DOCSLIB.ORG

Focus On...Campus Trends

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Focus On...Campus Trends Philadelphia University Fall 2008 Focus on...Alumni Focus on...Campus Trends Andrea Ball By Meaghan Abell By Alyssa Imprevento The stylish students at PhilaU have more than demonstrated their love of patterns and color this fall with beautiful, captivating trends. Our campus has seen the return of Grecian sandals, in distinct glossy blacks and golds. The strap-based gladiator sandal is often acces- sorized with a stunning embroidered, knit or patterned scarf that adds flare to any outfit. Another gorgeous look this fall is oversized gold, pearl and multi-col- Have you ever wondered who designs ored accent jewelry. From bold ear- those stylish Puma accessories? rings to luminescent bracelets, this Well, I would like to introduce you trend will enhance any look. to Andrea Ball. Ball is a Philadelphia Inspired by several celebrities, University Fashion Design graduate like Rihanna, who recently decided and is now the Senior International to go short with their hairstyles, Headwear Designer for Puma. is the rounded bob that lengthens Ball chose PhilaU for the same toward the front, shaping the face. reason many of us have, the well- The side-braid is common with this rounded curriculum and proxim- look, reminiscent of the 1960s. Add ity to family. Growing up in Verona, an embellished floral sundress that N.J., Ball claims she always had comes just above the knee and your an “eclectic” sense of style. wardrobe as a PhilaU trendsetter will While she took an interest in fashion, be complete! she never learned to sew or draw Just as PhilaU students’ trendy like many of her peers did before clothes and accessories get entering the University. Her instinct, attention, so do their dorm rooms zeal and competitive spirit soon took and apartment décor. The ever- over and she found herself so busy popular Warhol photographs and perfecting her work that she had 1950s-inspired Audrey Hepburn and little time to participate in campus Vogue placards brighten the homes activities. She did, however, volunteer of PhilaU students. in Philadelphia University’s fashion It appears as if PhilaU’s students shows and even modeled in several. have the right idea in incorporating I curiously asked Ball who her vibrant colors, patterns and fabrics, favorite professor was and she replied, with a hint of nostalgia into their continued on page 2 everyday lives. Photo collage: Betsy Joyce continued from page 1 for as long as you like, and whenever Focus on... you’re bored with your item you can “My favorite professor of all was Trends Focus on...International Culture exchange it for a brand new piece! If Clara Henry. Long before I enrolled you fall in love with the item, you can hold equal importance, but they Duygyu, Fashion Apparel Studies in any of her classes I would see Bag Borrow or Steal request to “steal” it and purchase it By Nidhi Sheth have been the same for years with Turkey her around campus and think she from Bag Borrow or Steal for a price just a few modifications in the style. Fashion is just amazing in my country. was so impressive. Luckily for By Nicole Carvalho and Amy Culvert that takes the items age into consid- In the United States, fashion is The designers design different clothing me, we’ve stayed in touch after I eration. everywhere and it is easily recog- Nina, Digital Design for different seasons and the fabrics are graduated and now I feel honored Are you struggling to keep up with Prices range from $15 to $150 a nizable. It is a way to express one- Bali, Indonesia so amazing that I have been unable to to call her a friend as well as a the latest designer bags due to their week. If you become a member with self without words. And though Fashion is something I would relate to find similar fabrics in the United States. great mentor.” expensive price? Bag Borrow or the company, you can earn rewards. styles are always changing, fash- the latest trends. And having stayed I am studying fashion at PhilaU and In addition to completing her Steal, an online website featured in For every dollar you spend, you’ll earn ion is timeless. International cul- in the United States for quite a few then traveling back to my country to schoolwork, Ball also traveled the film Sex and the City, allows you four reward points. Once you have ture is expressed through the many years, I’ve seen the change in fashion work in the industry. and interned in New York with Liz to borrow designer handbags, jew- 1,000 points, you will receive a $10 international students at PhilaU. due to the season, but that is not Claiborne Accessories to prepare