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Italian Art at the Utah Museum of Fine Arts (UMFA) Spans Several Centuries, from the Late 1300S to the 1900S

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Italian Art at the Utah Museum of Fine Arts (UMFA) Spans Several Centuries, from the Late 1300S to the 1900S Ursula M. Brinkmann Pimentel ITALIAN ART AT THE UTAH MUSEUM OF FINE ARTS A GUIDE TO THE COLLECTION Contributors: Elizabeth A. Peterson Martha A. Seiner Madelyn D. Garrett 1 Copyright © Ursula M. Brinkmann Pimentel 2000 All Rights Reserved Published by the Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT 84112, USA. This publication is made possible, in part, by generous support from Friends of the Art Museum and the Salt Lake City Arts Council. Accredited by the 2 CONTENTS Page Foreword ………………………………………………………..………………………………………………..9 Acknowledgments………………………………………………………………..………………………………10 Catalogue………………………………………………………………………………………………………...11 Explanation of Cataloguing Practices ………………...…………………………………………………………12 Cat. 1 Unknown Italian, Madonna and Child with Angels……………………………………………………..14 2 Unknown Italian, possibly Tuscan, Parchment Leaf from the Proper of Saints, Feast of the Nativity of St. John the Baptist (24 June), Matins, Third Nocturn…………………..……..18 3 Unknown Italian, possibly Tuscan, Parchment Leaf from the Common of Saints, Common of Several Martyrs, Matins, Second-Third Nocturns………………………...………………..21 4 Fra Filippo di Tomaso Lippi, Madonna and Child………………………………………………………23 5 Unknown Italian, Saint Cecilia…………………………………………………………………………..27 6 School of Andrea Mantegna, Entombment with Three Birds……………………………………………31 7 Daniel Hopfer, Battle between Two Tritons, after Andrea Mantegna…………………………………...35 8 Polidoro di Bartolomeo, Crucifixion with Saints (Virgin Mary, Mary Magdalen, St. John the Apostle, St. Francis of Assisi, and St. Anthony of Padua)………………………………….38 9 Bartolomeo di Giovanni, The Death of Saint Jerome ………………………………………………...…42 10 Master of the David and Saint John Statuettes, Saint John the Baptist in the Desert…………………...47 11 Master of the Campana Tondo, Adoration of the Christ Child (The Holy Family with the Infant Saint John)……………………………………………………………50 12 Pierfrancesco di Jacopo di Sandro Foschi, also called Pierfrancesco di Jacopo di Domenico Foschi, Madonna and Child with the Infant Saint John and a Goldfinch…………………………...….53 13 Master of Apollo and Daphne, The Annunciation……………………………...……………………….56 14 Follower of Giorgio da Castelfranco, called Giorgione, Portrait of a Young Woman………………….60 3 15 Unknown Italian (Venetian), Page from Il Deche di Tito Livio / Vulgare hystoriate (History of Rome)……………………………………………………………………………64 16 Unknown Italian (Venetian), Page m iiii from Il Deche di Tito Livio / Vulgare hystoriate (History of Rome)………………………………………………..…………………67 17 Marcantonio Raimondi, Mars, Venus and Eros, after Andrea Mantegna?………………………..……69 18 Follower of Polidoro Caldara, called Polidoro da Caravaggio, Adoration of the Magi………………...72 19 Francesco d’Ubertino Verdi, called Il Bachiacca, Saint John in the Wilderness…………………….....75 20 Attributed to Girolamo Sellari, called da Carpi, Two Standing Draped Women from Antiquity………79 21 Pierfrancesco di Jacopo Foschi, Portrait of a Young Man Weaving a Wreath of Flowers……………..82 22 Attributed to Luca Cambiaso, called le Cangiagi, Saint Francis Contemplating a Skull and Crucifix………………………………………………………………..