hand of God the Father almighty; from there he will come to judge the living and the dead. -
Twenty-Fourth Sunday in Ordinary Time
Cathedral Basilica of Saints Peter and Paul And the Shrine of Saint Katharine Drexel 18th Street and Benjamin Franklin Parkway, Philadelphia, Pennsylvania Most Reverend Charles J. Chaput, O.F.M. Cap., Archbishop of Philadelphia September 15, 2019 Parish Mission Statement As a vibrant Roman Catholic community in Center City, the Cathedral Parish Serves all those who come to the Mother Church of the Archdiocese of Philadelphia. We profess our Catholic Faith, minister to others and welcome all, as founded on the Word of God and the celebration of the Sacraments of Jesus Christ, our Lord and Savior. Adopted by the Parish Council, April 5, 2016 Reverend Gerald Dennis Gill MASS SCHEDULE Rector and Pastor Sunday: 5:15 PM Anticipated Mass on Saturday Reverend Monsignor Arthur E. Rodgers 8:00 AM, 9:30 AM, 11:00 AM in Basilica Rector Emeritus 12:30 PM Spanish in Cathedral Chapel Sta. Misa en español, en la Capilla Reverend Matthew K. Biedrzycki 6:30 PM in Basilica Parochial Vicar Weekdays: 7:15 AM, 12:05 PM in Cathedral Chapel Reverend Monsignor Louis A. D’Addezio Saturdays: 12:05 PM in Cathedral Chapel Reverend Isaac Haywiser, O.S.B. Priests in Residence Holy Days: See website Deacon Epifanio de Jesus SACRAMENT OF PENANCE SCHEDULE Sister Eleanor McCann, R.S.M. Pastoral Associate Sunday: 9:00 AM and 5:30 PM in Basilica 12:00 PM (español) en la Capilla Sister Mary Luchia, P.V.M.I Parish Evangelization Weekdays: 11:30 AM in Basilica Charlene Angelini Saturday: 4:15 to 5:00 PM in Basilica Director of Cathedral Parish Music Please contact the Parish Office to arrange for the: Mark Loria SACRAMENT OF BAPTISM AND MARRIAGE, Principal Organist SACRAMENT OF THE ANOINTING OF THE SICK, Edward J. -
Private Higher Education Institutions Faculty-Student Ratio: AY 2017-18
Table 11. Private Higher Education Institutions Faculty-Student Ratio: AY 2017-18 Number of Number of Faculty/ Region Name of Private Higher Education Institution Students Faculty Student Ratio 01 - Ilocos Region The Adelphi College 434 27 1:16 Malasiqui Agno Valley College 565 29 1:19 Asbury College 401 21 1:19 Asiacareer College Foundation 116 16 1:7 Bacarra Medical Center School of Midwifery 24 10 1:2 CICOSAT Colleges 657 41 1:16 Colegio de Dagupan 4,037 72 1:56 Dagupan Colleges Foundation 72 20 1:4 Data Center College of the Philippines of Laoag City 1,280 47 1:27 Divine Word College of Laoag 1,567 91 1:17 Divine Word College of Urdaneta 40 11 1:4 Divine Word College of Vigan 415 49 1:8 The Great Plebeian College 450 42 1:11 Lorma Colleges 2,337 125 1:19 Luna Colleges 1,755 21 1:84 University of Luzon 4,938 180 1:27 Lyceum Northern Luzon 1,271 52 1:24 Mary Help of Christians College Seminary 45 18 1:3 Northern Christian College 541 59 1:9 Northern Luzon Adventist College 480 49 1:10 Northern Philippines College for Maritime, Science and Technology 1,610 47 1:34 Northwestern University 3,332 152 1:22 Osias Educational Foundation 383 15 1:26 Palaris College 271 27 1:10 Page 1 of 65 Number of Number of Faculty/ Region Name of Private Higher Education Institution Students Faculty Student Ratio Panpacific University North Philippines-Urdaneta City 1,842 56 1:33 Pangasinan Merchant Marine Academy 2,356 25 1:94 Perpetual Help College of Pangasinan 642 40 1:16 Polytechnic College of La union 1,101 46 1:24 Philippine College of Science and Technology 1,745 85 1:21 PIMSAT Colleges-Dagupan 1,511 40 1:38 Saint Columban's College 90 11 1:8 Saint Louis College-City of San Fernando 3,385 132 1:26 Saint Mary's College Sta. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
Titles of Mary
