Mobilizing for Mumia Abu-Jamal in Paris
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism. -
File04.Caraher.Qxp Layout 1
Turning Point ‘68 From Tet to Chicago, Paris to D.C., Hesiod to Works & Days Brian G. Caraher February 2, 1968 In the dark of the moon, in flying snow, in the dead of winter war spreading, families dying, the world in danger, I walk the rocky hillside, sowing clover. --Wendell Berry, Farming: A Hand Book (1970) Senseless ones, they know neither how much more is only half of all. Nor how good living is on only mallow and asphodel. The holy ones have hidden away the life of humans. --Hesiod, Works and Days, lines 40-42 (my trans.) I used to have a dream, and perhaps I will be able to dream that dream again. It’s not necessarily Wendell Berry’s agricultural dream, though I respect his life-long advocacy of an American return to neo- Jeffersonian democracy and of eco-agrarian and socio-political re- form. Berry’s Farming: A Hand Book strives to do for contemporary American society what Hesiod’s ancient classic Works and Days once sought to do for a strife-torn, Iron Age, Hellenic society: finding, conserving, and relishing those patterns of familial and social rela- tions and those rhythms of work and respect for nature and culture that heal the unnatural torments of greed, hatred, economic sadism and political domination. “In the dark of the moon,” Berry’s poet-farmer labors to sow seed to tame a hillside with clover for his spring and summer live- stock. The same “dark of the moon” marked the Spring Festival – the Tet Nguyen Dan—of the Vietnamese lunar calendar in 1968, a holiday declared for January 30 to February 1, 1968. -
Why America Needs a Second Party by Harold Meyerson INSIDE DEMOCRATIC LEFT Dsaction
PUBLISHED BY THE DEMOCRATIC SOCIALISTS OF AMERICA Why America Needs A Second Party By Harold Meyerson INSIDE DEMOCRATIC LEFT DSAction ... 11 Why We Need a Second Party Jimmy Higgins Reports ... 16 by Harold Meyerson ... 3 Turning Rage Into Action: Daring To Be Ambitious: New York City DSA Commentary on the Clarence Thomas Hearings Organizes to Elect a Progressive City Council by Suzanne Crowell ... 13 by Miriam Bensman ... 6 Book Review: Guy Molyneux reviews E.J. Dionne's Why Americans Hate Politics ... 14 On TheLefJ Canadian Health Care Speakers Tour Report ... 8 Cover photo by Robert Fox/Impact Visuals EDITORIAL West European social democracies. In bachev is correct to want those "inter SOVI ET the Soviet Union, he'd like to see similar esting results" in democracy, economic welfare state guarantees, active labor development, and human rights that market policies, and government in- are inspired by the socialist idea. In tervention in the economy for both this respect, he's in tune with the DREAMER growth and equity. In his heart of citizens of his country since polls con hearts, Gorby wants his country to sistently show widespread support by Joanne Barkan look like Sweden in good times. among them for welfare state guaran- Dream on -- James Baker would tees. If George Bush would stop ex The coup in the Soviet Union fails. certainly respond. And democratic so- porting his models of misery, what's The train of history is back on the cialists everywhere would have to admit worked best for the West Europeans reform track -- for the moment. Re that the economic resources and insti- might -- with time and aid -- work for publics of the former empire declare tutional mechanisms just don't exist the East. -
Afro-American Prison Writings: Undoing Race Trouble and Doing
of Soci al alo rn m i u c Frouini, J Socialomics 2018, 7:3 o s J DOI: 10.4172/2167-0358.1000224 Journal of Socialomics ISSN: 2167-0358 Review Article Open Access Afro-American Prison Writings: Undoing Race Trouble and Doing Trauma Recovery Ismail Frouini* Université Chouaïb Doukkali, El Jadida, Morocco *Corresponding author: Ismail Frouini, Assistant Professor, Université Chouaïb Doukkali, El Jadida, Morocco, Tel: 0523344447/48; E-mail: [email protected] Rec Date: July 11, 2018; Acc Date: September 04, 2018; Pub Date: September 11, 2018 Copyright: © 2018 Frouini I. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract Race is a discursive-per formative construct. It is the by-product of the knowledge and power relations dynamics. Afro-American dissidents have been once shaped by these power relations and therefore have been subject to these race dynamics. Afro-American prison writings are counter-discourses and testimonies against the atrocities of “white” women during the Civil Rights movement era. Since their historical trauma of enslavement, Afro-American prison writers have left testimonies and diaries about the ordeal of their captivity. The corpus of prison writings documents an important historical period of activism and state repression. This paper investigates the notion of race as a discursive construct and analyses how such discourse perpetuates power relations underlying the oppressed and the oppressor, the dominant and the subaltern in Afro-American prison writings. It also analyses how Afro- American prisoners reveal and recover from the trauma they have undergone in the “white” ideological state apparatus, prison. -
People's Electric: Engaged Legal Education at Rutgers-Newark
