Islamists and Human Rights in Morocco
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Ellen Lust-Okar Source: Comparative Politics, Vol
Divided They Rule: The Management and Manipulation of Political Opposition Author(s): Ellen Lust-Okar Source: Comparative Politics, Vol. 36, No. 2 (Jan., 2004), pp. 159-179 Published by: Ph.D. Program in Political Science of the City University of New York Stable URL: http://www.jstor.org/stable/4150141 Accessed: 24/07/2009 16:28 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=phd. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Ph.D. Program in Political Science of the City University of New York is collaborating with JSTOR to digitize, preserve and extend access to Comparative Politics. -
Morocco in the Early Atlantic World, 1415-1603 A
MOROCCO IN THE EARLY ATLANTIC WORLD, 1415-1603 A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Earnest W. Porta, Jr., J.D. Washington, DC June 20, 2018 Copyright 2018 by Earnest W. Porta, Jr. All Rights Reserved ii MOROCCO IN THE EARLY ATLANTIC WORLD, 1415-1603 Earnest W. Porta, Jr., J.D. Dissertation Advisor: Osama Abi-Mershed, Ph.D. ABSTRACT Over the last several decades, a growing number of historians have conceptualized the Atlantic world as an explanatory analytical framework, useful for studying processes of interaction and exchange. Stretching temporally from the 15th into the 19th century, the Atlantic world framework encompasses more than simply the history of four continents that happen to be geographically situated around what we now recognize as the Atlantic basin. It offers instead a means for examining and understanding the transformative impacts that arose from the interaction of European, African, and American cultures following the European transatlantic voyages of the 15th and 16th centuries. Though it has not been extensively studied from this perspective, during the fifteenth and sixteenth centuries Morocco possessed geopolitical characteristics that uniquely situated it within not only the Islamic world, but the developing Atlantic world as well. This study considers Morocco’s involvement in the early Atlantic world by examining three specific phases of its involvement. The first phase lasts approximately one hundred years and begins with the Portuguese invasion of Ceuta in 1415, considered by some to mark the beginning of European overseas expansion. -
Rhythms and Rhymes of Life
RHYTHMSRHYMES AND RHYTHMS AND RHYMES OF LIFE Rhythms and Rhymes of Life: Music and Identification Processes of Dutch- Moroccan Youth is a comprehensive anthropological study of the social significance of music among Dutch-Moroccan youth. In the Netherlands, a Dutch-Moroccan music scene has emerged, including events and websites. Dutch-Moroccan youth are often pioneers in the Dutch hip- OF hop scene, using music as a tool to identify with or distance themselves from others. They (re)present and position themselves in society through LIFE music and musical activities. The chapters deal with the development of the Dutch-Moroccan music scene, the construction of Dutch-Moroccan identity, the impact of Islam on female artists and the way Dutch- Moroccan rappers react to stereotypes about Moroccans. All along, Dutch society, its struggles with multiculturalism and its debates on integration, the position of Islam and fear of terrorism, form the backdrop to this story. RHYTHMS AND MIRIAM GAZZAH Miriam Gazzah has studied Mediterranean studies at the Radboud RHYMES OF LIFE University Nijmegen. She graduated in 2001. Her master thesis focused on the development of the raï music subculture in the seventies, eighties and nineties in Algeria. Between 2003 and 2007 she was a PhD Fellow at MUSIC AND IDENTIFICATION International Institute for the Study of Islam in the Modern World (ISIM) in Leiden and the Radboud University Nijmegen. PROCESSES OF DUTch- ISBN 978 90 8964 062 8 MIRIA MOROCCAN YOUTH M GAZZAH Miriam Gazzah ISIM ISIM DISSERTATIONS ISIM AUP-ISIM-PS-Gazzah-OM-04.indd 1 17-07-2008 12:54:08 RHYTHMS AND RHYMES OF LIFE MUSIC AND IDENTIFICATION PROCESSES OF DUTCH- MOROCCAN YOUTH Miriam Gazzah Cover illustration: Bert Smits, www.bertsmits.com Cover design and lay-out: De Kreeft, Amsterdam ISBN 978 90 8964 062 8 E-ISBN 978 90 4850 649 1 NUR 761 © ISIM / Amsterdam University Press, Amsterdam 2008 Alle rechten voorbehouden. -
Cultural Production: Warding Off Barrenness
