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Weather Underground Rises from the Ashes: They're Baack!
Weather Underground Rises from the Ashes: They're Baack! I attended part of a January 20, 2006, "day workshop of interventions" — aka "a day of dialogic interventions" — at Columbia University on "Radical Politics and the Ethics of Life."[1] The event aimed "to stage a series of encounters . to bring to light . the political aporias [sic] erected by the praxis of urban guerrilla groups" in Europe and the United States from the 1960s to the 80s.[2] Hosted by Columbia's Anthropology Department, workshop speakers included veterans and leaders of the Weather Underground Bernardine Dohrn and Bill Ayers, historian Jeremy Varon, poststructuralist theorist Gayatri Chakravorty Spivak and a dozen others. The panel I sat through was just awful.[3] Veterans of Weather (as well as some fans) seem to be on a drive to rehabilitate, cleanse, and perhaps revive it — not necessarily as a new organization, but rather as an ideological component of present and future movements. There have been signs of such a sanitization and romanticization for some time. A landmark in this rehabilitation is Bill Ayers, Fugitive Days: A Memoir (Beacon Press 2001; Penguin Books 2003). This is a dubious account, full of anachronisms, inaccuracies, unacknowledged borrowings from unnamed sources (such as the documentary, Atomic Cafe, 17-19), adding up to an attempt to cover over the fact that Ayers was there only for a part of the things he describes in a volume that nonetheless presents itself as a memoir. It's also faux literary and soft core ("warm and wet and welcoming"(68)), "ruby mouth"(38), "she felt warm and moist"(81)), full of archaic sexism, littered with boasts of Ayers's sexual achievements, utterly untouched by feminism. -
FP 24.2 Summer2004.Pdf (5.341Mb)
The Un vers ty of W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 24, Number 2 Summer 2004 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing of contents Volume 24, Number 2 (Summer 2004) Periodical literature is the culling edge ofwomen'sscholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing ofContents is pUblished by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to ajournal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues ofmajor feministjournals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first pUblication. 2. Frequency of publication. 3. U.S. subscription price(s). 4. SUbscription address. 5. Current editor. 6. -
Bernardine Dohrn
Bernardine Dorhn: Never the Good Girl, Not Then, not Now: An Interview By Jonah Raskin Who doesn’t have a reaction to the name and the reputation of Bernadine Dohrn? Is there anyone over the age of 60 who doesn’t remember her role at the outrageous Days of Rage demonstrations, her picture on FBI “wanted posters,” or her dramatic surrender to law enforcement officials in Chicago after a decade as a fugitive? To former members of SDS, anti-war activists, Yippies, Black Panthers, White Panthers, women’s liberationists, along with students and scholars of Weatherman and the Weather Underground, she probably needs no introduction. Sam Green featured her in his award-winning 2002 film, The Weather Underground. Todd Gitlin added to her iconic stature in his benchmark cultural history, The Sixties, though he was never on her side of the ideological splits or she on his. Dozens of books about the long decade of defiance have documented and mythologized Dohrn’s role as an American radical. Of course, her flamboyant husband and long-time partner, Bill Ayers, has been at her side for decades, aiding and abetting her much of the time, and adding to her legendary renown and notoriety. Born in 1942, and a diligent student at the University of Chicago, she attended law school there and in the late 1960s “stepped out of the role of the good girl," as she once put it. She has never really stepped back into it again, though she’s been a wife, a mother, and a professional woman for more years than she was a street fighting woman. -
An Interdisciplinary Journal
FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISMFast Capitalism FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM ISSNFAST XXX-XXXX CAPITALISM FAST Volume 1 • Issue 1 • 2005 CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM -
Cumulative Faculty Bibliography Through 2009 Fordham Law School Library
Fordham Law School FLASH: The Fordham Law Archive of Scholarship and History Faculty Bibliography Law Library September 2018 Cumulative Faculty Bibliography Through 2009 Fordham Law School Library Follow this and additional works at: https://ir.lawnet.fordham.edu/fac_bib Part of the Law Commons Recommended Citation Fordham Law School Library, "Cumulative Faculty Bibliography Through 2009" (2018). Faculty Bibliography. 13. https://ir.lawnet.fordham.edu/fac_bib/13 This Book is brought to you for free and open access by the Law Library at FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in Faculty Bibliography by an authorized administrator of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. Fordham Law School Cumulative Faculty Bibliography Through 2009 ABRAHAM ABRAMOVSKY Books (Editor) Criminal Law and the Corporate Counsel. New York: Harcourt Brace Jovanovich, 1981. Journal Articles “Prosecuting Judges for Ethical Violations: Are Criminal Sanctions Constitutional and Prudent, or Do They Constitute a Threat to Judicial Independence?” 