University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Vestures Of The Past: The Other Historicisms Of Victorian Aesthetics Timothy Chandler University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Comparative Literature Commons Recommended Citation Chandler, Timothy, "Vestures Of The Past: The Other Historicisms Of Victorian Aesthetics" (2019). Publicly Accessible Penn Dissertations. 3434. https://repository.upenn.edu/edissertations/3434 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3434 For more information, please contact
[email protected]. Vestures Of The Past: The Other Historicisms Of Victorian Aesthetics Abstract The importance of history to Victorian culture, and to nineteenth-century Europe more generally, is readily apprehended not only from its historiography, but also from its philosophy, art, literature, science, politics, and public institutions. This dissertation argues that the discourse of aesthetics in Victorian Britain constitutes a major area of historical thinking that, in contrast to the scientific and philosophical historicisms that dominated nineteenth-century European intellectual culture, focuses on individual experience. Its starting point is Walter Pater’s claim that we are born “clothed in a vesture of the past”—that is, that our relation to ourselves is historical and that our relation to history is aesthetic. Through readings of aesthetic theory and art criticism, along with works of historiography, fiction, poetry, and visual art, this dissertation explores some of the ways in which Victorian aesthetics addresses the problem of the relationship between the sensuous representation and experience of the historical, on the one hand, and the subjects of such representation and experience, on the other.