…………………………...86 23 Attributed to Paolo Caliari, called Il Veronese, Return from Egypt………………………………..…..89 24 Unknown Italian, Madonna of Loreto ……………………………………………………..……….…93 25 Style of Francesco Brina (or Brini), Holy Family with the Infant Saint John …………………..…….96 26 Alessandro Ghandini, Madonna and Child Surrounded by Saints, after Parmigianino? ……………...99 27 Francesco Allegrini, Figure Studies………………………………………………………...…………102 28 Alessandro Varotari, called Il Padovanino, Tobias and the Archangel Raphael, after Titian………...105 29 Attributed to Pietro Berrettini, called Pietro da Cortona, Aeneas and Achates Encountering Venus and Cupid…………………………………………….………………………………………...108 30 Andrea Vaccaro, Martha Rebuking Mary Magdalen……………………..…………………………..111 31 Stefano della Bella, Ut Cantet Tibi Gloria Mea from Essequie del Serenissimo Principe Francesco (di Cosimo II de’ Medici) celebrate...il 30 Agosto 1634………………..……….115 32 Simon Guillain II, Diverse figure al numero di ottanta, disegnate di penna nell’hore di recreatione da Annibale Carracci Giuseppe Maria Mitelli, Di Bologna. L’Arti per Via d’Anibal’ Caraci………………………………………………………………………………….118 33 Unknown Italian, Allegorical Scene………………………………………………………..…………127 34 Francesco Cavaliere Trevisani, called Romano, Penitent Magdalen…………………………………129 4 35 Francesco Solimena, called Abbate Ciccio, The Death of Saint Joseph………………………..…….133 36 Alessandro Magnasco, called Il Lissandrino, Italian Landscape with Monks………………….…….137 37 Attributed to Giovanni Antonio Pellegrini, Adoration of the Lamb…………………………….……140 38 Attributed to Giambattista Piazzetta, Boy with a Rooster…………………………….………………143 39 Studio of Gian Paolo Panini (or Pannini), Capriccio of Roman Ruins with Figures………………....147 40 Pompeo-Girolamo Batoni, Portrait of Philip Livingston………………………………..……………150 41 Raphael du Fresne, I. Trattato della Pittura di Lionardo da Vinci Nuovamente dato in Luce, colla Vita dell’Istesso Autore. II. Leon Batista Alberti. Della Pittura. Della Statua……………...153 42 Giovanni Brunetti, Bust of Raphael, after Gaetano Savorelli……………………………..…………..156 43 Giovanni-Battista (or Giambattista) Piranesi, A Perspective of Arches, with a Smoking Fire in the Centre, Plate 6 from Carceri d’Invenzione…………………………………………………….158 44 Giovanni-Battista (or Giambattista) Piranesi, Frontispiece from Antichità Romane de’ Tempi della Repubblica………………………………………………….…………………………………...162 45 Giovanni-Battista (or Giambattista) Piranesi, Dedication Page from Antichità Romane de’ Tempi della Repubblica……………………………………..………………………………………...165 46 Giovanni-Battista (or Giambattista) Piranesi, Inscription Page from Antichità Romane de’ Tempi della Repubblica…………………………………….………………………………………...167 47 Giovanni-Battista (or Giambattista) Piranesi, Frontispiece with Statue of Minerva, from Vedute di Roma…………………………………………….…………………………………………169 48 Giovanni-Battista (or Giambattista) Piranesi, The Colosseum, from Vedute di Roma…………….....171 49 Giovanni-Battista (or Giambattista) Piranesi, The Pantheon. Interior of the Portico, from Vedute di Roma………………………………………………………………………………….173 50 Giovanni-Battista (or Giambattista) Piranesi, Reliquiae Domus et Balnearum Sallustianarum, Plate 42 from Il Campo Marzio dell’antica Roma……………………………………………………175 51 Ubaldo Gandolfi, Joseph of Arimathea……………………………………..