33 Fordham Urban Law Journal 727-773 (2006) [with Jonathan I. Edelstein] “Criminal Law Current Comment: People V. Suarez and Depraved Indifference Murder: The Court of Appeals' Incomplete Revolution.” 56 Syracuse Law Review 707-734 (2006) [with Jonathan I. Edelstein] ADepraved Indifference Murder Prosecutions in New York: Time for Substantive and Procedural Clarification.@ 55 Syracuse Law Review 455-494 (2005) (with Jonathan I. Edelstein). "The Drug War and the American Jewish Community: 1880 to 2002 and Beyond." 6 The Journal of Gender, Race & Justice 1-38 (2002 ) (with Jonathan I. -
People's Electric: Engaged Legal Education at Rutgers-Newark
Fordham Urban Law Journal Volume 40 Number 1 The Law: Business of Profession? The Continuing Relevance of Julius Henry Article 3 Cohen for the Practice of Law in the Twenty- First Century 2021 People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s George W. Conk Fordham University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Civil Rights and Discrimination Commons, Law and Society Commons, Legal Education Commons, and the Legal History Commons Recommended Citation George W. Conk, People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s, 40 Fordham Urb. L.J. 503 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol40/iss1/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. CONK_CHRISTENSEN (DO NOT DELETE) 4/15/2013 5:50 PM PEOPLE’S ELECTRIC: ENGAGED LEGAL EDUCATION AT RUTGERS-NEWARK LAW SCHOOL IN THE 1960S AND 1970S George W. Conk* Why Newark? .......................................................................................... 503 Impact Litigation ................................................................................... 506 In Tune with the Times ........................................................................ -
Pop Dreams Music, Movies, and the Media in the American 1960S 1St Edition Pdf, Epub, Ebook
POP DREAMS MUSIC, MOVIES, AND THE MEDIA IN THE AMERICAN 1960S 1ST EDITION PDF, EPUB, EBOOK Archie Loss | 9780155041462 | | | | | Pop Dreams Music, Movies, and the Media in the American 1960s 1st edition PDF Book Reference Reviews. Archived from the original on May 11, Their manager Brian Epstein encouraged the group to wear suits. More than people cheered slogans such as "Give us back our hair! Years :. Archived from the original on April 29, Retrieved May 23, History of the Flying Disc. Kennedy , a Keynesian [8] and staunch anti-communist , pushed for social reforms. Joan Baez and Bob Dylan , 28 August Within and across many disciplines, many other creative artists, authors, and thinkers helped define the counterculture movement. In Britain, the Labour Party gained power in Chicago Tribune. Pope Paul VI. Chicago Seven. King Saud. Thompson — journalist, author Kurt Vonnegut — author, pacifist, humanist Andy Warhol — artist Leonard Weinglass — attorney Alan Watts — philosopher Neil Young born musician, activist. Paul Newman , Free jazz is strongly associated with the s innovations of Ornette Coleman and Cecil Taylor and the later works of saxophonist John Coltrane. Not all of them were considered hippies and protesters. Entertainment Weekly. Archived from the original PDF on 13 July He travelled widely and his work was often discussed in the mass media, becoming one of the few American intellectuals to gain such attention. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. The declaration "all men are created equal See also: Counterculture of the s and Timeline of s counterculture. Well, a Surrealist would, anyway. -
William Kunstler: Disturbing the Universe a Film by Emily Kunstler and Sarah Kunstler
William Kunstler: Disturbing the Universe A film by Emily Kunstler and Sarah Kunstler POV www.pbs.org/pov DISCUSSION GUIDE William Kunstler: Disturbing the Universe POV Letter frOm the fiLmmakers NEw YorK , 2010 Dear Colleague, William kunstler: Disturbing the Universe grew out of conver - sations that Emily and I began having about our father and his impact on our lives. It was 2005, 10 years after his death, and Hurricane Katrina had just shredded the veneer that covered racism in America. when we were growing up, our parents imbued us with a strong sense of personal responsibility. we wanted to fight injustice; we just didn’t know what path to take. I think both Emily and I were afraid of trying to live up to our father’s accomplishments. It was in a small, dusty Texas town that we found our path. In 1999, an unlawful drug sting imprisoned more than 20 percent of Tulia’s African American population. The injustice of the incar - cerations shocked us, and the fury and eloquence of family members left behind moved us beyond sympathy to action. while our father lived in front of news cameras, we found our place behind the lens. our film, Tulia, Texas: Scenes from the Filmmakers Emily Kunstler and Sarah Kunstler. Photo courtesy of Maddy Miller Drug War helped exonerate 46 people. one day when we were driving around Tulia, hunting leads and interviews, Emily turned to me. “I think I could be happy doing this for the rest of my life,” she said, giving voice to something we had both been thinking. -
