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GLEN COVE ______Gazette Goo Goo Dolls Inside: Bet You Can’T Eat Senior Rock on Health Expo Just One Page 15 Pullout Page 3 VOL
HERALD________________ GLEN COVE _______________ Gazette Goo Goo Dolls Inside: Bet you can’t eat Senior rock on Health Expo just one Page 15 Pullout Page 3 VOL. 28 NO. 31 AUGUST 1-7, 2019 $1.00 ‘We can’t lose this lot’ City files appeal on behalf of Glen Cove Senior Center By RONNY REYES center, a series of legal back-and- [email protected] forths between the city and the front lot’s owner, Car Care Co. With a membership of about Inc., could remove more than a 2,000 seniors from all over the dozen parking spaces now set North Shore, the Glen Cove aside for them. In December, Senior Center plays an impor- State Supreme Court Judge Juli- tant role in the lives of the area’s anne Capetola barred Car Care elderly residents. It from evicting the offers a lunch pro- city from the park- gram, a library, a ing lot, which thrift shop and doz- f we lose this allowed the city to ens of events and continue leasing courses aimed at Iparking lot, we the lot on a month- seniors. lose participation. ly basis. The City Barbara Stanco, Council even dis- Tab Hauser/Herald Gazette 79, a volunteer, And if we lose cussed plans to knows how busy participation, we purchase the lot at Making the most of a summer night the center can be, the beginning of because she helps lose funding. the year. But Car Kathy and Glen Paganetti shared some popcorn while enjoying a night of music and dancing dur- screen movies for C a r e f i l e d a n ing the annual Downtown Sounds summer concert series. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 113 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 113 CONGRESS, FIRST SESSION Vol. 159 WASHINGTON, THURSDAY, MARCH 14, 2013 No. 37 House of Representatives The House met at 10 a.m. and was killed dozens of Americans, and upend- States who wish to carry out adapta- called to order by the Speaker pro tem- ed the lives of millions more. But tion projects in order to prepare for the pore (Mr. MCCLINTOCK). Sandy was only one of 11 separate bil- impacts of climate change. Another f lion-dollar extreme weather events last bill is the Water Infrastructure Resil- year. iency and Sustainability Act, sup- DESIGNATION OF SPEAKER PRO And not only are things getting porting States wishing to update their TEMPORE worse each time, but these events are aging storm, waste, and drinking water The SPEAKER pro tempore laid be- occurring more frequently now than systems in order to adapt for climate fore the House the following commu- they were even a decade ago. And of change. These bills would help our nication from the Speaker: course, the cost of all these catas- local communities to plan and prepare for the impacts of climate change and WASHINGTON, DC, trophes—cost which is borne by the March 14, 2013. taxpayer—is also escalating. increased extreme weather. Our com- I hereby appoint the Honorable TOM One of the first actions of this Con- munities deserve protections from MCCLINTOCK to act as Speaker pro tempore gress was to enact over $60 billion in these potentially devastating events on this day. -
Press Calendar of Events: Summer 2020
Press Calendar of Events: Summer 2020 Tickets for Wolf Trap’s 2020 Summer Season Go on Sale to the Public on February 22, 2020 Locations All performances held at the Filene Center (unless otherwise noted) 1551 Trap Road, Vienna, VA 22182 Select performances held at The Barns at Wolf Trap (noted on listing) 1635 Trap Road, Vienna, VA 22182 Media Information Please do not publish contact information. Erick Hoffman, Director, Communications 703.255.1917 or [email protected] May 2020 The Head and the Heart* Living Mirage Tour Margo Price Thursday, May 28 at 8 p.m. Tickets $32-$57 Claiming top spots on multiple Billboard charts with songs like “Lost in My Mind,” “Missed Connection,” and “All We Ever Knew,” indie-folk collective The Head and the Heart makes its Wolf Trap debut following the recent release of Living Mirage (2019). They are joined by Margo Price, “one of the most compelling country talents to come out of Nashville in recent memory” (Vulture), who kicks off the show. MAZE featuring Frankie Beverly Last appeared in 2017 Keith Sweat* Friday, May 29 at 8 p.m. Tickets $42-$107 For over 35 years, Maze and Frankie Beverly have created distinctive, passionate, and powerful songs to become one of the most influential groups in modern history. Joined by “Twisted” and “Nobody” singer and new jack swing star Keith Sweat, experience an evening of iconic R&B and soul. Wolf Trap 2020 Summer Season *Wolf Trap (Filene Center) Debut All artists, repertoire, performance dates and pricing are current as of 2/11/2020, but are subject to change. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
