Bar Code MILAN — Robust, Textured Sweaters Have Been All Over the Runways of Milan, As Designers Focus on Clothes for Leisure Rather Than Work
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Chic Street Oscar De La Renta Addressed Potential Future-Heads-Of-States, Estate Ladies and Grand Ole Party Gals with His Collection of Posh Powerwear
JANET BROWN STORE MAY CLOSE/15 ANITA RODDICK DIES/18 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • September 11, 2007 • $2.00 Ready-to-Wear/Textiles Chic Street Oscar de la Renta addressed potential future-heads-of-states, estate ladies and grand ole party gals with his collection of posh powerwear. Here, he showed polish with an edge in a zip-up leather top and silk satin skirt, topped with a feather bonnet. For more on the shows, see pages 6 to 13. To Hype or Not to Hype: Designer Divide Grows Over Role of N.Y. Shows By Rosemary Feitelberg and Marc Karimzadeh NEW YORK — Circus or salon — which does the fashion industry want? The growing divide between designers who choose to show in the commercially driven atmosphere of the Bryant Park tents of Mercedes-Benz Fashion Week and those who go off-site to edgier, loftier or far-flung venues is defining this New York season, and designers on both sides of the fence argue theirs is the best way. As reported, IMG Fashion, which owns Mercedes-Benz Fashion Week, has signed a deal to keep those shows See The Show, Page14 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY 2 WWD, TUESDAY, SEPTEMBER 11, 2007 WWD.COM Iconix, Burberry Resolve Dispute urberry Group plc and Iconix Brand Group said Monday that they amicably resolved pending WWDTUESDAY Blitigation. No details of the settlement were disclosed. Ready-to-Wear/Textiles Burberry fi led a lawsuit in Manhattan federal court on Aug. 24 against Iconix alleging that the redesigned London Fog brand infringed on its Burberry check design. -
The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
Numero 24 Marzo-Aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A
ISSN 2280-8817 anno v numero 24 marzo-aprile 2015 BIMESTRALE - POSTE ITALIANE S.P.A. SPED. IN A.P. 70% - ROMA - COPIA EURO 0,001 - COPIA 70% - ROMA A.P. SPED. IN S.P.A. BIMESTRALE - POSTE ITALIANE I PUBBLICI DEI MUSEI NUMERI E GRAFICI ARTE & LETTERATURA LOMBARDIA, MILANO, BERGAMO QUATTRO MESI A NEW YORK IL MERCATO DELLE GALLERIE DAVID FOSTER WALLACE MAPPE E CONSIGLI DI VIAGGIO CITTÀ-STATO: REPORTAGE TOTO COTUGNO BANCHE & ARTE DA SINGAPORE A MALTA UNA FOTO CONCETTUALE UBS, ART BASEL E LA GAM àncora di salvezza sul dissesto della cultura nella Capitale del Paese – dissesto di cui incessantemente parliamo da anni – potrebbe in maniera inaspettata giungere dal Vaticano. L’annuncio del Giubileo Straordinario da parte di Papa Bergoglio schiude opportunità impensabili per una città che ha totalmente perduto, dal punto di vista della programmazione museale, il treno di Expo 2015, ma che ora ha la chance di prendere quello del Giubileo 2016. L’allure del cambio di millennio non c’è, i soldi che vi furono allora non ci sono (3mila miliardi e mezzo di TONELLI lire), non c’è neppure un papa dallo spessore di Giovanni Paolo II sebbene Francesco abbia un seguito non indifferente. Quel che potrebbe esserci è l’afflusso di pubblico da tutto il mondo. Anzi la quantità di pellegrini e di turisti che utilizzeranno il Giubileo come scusa per visitare la Città Eterna potrebbe aumentare perché MASSIMILIANO la propensione a spostarsi è enormemente aumentata rispetto al 2000. Ci sono le low cost e all’epoca non c’erano. Ci sono i treni veloci e allora non c’erano. -
Les Champions De La Lunetterie
A perte de vueBernard A perte GABRIEL-ROBEZ de vue Les Champions de la A perte de Lunetterie vue Les Fleurons de l’Europe De l’AIN et du JURA Et de Distributeurs-Fabricants Sous-traitants MOREZ Marques et licences La Capitale Mars 2019 Les Champions de la lunetterie 1 Les Champions de la lunetterie 2 Les Champions de la lunetterie Bernard GABRIELGABRIEL----ROBEZROBEZ Les Champions De la Lunetterie Les Fleurons de l’Europe De l’AIN et du JURA Morez la capitale Distributeurs-Fabricants Sous-traitants Marques et Licences 3 Les Champions de la lunetterie DU MÊME AUTEUR Structures d’Autrefois du Groupe Alcatel Business Systems, Illkirch 2002 -Association Mémoires- (interne à Alcatel) Morez, Vallée des Entrepreneurs- Une saga des dynasties industrielles du canton. (2009) Imprimerie UNI-EST, Geispolsheim, 2009 -ISBN 978-2-7466-1214-3 Les Secrets de la Molune ) (2012) (Saga d’une famille jurassienne au XIX° siècle) Mon Petit Editeur, 14 rue des Volontaires 75008 Paris IDDN.FR.010.011-7366.000.R.P.2012.030.31500 4 Les Champions de la lunetterie 5 Les Champions de la lunetterie A Odette, A ma famille et mes alliés, A Jérôme Colin, Président du Syndicat Des lunetiers du Haut-Jura Aux lunetiers de France De l’Ain et du Jura Et de Morez A France Optique ma référence A Benoit Clément opticien à l’Esplanade StrasBourg 6 Les Champions de la lunetterie SOMMAIRE Sommaire(7) Préface (9) Introduction (12) LES MAJORS DANS LE MONDE (21) Essilor Luxottica (27) Luxottica (29) Essilor (65) Groupe Logo (78) LVMH et la financière Agache (88) Safilo et Hal Investments -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Narratives of a Designer's Collection: Fashion Shows
