THE LEADING SOURCE for PROGRAM INFORMATION *LIST 0114 ALT LIS 1006 LISTINGS 1/16/14 12:50 PM Page 2
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Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology. -
Ficción Televisiva Y Modelos De Negocio En La Era Digital En El Uruguay
UNIVERSIDAD DE LA REPÚBLICA ORIENTAL DEL URUGUAY FACULTAD DE CIENCIAS ECONÓMICAS Y DE ADMINISTRACIÓN Tesis para optar al título de Licenciado en Economía FICCIÓN TELEVISIVA Y MODELOS DE NEGOCIO EN LA ERA DIGITAL EN EL URUGUAY Autoras: ANA JOSEFINA MAROTTA MESTRE MARÍA FERNANDA OSORIO LAENZ Tutor: Ec. GUSTAVO BUQUET Montevideo, Uruguay 2011 i PÁGINA DE APROBACIÓN FACULTAD DE CIENCIAS ECONÓMICAS Y DE ADMINISTRACIÓN El tribunal docente integrado por los abajo firmantes aprueba la Tesis de Investigación: Título ....................................................................................................................... ....................................................................................................................... Autor/s ....................................................................................................................... ....................................................................................................................... Tutor ....................................................................................................................... Carrera ....................................................................................................................... Puntaje ....................................................................................................................... Tribunal Profesor..............................................................................(Nombre y firma) Profesor..............................................................................(Nombre -
Media Release Dreamworks Studios, Participant Media
MEDIA RELEASE DREAMWORKS STUDIOS, PARTICIPANT MEDIA, RELIANCE ENTERTAINMENT AND ENTERTAINMENT ONE FORM AMBLIN PARTNERS, A NEW FILM, TELEVISION AND DIGITAL CONTENT CREATION COMPANY Steven Spielberg Also an Investor in Amblin Partners Mumbai, December 17, 2015: Steven Spielberg, Principal Partner, DreamWorks Studios, Jeff Skoll, Chairman, Participant Media, Anil Ambani, Chairman, Reliance Group and Darren Throop, President and Chief Executive Officer, Entertainment One (eOne) announced today the formation of Amblin Partners, a new film, television and digital content creation company. The new company will create content using the Amblin, DreamWorks Pictures and Participant brands and leverage their power and broad awareness to tell stories that appeal to a wide range of audiences. Participant Media will remain a separate company that continues to independently develop, produce and finance projects with socially relevant themes. Amblin Partners will be led by CEO Michael Wright and President and COO Jeff Small. In addition, Amblin Television will become a division of Amblin Partners and continues to be run by co- presidents Justin Falvey and Darryl Frank, who maintain their longtime leadership roles. They join Producer Kristie Macosko Krieger and President of Production Holly Bario on the film side, to complete Amblin Partners’ senior management team. David Linde, Chief Executive Officer of Participant Media, and Participant’s narrative feature team, led by Executive Vice President Jonathan King, will work closely with Amblin Partners to develop and produce specific content for the new venture in addition to exploring opportunities for co-productions and other content. In making the announcement about Amblin Partners, Mr. Spielberg said, “We are thrilled to partner with Jeff Skoll, Participant Media, and to continue our prolific relationship. -
Vme and BRB SEAL ALLIANCE at MIPCOM
