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Big Tech Dominance (1): the New Financial Tycoons
Paul-Adrien HYPPOLITE Antoine MICHON BIG TECH DOMINANCE (1): THE NEW FINANCIAL TYCOONS December 2018 fondapol.org 2 BIG TECH DOMINANCE (1): THE NEW FINANCIAL TYCOONS Paul-Adrien HYPPOLITE Antoine MICHON 3 The Fondation pour l’innovation politique is a French think tank for European integration and free economy. Chair: Nicolas Bazire Vice-chair: Grégoire Chertok Executive Director: Dominique Reynié Chair of Scientific and Evaluation Board: Christophe de Voogd 4 FONDATION POUR L’INNOVATION POLITIQUE A French think tank for European integration and free economy The Fondation pour l’innovation politique provides an independent forum for expertise, opinion and exchange aimed at producing and disseminating ideas and proposals. It contributes to pluralism of thought and the renewal of public discussion from a free market, forward-thinking and European perspective. Four main priorities guide the Foundation’s work: economic growth, the environment, values and digital technology. The website www.fondapol.org provides public access to all the Foundation’s work. Anyone can access and use all the data gathered for the various surveys via the platform “Data.fondapol” and the data relating to international surveys is available in several languages. In addition, our blog “Trop Libre” (Too Free) casts a critical eye over the news and the world of ideas. “Trop Libre” also provides extensive monitoring of the effects of the digital revolution on political, economic and social practices in its “Renaissance numérique” (Digital Renaissance) section. Additionally, reflecting the Foundation’s editorial policy, our blog “Anthropotechnie” aims to explore new avenues prompted by human enhancement, reproductive cloning, human/machine hybridization, genetic engineering and germline manipulation. -
Discounted Cash Flow Valuation of Facebook Inc
DISCOUNTED CASH FLOW VALUATION OF FACEBOOK INC. RAKSINA KOOKASEMKIT A THEMATIC PAPER SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MANAGEMENT COLLEGE OF MANAGEMENT MAHIDOL UNIVERSITY 2018 COPYRIGHT OF MAHIDOL UNIVERSITY ii ACKNOWLEDGEMENTS I would like to take this opportunity to express my deep gratitude to Asst. Prof. Dr. Nareerat Taechapiroontong, my research advisor, for her valuable advice and support academically and morally. I would also like to thank Asst. Prof. Dr. Piyapas Tharavanij for his insight and knowledge. My grateful appreciation is also extended to Ajarn Vasan Siraprapasiri for providing knowledge and guidance in keeping my progress on schedule. I respect Dr. Nareerat, Dr. Piyapas and Ajarn Vasan for their knowledge, dedication and kindness for students. I am truly thankful from my heart. Most importantly, I would like to thank my family and all family members for their life-long support and encouragement in making this journey a success. I wish to dedicate my profound recognition to my father, my mother and my husband for their unconditional love, inspiration and guidance. Raksina Kookasemkit iii DISCOUNTED CASH FLOW VALUATION OF FACEBOOK INC. RAKSINA KOOKASEMKIT 5549271 M.M. (FINANCIAL MANAGEMENT) THEMATIC PAPER ADVISORY COMMITTEE: ASST.PROF. NAREERAT TAECHAPIROONTONG, Ph.D., ASSOC.PROF. TATRE JANTARAKOLICA, Ph.D., ASST.PROF. PIYAPAS THARAVANIJ, Ph.D. ABSTRACT This thematic paper demonstrated how to value the stock price specifically Facebook INC. (FB) in which the framework of discounted cash flow to firm (DCFF) are applied. The process starts with creating a forecast, calculating a reasonable valuation and recommending to buy/hold/sell the company stock. -
Harvard Spring 2017
Crowdfunding: Kickstarting Your Enterprise or Non-profit Through Online Fundraising HKS Communications Program Tuesday, October 17, 2017 What is crowdfunding? "The practice of funding a project or venture by raising many small amounts of money from a large number of people, typically via the Internet" (Forbes). Online crowdfunding has existed since 1997, but the term "crowdfunding" wasn't coined until 2006 and didn't become popular until Kickstarter was founded in 2009. What kinds of projects can be crowdfunded? Any kind! From launching a new mobile app to a new restaurant, publishing a book to a website, expanding a non-profit to paying a child's hospital bills, crowdfunding can (and has!) been used to fund all these projects and more. Can anyone crowdfund? Yes, but not everyone is successful: 64% of all Kickstarters fail. Of those that succeed, most were seeking less than $10,000 in funding. It helps to have either a reputation—you've been working in this industry for a while and have a proven track record for bringing projects to completion—or a prototype—a demonstration of the final product, whether it's a chapter of a book, a trailer for a movie, or a smaller event that could be made bigger. What crowdfunding platform should I use? There are over 500 crowdfunding platforms, with the biggest ones being Kickstarter, Indiegogo, GoFundMe, and Patreon. Which one you choose is largely determined by what kind of project you're running and how much money you need: • Kickstarter requires all its projects fall into one of these categories: Art, Comics, Crafts, Dance, Design, Fashion, Film & Video, Food, Games, Journalism, Music, Photography, Publishing, Technology, and Theater. -