Journal in Entirety
EDITOR Robert Danielson EDITORIAL BOARD Kenneth J. Collins Professor of Historical Teology and Wesley Studies J. Steven O’Malley Professor of Methodist Holiness History EDITORIAL ADVISORY PANEL William Abraham, Perkins School of Teology David Bundy, New York Teological Seminary Ted Campbell, Perkins School of Teology Hyungkeun Choi, Seoul Teological University Richard Heitzenrater, Duke University Divinity School Scott Kisker, Wesley Teological Seminary Sarah Lancaster, Methodist Teological School of Ohio Gareth Lloyd, University of Manchester Randy Maddox, Duke University Divinity School Nantachai Medjuhon, Muang Tai Church, Bangkok, Tailand Stanley Nwoji, Pastor, Lagos, Nigeria Paul Numrich, Teological Consortium of Greater Columbus Dana Robert, Boston University Howard Snyder, Manchester Wesley Research Centre L. Wesley de Souza, Candler School of Teology Leonard Sweet, Drew University School of Teology Amos Yong, Regent University Hwa Yung, United Methodist Church, Kuala Lampur, Malaysia All inquiries regarding subscriptions, back issues, permissions to reprint, manuscripts for submission, and books for review should be addressed to: Te Asbury Journal Asbury Teological Seminary 204 N. Lexington Avenue, Wilmore, KY 40390 FAX: 859-858-2375 http://place.asburyseminary.edu/asburyjournal/ © Copyright 2017 by Asbury Teological Seminary ISSN 1090-5642 Te Asbury Journal VOLUME 72:1 Spring 2017 TABLE OF CONTENTS 6 From the Editor, Robert Danielson 8 Improvising with the Quadrilateral: An Augustinian Approach to Recovering the Use of the Wesleyan Quadrilateral in the Teology of Preaching Nathan Crawford 20 Waltzing with Wesley: Wesleyan Teology as a Renewing Framework for Chinese Christian Spirituality and Global Identity Samuel K. Law 44 Te Teme of Creation in Old Testament Teology from the Twentieth Century Onwards: Assessing the State of Play David J. -
Rubber Souls: Rock and Roll and the Racial Imagination
Rubber Souls: Rock and Roll and the Racial Imagination The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hamilton, John C. 2013. Rubber Souls: Rock and Roll and the Racial Imagination. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125122 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Rubber Souls: Rock and Roll and the Racial Imagination A dissertation presented by Jack Hamilton to The Committee on Higher Degrees in American Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of American Studies Harvard University Cambridge, Massachusetts April 2013 © 2013 Jack Hamilton All rights reserved. Professor Werner Sollors Jack Hamilton Professor Carol J. Oja Rubber Souls: Rock and Roll and the Racial Imagination Abstract This dissertation explores the interplay of popular music and racial thought in the 1960s, and asks how, when, and why rock and roll music “became white.” By Jimi Hendrix’s death in 1970 the idea of a black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: employing an interdisciplinary combination of archival research, musical analysis, and critical race theory, this project explains how this happened, and in doing so tells two stories simultaneously. -
Global Glimpses Maatiàl Ram AWS Blood Drive Sets 125Ö Pint Goal J
i l i l B asasssSSS S î S&jS ùy§É| m m o m m , :*y. , -....iv.'-- - --i- f sWW W ^M ^ I 'WÊ' ' 1 &|ÌÉ| f||Ì m m ® Sonia« MSU fer 52 -jtin EsUblkbed 1909 Vol. 53, No. 142 Friday Morning, February 9, 1962 8 Page» reû"3%«?&JSfca6Mit. 1 0 C ento m aatiàL Global r a m Glimpses ”• 1 1 ■ By the Associated Press Argentina Breaks with Cuba BUENOS AIRES--Argentina Thursday broke diplomatic re lations with Communist Cuba. The break came in the wake of I military crisis that lrose over Argentina’s refusal to vote for School Aid tee Fidel Castro regime V ouster from tee inter-American AWS Blood Drive family. ■: ':5v -. :,-v" . ^ Argentine Foreign Minister Miguel Angel Carcano announced teat “relations with the government of Cuba have been broken B i l l A l s o a s o f tod ay.” •_ _ Sets 125Ö Pint Goal Carcano also told reporters that he had summoned Cuban diplomatic officials to tell them they have 48 hours to leave the By JESS MAXWELL Last term’s drive collected B u r i e d country." v. Of the State News Sfeff 966 pints, far short of its goal. " An MSU students are regard* WASHINGTON - Presi A goad of 1,250 pints has been ed as residents bf the county dent Kennedy’s College Aid_ Gen. Hankins Heads Viet Nam Aid set for the winter term blood ted are entitled to blood ii th ey Bill was caught to a snag WASHINGTON—Underscoring its determination to win, the drive, sponsored by the Asso have previously donated, tee Thursday when a Republican United States established Thursday a major new military ciated Women Students organi said. -