Vme AND BRB SEAL ALLIANCE AT MIPCOM • Various productions from the Spanish company will be aired on the American channel as a first step in a long-term accord Madrid, October 15, 2014. Vme Media and BRB Internacional have just sealed at MIPCOM an accord for U.S. Hispanic audiences in the United States. The television channel, the first that broadcasts exclusively in Spanish throughout America, will air various BRB productions, including international hits, Bernard (156 x 3’), Mica (26 x 15’), Zoobabu (104 x 2’) and Kambu (52 x 7’). This is the first step in a long-term agreement between the two entertainment-sector companies that will be progressively widened in the future. In this first phase of the accord, Vme and BRB Internacional have agreed on various animation series for broadcast in the U.S. Hispanic markets in the United States – and some feature-length films, too, such as My Friend Bernard – aimed at pre-school and family audiences. The agreement includes the disemination of these productions both on Vme’s television network that reaches 70M U.S. housholds and via its video-on- demand services. Emilie Pasquet, Sales Chief at BRB Internacional, said: “We are thrilled with becoming a partner of Vme, a channel that really emphasizes the quality of its productions for the pre-school target audience in a very important market for us in the new digital panorama, both for kids and their parents.” For more information: Stand R7-H14 (MIPCOM) ABOUT VME TELEVISION: Vme TV (pronounced veh-meh), is the first national Spanish-language television network in association with public television stations. -
La Corona De Fuego O Los Subterráneos De Las Torres De Altamira
José Pastor de la Roca La corona de fuego o los subterráneos de las torres de Altamira 2003 - Reservados todos los derechos Permitido el uso sin fines comerciales José Pastor de la Roca La corona de fuego o los subterráneos de las torres de Altamira A mi querido amigo y compatriota D. J. R. y G. Un acto espontáneo, desnudo de lisonja, me impulsa a dedicarte en esta obra un recuerdo honroso que aliente tu perseverancia, combatida por tantas decepciones. ¿Qué importa que una pasión bastarda trate de proscribir al mérito, deprimiéndole bajo mentidas formas? ¿Acaso no ha sido éste siempre el destino de los grandes hombres? Que esa funesta rémora no retraiga tu laudable propósito en esa senda difícil a que te has lanzado. Artista de inspiración, no desistas de tu noble empeño; luce allá lejos un astro providencial que marca el rumbo a tu creador instinto, al brotar en medio de esos tenebrosos abismos: allí tu renombre artístico, ornamento y lustre de nuestra ingrata patria, brillará un día también en los anuales de la fama, coronado de los esplendores del genio. Madrid, marzo de 1863. José Pastor de la Roca. Prólogo - I - «¡Santiago y cierra España!» Este grito de guerra tan proverbial entre los cristianos, cuando se las habían en buena lid con los hijos de Mahoma, dueños a la sazón de gran parte de la caballeresca España, resonaba como un trueno articulado por millares de entusiastas héroes, victoriosos en Guadalajara, Uceda y Almería. «¡Santiago y a ellos!» Y a este grito unísono, formidable, eléctrico, aliento de una nación guerrera, contestaba un destemplado alarido de coraje, y la chusma agarena, explotada por la rabia, precipitábase frenética en la refriega, malgastando a veces sus bríos en medio de un arrojo imprudente y ciego. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
STEPHEN AMELL Super-Héros Zéro Défaut MERCREDI 15 JUILLET | 20.55
N°473 7 JOURS DE TÉLÉ | DU 11 AU 17 JUILLET 2015 RÉGIONS GILLES BOULEAU CHRISTIAN ETCHEBEST « Jauger le rapport « je ne suis pas entre un pays venu en voulant et son armée » tout casser » TF1 | MARDI 08.45 TF1 | JEUDI 20.55 SÉRIE GRANTCHESTER Père et fl ic FRANCE 3 | DIM. 20.50 STEPHEN AMELL Super-héros zéro défaut MERCREDI 15 JUILLET | 20.55 www.tvrégions.com TVR473-COUVERTURE.indd 1 26/06/15 13:22 CRT LORRAINE _TVR470_BEAUTE 09/06/15 16:09 Page32 - 277150 -© photo : G.Pecqueur seprendreaujeu.fr TVR473-ACTU TELE_Page en cours... 1 (3) sur 1) 26/06/15 12:32 Page3 Audience télé ACTUS & ÉCHOS 2790000 télé TÉLÉSPECTATEURS La victoire de l’équipe de France de football féminin face à la Corée du Sud en huitième de finale de la Coupe du monde a été suivie par près de trois millions de téléspectateurs en deuxième partie de soirée. Un nouveau record historique pour W9 ! Christian Etchebest «je ne suis pas venu avec l’envie de tout casser» DIVERTISSEMENT JEUDI À 20H55 Avec Gilles Goujon et Yannick Delpech, le célèbre cuisinier, TÉLÉ CINÉ WEB RADIO PRESSE… repéré sur M6 dans les années 2000, fait partie de la nouvelle formule du concours culinaire de TF1 « MasterChef ». Son Baromètre objectif principal : la « transmission » de son art. des médias Comment vous situez-vous dans compte-gouttes, comme une cerise sur le MONSIEUR LE DIRECTEUR ce jury par rapport à vos deux gâteau. Mon métier, c’est de m’occuper de mes 40 salariés. Au bout des huit Le journaliste et animateur Michel comparses ? semaines de tournage, j’étais content de Field a été choisi Nous sommes très complémentaires, rentrer. -