Murals & Portraits
RICHARD AVEDON Murals & Portraits May 4 – July 6, 2012 B C A D Galleries: A) Andy Warhol and members of The Factory B) The Chicago Seven C) The Mission Council D) Allen Ginsberg’s family Murals: A) Andy Warhol and members of The Factory: Paul Morrissey, director; Joe Dallesandro, actor; Candy Darling, actor; Eric Emerson, actor; Jay Johnson, actor; Tom Hompertz, actor; Gerard Malanga, poet; Viva, actress; Paul Morrissey; Taylor Mead, actor; Brigid Polk, actress; Joe Dallesandro; Andy Warhol, artist, New York, October 30, 1969, printed 1975 Silver gelatin prints, three panels mounted on linen 123 x 374 1/2 inches (312.4 x 951.2 cm) AP 1/2, edition of 2 B) The Chicago Seven: Lee Weiner, John Froines, Abbie Hoffman, Rennie Davis, Jerry Rubin, Tom Hayden, Dave Dellinger, Chicago, Illinois, November 5, 1969, printed 1969 Silver gelatin prints, three panels mounted on linen 121 3/4 x 242 3/4 inches (309.2 x 616.6 cm) Edition 2/2 + 1 AP C) The Mission Council: Hawthorne Q. Mills, Mission Coordinator; Ernest J. Colantonio, Counselor of Embassy for Administrative Affairs; Edward J. Nickel, Minister Counselor for Public Affairs; John E. McGowan, Minister Counselor for Press Affairs; George D. Jacobson, Assistant Chief of Staff, Civil Operations and Rural Development Support; General Creighton W. Abrams, Jr., Commander, United States Military Assistance Command, Vietnam; Ambassador Ellsworth Bunker; Deputy Ambassador Samuel D. Berger; John R. Mossler, Minister and Director, United States Agency for International Development; Charles A. Cooper, Minister -
Judges' Misuse of Contempt in Criminal Cases and Limits Of
Loyola University Chicago Law Journal Volume 50 Issue 4 Summer 2019 Article 9 2019 Judges’ Misuse of Contempt in Criminal Cases and Limits of Advocacy Peter A. Joy Follow this and additional works at: https://lawecommons.luc.edu/luclj Part of the Law Commons Recommended Citation Peter A. Joy, Judges’ Misuse of Contempt in Criminal Cases and Limits of Advocacy, 50 Loy. U. Chi. L. J. 907 (). Available at: https://lawecommons.luc.edu/luclj/vol50/iss4/9 This Symposium Article is brought to you for free and open access by LAW eCommons. It has been accepted for inclusion in Loyola University Chicago Law Journal by an authorized editor of LAW eCommons. For more information, please contact [email protected]. Judges’ Misuse of Contempt in Criminal Cases and Limits of Advocacy Peter A. Joy* “Use of the contempt power threatens attorneys’ individual rights and security, especially when contempt charges are tried summarily. More importantly, the exercise of the contempt power, and even the potential for its exercise, can have a serious chilling effect on the vigor of advocacy. Indeed, the greatest danger of this kind of Sword of Damocles ‘is that it hangs—not that it drops.’”1 “The arguments of a lawyer in presenting his client’s case strenuously and persistently cannot amount to a contempt of court so long as the lawyer does not in some way create an obstruction which blocks the judge in the performance of his judicial duty.”2 INTRODUCTION ............................................................................. 908 I. BACKGROUND FOR THE CHICAGO EIGHT TRIAL ........................ 912 II. JUDGES’ MISUSING THEIR CONTEMPT POWER ........................ -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
William Kunstler: Disturbing the Universe
WILLIAM KUNSTLER: DISTURBING THE UNIVERSE A film by Emily Kunstler and Sarah Kunstler An 85-minute documentary film. Digital Video. Color & Black & White. Premiered at the Sundance Film Festival in 2009 Released theatrically by Arthouse Films in November 2009 Released on DVD on April 27, 2010 Broadcast on PBS on June 22, 2010 on the award-winning documentary series P.O.V. as the season’s opening night film. A wonderful, inspiring film. – Howard Zinn Expertly put together and never less than compelling. -The Hollywood Reporter A superior documentary. – The Los Angeles Times Shatteringly good. – The San Francisco Chronicle A fascinating portrait. – The Washington Post A magnificent profile of an irrepressible personality. – Indiewire This is a wonderful film. Emily and Sarah Kunstler have done a remarkable job. The film is great history – Alec Baldwin A sensitive truthful, insightful film. – Huffington Post A brilliant and even-handed portrait. – Hamptons.com A perfect balance of the personal and the public. - Salt Lake City Weekly A wonderful, weird, and very American story. – The Stranger A well-crafted and intimate but not uncritical tribute to both a father and a legend of the Left – The Indypendent Might just help reawaken viewers to find their own Goliaths and slingshots. - The Jewish Journal Page 2 of 15 The Film’s Title The title of the film comes from T. S. Eliot’s poem, The Love Song of Alfred J. Prufrock. At the end of his life, many of Kunstler’s speeches were entreaties to young people to have the courage take action for change. He frequently spoke about Michelangelo’s statue of David as embodying the moment when a person must choose to stand up or to fade into the crowd and lead an unexceptional life.