Slug and Lettuce: a Zine Supporting the Do-It- Yourself Ethics of the Punk Community Christine Larson
Rhode Island College Digital Commons @ RIC AS220 Digital Archive 6-1-2003 Slug and Lettuce: A Zine Supporting the Do-It- Yourself Ethics of the Punk Community Christine Larson Follow this and additional works at: https://digitalcommons.ric.edu/as220_root Part of the Arts and Humanities Commons Recommended Citation Larson, Christine, "Slug and Lettuce: A Zine Supporting the Do-It-Yourself Ethics of the Punk Community" (2003). AS220 Digital Archive. 1625. https://digitalcommons.ric.edu/as220_root/1625 This is brought to you for free and open access by Digital Commons @ RIC. It has been accepted for inclusion in AS220 Digital Archive by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. , ' ' ' . ' SIC , 'ZINE & BOOK REVIEWS • CLASSIFIEDS • COLUMNS • PHOTOCiRAPHY • PUNK ART out ot the crty Being an eco punk and all, tuned into nature and the seasons, and to thinking back on old SOME 'IHOUQITS FROM THE EDITOR them, or intrmidated because we are atraid they won't know who we sens~ive to thrngs around me, I got to talkrng wrth my mom about the kind of people revie ws I did, an d tee ling This all go, no sleep routine rs starting to take rt's toll. You can only push for so long before are, or care, or because we enjoythe~rwriting or music, but face it, the yourse~ we are. She's super into birds and dreams at flying I'm territied ot heights and cringe like they just were not you start to crash But that rsn't stopping me yet This issue has been put together in a frenzy of beauty at punk rock is that we are all supposed to be standing on the at the thought at being oul in the open high spaces. -
Parody As a Borrowing Practice in American Music, 1965–2015
Parody as a Borrowing Practice in American Music, 1965–2015 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by John P. Thomerson BM, State University of New York at Fredonia, 2008 MM, University of Louisville, 2010 Committee Chair: bruce d. mcclung, PhD ABSTRACT Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type of humor, as an expression of ethnic identity, and as a response to intellectual trends during the final portion of the twentieth century. This interdisciplinary study blends musicology with humor studies, ethnic studies, and intellectual history, touching on issues ranging from reception history to musical meaning and cultural memory. As a structural borrowing technique, parody often creates incongruity—whether lyrical, stylistic, thematic, evocative, aesthetic, or functional—within a recognized musical style. Parodists combine these musical incongruities with other comic techniques and social conventions to create humor. Parodists also rely on pre-existing music to create, reinforce, and police ethnic boundaries, which function within a racialized discourse through which parodists often negotiate ethnic identities along a white-black binary. Despite parody’s ubiquity in vernacular music and notwithstanding the genre’s resonance with several key themes from the age of fracture, cultivated musicians have generally parody. The genre’s structural borrowing technique limited the identities musicians could perform through parodic borrowings. This study suggests several areas of musicological inquiry that could be enriched through engagement with parody, a genre that offers a vast and largely unexplored repertoire indicating how musical, racial, and cultural ideas can circulate in popular discourse. -
Economic Perspectives
The Journal of The Journal of Economic Perspectives Economic Perspectives The Journal of Summer 2017, Volume 31, Number 3 Economic Perspectives Symposia The Global Monetary System Maurice Obstfeld and Alan M. Taylor, “International Monetary Relations: Taking Finance Seriously” Ricardo J. Caballero, Emmanuel Farhi, and Pierre-Olivier Gourinchas, “The Safe Assets Shortage Conundrum” Kenneth Rogoff, “Dealing with Monetary Paralysis at the Zero Bound” The Modern Corporation Kathleen M. Kahle and René M. Stulz, “Is the US Public Corporation in Trouble?” A journal of the Lucian A. Bebchuk, Alma Cohen, and Scott Hirst, “The Agency Problems American Economic Association of Institutional Investors” Luigi Zingales, “Towards a Political Theory of the Firm” Summer 