elry and sunglasses from top-of-the- reward certificate that you can use So I asked them, “How would you the case in Indonesia. We wear what Nidhi, Fashion Apparel Studies for her future with Puma. Her line names such as Prada, Chanel, toward a future borrow! define fashion in your country?” we feel like during any season and India internship gave her a chance Gucci, Louis Vuitton and Coach for So instead of splurging your weekly our inspirations are from designers Fashion in my country is very scintil- to design her own line. After a very reasonable price. Every item paycheck on a single designer hand- Yijie, Business Administration in Paris and throughout Europe. lating. Fashion is seen differently in graduation, she worked in New the company lends is certified as au- bag, become a member of Bag China our society in the lower class, middle York City with a bag manufacturer thentic and is restored to mint condi- Borrow or Steal and have a new de- The fashion statement is very much Lina, Fashion Apparel Studies class and upper class. The designers are and then moved to Los Angeles for tion each time an item is borrowed. signer bag for as long as you desire dependent on the westernization that South Africa inspired by the designs in the Western seven years to work with Adidas. You can rent weekly, monthly or or until it is out of style! Just go takes place. Fashion designers are in- Fashion is nothing in our country. The part of the world. There are no seasonal She then took a break to endulge to, www.bagborroworsteal.com. spired by the designs from the United country is so poor that people focus on changes that affect our fashion, but the her passion for traveling. She States. Most of the designers from China buying clothes that last for a long time. Photos: www.bagborroworsteal.com change in fashion is brought about by spent time in Australia and New recreate what they see rather than cre- There are no specific big designers in my media, basically actors and actresses. Zealand. She said she loves ating their own designs. Apart from country, since we are still in the process London and Tokyo because of the fashion apparel, traditional clothes of learning and studying fashion. ever-present passion for fashion seen day-to-day in both countries. Now, after moving back to the East Coast and working for Puma, she has moved to Germany to live and work. From coordinating student, I never thought I’d get to where you go. Studying abroad teaches with 75 designers to presenting His and Hers: The Blurred Line witness the fashion world firsthand you so much and is an irreplaceable concepts to groups of 60 people, The ‘boyfriend’ style is also popular, Focus on...Study Abroad alongside an internationally renowned experience. For me, I have an amazing Ball deals with high-responsibility of Unisex Apparel especially in stores like Abercrombie & designer. Going backstage, hearing story to tell as well as amazing shows tasks on a daily basis. Thanks Fitch and the Gap. The fit is loose and the music, seeing the flashing lights to add to my resume. I got firsthand to her diverse background and By Bridget Sopko more casual as if you borrowed that By Brittany Bauma and attending the after party were experience with fashion in Milan, intensive traveling, she is aware of My best friend and I have the striped button-down straight from all amazing. This would have never which will greatly help me in my the differences between American same pair of ochre Slim Slacks from your beau. Studying abroad in Milan, Italy, happened anywhere but Milan. future. Because of this opportunity, and European fashion and is able American Apparel. We try not to wear Explanations for this recent swing in turned out to be the best deci- I encourage every student, and as well as the great education I to connect with varied co-workers them at the same time, for fear of the fit can be attributed to several things. sion I ever made. As a Fashion especially fashion students at obtained at NABA, I encourage and designers. ultimate fashion faux pas. Oh, and did For one, tight-fitting styles are not Merchandising major, I immedi- Philadelphia University, to make the every student to make study abroad When asked what talents she I mention my best friend is a guy? as comfortable and far less flattering. ately became interested in study- choice to study abroad, no matter a part of his/her college career. believes are the most important The unisex trend has been on the Anyone can feel more confident in a ing in Milan, which is known for its for fashion, she replied, forefront of fashion for a few sea- loose fitting oxford shirt as opposed amazing fashion and designers.
