The State of the Creator Economy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Harvard Spring 2017
Crowdfunding: Kickstarting Your Enterprise or Non-profit Through Online Fundraising HKS Communications Program Tuesday, October 17, 2017 What is crowdfunding? "The practice of funding a project or venture by raising many small amounts of money from a large number of people, typically via the Internet" (Forbes). Online crowdfunding has existed since 1997, but the term "crowdfunding" wasn't coined until 2006 and didn't become popular until Kickstarter was founded in 2009. What kinds of projects can be crowdfunded? Any kind! From launching a new mobile app to a new restaurant, publishing a book to a website, expanding a non-profit to paying a child's hospital bills, crowdfunding can (and has!) been used to fund all these projects and more. Can anyone crowdfund? Yes, but not everyone is successful: 64% of all Kickstarters fail. Of those that succeed, most were seeking less than $10,000 in funding. It helps to have either a reputation—you've been working in this industry for a while and have a proven track record for bringing projects to completion—or a prototype—a demonstration of the final product, whether it's a chapter of a book, a trailer for a movie, or a smaller event that could be made bigger. What crowdfunding platform should I use? There are over 500 crowdfunding platforms, with the biggest ones being Kickstarter, Indiegogo, GoFundMe, and Patreon. Which one you choose is largely determined by what kind of project you're running and how much money you need: • Kickstarter requires all its projects fall into one of these categories: Art, Comics, Crafts, Dance, Design, Fashion, Film & Video, Food, Games, Journalism, Music, Photography, Publishing, Technology, and Theater. -
Investing in Artists Bay Area Ally Fund Matching Grant Program Donor Interview Questions
INVESTING IN ARTISTS BAY AREA ALLY FUND MATCHING GRANT PROGRAM DONOR INTERVIEW QUESTIONS Introduction Hello. Thank you for taking the time for this call. Before I get started, I’d like to share a brief explanation for this call and the Center for Cultural Innovation’s research. I am _____ (name and title at CCI). CCI supports individual artists, and we are always interested in learning about why and how donors support artists. We recognize that there are generational and technological shifts, namely new online giving platforms, that may be affecting how artists raise money, and to this end, we are talking with donors of artists that are non‐family members to learn about how new environmental factors may (or may not) be influencing your giving. I have 13 questions, and I have planned for this call to take no more than 30 minutes. [Facilitator Note: Do not exceed time allotted. If the interviewee seems to want to go longer, that’s fine. BUT, if you haven’t gotten to the end and time is up, please conclude to stay on time.] Also, please know that CCI will not share your name, your giving amount(s), or to whom you donated in any way with the artist, our funders, or anyone else. Your participation is anonymous and any responses we use will be aggregated without attribution to you. In other words, outside of the artist who referred you, your participation is confidential. Do you have any questions before I start? General Questions 1. In general, how many times a year do you make a charitable donation? (Prompt: None, 1‐2, half a dozen, over a dozen) 2. -
Crowdfunding Platforms: Ecosystem and Evolution Full Text Available At
Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Full text available at: http://dx.doi.org/10.1561/1700000061 Other titles in Foundations and Trends® in Marketing Entertainment Marketing Natasha Zhang Foutz ISBN: 978-1-68083-332-4 The Cultural Meaning of Brands Carlos J. Torelli, Maria A. Rodas and Jennifer L. Stoner ISBN: 978-1-68083-286-0 Ethnography for Marketing and Consumer Research Alladi Venkatesh, David Crockett, Samantha Cross and Steven Chen ISBN: 978-1-68083-234-1 The Information-Economics Perspective on Brand Equity Tulin Erdem and Joffre Swait ISBN: 978-1-68083-168-9 Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Yee Heng Tan Tokyo International University Japan [email protected] Srinivas K. Reddy Singapore Management University Singapore [email protected] Boston — Delft Full text available at: http://dx.doi.org/10.1561/1700000061 Foundations and Trends® in Marketing Published, sold and distributed by: now Publishers Inc. PO Box 1024 Hanover, MA 02339 United States Tel. +1-781-985-4510 www.nowpublishers.com [email protected] Outside North America: now Publishers Inc. PO Box 179 2600 AD Delft The Netherlands Tel. +31-6-51115274 The preferred citation for this publication is Y. H. Tan and S. K. Reddy. Crowdfunding Platforms: Ecosystem and Evolution. Foundations and Trends® in Marketing, vol. 14, no. 2, pp. 53–172, 2020. ISBN: 978-1-68083-699-8 © 2020 Y. H. Tan and S. K. Reddy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording or otherwise, without prior written permission of the publishers. -
How to Market Music to Gen-Z: Current Tips & Future Trends PAGE 2 2020 WHAT a YEAR, HUH?