The Turkish Online Journal of Design, Art and Communication - TOJDAC ISSN: 2146-5193, October 2019 Volume 9 Issue 4, p. 546-554 NARRATIVES OF A DESIGNER’S COLLECTION: FASHION SHOWS AND ARTISTIC APPLICATIONS Sanem ODABAŞI Eskişehir Technical University, Turkey [email protected] https://orcid.org/0000-0001-8467-9038 ABSTRACT Fashion weeks are of significant importance since in addition to new designs to present, within those weeks a fashion shows’ effect sometimes moves ahead of the designs. When collections are completed, fashion designers introduce them through the “fashion show,” a field used to present their collection ideas in an impressive and striking manner. Through this form, the designer employs performative presentation to help put across the intellectual message, the allure of a fashionable creation, or to mediate diverse creations in a visual way as a collection. Fashion shows have a strong impact due to the atmosphere created which is surrounded by music, video art, performance and stage design. These 20-25 minute shows represent the whole collection through the background idea of the collection and designer’s inner world, by using colors, textures, stories, forms and visuals. Thus, an artistic approach is key when designing a show in order to reveal the collection’s idea in its most relevant form. The aim of this paper is to examine how fashion shows are curated by artistic applications and to reveal the ways of narrating stories which are not written but are conveyed to communities through performative presentations. In this respect, an interpretative approach was adopted and related artistic applications from contemporary examples held between 2013 and 2018 were analyzed as part of narrating a collection. -
Cinematic Fashionability and Images Politics
Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear. -
Redefining the High Art of Couture: Fashion Illustration Goes Modern
Redefining the High Art of Couture: Fashion Illustration Goes Modern exhibition curated by Decue Wu Tuesday, April 30, 2013 Fashion illustration has a long history and has played a critical role in the fashion industry. In the past, fashion illustrations were the main avenue for presenting the glamorous fashion concepts of designers. The illustrators added their own elements into their illustrations while showing the designerʼs vision. Meanwhile, fashion illustrators also documented the fashion show as editorial illustrations for magazines, newspapers and other publications. Yves Saint Laurent drawing designs. 1957 Tuesday, April 30, 2013 Cover illustration by Benito, 1921, for Vogue, February 15, 1921. Cover illustration by Benito, 1929, for Vogue, August 1929. Tuesday, April 30, 2013 Exhibition Précis: Redefining the High Art of Couture: Fashion Illustration Goes Modern is an exhibition that asserts that fashion illustration is a fine art. The focus is on the fashion illustrations of notable contemporary fashion illustrators, including David Downton (1959), Gladys Perint Palmer, Tanya Ling (1966), Francois Berthoud (1961), Mats Gustafson (1951), Zoë Taylor (1982), Jean-Philippe Delhomme (1959) and Howard Tangye (1979). Approximately two to four illustrations showcase the remarkable artistic talents of each artist. This exhibition is meaningful because it dispels the idea that fashion illustration is merely a functional tool for a fashion house— one used either to instruct tailors or to be manipulated as a marketing-and-sales device in fashion magazines or blogs. Instead, these exquisite drawings lift fashion illustration to its rightful place—as a high-art form worthy of acquisition by a museum or a private collector. -
Focus On...Campus Trends
Philadelphia University Fall 2008 Focus on...Alumni Focus on...Campus Trends Andrea Ball By Meaghan Abell By Alyssa Imprevento The stylish students at PhilaU have more than demonstrated their love of patterns and color this fall with beautiful, captivating trends. Our campus has seen the return of Grecian sandals, in distinct glossy blacks and golds. The strap-based gladiator sandal is often acces- sorized with a stunning embroidered, knit or patterned scarf that adds flare to any outfit. Another gorgeous look this fall is oversized gold, pearl and multi-col- Have you ever wondered who designs ored accent jewelry. From bold ear- those stylish Puma accessories? rings to luminescent bracelets, this Well, I would like to introduce you