Load more

Recommended publications
  • Chic Street Oscar De La Renta Addressed Potential Future-Heads-Of-States, Estate Ladies and Grand Ole Party Gals with His Collection of Posh Powerwear
    JANET BROWN STORE MAY CLOSE/15 ANITA RODDICK DIES/18 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • September 11, 2007 • $2.00 Ready-to-Wear/Textiles Chic Street Oscar de la Renta addressed potential future-heads-of-states, estate ladies and grand ole party gals with his collection of posh powerwear. Here, he showed polish with an edge in a zip-up leather top and silk satin skirt, topped with a feather bonnet. For more on the shows, see pages 6 to 13. To Hype or Not to Hype: Designer Divide Grows Over Role of N.Y. Shows By Rosemary Feitelberg and Marc Karimzadeh NEW YORK — Circus or salon — which does the fashion industry want? The growing divide between designers who choose to show in the commercially driven atmosphere of the Bryant Park tents of Mercedes-Benz Fashion Week and those who go off-site to edgier, loftier or far-flung venues is defining this New York season, and designers on both sides of the fence argue theirs is the best way. As reported, IMG Fashion, which owns Mercedes-Benz Fashion Week, has signed a deal to keep those shows See The Show, Page14 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY 2 WWD, TUESDAY, SEPTEMBER 11, 2007 WWD.COM Iconix, Burberry Resolve Dispute urberry Group plc and Iconix Brand Group said Monday that they amicably resolved pending WWDTUESDAY Blitigation. No details of the settlement were disclosed. Ready-to-Wear/Textiles Burberry fi led a lawsuit in Manhattan federal court on Aug. 24 against Iconix alleging that the redesigned London Fog brand infringed on its Burberry check design.
    [Show full text]
  • The Fashion Runway Through a Critical Race Theory Lens
    THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION ..................................................................................................................
    [Show full text]
  • AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
    AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis.
    [Show full text]
  • Narratives of a Designer's Collection: Fashion Shows
    The Turkish Online Journal of Design, Art and Communication - TOJDAC ISSN: 2146-5193, October 2019 Volume 9 Issue 4, p. 546-554 NARRATIVES OF A DESIGNER’S COLLECTION: FASHION SHOWS AND ARTISTIC APPLICATIONS Sanem ODABAŞI Eskişehir Technical University, Turkey [email protected] https://orcid.org/0000-0001-8467-9038 ABSTRACT Fashion weeks are of significant importance since in addition to new designs to present, within those weeks a fashion shows’ effect sometimes moves ahead of the designs. When collections are completed, fashion designers introduce them through the “fashion show,” a field used to present their collection ideas in an impressive and striking manner. Through this form, the designer employs performative presentation to help put across the intellectual message, the allure of a fashionable creation, or to mediate diverse creations in a visual way as a collection. Fashion shows have a strong impact due to the atmosphere created which is surrounded by music, video art, performance and stage design. These 20-25 minute shows represent the whole collection through the background idea of the collection and designer’s inner world, by using colors, textures, stories, forms and visuals. Thus, an artistic approach is key when designing a show in order to reveal the collection’s idea in its most relevant form. The aim of this paper is to examine how fashion shows are curated by artistic applications and to reveal the ways of narrating stories which are not written but are conveyed to communities through performative presentations. In this respect, an interpretative approach was adopted and related artistic applications from contemporary examples held between 2013 and 2018 were analyzed as part of narrating a collection.
    [Show full text]
  • Cinematic Fashionability and Images Politics
    Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear.
    [Show full text]
  • Bar Code MILAN — Robust, Textured Sweaters Have Been All Over the Runways of Milan, As Designers Focus on Clothes for Leisure Rather Than Work
    Page 1 Tuesday s EXCLUSIVE: Balenciaga MILAN MEN’S: More opens men’s store reviews including in Paris, page 10. s Gucci and ermenegildo Zegna, pages 6 to 10. FASHION: Resort from Jean Paul Gaultier, (right), Chloé, s EYE: Catching up Viktor & Rolf and with actress Julia s akris, pages 4 and 5. Jones, page 16. MILAN men’s collections/spring 2011 Women’s Wear Daily • The Retailers’ Daily Newspaper • June 22, 2010 • $3.00 WReady-to-Wear/TextilesWDTUESDAY Bar Code MILAN — Robust, textured sweaters have been all over the runways of Milan, as designers focus on clothes for leisure rather than work. In the collection she showed Sunday night, Miuccia Prada delivered her own take on chunky knits, with thick, candy-colored bands married to marine stripes. For more on the Milan men’s collections, see pages 6 to 10. Digital Versus Print: Brands Rush to Web, Just Not to Advertise By Lisa Lockwood The WoRlD is oNliNe — yeT fashioN brands are still reluctant to advertise there. ad experts say that even as fashion brands shift more of their marketing spend online, they aren’t clamoring to place their ads on the Web as much as they are using it for e-commerce, blogs, posting news about their brands and building social networks. among the reasons are: • impactful fashion imagery doesn’t translate as well online. • There is too much clutter on the Web and their ads don’t stand out. • it’s debatable whether online fashion ads actually move merch. “look at the initial forms of advertising online — window ads and banner ads, they’re See For, Page12 photo by davide maestri davide photo by 2 WWD, TUESDAY, JUNE 22, 2010 WWD.COM Retailers Buoyed by Strong Father’s Day By Jean E.