How To Market Music To Gen-Z: Current Tips & Future Trends PAGE 2 2020 WHAT A YEAR, HUH? HERE AT FANBYTES WE'VE BEEN KEEPING AN EYE ON THINGS AND A LOT HAS CHANGED... 2020, the year of coronavirus, the shutting of venues and the cancelling of festivals. It's been an unprecedented time for all of us but particularly trying for us working in music. As we come out of the other side of summer we wanted to share with you some of the biggest trends across social media from over the summer, some of our most recent standout campaigns, a few tips and tricks on how to market to Gen-Z and finally our two cents on some of the coming future trends that you can tap into. PAGE 3 TIPS & TRICKS FOR MARKETING MUSIC TO GEN-Z PAGE 4 TIPS & TRICKS FOR MARKETING MUSIC TO GEN-Z UNDERSTAND YOUR AUDIENCE Gen Z refers to people born between 1995 and 2009. They’re called ‘digital natives’, having grown up with the internet around them. Gen Z’s environment shapes their preferences: 66% of them use more than one internet device at a time, 75% strongly prefer their smartphone to other devices and the average Gen Z’er spends 10 and a half hours online daily. They spend 23 hours a week online watching video content, and prefer short- form content on TikTok or YouTube. Feeling the pressure to be perfect on Instagram, Gen Z are looking for other ways to connect online, leading to younger audiences on networks like TikTok and Snapchat. -
Here Too the Gods Are Present Ethos Building on Patreon.Com
Örebro University School of Humanities, Education and Social Sciences Here too the gods are present Ethos building on patreon.com Independent project Rhetoric Spring semester 2017 Supervisor: Anders Eriksson Author: Marcus Schmidt Abstract This essay studies the rhetorical situation of the crowdfunding site Patreon.com, with a particular focus on the construction of ethos. Taking off from the conception of ethos as a discursive dwelling place, the study analyzes five Patreon pages and the self-promotional practices associated with each page. It concludes that there are different ways of negotiating the implicit and explicit expectations that go along with setting up and maintaining a presence on a crowdfunding site – not least with regards to the relationship between ethos and ethics. Keywords Rhetoric, crowdfunding, Patreon, ethos, online spaces Contents 1. Introduction .............................................................................................................................................. 1 2. Research questions ................................................................................................................................... 2 3. Background ............................................................................................................................................... 2 4. Research overview .................................................................................................................................... 3 5. Theory ...................................................................................................................................................... -
COVID-19 Content Resource Guide for Artists
COVID-19 Content Resource Guide for Artists Ever resourceful and creative, artists are experimenting with new ways of generating income during the COVID-19 pandemic, which is having a great impact on the arts industry. We expect more resources, innovations, and strategies will emerge as the situation evolves. At present, the most common and accessible strategies we see artists using to connect with audiences and generate income are (1) producing virtual concerts and lessons that audiences can tip or buy a “virtual ticket” to experience; (2) establishing subscription-based services on such platforms as Patreon; and (3) establishing online stores through their own website or online marketplaces such sources as Etsy. This resource guide contains tips and tricks for DIY video recording and some of the options available to artists interested in using these strategies during the COVID-19 pandemic. 1 TABLE OF CONTENTS Video Recording 101 ........................................................... 3 Smart Phone Video Recording 101: Tips and Tricks ........................... 4 Content Strategies ............................................................. 8 The Subscription Model ..................................................... 9 Facebook / YouTube / Instagram Livestreams ............................... 10 Livestreaming 101 .............................................................. 11 Streaming Applications .................................................... 12 Payment ................................................................... 13 A Note on Collaboration and Community ................................. 14 2 VIDEO RECORDING 101 Recording video is an art form of its own, and one that can take years of training and practice to perfect, but this handy guide will give you some easy ways to make sure your home-recorded video is high-enough quality to share with your fans! SMART PHONE VIDEO RECORDING 101: TIPS AND TRICKS Your guide to recording video on your smart phone GETTING STARTED Phones can shoot all types of file sizes and frame rates. -