Investing in Artists Bay Area Ally Fund Matching Grant Program Donor Interview Questions
INVESTING IN ARTISTS BAY AREA ALLY FUND MATCHING GRANT PROGRAM DONOR INTERVIEW QUESTIONS Introduction Hello. Thank you for taking the time for this call. Before I get started, I’d like to share a brief explanation for this call and the Center for Cultural Innovation’s research. I am _____ (name and title at CCI). CCI supports individual artists, and we are always interested in learning about why and how donors support artists. We recognize that there are generational and technological shifts, namely new online giving platforms, that may be affecting how artists raise money, and to this end, we are talking with donors of artists that are non‐family members to learn about how new environmental factors may (or may not) be influencing your giving. I have 13 questions, and I have planned for this call to take no more than 30 minutes. [Facilitator Note: Do not exceed time allotted. If the interviewee seems to want to go longer, that’s fine. BUT, if you haven’t gotten to the end and time is up, please conclude to stay on time.] Also, please know that CCI will not share your name, your giving amount(s), or to whom you donated in any way with the artist, our funders, or anyone else. Your participation is anonymous and any responses we use will be aggregated without attribution to you. In other words, outside of the artist who referred you, your participation is confidential. Do you have any questions before I start? General Questions 1. In general, how many times a year do you make a charitable donation? (Prompt: None, 1‐2, half a dozen, over a dozen) 2. -
Crowdfunding Platforms: Ecosystem and Evolution Full Text Available At
Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Full text available at: http://dx.doi.org/10.1561/1700000061 Other titles in Foundations and Trends® in Marketing Entertainment Marketing Natasha Zhang Foutz ISBN: 978-1-68083-332-4 The Cultural Meaning of Brands Carlos J. Torelli, Maria A. Rodas and Jennifer L. Stoner ISBN: 978-1-68083-286-0 Ethnography for Marketing and Consumer Research Alladi Venkatesh, David Crockett, Samantha Cross and Steven Chen ISBN: 978-1-68083-234-1 The Information-Economics Perspective on Brand Equity Tulin Erdem and Joffre Swait ISBN: 978-1-68083-168-9 Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Yee Heng Tan Tokyo International University Japan [email protected] Srinivas K. Reddy Singapore Management University Singapore [email protected] Boston — Delft Full text available at: http://dx.doi.org/10.1561/1700000061 Foundations and Trends® in Marketing Published, sold and distributed by: now Publishers Inc. PO Box 1024 Hanover, MA 02339 United States Tel. +1-781-985-4510 www.nowpublishers.com [email protected] Outside North America: now Publishers Inc. PO Box 179 2600 AD Delft The Netherlands Tel. +31-6-51115274 The preferred citation for this publication is Y. H. Tan and S. K. Reddy. Crowdfunding Platforms: Ecosystem and Evolution. Foundations and Trends® in Marketing, vol. 14, no. 2, pp. 53–172, 2020. ISBN: 978-1-68083-699-8 © 2020 Y. H. Tan and S. K. Reddy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording or otherwise, without prior written permission of the publishers. -
Here Too the Gods Are Present Ethos Building on Patreon.Com
Örebro University School of Humanities, Education and Social Sciences Here too the gods are present Ethos building on patreon.com Independent project Rhetoric Spring semester 2017 Supervisor: Anders Eriksson Author: Marcus Schmidt Abstract This essay studies the rhetorical situation of the crowdfunding site Patreon.com, with a particular focus on the construction of ethos. Taking off from the conception of ethos as a discursive dwelling place, the study analyzes five Patreon pages and the self-promotional practices associated with each page. It concludes that there are different ways of negotiating the implicit and explicit expectations that go along with setting up and maintaining a presence on a crowdfunding site – not least with regards to the relationship between ethos and ethics. Keywords Rhetoric, crowdfunding, Patreon, ethos, online spaces Contents 1. Introduction .............................................................................................................................................. 1 2. Research questions ................................................................................................................................... 2 3. Background ............................................................................................................................................... 2 4. Research overview .................................................................................................................................... 3 5. Theory ...................................................................................................................................................... -
COVID-19 Content Resource Guide for Artists