Titles of Mary Mary is known by many different titles (Blessed Mother, tion in the Americas and parts of Asia and Africa, e.g. Madonna, Our Lady), epithets (Star of the Sea, Queen via the apparitions at Our Lady of Guadalupe which re- of Heaven, Cause of Our Joy), invocations (Theotokos, sulted in a large number of conversions to Christianity in Panagia, Mother of Mercy) and other names (Our Lady Mexico. of Loreto, Our Lady of Guadalupe). Following the Reformation, as of the 17th century, All of these titles refer to the same individual named the baroque literature on Mary experienced unforeseen Mary, the mother of Jesus Christ (in the New Testament) growth with over 500 pages of Mariological writings and are used variably by Roman Catholics, Eastern Or- during the 17th century alone.[4] During the Age of thodox, Oriental Orthodox, and some Anglicans. (Note: Enlightenment, the emphasis on scientific progress and Mary Magdalene, Mary of Clopas, and Mary Salome are rationalism put Catholic theology and Mariology often different individuals from Mary, mother of Jesus.) on the defensive in the later parts of the 18th century, Many of the titles given to Mary are dogmatic in nature. to the extent that books such as The Glories of Mary (by Other titles are poetic or allegorical and have lesser or no Alphonsus Liguori) were written in defense of Mariology. canonical status, but which form part of popular piety, with varying degrees of acceptance by the clergy. Yet more titles refer to depictions of Mary in the history of 2 Dogmatic titles art. -
Through the Eye of the Dragon: an Examination of the Artistic Patronage of Pope Gregory XIII (1572-1585)
Through the eye of the Dragon: An Examination of the Artistic Patronage of Pope Gregory XIII (1572-1585). Vol.1 Title of Degree: PhD Date of Submission: August 2019 Name: Jacqueline Christine Carey I declare that this thesis has not been submitted as an exercise for a degree at this or any other University and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. For Sadie and Lilly Summary This subject of this thesis is the artistic patronage of Pope Gregory XIII (1572-1585). It examines the contribution of the individual patron to his patronage with a view to providing a more intense reading of his artistic programmes. This approach is derived from the individual interests, influences, and ambitions of Gregory XIII. It contrasts with periodization approaches that employ ‘Counter Reformation’ ideas to interpret his patronage. This thesis uses archival materials, contemporaneous primary sources, modern specialist literature, and multi-disciplinary sources in combination with a visual and iconographic analysis of Gregory XIII’s artistic programmes to develop and understanding of its subject. Chapter one examines the efficacy and impact of employing a ‘Counter-Reformation’ approach to interpret Gregory XIII’s artistic patronage. It finds this approach to be too general, ill defined, and reductionist to provide an intense reading of his artistic programmes. Chapter two explores the antecedent influences that determined Gregory XIII’s approach to his papal patronage and an overview of this patronage. -
Lives of the Most Eminent Painters Sculptors and Architects
Lives of the Most Eminent Painters Sculptors and Architects Giorgio Vasari Lives of the Most Eminent Painters Sculptors and Architects Table of Contents Lives of the Most Eminent Painters Sculptors and Architects.......................................................................1 Giorgio Vasari..........................................................................................................................................2 LIFE OF FILIPPO LIPPI, CALLED FILIPPINO...................................................................................9 BERNARDINO PINTURICCHIO........................................................................................................13 LIFE OF BERNARDINO PINTURICCHIO.........................................................................................14 FRANCESCO FRANCIA.....................................................................................................................17 LIFE OF FRANCESCO FRANCIA......................................................................................................18 PIETRO PERUGINO............................................................................................................................22 LIFE OF PIETRO PERUGINO.............................................................................................................23 VITTORE SCARPACCIA (CARPACCIO), AND OTHER VENETIAN AND LOMBARD PAINTERS...........................................................................................................................................31 -
