The Trial of Bobby Seale Jason Epstein
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People's Electric: Engaged Legal Education at Rutgers-Newark
Fordham Urban Law Journal Volume 40 Number 1 The Law: Business of Profession? The Continuing Relevance of Julius Henry Article 3 Cohen for the Practice of Law in the Twenty- First Century 2021 People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s George W. Conk Fordham University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Civil Rights and Discrimination Commons, Law and Society Commons, Legal Education Commons, and the Legal History Commons Recommended Citation George W. Conk, People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s, 40 Fordham Urb. L.J. 503 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol40/iss1/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. CONK_CHRISTENSEN (DO NOT DELETE) 4/15/2013 5:50 PM PEOPLE’S ELECTRIC: ENGAGED LEGAL EDUCATION AT RUTGERS-NEWARK LAW SCHOOL IN THE 1960S AND 1970S George W. Conk* Why Newark? .......................................................................................... 503 Impact Litigation ................................................................................... 506 In Tune with the Times ........................................................................ -
Pop Dreams Music, Movies, and the Media in the American 1960S 1St Edition Pdf, Epub, Ebook
POP DREAMS MUSIC, MOVIES, AND THE MEDIA IN THE AMERICAN 1960S 1ST EDITION PDF, EPUB, EBOOK Archie Loss | 9780155041462 | | | | | Pop Dreams Music, Movies, and the Media in the American 1960s 1st edition PDF Book Reference Reviews. Archived from the original on May 11, Their manager Brian Epstein encouraged the group to wear suits. More than people cheered slogans such as "Give us back our hair! Years :. Archived from the original on April 29, Retrieved May 23, History of the Flying Disc. Kennedy , a Keynesian [8] and staunch anti-communist , pushed for social reforms. Joan Baez and Bob Dylan , 28 August Within and across many disciplines, many other creative artists, authors, and thinkers helped define the counterculture movement. In Britain, the Labour Party gained power in Chicago Tribune. Pope Paul VI. Chicago Seven. King Saud. Thompson — journalist, author Kurt Vonnegut — author, pacifist, humanist Andy Warhol — artist Leonard Weinglass — attorney Alan Watts — philosopher Neil Young born musician, activist. Paul Newman , Free jazz is strongly associated with the s innovations of Ornette Coleman and Cecil Taylor and the later works of saxophonist John Coltrane. Not all of them were considered hippies and protesters. Entertainment Weekly. Archived from the original PDF on 13 July He travelled widely and his work was often discussed in the mass media, becoming one of the few American intellectuals to gain such attention. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. The declaration "all men are created equal See also: Counterculture of the s and Timeline of s counterculture. Well, a Surrealist would, anyway. -
William Kunstler: Disturbing the Universe a Film by Emily Kunstler and Sarah Kunstler
William Kunstler: Disturbing the Universe A film by Emily Kunstler and Sarah Kunstler POV www.pbs.org/pov DISCUSSION GUIDE William Kunstler: Disturbing the Universe POV Letter frOm the fiLmmakers NEw YorK , 2010 Dear Colleague, William kunstler: Disturbing the Universe grew out of conver - sations that Emily and I began having about our father and his impact on our lives. It was 2005, 10 years after his death, and Hurricane Katrina had just shredded the veneer that covered racism in America. when we were growing up, our parents imbued us with a strong sense of personal responsibility. we wanted to fight injustice; we just didn’t know what path to take. I think both Emily and I were afraid of trying to live up to our father’s accomplishments. It was in a small, dusty Texas town that we found our path. In 1999, an unlawful drug sting imprisoned more than 20 percent of Tulia’s African American population. The injustice of the incar - cerations shocked us, and the fury and eloquence of family members left behind moved us beyond sympathy to action. while our father lived in front of news cameras, we found our place behind the lens. our film, Tulia, Texas: Scenes from the Filmmakers Emily Kunstler and Sarah Kunstler. Photo courtesy of Maddy Miller Drug War helped exonerate 46 people. one day when we were driving around Tulia, hunting leads and interviews, Emily turned to me. “I think I could be happy doing this for the rest of my life,” she said, giving voice to something we had both been thinking. -