………………………...177 52 John Mannin, Sappho Embracing Love, after Giovanni-Battista Cipriani……………………..……..181 53 Accademia Ercolanese di Archeologia, Naples, Delle Antichita di Ercolano (9 volumes)………...…184 5 54 Carlo Amoretti and Dalla Societa’ Tipografica de’ classici Italiani, Trattato della Pittura di Lionardo da Vinci. Memorie storiche su la vita, gli studj, e le opere di Lionardo da Vinci……...188 55 Bartolomeo Pinelli, Combat of Bruto and Arunte, Plate 21 from Istoria Romana…………………...190 56 Braun, Hector’s Funeral, after Pal. Vesc. di Grottaferrata…………………………………….……..192 57 Benedetto Boschetti, Caesar Augustus, after Augustus of Primaporta……………………………....194 58 Alfredo Noack, Genoa, Panorama from the Angeli………………………………….………………196 59 Carlo Naya, Venice, St. Mark’s Square………………………………………………………….…...201 60 Attributed to Giorgio Sommer, Agrigento, Temple of Juno Giorgio Sommer, Catania, Benedictine Cloister……………………………………………………………….………..204 61 Giorgio Sommer, Amalfi, Grand Hotel Cappuccini……………………………………….…………207 62 Unknown Italian, Piazza della Rotonda………………………………………………………….…..209 63 Unknown Italian, View of St. Peter’s, Rome, from Piazza dell’Popolo……………………………....211 64 Unknown Italian, Statue of an Imperial Roman Woman…………………………………….………..213 65 E. Bonomi, Statue of Leonardo da Vinci, Piazza La Scala, Milan………………………….………...215 66 Attributed to Carlo Brogi, Rome, Milvio Bridge Michele Mang, Rome, Supplicio Bridge…………………...……………………………………….....217 67 Attributed to Carlo Brogi, Panorama of Ancona Carlo Brogi, Florence, Panorama from near Monte alle Croci…………...………………………….220 68 Carlo Brogi, Genoa, Panorama near S. Benigno Carlo Brogi, San Remo, Panorama near Cape Verde…….………………………………………..…222 69 Carlo Brogi, Lake Como, Panorama with a Second Bay Carlo Brogi, Lake Como, View of Cadenabbia from a Boat…………………..…………………..….224 70 Unknown Italian, Verona, Tomb of the Scaligeri Carlo Brogi, Como, Panorama of the City………………………………………………………..…..226 71 Carlo Brogi, Florence, Palazzo Vecchio, Architecture of Arnolfo di Cambio Carlo Brogi, Florence, Via Cavour (animated view)………………………………………….……...228 72 Carlo Brogi, Florence, Façade of the Cathedral Unknown Italian, Florence, Pitti Palace, designed and built by Brunelleschi in 1440……………....230 6 73 Crupi, Giovanni, View of Mt. Etna, Taormina, Sicily ………………………………………………...232 74 Crupi, Giovanni, View of Mt. Etna, Taormina, Sicily…………………………………………………..234 75 Crupi, Giovanni, Greek Theatre, Taormina, Sicily ……………………………………………………236 76 Crupi, Giovanni, Cape S. Alessio, Taormina, Sicily …………………………………………………..238 77 Crupi, Giovanni, Via Teatro Greco, Taormina, Sicily …………………………………………………240 78 Crupi, Giovanni, Street in Taormina, Sicily …………………………………………………………...242 79 Crupi, Giovanni, Panorama with Castle Mola, Taormina, Sicily ……………………………………244 80 Crupi, Giovanni, View of Mt. Etna, Taormina, Sicily …………………………………………………246 81 Unknown Italian, View of a Street with an Arch ………………………………………………..…….248 82 Unknown Italian, Procession of Horse-Drawn Carriages on Lungo Arno, Florence Unknown Italian, Venice, St. Mark’s Cathedral……………………………………………..………..250 83 Unknown Italian, Houses
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