COVID-19 Content Resource Guide for Artists Ever resourceful and creative, artists are experimenting with new ways of generating income during the COVID-19 pandemic, which is having a great impact on the arts industry. We expect more resources, innovations, and strategies will emerge as the situation evolves. At present, the most common and accessible strategies we see artists using to connect with audiences and generate income are (1) producing virtual concerts and lessons that audiences can tip or buy a “virtual ticket” to experience; (2) establishing subscription-based services on such platforms as Patreon; and (3) establishing online stores through their own website or online marketplaces such sources as Etsy. This resource guide contains tips and tricks for DIY video recording and some of the options available to artists interested in using these strategies during the COVID-19 pandemic. 1 TABLE OF CONTENTS Video Recording 101 ........................................................... 3 Smart Phone Video Recording 101: Tips and Tricks ........................... 4 Content Strategies ............................................................. 8 The Subscription Model ..................................................... 9 Facebook / YouTube / Instagram Livestreams ............................... 10 Livestreaming 101 .............................................................. 11 Streaming Applications .................................................... 12 Payment ................................................................... 13 A Note on Collaboration and Community ................................. 14 2 VIDEO RECORDING 101 Recording video is an art form of its own, and one that can take years of training and practice to perfect, but this handy guide will give you some easy ways to make sure your home-recorded video is high-enough quality to share with your fans! SMART PHONE VIDEO RECORDING 101: TIPS AND TRICKS Your guide to recording video on your smart phone GETTING STARTED Phones can shoot all types of file sizes and frame rates. -
Case Study - Patreon.Com Case: Patreon.Com Is a Website That Enables Artists to Connect with Their Fans to Get Support
Case study - patreon.com Case: Patreon.com is a website that enables artists to connect with their fans to get support. The main idea is that fans pledge to sponsor their favourite artists with a given amount of money per created work. Therefore, the site aims at building longer relationships between artists and fans and allow artists to have a stable income over the long-term. Task: First read about your case using the provided links. Please use your devices to contribute to the group work. Once you have a good understanding of your case, analyse it using the following guiding questions: • What problem/need does the case address? • What community, values and norms does it build on? Is it creating a new community or building on a pre-existing one? • What resources is it dealing with? • How is management organised? Are democratic structures in place? • Is the distribution of resources and responsibilities fair? • Is the production, distribution and management efficient? • Is the commons organised in a sustainable manner? Can the project survive in the long term? You should present your conclusions in the form of a theatre/short play. Anything is possible, you can make a reportage, interview, a press release or conference, or anything else you come up with. Be creative, your presentation may be filmed ;). You have 50 minutes for this task. Further Information: • https://www.patreon.com/ • https://en.wikipedia.org/wiki/Patreon • http://www.forbes.com/sites/sarahmckinney/2014/04/10/patreon-a-fast-growing- marketplace-for-creators-and-patrons-of-the-arts/ • http://www.theguardian.com/technology/2014/nov/19/crowdfunding-patreon-creators- musicians-youtube • http://www.cnbc.com/id/102541179 Case study - free and open source software Case: Free and open source software (FOSS) was the spark that got the free culture movement going, remember Linux? FOSS can be used for free by anyone, changed by anyone and copied by anyone. -
TITLE: Power to Create Speakers: Matthew Taylor
TITLE: Power to Create Speakers: Matthew Taylor Venue: RSA, 8 John Adam Street, London WC2N 6EZ NB This is an unedited transcript of the event. Whilst every effort is made to ensure accuracy there may be phonetic or other errors depending on inevitable variations in recording quality. Please do contact us to point out any errors, which we will endeavour to correct. To reproduce any part of this transcript in any form please contact RSA Lectures Office at [email protected] or +44(0)20 7451 6868 The views expressed are not necessarily those of the RSA or its Trustees. www.theRSA.org Power to Create Page 1 Introduction The RSA has always been a progressive organisation. We have been around for 260 years and, as the world has changed many times over, so has our account of progress and the contribution that we might make to it. Tonight I am speaking to the latest account, a new worldview and mission. We call it The Power to Create. My argument is that we are at the cusp of an unprecedented opportunity: Powerful social and technological changes mean that we can now realistically commit to the aspiration that every citizen should live a creative life. But this major step in human progress will not happen unless we are able to identify and seek to remove the high barriers that currently stand in our way. The creative life So what do I mean by a creative life? Creativity is a slippery concept. The first definition offered by Google is 'the use of imagination or new ideas to create something' . -