Fordham Urban Law Journal Volume 40 Number 1 The Law: Business of Profession? The Continuing Relevance of Julius Henry Article 3 Cohen for the Practice of Law in the Twenty- First Century 2021 People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s George W. Conk Fordham University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Civil Rights and Discrimination Commons, Law and Society Commons, Legal Education Commons, and the Legal History Commons Recommended Citation George W. Conk, People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s, 40 Fordham Urb. L.J. 503 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol40/iss1/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. CONK_CHRISTENSEN (DO NOT DELETE) 4/15/2013 5:50 PM PEOPLE’S ELECTRIC: ENGAGED LEGAL EDUCATION AT RUTGERS-NEWARK LAW SCHOOL IN THE 1960S AND 1970S George W. Conk* Why Newark? .......................................................................................... 503 Impact Litigation ................................................................................... 506 In Tune with the Times ........................................................................ -
CONSTRUCTING TIN PAN ALLEY 17 M01 GARO3788 05 SE C01.Qxd 5/26/10 4:35 PM Page 18
M01_GARO3788_05_SE_C01.qxd 5/26/10 4:35 PM Page 15 Constructing Tin Pan 1 Alley: From Minstrelsy to Mass Culture The institution of slavery has been such a defining feature of U.S. history that it is hardly surprising to find the roots of our popular music embedded in this tortured legacy. Indeed, the first indige- nous U.S. popular music to capture the imagination of a broad public, at home and abroad, was blackface minstrelsy, a cultural form involving mostly Northern whites in blackened faces, parodying their perceptions of African American culture. Minstrelsy appeared at a time when songwriting and music publishing were dispersed throughout the country and sound record- The institution of slavery has been ing had not yet been invented. During this period, there was an such a defining feature of U.S. history that it is hardly surprising to find the important geographical pattern in the way music circulated. Concert roots of our popular music embedded music by foreign composers intended for elite U.S. audiences gener- in this tortured legacy. ally played in New York City first and then in other major cities. In contrast, domestic popular music, including minstrel music, was first tested in smaller towns, then went to larger urban areas, and entered New York only after success elsewhere. Songwriting and music publishing were similarly dispersed. New York did not become the nerve center for indigenous popular music until later in the nineteenth century, when the pre- viously scattered conglomeration of songwriters and publishers began to converge on the Broadway and 28th Street section of the city, in an area that came to be called Tin Pan Alley after the tinny output of its upright pianos. -
A Dramatic Exploration of Women and Their Agency in the Black Panther Party
Kennesaw State University DigitalCommons@Kennesaw State University Master of Arts in American Studies Capstones Interdisciplinary Studies Department Spring 5-2017 Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party. Kristen Michelle Walker Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/mast_etd Part of the African American Studies Commons, American Studies Commons, Playwriting Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Walker, Kristen Michelle, "Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party." (2017). Master of Arts in American Studies Capstones. 12. http://digitalcommons.kennesaw.edu/mast_etd/12 This Capstone is brought to you for free and open access by the Interdisciplinary Studies Department at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Master of Arts in American Studies Capstones by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. REVOLUTIONARY EVERY DAY: A DRAMATIC EXPLORATION OF WOMEN AND THEIR AGENCY IN THE BLACK PANTHER PARTY A Creative Writing Capstone Presented to The Academic Faculty by Kristen Michelle Walker In Partial Fulfillment Of the Requirements for the Degree Master of Arts in American Studies Kennesaw State University May 2017 1 TABLE OF CONTENTS Introduction…………………………………...…………………………………………...……. -
Pop Dreams Music, Movies, and the Media in the American 1960S 1St Edition Pdf, Epub, Ebook
POP DREAMS MUSIC, MOVIES, AND THE MEDIA IN THE AMERICAN 1960S 1ST EDITION PDF, EPUB, EBOOK Archie Loss | 9780155041462 | | | | | Pop Dreams Music, Movies, and the Media in the American 1960s 1st edition PDF Book Reference Reviews. Archived from the original on May 11, Their manager Brian Epstein encouraged the group to wear suits. More than people cheered slogans such as "Give us back our hair! Years :. Archived from the original on April 29, Retrieved May 23, History of the Flying Disc. Kennedy , a Keynesian [8] and staunch anti-communist , pushed for social reforms. Joan Baez and Bob Dylan , 28 August Within and across many disciplines, many other creative artists, authors, and thinkers helped define the counterculture movement. In Britain, the Labour Party gained power in Chicago Tribune. Pope Paul VI. Chicago Seven. King Saud. Thompson — journalist, author Kurt Vonnegut — author, pacifist, humanist Andy Warhol — artist Leonard Weinglass — attorney Alan Watts — philosopher Neil Young born musician, activist. Paul Newman , Free jazz is strongly associated with the s innovations of Ornette Coleman and Cecil Taylor and the later works of saxophonist John Coltrane. Not all of them were considered hippies and protesters. Entertainment Weekly. Archived from the original PDF on 13 July He travelled widely and his work was often discussed in the mass media, becoming one of the few American intellectuals to gain such attention. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. The declaration "all men are created equal See also: Counterculture of the s and Timeline of s counterculture. Well, a Surrealist would, anyway. -