Murals & Portraits
RICHARD AVEDON Murals & Portraits May 4 – July 6, 2012 B C A D Galleries: A) Andy Warhol and members of The Factory B) The Chicago Seven C) The Mission Council D) Allen Ginsberg’s family Murals: A) Andy Warhol and members of The Factory: Paul Morrissey, director; Joe Dallesandro, actor; Candy Darling, actor; Eric Emerson, actor; Jay Johnson, actor; Tom Hompertz, actor; Gerard Malanga, poet; Viva, actress; Paul Morrissey; Taylor Mead, actor; Brigid Polk, actress; Joe Dallesandro; Andy Warhol, artist, New York, October 30, 1969, printed 1975 Silver gelatin prints, three panels mounted on linen 123 x 374 1/2 inches (312.4 x 951.2 cm) AP 1/2, edition of 2 B) The Chicago Seven: Lee Weiner, John Froines, Abbie Hoffman, Rennie Davis, Jerry Rubin, Tom Hayden, Dave Dellinger, Chicago, Illinois, November 5, 1969, printed 1969 Silver gelatin prints, three panels mounted on linen 121 3/4 x 242 3/4 inches (309.2 x 616.6 cm) Edition 2/2 + 1 AP C) The Mission Council: Hawthorne Q. Mills, Mission Coordinator; Ernest J. Colantonio, Counselor of Embassy for Administrative Affairs; Edward J. Nickel, Minister Counselor for Public Affairs; John E. McGowan, Minister Counselor for Press Affairs; George D. Jacobson, Assistant Chief of Staff, Civil Operations and Rural Development Support; General Creighton W. Abrams, Jr., Commander, United States Military Assistance Command, Vietnam; Ambassador Ellsworth Bunker; Deputy Ambassador Samuel D. Berger; John R. Mossler, Minister and Director, United States Agency for International Development; Charles A. Cooper, Minister -
E18-00003-1970-09-30
'21 ...· : .. : :· ... ·~; . .·. , . ....·. :.:·:1 ,•, .. church of the apocalypse pobox 9218 33604 Eye ot the Beast_ DRAFT AND RESISTANCE COUNSELLING AVAILABLE: The Pacifist Action Council (PAC) is now offering draft and resistance counselling to all interested parties as a community service. All those concerned with the preservation of life, and opposed to the killing machine, are urged to contact PAC in care of The Eye of the Beast. A new booklet titled "How to Publish a High School Underground Ne\vspaper" has just been published by two recent high school graduates in cooperation with the Cooperative Highschool Independent Press Service (CHIPS). It is an instruction manual on how to pub lish a high school underground newspaper, including editing and printing. If you'd like a copy, send a quarter if you're a high school student or group, or send two quarters if you're something else to: Al-Fadhly & Shapiro 7242 West 90th Street Los Angeles, California 90045 All money received in excess of costs will be used to publish a second edition, to be sold for less. NEW ORLEANS POLICE MURDER BLACK PANTHER: The day after Judge Baget set $100,000 bail on each of the 15 Black Panthers arrested 'in an illegal raid, another Black Panther, Kenneth Borden, was murdered and 3 comrades wounded by the New Orleans police. They were walking down a street, unarmed, when the police opened up with shotguns. The cops had fired, officials claim, only under attack. Yet no alleged weapons have been found and bystanders have denied any Panther attack was made. Police Harass Local Peace Movement Police harassment forced the Tampa Area Peace Action Coalition to move its conference scheduled for Sunday af ternoon from the Zion Lutheran Church, 2901 Highland Ave., to the University Chapel Fellowship at the Uni versity of South Florida. -
Judges' Misuse of Contempt in Criminal Cases and Limits Of