trend will enhance any look. to Andrea Ball. Ball is a Philadelphia Inspired by several celebrities, University Fashion Design graduate like Rihanna, who recently decided and is now the Senior International to go short with their hairstyles, Headwear Designer for Puma. is the rounded bob that lengthens Ball chose PhilaU for the same toward the front, shaping the face. reason many of us have, the well- The side-braid is common with this rounded curriculum and proxim- look, reminiscent of the 1960s. Add ity to family. Growing up in Verona, an embellished floral sundress that N.J., Ball claims she always had comes just above the knee and your an “eclectic” sense of style. wardrobe as a PhilaU trendsetter will While she took an interest in fashion, be complete! she never learned to sew or draw Just as PhilaU students’ trendy like many of her peers did before clothes and accessories get entering the University. -
On Fine Watches…
FAWAZ GRUOSI / DE PRESIDENT’S PAGE GRISOGONO SINGLE MALT “YOICHI” / NIKKA WHISKY REF. 5004T / PATEK PHILIPPE JORDAN HANSELL / NETJETS ON FINE WATCHES… them escalates into the many complications one and that’s fine too—I find it spectacular that in The first generation of “smart” watches is finally can have, from minute repeaters to a perpetual a constantly evolving world of technology, the here, by Samsung on its Galaxy Gear platform. calendar that will take into account the earth’s art of keeping time is something that was near- At $299, it is less than the cost of the clasp or a erratic rotation for the next 100 years. And it’s a ly perfected several hundred years ago. That replacement strap for a high-end mechanical special fact that many of today’s watchmakers said, I am sure Samsung and Apple will do just watch, and is probably equivalent to lunch and a are descendants of those farmers and still live in fine, as well. In the meantime, I am looking for- glass of wine for two at a fine-dining restaurant. or around the same small villages where the in- ward to attending the Grand Prix d’Horlogerie, If you couldn’t care less about mechanical dustry was born. the “Oscars of the watch industry,” in Geneva in watches (although many folks like you do—elite Of course, no industry is foolproof. Steam en- November to see the latest generation of “ge- travelers account for over $9 billion in mechanical gines became diesel engines, which morphed into nius” watches. -
Guy Trebay Collection of Fashion Ephemera, 2000-2005
http://oac.cdlib.org/findaid/ark:/13030/kt038nc9nd No online items Finding Aid for the Guy Trebay Collection of Fashion Ephemera, 2000-2005 Processed by Cristina Favretto; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Guy Trebay 459 1 Collection of Fashion Ephemera, 2000-2005 Descriptive Summary Title: Guy Trebay Collection of Fashion Ephemera Date (inclusive): 2000-2005 Collection number: 459 Creator: Trebay, Guy, 1952- Extent: 9 boxes (4.5 linear ft.)2 oversized boxes. Abstract: The collection consists of invitations, designer "look books", promotional material, and other fashion ephemera pertaining to the Milan, London, Paris, and New York City fashion shows spanning the years 2001-2005. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. -
Dark Shadows in Goth We Trust — That’S the Mantra of Some Adventurous Designers Who Are Channeling Glamour’S Dark Side for Fall
s EYE: Muses, models, designers and more from the Costume FASHION SCOOP: First Institute gala, pages 4 and 5. Lady Michelle Obama makes the New York rounds, page 3. FASHION: Stella McCartney and Simon Doonan chat design ats Barneys New York, page 3. Women’s Wear Daily • The Retailers’ Daily Newspaper • May 6, 2009 • $3.00 WwDWEdNESdAYSportswear Dark Shadows In Goth we trust — that’s the mantra of some adventurous designers who are channeling glamour’s dark side for fall. Some variations, such as the furry-armed look here, take the primal beast angle. But Goth is more than a trend. It’s a richly nuanced subculture, with all sorts of quirky offshoots, including the Gothic Lolita movement coming West from Japan. For more on Gothic fashion, see pages 6 to 9. Target’s Hipper Tie-up: Anna Sui Set to Design Line for the Discounter By Sharon Edelson Target Corp. is hoping a dash of Anna Sui’s downtown New York style will lure thrifty consumers. As the discount retailer pushes to bring designer names to the masses, Sui will be the second participant in Target’s Designer Collaborations series. Bowing on Sept. 13 on target.com and in about 250 select stores across the U.S., Anna Sui for Target will be available through Miss Sixty’s wool Oct. 17. and acrylic faux fur blazer and The Designer Collaborations program belt, Fifth Avenue features more established talents — Shoe Repair’s Alexander McQueen was the inaugural cotton blouse and Witches’ polyester designer — than the up-and-comers of lace leggings.