STORIES BOLDLY TOLD Interviews Jumana Manna Mohamed Mahdy Monika Borgmann and Lokman Slim Hicham Bouzid Abd Doumany Ghassan Halwani Sandi Hilal Philippe Jarad, Raji Ghareeb and Jeryes Babish Joumana Al Jabri, Ahmad Barclay and Iman Innab Nadir Bouhmouch Khawla Ibraheem Omnia Shawkat Ali Essafi Sara Ishaq Adel Abdel Wahab Cultural Production: Warding Off Barrenness All is not well with cultural production in the Arabic-speaking world. It still oscillates between the denial of its economic dependency on the one hand, and its dissolution therein on the other; between denying its status as “production”, and becoming nothing more than content development. And besides, it remains in its launching phase, while its performers, the producers, labor to finalize it. They do this by carrying on with their work, while continuously pointing out the basic conditions of possibility that their work is denied. Stories Boldy Told These deficient requirements are undoubtedly many, the most prominent of which being the lack of freedom of expression and the impossibility of full-time dedication, along with a market stagnation aggravated by the degradation of planning processes into measures for profiteering. And yet in spite of this general state of affairs, cultural production in the Arabic- speaking world continues to expand and diversify. The works presented by AFAC in this publication constitute a kind of manifesto about the bountifulness of this production, and their makers tackle obstacles through whatever means they have at their disposal, knowing that they not only need to accomplish their work, but also to supply the underlying structure, trajectory, positioning, even the history of this accomplishment. -
'Nass El Ghiwan'
‘Nass el Ghiwan’ An audience research of the Moroccan Popular Music in the 1970s Majda Belgazzar Supervisor: Deniz Duru Examiner: Magnus Andresson MSc in Media and Communication Lund University 2020 1 Abstract This thesis focuses on the audience of Nass el Ghiwan who experienced the 1970s in Morocco coming from a poor social class. The goal of the thesis is to understand the engagement of this social class with Nass el Ghiwan and how the interviewees could identify with their songs and the socio-political and economic memories triggered about the 1970s when they were listening to the songs of Nass el Ghiwan. Through the ten interviews in Morocco, Marrakesh, this thesis could create a correlation between the social status of the interviews and the songs of Nass el Ghiwan. This study is built theoretically on the notion of cultural citizenship (Stevenson Nick), popular culture (Joke Hermes, 2005), spectrum of engagement (Annette Hill, 2017), identity (Stewart Hall, 1996), and nostalgia (Zhou et al., 2012). It gives a social, political and economic and cultural context to understand the affective and cognitive engagement of the audience with Nass el Ghiwan; and the national, Maghreb identity in addition to the aspects of nostalgia. The findings show that Nass el Ghiwan was not considered by its audience just as an entertainment but as a social movement and a phenomenon who could represent the poor social class when no one did. The interviewees testified engaging with Nass el Ghiwan more than with any other bands, because they broke the codes and challenged the repressive rules instore by the monarchy after the independence of Morocco in 1956. -
My Trip to Morocco
My Trip to Morocco I hadn’t planned on going to Morocco this year. My original choice was a joint tour of Israel and Jordan, but Helene Halperin and Noelani Musicaro, two women I met on a previous trip to Turkey, convinced me to go. I normally travel solo (within a guided tour). However, over the years I’ve learned it is far better to see the world with like-minded travelers. Helene, a retired educator, and Noelani, an online entrepreneur, were a good mix for me. Not only did we embrace the same free-spirited curiosity about our planet, we also shared a similar sense of humor, which never hurts. Our tour company of choice was Gate 1 Travel; we selected an escorted tour called the 13-Day Kaleidoscope of Morocco at a very affordable price. I travel twice a year on my letter carrier’s salary and need to keep the costs of most trips to under $250 a day (including airfare), so this trip fit my budget perfectly. Although I write detailed journals of all my travels I seldom do any research on the countries I visit prior to the actual trips. This tour was no exception. Perhaps this sounds like an asinine way of seeing the world, but I often tell myself the true adventure comes from experiencing the culture and unknown wonders of a new place, and not just crossing off a checklist. Besides, I had Helene with me, a walking encyclopedia who eats travel books for breakfast, possessing an uncanny sense of direction as if she was born with a GPS device implanted in her brain. -
Raisuni Y Abdelkrim