St. Margaret's Parish
St. Margaret’s Parish 203 Roxboro Road Phone: 315-455-5534 Mattydale, New York 13211 Fax: 315-454-4102 www.stmargchurchmattydale.org Email: [email protected] May 22, 2016 PASTORAL STAFF SACRAMENT OF RECONCILIATION Clergy Rev. Robert P. Hyde, Jr. Pastor…………...…….….455-5534 Saturday, 3:30 - 4:15 PM Church or by appointment Rev. Fredrick Mwangi, Parochial Vicar…………....…...455-5534 Deacon Donald R. Whiting……..…...….…………...…..… . ….. 455-5534 Deacon David G. Losito………………………………….….... 455-5534 SACRAMENT OF BAPTISM Rectory…………….……………………………..……....……....455-5534 Pre-baptism session for parents are held on the last Thursday of the month at 7:15 PM in the church. Baptisms are held on Sundays at Parish Secretary Carleen Smith……..…………..…………... 455-5534 1:00 PM in the Church. Prior to attending class, arrangements must Office Hours: Monday - Friday 8:30 AM to 4:00 PM be made with the rectory at 455-5534. Closed Saturday & Sunday Business Administrator Christina Marcuccio……………….455-6082 SACRAMENT OF MARRIAGE School Principal Amanda Hopkins …....…….…....…......... .455-5791 Couples planning to be married should contact the rectory at least six School Office Hours: Monday-Friday 8:00 AM to 4:00 PM months before the ceremony at 455-5534. School Fax…………………..……………………...…………....455-1250 SchoolWebSite:……….…….……….......www.stmargaretschoolny.org THE ANNULMENT PROCESS To our brothers and sisters who are divorced, you are still part of our Faith Formation Theresa Vaga…….….....……….……...…..455-2203 parish family. However, in order to re-marry in the church, an annul- Faith Formation Office Hours: Monday-Friday 9:00 AM - 4:00 PM ment is necessary. An annulment is intended to bring a just and heal- Email………………………………………….……..…[email protected] ing conclusion to a marriage that has ended in divorce. -
Turning Points General Church
TURNING POINTS OF GENERAL CHURCH HISTORY. BY THE REV. EDWARD L. CUTTS, B.A., HoN. D.D. UNIVERSITY OF THE SoUTH, U.S.A., Author of " Turning Point; of Eng/i;I, Church History"; " Constantine"; "C,:a• /emav1e "; "St. Jerome and St. Augusti11e,,, in the Fathers for English Readers; '' S,me Chief 'Truths of Refig;on "; "Pastora/ Counsels"; fsc, SEVENTH THOUSAND. l'UBL!SHED UNDER THE DIRECTION OF THE TRACT COMMITTEI!, LONDON: SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE, 1-0RTHUMBERLASTJ AVENUE, CHARl~G CROSS, W,C.; 4J, Q.YEEN VICTORIA STREET, E.C.; 2.6, ST, GEORGE1S "PT.ACE,- HYDE PARK. CORNER, S.W, BRIGHTON : q;, NORTH STREET. ~EW You:: E. & J. B. YOUNG & co. PREFACE. -+-- Tms is an attempt to .give, within the limits of a small book, some adequate idea of the history of the Church oJ Christ to the thousands of intelligent Church-people who have little previous acquaintance with the subject. The special features of the plan are these :-Pains have been taken to show what the Church is-viz., the Body of Christ informed by the Holy Spirit; the salient points of the history have been selected with a special view to our present ecclesiastical condition; instead of referring the reader to other books_, to which he may not have ready access, foc that sketch of secular history wAich is indispensable to an intelligent grasp of Church history, suc,1 a s ... etch is included. CONTENTS. CHAPTER I. THI. WORLD l'RXPARED FOR THE CHURCH. PAGI The three great races-Greek, Jewish, Roman; Greek philosophy Epicureanism, Stoicism, Platonism, Eclecticism ; Greek philosophy widely spread by the conquests of Alexander ; The diffusion of the Jews-they bear witness to the unity of God and the promise ui ,a 'saviour; The Roman empire throws down the barriers which divided the nations, and prepares the world for the planting of the Church .................................................................. -
RAYMOND V. SCHODER, S.J. (1916-1987) Classical Studies Department