Verso Disney Desde Otro Ángulo’, Finaliza
PRENSARIO INTERNACIONAL PRENSARIO INTERNACIONAL • Editorial SE ACELERA LA AUDIENCIA Bienvenidos a la cuarta sarrolladores de entrega de nuestra edición rubros accesorios. especial Kids & Teens, y Aparte, un infor- sin duda la más completa me especial de de todas (hasta ahora, es- Eurodata, peramos seguir creciendo) la consulto- por el volumen, la profun- ra francesa, y didad de información y en propuestas de los particular, por la presencia principales ven- de empresas líderes del sector. dors que abordan El evento es Natpe Miami, el segmento. el objetivo brindar infor- ¿Cuál es el tema mación específica sobre crucial hoy? No uno, etapas de evolución cada vez más rápido, y así la evolución de segmento varios. El aprovecha- va su consumo de productos infanto-juveniles. infanto-juvenil, cada vez más miento 360 es clave Entonces, una serie preescolar se ve a los 360 en aprovechamiento, con ple- porque es el que genera la rentabi- 2-4 años, otra para niños de 5 a 7 años, se ve na integración de las nuevas plataformas lidad final, lo que tanto se busca en a los 5 y ya queda pequeña. El producto de 8 y los negocios complementarios. televisión hoy en día. Pero una cuestión de la a 12, se ve a los 8-9 y luego estos televidentes ¿Quiénes participan? Incluimos testi- que se habla poco y vale hacerlo, es la ‘acelera- ya quieren productos de adolescentes. El Live monios de los principales compradores de ción de la audiencia’. Quienes tenemos hijos action avanza sobre la animación, y los pro- Kids & Teens en América Latina, incluyendo de edad escolar en América Latina, estamos ductos teen sobre los infantiles. -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g. -
Revista Filipina–Primavera 2016
Revista Filipina • Primavera 2016 • Vol. 3, Número 1 RF Revista Filipina Primavera 2016 Volumen 3 • Número 1 Revista semestral de lengua y literatura hispanofilipina http://revista.carayanpress.com Dirigida por Edmundo Farolán desde 1997. ISSN: 1496-4538 Segunda Etapa RF Comité editorial: Director: Edmundo Farolán Subdirector: Isaac Donoso Webmáster: Edwin Lozada Redacción: Jorge Molina, David Manzano y Jeannifer Zabala Comité científico: Pedro Aullón de Haro Florentino Rodao Universidad de Alicante Universidad Complutense de Madrid Joaquín García Medall Joaquín Sueiro Justel Universidad de Valladolid Universidad de Vigo Guillermo Gómez Rivera Fernando Ziálcita Academia Filipina de la Lengua Española Universidad Ateneo de Manila Copyright © 2016 Edmundo Farolán, Revista Filipina Fotografía de la portada: Una vista de Taal. Omar Paz 1 Revista Filipina • Primavera 2016 • Vol. 3, Número 1 RF EDITORIAL HOMENAJE A GUILLERMO GÓMEZ RIVERA edicamos este número especial al quijote filipino, Guillermo Gómez Rivera, un gran caballero, recientemente galardonado por el Grupo de Investigación Human- ismo-Europa de la Universidad de Alicante de España con el Premio José Rizal de Dlas Letras Filipinas. Gómez Rivera verdaderamente merece este gran Premio por su labor de más de sesenta años de promulgar las letras hispanofilipinas. En un homenaje que le hice hace quince años (Revista Filipina, Primavera 2000), he escrito sobre nuestras andanzas, él cual Quijote y yo su Sancho Panza, en un homenaje poético. Hoy a sus 80 años celebramos la grandeza de este escritor infatigable, y para mí, per- sonalmente, un amigo y maestro. En 1967, cuando mi amigo Tony Fernández (q.e.p.d.) escribió en El Debate sobre la publicación en Madrid de mi primer libro de versos, Lluvias Filipinas, él en seguida puso el mismo artículo en su revista El Maestro.