Social Media: Reaching Your Residents, Staying in Bounds
AUGUST 13, 2021 FLORIDA LEAGUE OF CITIES SOCIAL MEDIA REACHING RESIDENTS & STAYING IN BOUNDS RANDY D. MORA, ESQ., B.C.S. 1001 South Fort Harrison Ave., Ste. 201 Clearwater, Florida 33756 PUBLIC RECORDS LAW • 2003: debuts TECHNOLOGICAL TIMELINE • 2004: debuts to college students • 2005: is founded; launches • 2006: (originally Twttr) debuts; acquires ; profitable • 2007: debuts in marketplace • 2009: debuts Recent Newcomers Fallen from relevance or existence • 2010: debuts Caffeine LiveJournal (1999 - ???) • 2011: debuts; debuts; debuts Clubhouse StumbleUpon (2001 – 2018) Houseparty Friendster (2002 -2015) • 2012: acquires Instagram Reels MySpace (2003 - ???) Parler Digg (2004 – 2012) • 2014: acquires Twitter Spaces Google+ (2011- 2019) Triller • 2015: launches to public Vine (2012 – 2016) Musical.ly (2014 – 2017) Meerkat (2015 – 2016) 2016: launches YikYak (2013-2017) ISSUES CREATED BY SOCIAL MEDIA GENERALLY PUBLIC RECORDS • IS IT A PUBLIC RECORD? WHO IS THE CUSTODIAN? HOW LONG DO YOU KEEP IT? SUNSHINE LAW • ARE YOU HAVING A MEETING? CIVIL LAW EXPOSURE • ACCESS TO GOVERNMENT, FREEDOM OF SPEECH, CONSTITUTIONAL CONCERNS, DEFAMATION Tradition ◆ Values ◆ Service ISSUES CREATED BY SOCIAL MEDIA PUBLIC RECORDS LAW Is it a public record? • “Public records” means all documents . regardless of the physical form- Section 119.011 (12), Fla. Stat. Definitions • As each agency increases its use of and dependence on electronic recordkeeping, each agency must provide reasonable public access to records electronically maintained and must ensure that exempt or confidential records are not disclosed except as otherwise permitted by law. - Section 119.01 (2) (a), Fla. Stat., General State Policy on Public Records “[A]ny material prepared in connection with official agency business which is intended to perpetuate, communicate, or formalize knowledge of some type.” Shevin v. -
Using Social Media to Activate Your Personal Brand
Using Social Media To Activate Your Personal Brand Personal Branding 101: Why You Need a Personal Brand Whether you’re a freelancer, entrepreneur or individual contributor, there’s a place for personal branding in your life. A strong personal brand can help you secure clients and job opportunities, and help you expand your network. Personal branding is about setting yourself apart from others in your industry and making yourself visible to your target audience by showcasing what you have to offer. People want to do business with people they know, like and trust, and your personal brand should help your target audience get to know you. In this day and age, the bulk of personal branding involves building a digital presence. Your personal brand is what people say about you “ when you’re not in the room. ” Jeff Bezos Your digital presence, or lack thereof, can make or break your job search or your business. Using social media to activate your personal brand may seem intimidating but it doesn’t have to be. This book will cover six social media sites and how you can use them to showcase yourself or your business, and attract your next opportunity. 75% of HR departments are required to search for job 75% applicants online. Erskin 2016 53% of decision-makers have eliminated a vendor from consideration based on information they did or did not find 53% about an employee online. Erskin 2016 Page 2 Page 3 Using Social Media to Build Your Personal Brand Social media is the easiest tool to leverage when creating your personal brand. -
Listen-In Social Network Clubhouse Readies for the Masses 26 January 2021
Listen-in social network Clubhouse readies for the masses 26 January 2021 Clubhouse has grown from a single "room" where the founders could usually be found for conversations to being used by nearly two million people weekly, according to Andrew Chen of a16z, who joined the startup's board of directors as part of the deal. "The initial trial users started inviting more people and the Clubhouse community swiftly encompassed a burgeoning and diverse set of people and conversations," Chen said in an online post. "Groups quickly began to form around hobbies, cultures, careers, and curiosities." The audio-based Clubhouse social platform is gearing up to open to a wider audience after months of testing He contrasted the conversational, audio-only format at Clubhouse with social networks that require users to focus attention on display screens. Invite-only audio social network Clubhouse is "Clubhouse lets users communicate nuanced, readying to let in the masses with the help of a detailed ideas in conversation," Chen said. fresh funding round reported to value it at nearly a billion dollars. "It's the opposite of a video clip or a short post because it rewards discussion and exploration." Clubhouse has gained allure since its release early last year in a private testing format, putting a He described creators who organize and manage podcast spin on social networking by letting virtual rooms as the heart of Clubhouse, and said members listen in on conversations taking place in the team is working on tools to help them moderate online "rooms" and chime in with comments if they conversations as well as make money. -