Revista Universitaria de Historia Mililar Volumen 8, número 16 Año 2019, pp. 41-60 ISSN: 2254-6111 La lucha anti-colonial en el protectorado español según la historiografía marroquí: Raisuni y Abdelkrim Anti-colonial struggle in the Spanish protectorate according to Moroccan historiography: Raisuni and Abdelkrim Rocío Velasco de Castro Universidad de Extremadura [email protected] Resumen: El principal objetivo de estas líneas es analizar el tratamiento que han tenido las dos figuras más destacadas de la lucha anti-colonial en el Marruecos español: el jerife de Yebala, Mulay Ahmad b. Muhammad b. Abdallah al- Raisuni, y el líder rifeño Muhammad b. Abd al-Karim al-Jattabi, en la historiografía marroquí. Con esta finalidad se pretende aportar la óptica marroquí de los acontecimientos, exponer las principales tendencias y autores, señalar las lagunas existentes en el corpus bibliográfico seleccionado y sus posibles causas, y revitalizar el interés por un tema de estudio que sigue presentando importantes carencias y varias limitaciones, algunas de ellas ajenas a la investigación histórica. En este sentido, se exponen algunas de las dificultades que genera el estudio de determinados temas considerados tabú por su importancia en la construcción identitaria del Marruecos independiente. Para no sobrepasar la extensión requerida, se trata de una aproximación basada en la consulta de sesenta trabajos, la mayor parte de ellos en lengua árabe, publicados entre 1948 y 2017. Se trata de una muestra significativa en la que el emir Abdelkrim es protagonista de la investigación en detrimento del menor número de trabajos dedicados al jerife Raisuni. El texto está estructurado en tres partes. -
Does Interviewer Religious Dress Affect Survey Responses? Evidence from Morocco
Politics and Religion, 7 (2014), 734–760 © Religion and Politics Section of the American Political Science Association, 2014 doi:10.1017/S1755048314000455 1755-0483/14 Does Interviewer Religious Dress Affect Survey Responses? Evidence from Morocco Lindsay J. Benstead Portland State University Abstract: Few studies examine religiosity-of-interviewer effects, despite recent expansion of surveying in the Muslim world. Using data from a nationally- representative survey of 800 Moroccans conducted in 2007, this study investigates whether and why interviewer religiosity and gender affect responses to religiously-sensitive questions. Interviewer dress affects responses to four of six items, but effects are larger and more consistent for religious respondents, in support of power relations theory. Religious Moroccans provide less pious responses to secular-appearing interviewers, whom they may link to the secular state, and more religious answers to interviewers wearing hijab, in order to safeguard their reputation in a society that values piety. Interviewer traits do not affect the probability of item-missing data. Religiosity-of-interviewer effects depend on interviewer gender for questions about dress choice, a gendered issue closely related to interviewer dress. Interviewer gender and dress should be coded and controlled for to reduce bias and better understand social dynamics. INTRODUCTION Researchers, largely working in Western countries, have examined how observable interviewer traits affect data quality. Most studies focus on I am grateful to Lonna Atkeson and Christopher Muste, participants at the 2010 meetings of the Society of Political Methodology and the American Political Science Association, and two anonymous reviewers and the editors for their valuable suggestions. Special thanks to Ellen Lust and Mhammed Abderebbi for their collaboration on the survey and Mariam Eskander, Michael Figueredo, Kyss Jean-Mary, Eric Moore, and Erin Steinkruger for research assistance. -
Moroccan Foreign Policy in Sub-Saharan Africa Tachfine Baida
Moroccan Foreign Policy in sub-Saharan Africa Tachfine Baida To cite this version: Tachfine Baida. Moroccan Foreign Policy in sub-Saharan Africa. The Foundations of Moroccan Foreign Policy: An Anthology, 2013. hal-03164193 HAL Id: hal-03164193 https://hal.archives-ouvertes.fr/hal-03164193 Submitted on 25 Mar 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. FOUNDATIONS OF MOROCCAN FOREIGN POLICY Moroccan Foreign Policy in sub-Saharan Africa Tachfine Baïda Introduction Morocco’s history is closely tied to sub-Saharan Africa. For many centuries, Morocco derived its wealth from controlling trade routes channeling gold, salt, and slaves from West Africa, Bilad al-Sudan, to North African urban centers. This pattern has radically changed in the past century. European colonialism destroyed Moroccan links with sub-Saharan Africa. Colonial powers erected artificial borders all over the Sahara, preventing trade, exchange, and the movement of people between northern and southern parts Africa. The colonial era has had a considerable influence in framing current Moroccan foreign relations. Since its independence in 1956, the Moroccan state has focused much of its efforts on strengthening its relations with Europe and North America whereas sub-Saharan Africa received little attention from Moroccan policymakers. -
Ethnographic Research in Morocco: Analyzing Contemporary Artistic Practices and Visual Culture