2017 Volume 31, Number 3 Summer 2017 Volume Anat R. Admati, “A Skeptical View of Financialized Corporate Governance” Articles Diego Restuccia and Richard Rogerson, “The Causes and Costs of Misallocation” Douglas W. Elmendorf and Louise M. Sheiner, “Federal Budget Policy with an Aging Population and Persistently Low Interest Rates” Joel Waldfogel, “How Digitization Has Created a Golden Age of Music, Movies, Books, and Television” Features Samuel Bowles, Alan Kirman, and Rajiv Sethi, “Retrospectives: Friedrich Hayek and the Market Algorithm” Population Control Policies and Fertility Convergence Tiloka de Silva and Silvana Tenreyro Recommendations for Further Reading Summer 2017 The American Economic Association The Journal of Correspondence relating to advertising, busi- Founded in 1885 ness matters, permission to quote, or change Economic Perspectives of address should be sent to the AEA business EXECUTIVE COMMITTEE office: [email protected]. Street ad- Elected Officers and Members A journal of the American Economic Association dress: American Economic Association, 2014 Broadway, Suite 305, Nashville, TN 37203. -
2019 Frankfurt Rights Guide Fiction & Non-Fiction Simon & Schuster Uk Contacts
SIMON & SCHUSTER UK 2019 FRANKFURT RIGHTS GUIDE FICTION & NON-FICTION SIMON & SCHUSTER UK CONTACTS CONTACTS FOR ALL FICTION AND NON-FICTION TITLES Stephanie Purcell Group Rights and Co-editions Director FRANKFURT BOOK FAIR 2019 [email protected] TABLE OF Maud Sepult Deputy Rights Director [email protected] CONTENTS Nino Tarkhan-Mouravi Rights Manager Contacts [email protected] 2 Amy Threadgold Rights Executive Fiction, [email protected] 3 World Rights Simon & Schuster UK Ltd 1st Floor, 222 Gray’s Inn Road, London WC1X 8HB UK Tel: 00 44 207 316 1900 UK Fax: 00 44 207 316 0332 Fiction, Find us on Twitter: @SSRights_UK 16 World English Non-fiction, 19 World Rights Non-fiction, 40 World English 2 2 Contacts FICTION Sleeper Fiction, Page 4 3 World Rights Fiction, 16 World English Non-fiction, 19 World Rights Non-fiction, 40 World English FICTION WORLD RIGHTS Sleeper JED MERCURIO is an award winning screenwriter, producer, By Jed Mercurio & Prasanna Puwanarajah director and novelist. He is the creative force behind the television Illustrated by Coke Navarro series Line of Duty, The Bodyguard, Bodies and Cardiac Arrest. He has written three novels for adults and one for children. This is his first A stunning graphic novel from the creator of Line of Duty graphic novel. DS-5, a biologically enhanced law enforcement marshal, has embarked upon his final mission. His best years behind him, he must PRASANNA PUWANARAJAL studied medicine at New College, return to the ISS Houston where he will be decommissioned. As his Oxford, working extensively in the NHS and for Médicins du Monde body is lowered into the tank which will see him permanently retired, a before moving into writing and directing. -
9-25-20 Tribune-Sentinel.Indd
1144 TTribune/Sentinelribune/Sentinel EEntertainmentntertainment FFriday,riday, SSeptembereptember 25,25, 20202020 ART IN ACTION Riviera, local offi cials advocate for safe reopening of live music venues The Riviera Theatre held a to believe that when phase four of smile and laugh for a few hours. press conference last Thursday reopening arrives and the curve For the people who work in the afternoon with New York State has been fl attened, there will be a live entertainment industry, it Sen. Robert Ortt and other local plan in place. Needless to say … is also a matter of survival. We elected offi cials to urge Gov. An- we’re still in the dark. musicians and technicians in the drew Cuomo to reopen live music “I’ve reached out to Gov. Cuo- Chicago Authority band are very venues. mo and his team twice in hope of fortunate, because we don’t have Ortt said, “The Riviera Theater receiving funding for the arts or to rely solely on income from has worked extensively with the some insight for reopening proce- performing. We all live and work Niagara County Health Depart- dures. As I stand here in front of right here in Western New York. ment and has developed a plan to you, there still is no response. But for hundreds of thousands of ensure a safe way to reopen the “Today we are here to an- musicians, technicians, and oth- theater for shows and concerts. nounce that the Riviera Theatre ers in the live event industry in The governor has no problem has developed a safety plan and New York state – including thou- reopening NBC studios in New are joined in support from the Ni- sands in Western New York – that York City – a COVID hotspot, yet, agara County Health Department is not the case.