    [Show full text]
  • Redefining the High Art of Couture: Fashion Illustration Goes Modern
    Redefining the High Art of Couture: Fashion Illustration Goes Modern exhibition curated by Decue Wu Tuesday, April 30, 2013 Fashion illustration has a long history and has played a critical role in the fashion industry. In the past, fashion illustrations were the main avenue for presenting the glamorous fashion concepts of designers. The illustrators added their own elements into their illustrations while showing the designerʼs vision. Meanwhile, fashion illustrators also documented the fashion show as editorial illustrations for magazines, newspapers and other publications. Yves Saint Laurent drawing designs. 1957 Tuesday, April 30, 2013 Cover illustration by Benito, 1921, for Vogue, February 15, 1921. Cover illustration by Benito, 1929, for Vogue, August 1929. Tuesday, April 30, 2013 Exhibition Précis: Redefining the High Art of Couture: Fashion Illustration Goes Modern is an exhibition that asserts that fashion illustration is a fine art. The focus is on the fashion illustrations of notable contemporary fashion illustrators, including David Downton (1959), Gladys Perint Palmer, Tanya Ling (1966), Francois Berthoud (1961), Mats Gustafson (1951), Zoë Taylor (1982), Jean-Philippe Delhomme (1959) and Howard Tangye (1979). Approximately two to four illustrations showcase the remarkable artistic talents of each artist. This exhibition is meaningful because it dispels the idea that fashion illustration is merely a functional tool for a fashion house— one used either to instruct tailors or to be manipulated as a marketing-and-sales device in fashion magazines or blogs. Instead, these exquisite drawings lift fashion illustration to its rightful place—as a high-art form worthy of acquisition by a museum or a private collector.
    [Show full text]
  • Guy Trebay Collection of Fashion Ephemera, 2000-2005
    http://oac.cdlib.org/findaid/ark:/13030/kt038nc9nd No online items Finding Aid for the Guy Trebay Collection of Fashion Ephemera, 2000-2005 Processed by Cristina Favretto; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Guy Trebay 459 1 Collection of Fashion Ephemera, 2000-2005 Descriptive Summary Title: Guy Trebay Collection of Fashion Ephemera Date (inclusive): 2000-2005 Collection number: 459 Creator: Trebay, Guy, 1952- Extent: 9 boxes (4.5 linear ft.)2 oversized boxes. Abstract: The collection consists of invitations, designer "look books", promotional material, and other fashion ephemera pertaining to the Milan, London, Paris, and New York City fashion shows spanning the years 2001-2005. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections.
    [Show full text]
  • Dark Shadows in Goth We Trust — That’S the Mantra of Some Adventurous Designers Who Are Channeling Glamour’S Dark Side for Fall
    s EYE: Muses, models, designers and more from the Costume FASHION SCOOP: First Institute gala, pages 4 and 5. Lady Michelle Obama makes the New York rounds, page 3. FASHION: Stella McCartney and Simon Doonan chat design ats Barneys New York, page 3. Women’s Wear Daily • The Retailers’ Daily Newspaper • May 6, 2009 • $3.00 WwDWEdNESdAYSportswear Dark Shadows In Goth we trust — that’s the mantra of some adventurous designers who are channeling glamour’s dark side for fall. Some variations, such as the furry-armed look here, take the primal beast angle. But Goth is more than a trend. It’s a richly nuanced subculture, with all sorts of quirky offshoots, including the Gothic Lolita movement coming West from Japan. For more on Gothic fashion, see pages 6 to 9. Target’s Hipper Tie-up: Anna Sui Set to Design Line for the Discounter By Sharon Edelson Target Corp. is hoping a dash of Anna Sui’s downtown New York style will lure thrifty consumers. As the discount retailer pushes to bring designer names to the masses, Sui will be the second participant in Target’s Designer Collaborations series. Bowing on Sept. 13 on target.com and in about 250 select stores across the U.S., Anna Sui for Target will be available through Miss Sixty’s wool Oct. 17. and acrylic faux fur blazer and The Designer Collaborations program belt, Fifth Avenue features more established talents — Shoe Repair’s Alexander McQueen was the inaugural cotton blouse and Witches’ polyester designer — than the up-and-comers of lace leggings.