ETHNOGRAPHIC RESEARCH IN MOROCCO: ANALYZING CONTEMPORARY ARTISTIC PRACTICES AND VISUAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maribea Woodington Barnes, B.A., M.A. The Ohio State University 2008 Dissertation Committee: Approved by Dr. Patricia Stuhr, Adviser ________________________ Adviser Dr. Christine Ballengee-Morris Art Education Graduate Program Dr. James Sanders III Copyright by Maribea Woodington Barnes 2008 ABSTRACT Over the last several decades numerous scholarly articles and books have been published on Moroccan art forms. Yet, these studies have consistently examined Morocco’s traditional works or its older forms of artistic practices. Specifically, Morocco’s ceramics objects and textiles are among the most commonly examined works. As a result of this emphasis, only a partial view of Morocco’s rich artistic production has been presented. Currently, Moroccan Art is consistently viewed as static and the 19th century western Orientalist image of Morocco has more or less remained. Visual Culture within the country and beyond its border continues to reinforce these antiquated perceptions. To identify the range of works of art produced within Morocco, a multi- method ethnographic approach was utlized. Using information drawn from fieldwork conducted in Morocco in 2002, 2004, and 2006, contemporary artistic practices were examined and anylzed within a social and historical context. Personal narratives from my fieldwork in 2006 added layers of information to enrich my study of Moroccan art and culture. My findings revealed that Morocco’s rich historical past includes a multiplicity of cultures and influences. -
Crossing the Strait from Morocco to the United States: the Transnational Gendering of the Atlantic World Before 1830
CROSSING THE STRAIT FROM MOROCCO TO THE UNITED STATES: THE TRANSNATIONAL GENDERING OF THE ATLANTIC WORLD BEFORE 1830 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Marsha R. Robinson, MA ®®®®® The Ohio State University 2006 Dissertation Committee: Approved by Professor Claire Robertson, Advisor Professor Ahmad Sikainga _________________________ Professor Stephen Hall Advisor History Graduate Program Copyright by Marsha Renee Robinson 2006 ABSTRACT This world women’s history is a comparative legal study tracing two thousand years of cultural contact through 1830 between the Saharan-based, gynecentric, Berian culture foundational to the Maliki Islam of the Berbers, Southern Arabs and Iberians, and the Mesopotamian and eastern Mediterranean patriarchy foundational to West Asiatic Islam and Western Christianity. The work explores the female-friendly Berian values common to the Saharan salt marsh diaspora and Almoravid Andalusia and North Africa, correcting patriarchal Sassanid influences upon Abbasid and Almohad omissions of female politicians from their imperial histories of the Maghrib. The European patriarchal bias began during Isabel I’s Reconquista Spain when the Spanish Inquisition attempted a purge of Berian matriliny. It continued with British harem envy, hyper-virility and political jealousy as Anglo-Americans engaged Barbary states. Western Christian philosophers, Freemasons, politicians and ministers used misperceptions of the harem to limit Western women’s economic and legal rights. In the U.S., this resulted in the simultaneous rise of domesticity, left-handed marriages, and de facto American polygyny. The Berber cultural influence on the U.S. occurred in the 1833 U.S. -
THE RUGGED ROAD the Emergence, Evolution and Challenges of Human Rights Action in Arab Countries Edited by Khaled Mansour © 2019 Arab Reform Initiative
THE RUGGED ROAD The Emergence, Evolution and Challenges of Human Rights Action in Arab Countries edited by Khaled Mansour © 2019 Arab Reform Initiative. All Rights Reserved. Photo: A mural near Cairo’s Tahrir Square drawn by Egyptian artists on concrete blocks that bar the way to the Ministry of Interior headquarters, March 2012. © Jonathan Rashad ISBN: 979-10-93214-19-1 EAN: 9791093214191 2 THE RUGGED ROAD The Emergence, Evolution and Challenges of Human Rights Action in Arab Countries edited by Khaled Mansour Table of Contents 5 Introduction Evolution, Present Challenges and Future Prospects 12 Part I: The Evolution of Human Rights Action 13 1. The Formal Birth of the Human Rights Movement in Egypt 24 2. Origins, Evolution and Challenges to the Human Rights Movement in Tunisia 34 3. The Evolution of Morocco’s Human Rights Movement 47 Part II: The Human Rights Movement and the State 48 1. The State and Human Rights Organizations in Egypt: A Problem of Political Culture or a Structural Crisis? 61 2. Tunisia: Human Rights Organizations and the State 70 3. Human Rights and the State in Morocco: Impact of the 20 February Movement 77 Part III: Human Rights and Socio-economic Activism 78 1. The Human Rights Movement and Contentious Politics in Egypt (2004-2014) 90 2. Rights and Politics: Human Rights Action and Socioeconomic Struggles in Tunisia 98 3. Human Rights Action and Social Movements in Morocco 105 Part IV: Human Rights and Islamism 106 1. Islamists and Rights Activists in Egypt: The Potential for Convergence 121 2. Tunisia: Human Rights Organizations, Political Islam and its Groups 129 3.