Rebel Cities: from the Right to the City to the Urban Revolution
REBEL CITIES REBEL CITIES From the Right to the City to the Urban Revolution David Harvey VERSO London • New York First published by Verso 20 12 © David Harvey All rights reserved 'Ihe moral rights of the author have been asserted 13579108642 Verso UK: 6 Meard Street, London WI F OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 1120 I www.versobooks.com Verso is the imprint of New Left Books eiSBN-13: 978-1-84467-904-1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Harvey, David, 1935- Rebel cities : from the right to the city to the urban revolution I David Harvey. p. cm. Includes bibliographical references and index. ISBN 978-1-84467-882-2 (alk. paper) -- ISBN 978-1-84467-904-1 I. Anti-globalization movement--Case studies. 2. Social justice--Case studies. 3. Capitalism--Case studies. I. Title. HN17.5.H355 2012 303.3'72--dc23 2011047924 Typeset in Minion by MJ Gavan, Cornwall Printed in the US by Maple Vail For Delfina and all other graduating students everywhere Contents Preface: Henri Lefebvre's Vision ix Section 1: The Right to the City The Right to the City 3 2 The Urban Roots of Capitalist Crises 27 3 The Creation of the Urban Commons 67 4 The Art of Rent 89 Section II: Rebel Cities 5 Reclaiming the City for Anti-Capitalist Struggle 115 6 London 201 1: Feral Capitalism Hits the Streets 155 7 #OWS: The Party of Wall Street Meets Its Nemesis 159 Acknowledgments 165 Notes 167 Index 181 PREFACE Henri Lefebvre's Vision ometime in the mid 1970s in Paris I came across a poster put out by S the Ecologistes, a radical neighborhood action movement dedicated to creating a more ecologically sensitive mode of city living, depicting an alternative vision for the city. -
The Theme of Responsibility in Black American Political Thought
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1972 The Theme of Responsibility in Black American Political Thought Jerome Stewart Legge College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the Political Science Commons Recommended Citation Legge, Jerome Stewart, "The Theme of Responsibility in Black American Political Thought" (1972). Dissertations, Theses, and Masters Projects. Paper 1539624775. https://dx.doi.org/doi:10.21220/s2-aacc-xa39 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. TEE THEME OF RESPONSIBILITY IN BLACK AMERICAN POLITICAL THOUGHT A Thesis Presented to The Faculty of the Department of Government The College of William and Mary in Virginia In Partial Fulfillment of the Requirements for the Degree of Master of Arts hy Jerome S. Legge, Jr. 1972 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirement for the degree of Master of Arts Jerome S. Legge, Jr. Author Appr oved 3 Sept ember 1972 TABLE OF CONTENTS Chapter Page ,i. introduction • . i II. BOOKER T. WASHINGTON: ON RESPONSIBILITY . .... 6 III. BLACK RESPONSIBILITY: THE ELITE VERSUS THE. MASSES . .. .... 20 IV. FROM DEBTOR TO SAVIOR: BLACK RESPONSIBILITIES TO AMERICA . .... , . ..... ... 3l V. IDENTITY, RESPONSIBILITY AND RELIGION: THE MUSLIMS ............ 1+9 VI. ■ WHITE RESPONSIBILITY: A REJECTION FOR : SELF-DEFENSE . -
Murals & Portraits
RICHARD AVEDON Murals & Portraits May 4 – July 6, 2012 B C A D Galleries: A) Andy Warhol and members of The Factory B) The Chicago Seven C) The Mission Council D) Allen Ginsberg’s family Murals: A) Andy Warhol and members of The Factory: Paul Morrissey, director; Joe Dallesandro, actor; Candy Darling, actor; Eric Emerson, actor; Jay Johnson, actor; Tom Hompertz, actor; Gerard Malanga, poet; Viva, actress; Paul Morrissey; Taylor Mead, actor; Brigid Polk, actress; Joe Dallesandro; Andy Warhol, artist, New York, October 30, 1969, printed 1975 Silver gelatin prints, three panels mounted on linen 123 x 374 1/2 inches (312.4 x 951.2 cm) AP 1/2, edition of 2 B) The Chicago Seven: Lee Weiner, John Froines, Abbie Hoffman, Rennie Davis, Jerry Rubin, Tom Hayden, Dave Dellinger, Chicago, Illinois, November 5, 1969, printed 1969 Silver gelatin prints, three panels mounted on linen 121 3/4 x 242 3/4 inches (309.2 x 616.6 cm) Edition 2/2 + 1 AP C) The Mission Council: Hawthorne Q. Mills, Mission Coordinator; Ernest J. Colantonio, Counselor of Embassy for Administrative Affairs; Edward J. Nickel, Minister Counselor for Public Affairs; John E. McGowan, Minister Counselor for Press Affairs; George D. Jacobson, Assistant Chief of Staff, Civil Operations and Rural Development Support; General Creighton W. Abrams, Jr., Commander, United States Military Assistance Command, Vietnam; Ambassador Ellsworth Bunker; Deputy Ambassador Samuel D. Berger; John R. Mossler, Minister and Director, United States Agency for International Development; Charles A. Cooper, Minister