    [Show full text]
  • Fall | Winter 2008
    FALL | WINTER 2008 66498_p1-25.indd 1 6/25/08 p110:27:08 AM FRENCH LESSONS Here’s what I wore to 4. the Louvre: blue Comme de Garcons with matching tights, FEATURES my Karen Walker shades, Jan at Paris cropped biker jacket. Repeat DARK ANTHEM 4. after me: medieval cobblestone Sleek leathers, pleathers and platform storm-troopers Fashion Week! streets were not made for SCULPTURE GARDEN 10. these Pierre Handy platforms! Fabrics pleat, fold, twist and distort LESSON FOUR LUXE LIBERATION 14. Fine tailoring, finished shapes and royal grandeur LESSON ONE Translate: See Jan run. Run, Jan, run! Repeat after moi: J’adore Paris! La crème de la crème – the best of the best: DEEP VAULTED 18. I’m here, and I love Paris! Precious tones ennoble JASMINE DE MILO – The pop of corks – and gem-hued fabrics Compare and contrast: real champagne (legally, champagne can only New York: Neon and adrenalin be made in France, you know) sets the scene DREAMS & EXHAUST 22. Luxury throws off its heavy wraps Paris: Incandescent. Simply glows. MON ONGLES at the Paris Ritz for this elegant private show. (My Nails) Luminous. No wonder it’s called Long pointed almonds with LOUIS VUITTON where every detail is “The City of Lights.” 10. extended nail beds in a creamy, scrutinized and set like a perfect diamond into femme pink. An undertone a priceless setting. of silvery shimmer, and GIAMBATTISTA VALLI where innocence turns crystal clear tips embedded 14. savage. The models in “Little Red Riding Hood” with flickers of blue-green mode literally eat the Big Bad Wolf during on DEPARTMENTS holographic cello.
    [Show full text]
  • Runway to Realway: Visual Analysis of Fashion
    Runway to Realway: Visual Analysis of Fashion Sirion Vittayakorn1 Kota Yamaguchi2 Alexander C. Berg1 Tamara L. Berg1 University of North Carolina at Chapel Hill1 Tohoku University2 {sirionv,acberg,tlberg}@cs.unc.edu [email protected] Abstract quantitative analysis of fashion both on the runway and in the real world, computationally, and at large scale, using Clothing and fashion are an integral part of our every- computer vision. To enable this study, we collect a large day lives. In this paper we present an approach to studying new dataset called the Runway Dataset, containing 348,598 fashion both on the runway and in more real-world settings, runway fashion photos, representing 9,328 fashion show computationally, and at large scale, using computer vision. collections over 15 years. Using this dataset we develop Our contributions include collecting a new runway dataset, computer vision techniques to measure the similarity be- designing features suitable for capturing outfit appearance, tween images of clothing outfits. Additionally, we make use collecting human judgments of outfit similarity, and learn- of the Paper Doll dataset [26] collected from the Chictopia ing similarity functions on the features to mimic those judg- social network, where people interested in fashion post and ments. We provide both intrinsic and extrinsic evaluations annotate pictures of their daily outfits. The combination of of our learned models to assess performance on outfit simi- these two datasets allows us to make initial steps toward an- larity prediction as well as season, year, and brand estima- alyzing how fashion trends transfer from runway collections tion.
    [Show full text]
  • 9780714849720-Pattern-Preview.Pdf
    -------------------------------------------------------------------------------------------------------------------------------------------------- ///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// .................................................................................................................................................................................................................................................................................................................................................................... *********************************************************************************************************************************************************************************************** /+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ----------------------------------------------------------------------------------------------------------------------------------------------------- ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ....................................... .............................................................................................................................................................................................................................................................................................................................................................
    [Show full text]