Connecting the Residents of the Indigo at Lakewood Ranch Community
Connecting the Residents of the Indigo at Lakewood Ranch Community April 2020 Indigo Insider Newsletter April 2020 1 Community Hello Indigo Residents! It’s very exciting to be your new Indigo Community Association Manager and I look forward to working alongside all residents in this beautiful community to keep you informed and your Indigo Neighborhood Association running smoothly! I hold a Certified Manager of Community Associations (CMCA) designation that is obtained through education in Governance, Legal, Ethical Conduct, Budgets, Reserves, Investments and Assessments, Contracting, Financial Controls, Risk Management, Insurance, Property Maintenance and additional specified areas. I have been a Community Association Manager for seven (7) years and have worked with your builder, Neal Communities, previously. Please do not hesitate to contact me with questions or concerns. The best way to contact me is via email and my email address is found below. You can also call the Access Management office at the number listed and I will return your call as soon as possible. I look forward to meeting you in an informal gathering at the clubhouse once the self-quarantine is over! In the meantime, stay well and practice social distancing to help “flatten the curve”. Colleen Fletcher, CMCA, CAM Community Association Manager cfletcher@accessdifference,com 813-607-2220 Indigo Insider Newsletter April 2020 2 Fitness Challenge: Backyard Easter Egg Hunt There’s plenty we can do from home to enjoy our home comforts and stay fit, both physically and mentally. At the top of the list? Exercise! So pull up a patch of grass and enjoy this compelling “who’d have thought” exercise opportunity. -
Security Risks and Recommendations for Audio-Centric
Mind Your Voice: Security Risks and Recommendations for Audio-centric Social Media Platforms Technical Brief With an estimated growth rate of about half-million users per day, or 6 million users per month,1 ClubHouse is probably the most popular audio-only social network at the moment, albeit not the only one: Riffr,2 Listen,3 Audlist,4 and HearMeOut5 are some of the alternatives, while we've been waiting for the upcoming Twitter Spaces.6 There’s also Discord,7 which we didn't consider in our analysis because, despite having audio features, it's not centered around audio. This technical brief aims to provide users, app creators, and social network service providers practical security recommendations about the security risks brought forth by audio-only social networks. In parallel and independent from the research8 published by the Stanford Internet Observatory (SIO), we analyzed the apps (primarily ClubHouse but also including Riffr, Listen, Audlist, and HearMeOut). Among other attacks, we also found that, under some circumstances, an attacker can passively collect sensitive information about ongoing conversations, even "locked" ones; including participants, their identifiers, names, photos, and so on, without the need to join that room. This poses a clear privacy risk. Some security risks that we highlight here are unique to the ephemeral nature of audio-only social networks, while some are shared with other modern social network platforms (audio-centered or not). This research has been conducted in February 8-11 of this year. At the time of publication, some of the issues described in this document might have been or are currently being fixed by the app vendors. -
Changing Role of INFLUENCERS
SOCIAL LIKEMEDIA NEVER BEFORE: HOW BRANDS CAN NAVIGATE 2021 INTRO “You don’t need us to tell you this year’s been like no other. It will have lasting implications on all our futures, and social media has played a key role. It’s never been more instrumental in keeping us in touch, entertained and able to buy what we need (or want) and as a result of consumer behaviour changes and ultrafast platform developments, the world of social media has exploded. To say it’s a new world is wrong; it’s a new universe; comprising new cultures, new languages, and new players from political activists to gamers. With the wrong pilot you will crash and burn. For brands, this can be daunting, but the temptation to either run blindly away from 2020 or to attempt some version of 2019’s business of usual must be avoided. Social will mean something very different to your target consumers next year, but it’s never been a more important channel with which to reach them.” Danielle Smith, Managing Director, Communicator SOCIAL EVOLUTIONS GAMING: THE NEW SOCIAL MEDIA CONNECTING & DISCONNECTING CHANGING ROLE OF INFLUENCERS ACTION AND INFORMATION RISE OF SOCIAL COMMERCE Social EVOLUTIONS The 87% of FACTS TIKTOK USERS think Instagram Reels is ‘basically the same’ but Social is constantly evolving, which can mean constantly that doesn’t mean it’s enough to make them switch contradicting itself. For example, you could say this has been a big year for sound-on content. Audio drives trends on TikTok, Image source : Clubhouse-social-chat voice notes launched on Twitter and Clubhouse, an audio- based discussion app, lets users spontaneously join voice chat rooms.