Unmanned Systems Sentinel Summary
Unmanned Systems Sentinel Summary Please keep in mind that in most instances the below summaries are excerpts from the original article. The full articles can be viewed at the accompanying hyper-links. The inclusion of these links does not represent an endorsement of the organization, service, or product. All opinions expressed are those of the respective author or authors and do not represent the official policy or positions of the Naval Postgraduate School, the United States Navy, or any other government entity. Immediately below are this edition’s highlights with bookmarks to the respective articles: NAVY/USMC: New Navy Unmanned Systems Offices Aim To ‘Change the Way We Fight’ Navy to Boost Unmanned System Prototyping, Experimentation Decisions on Carrier Drone in Next Budget: U.S. Navy Carrier Demo UAV Meshes with Legacy Aircraft Bridging the ‘Valley Of Death’ For Navy Drones – MUST READ Navy asks Hydroid to ramp-up production of MK 18 Kingfish UUV Naval Unmanned, Underwater Program Operates From Stennis Seeking Game Changers in the Underwater World Pentagon, Navy Debate Future of Carrier-Launched Drone Navy Researchers are Analyzing Findings from Drones Beneath Arctic Ice MQ-4C Triton Begins Operational Assessment ARMY: USAF: Four drone pilots call strikes a 'driving force for terrorism' RPA systems studied to improve ground-based technology US Air Force hiring civilian pilots for military drones RPA officer incentive pay to increase to $35K under new law NATIONAL AIR SPACE: Registration process marks significant milestone in FAA's -
Equity-Based Crowdfunding: Potential Implications for Small Business Capital by Ryan Taylor, Regulatory Economist
Issue Brief Advocacy: the voice of small business in government ISSUE BRIEF NUMBER 5 Equity-based Crowdfunding: Potential Implications for Small Business Capital BY RYAN TAYLOR, REGULATORY ECONOMIST Overview For small business owners and entrepreneurs to build, grow, and support their business, it takes capital, and today, many of these individuals are choosing alternative forms of capital. One popular avenue is crowdfund- ing. “Crowdfunding systems enable users to make investments in various types of projects and ventures, often in small amounts, outside of a regulated exchange, using online social media platforms that facilitate direct interaction between investors as well as with the individual(s) raising funds.”1 There are three basic types of crowdfunding. Money is given in exchange for a clearly defined good (reward), a piece of the venture (equity), or a loan agreement (peer-to-peer). Typically, these three types of crowdfunding occur on different types of websites or platforms. Today, crowdfunding is steadily reaching critical mass as it is now estimated to be worth $3 billion to $5 billion worldwide.2 Despite the growth of crowdfunding in the alternative lending landscape, one major crowdfunding method re- mains untapped. Equity-based crowdfunding was created under Title III of the Jumpstart Our Business Startups (JOBS) Act (2012), but the rule under Title III is still being written at the Securities and Exchange Commission (SEC) to expand the ability for entrepreneurs to sell equity to prospective investors online. Until the -
The State of the Creator Economy
JUNE 2021 Insider Intelligence The State of the Creator Economy A Selected Chapter from The Influencer Monetization 2021 Report Introduction According to our latest forecast, 67.9% of US marketers from companies with 100 employees or more will use influencer marketing in 2021, up from 62.3% last year. In 2022, that Thank you for downloading “The State of the Creator figure will rise to 72.5%. Economy,” curated by Insider Intelligence Marketing. The following is an excerpt from the full “Influencer Monetization 2021” report. In this excerpt we detail the Share of US Marketers Using Social Media and latest trends in the creator economy, including Influencer Marketing, 2019-2022 monetization strategies, popular social platforms, and % of total marketers recent growth. 91.0% 91.7% 91.9% 92.1% Creators Are a Serious Business Many marketers long underestimated the value of 72.5% creators in their marketing mix. That’s no longer the 67.9% case. Most brands today have incorporated 62.3% influencer marketing into their media plans, and many 55.4% intend to allocate even more budget to the tactic this year than they did previously. 2019 2020 2021 2022 Creators vs. Influencers Social media marketing Influencer marketing In our previous reports, we used the words “influencers” Note: companies with 100+ employees; includes both paid and unpaid (i.e., compensation in the form of free product or trips) brand-influencer partnerships and “creators” interchangeably. But as the influencer Source: eMarketer, Nov 2020 marketing space evolves and expands, so too must the 262207 eMarketer | InsiderIntelligence.com vocabulary used to refer to the individuals who are active in it.