y RAYMOND V. SCHODER, S.J. (1916-1987) Classical Studies Department SLIDE COLLECTION OF FIFTH CENTURY SCULPTURES 113 slides Prepared by Laszlo Sulyok Ace. No. 89-15 Computer Name:SCULPTSC.SCH 1 Metal Box Loca lion: 17B The following slides of Fifth Century Sculptures arc from the collection of Fr. Raymond V. Schoder, S.J. They are arranged numerically in the order in which they were received at the archives. The list below provides a brief description of the categorical breakdown of the slides and is copied verbatim from Schoder's own notes on the material.· The collection also contains some replicas of the original artifacts. I. SCULPT: Owl, V c (A crop.) # 2. SCULPT: 'Leonidas' (Sparta) c.400 3. SCULPT: Vc: Boy ded. by Lysikleidcs at Rhamnous, c. 420:30" (A) 4. SCULPT: Vc. Girl, Rhamnous (A) 5. SCULPT: V c. hd, c.475 (Cyrene) 6. SCULPT: Peplophoros * B arberini, c. 475 (T) 7. SCUPLT: Horse, fr. Thasos Hcracles T. pediment, c. 465 (Thas) 8. SCULPT: Base for loutrophoros, Attic, c. 410: Hermes (1), Dead w. apples (Elysian?) (A) 9. SCULPT: Aphrod. on Turtle, aft. or.c. 410 1459 (E. Berlin) 10. SCULPT: fem. fig. fr. frieze Arcs T? (Ag) II. SCULPT: V c. style hd: Diomedes (B) 12. SCULPT: v C. Hercules (Mykonos) 13. SCULPT: V c. style goddcs hd. colossal: Roman copy (Istb) 14. SCULPT: Vc Goddes; Farn. 6269; Rom. (N) 15. SCULPT: Gk. Here. pre-Lysippus (Csv) 16. SCULPT: Choiseui-Gouffier Apollo·· aft early V c (BM) 17. SCULPT: Choiseui/Gouffier Apollo, c. 460 (BM) 18. -
The Theater of Piety: Sacred Operas for the Barberini Family In
The Theater of Piety: Sacred Operas for the Barberini Family (Rome, 1632-1643) Virginia Christy Lamothe A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2009 Approved by: Tim Carter, chair Annegret Fauser Anne MacNeil John Nádas Jocelyn Neal © 2009 Virginia Christy Lamothe ALL RIGHTS RESERVED ii Abstract Virginia Christy Lamothe: “The Theater of Piety: Sacred Operas for the Barberini Family (Rome, 1632-1643)” (Under the direction of Tim Carter) In a time of religious war, plague, and reformation, Pope Urban VIII and his cardinal- nephews Antonio and Francesco Barberini sought to establish the authority of the Catholic Church by inspiring audiences of Rome with visions of the heroic deeds of saints. One way in which they did this was by commissioning operas based on the lives of saints from the poet Giulio Rospigliosi (later Pope Clement IX), and papal musicians Stefano Landi and Virgilio Mazzocchi. Aside from the merit of providing an in-depth look at four of these little-known works, Sant’Alessio (1632, 1634), Santi Didimo e Teodora (1635), San Bonifatio (1638), and Sant’Eustachio (1643), this dissertation also discusses how these operas reveal changing ideas of faith, civic pride, death and salvation, education, and the role of women during the first half of the seventeenth century. The analysis of the music and the drama stems from studies of the surviving manuscript scores, libretti, payment records and letters about the first performances. -
SAINT FRANCIS of ASSISI Bihil ©Bstat
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com SaintFrancisofAssisi JohannesJørgensen,ThomasO'ConorSloane < 7 ! n ,k I SAINT FRANCIS OF ASSISI Bihil ©bstat REMIGIUS LAFORT, S.T.L. Censor ^Imprimatur JOHN CARDINAL FARLEY Archbishop of New York New York December 30, 191 1 Photo: G. Brofi ST. FRANCIS OF ASSISI From tie painting by Spagnoletto in lie Palazzo Reale, Genoa ^ . i i . \ \ ' J» * v.. I « • . - i ' \ . r : . SAINT FRANCIS OF ASSISI A BIOGRAPHY BY JOHANNES JORGENSEN TRANSLATED FROM THE DANISH WITH THE AUTHOR'S SANCTION BY T. O'CONOR SLOANE, Ph.D., LL.D. New Edition LONGMANS, GREEN, AND CO. FOURTH AVENUE & 30th STREET, NEW YORK LONDON, BOMBAY, AND CALCUTTA 1913 COPYRIGHT, igi2, BY LONGMANS, GREEN, AND CO. Att Rifkti Reserved 297627 Firet Edition, February, 191 2 Reprinted, with Revisions, January, 1913 THI'PIIMPTON'PRRSS [ WD-O] NORWOOD-MASS. U'S-A TO MY CHILDREN J AUTHOR'S PREFACE THE fruit of several years of study is here submitted to the circle of Northern readers. More than once it has seemed that this book would never be fin ished — modern Franciscan research has developed to so widespread and erratic a science, that those who once get into it are in danger of never getting out of it again. Even Paul Sabatier told me, in a conversation I had with him in Rome in 1003, that he found it difficult to preserve a compre hensive view-point.