Loyola University Chicago Law Journal Volume 50 Issue 4 Summer 2019 Article 9 2019 Judges’ Misuse of Contempt in Criminal Cases and Limits of Advocacy Peter A. Joy Follow this and additional works at: https://lawecommons.luc.edu/luclj Part of the Law Commons Recommended Citation Peter A. Joy, Judges’ Misuse of Contempt in Criminal Cases and Limits of Advocacy, 50 Loy. U. Chi. L. J. 907 (). Available at: https://lawecommons.luc.edu/luclj/vol50/iss4/9 This Symposium Article is brought to you for free and open access by LAW eCommons. It has been accepted for inclusion in Loyola University Chicago Law Journal by an authorized editor of LAW eCommons. For more information, please contact [email protected]. Judges’ Misuse of Contempt in Criminal Cases and Limits of Advocacy Peter A. Joy* “Use of the contempt power threatens attorneys’ individual rights and security, especially when contempt charges are tried summarily. More importantly, the exercise of the contempt power, and even the potential for its exercise, can have a serious chilling effect on the vigor of advocacy. Indeed, the greatest danger of this kind of Sword of Damocles ‘is that it hangs—not that it drops.’”1 “The arguments of a lawyer in presenting his client’s case strenuously and persistently cannot amount to a contempt of court so long as the lawyer does not in some way create an obstruction which blocks the judge in the performance of his judicial duty.”2 INTRODUCTION ............................................................................. 908 I. BACKGROUND FOR THE CHICAGO EIGHT TRIAL ........................ 912 II. JUDGES’ MISUSING THEIR CONTEMPT POWER ........................ -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
William Kunstler: Disturbing the Universe
WILLIAM KUNSTLER: DISTURBING THE UNIVERSE A film by Emily Kunstler and Sarah Kunstler An 85-minute documentary film. Digital Video. Color & Black & White. Premiered at the Sundance Film Festival in 2009 Released theatrically by Arthouse Films in November 2009 Released on DVD on April 27, 2010 Broadcast on PBS on June 22, 2010 on the award-winning documentary series P.O.V. as the season’s opening night film. A wonderful, inspiring film. – Howard Zinn Expertly put together and never less than compelling. -The Hollywood Reporter A superior documentary. – The Los Angeles Times Shatteringly good. – The San Francisco Chronicle A fascinating portrait. – The Washington Post A magnificent profile of an irrepressible personality. – Indiewire This is a wonderful film. Emily and Sarah Kunstler have done a remarkable job. The film is great history – Alec Baldwin A sensitive truthful, insightful film. – Huffington Post A brilliant and even-handed portrait. – Hamptons.com A perfect balance of the personal and the public. - Salt Lake City Weekly A wonderful, weird, and very American story. – The Stranger A well-crafted and intimate but not uncritical tribute to both a father and a legend of the Left – The Indypendent Might just help reawaken viewers to find their own Goliaths and slingshots. - The Jewish Journal Page 2 of 15 The Film’s Title The title of the film comes from T. S. Eliot’s poem, The Love Song of Alfred J. Prufrock. At the end of his life, many of Kunstler’s speeches were entreaties to young people to have the courage take action for change. He frequently spoke about Michelangelo’s statue of David as embodying the moment when a person must choose to stand up or to fade into the crowd and lead an unexceptional life. -
ARS Audiotape Collection ARS.0070
http://oac.cdlib.org/findaid/ark:/13030/c8f769x2 No online items Guide to the ARS Audiotape Collection ARS.0070 Franz Kunst Archive of Recorded Sound 2012 [email protected] URL: http://library.stanford.edu/ars Guide to the ARS Audiotape ARS.0070 1 Collection ARS.0070 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: ARS Audiotape Collection Identifier/Call Number: ARS.0070 Physical Description: 15 box(es): 419 open reel tapes, 15 audiocassettes, 60 videocassettes Date (inclusive): 1900-1991 Stanford Archive of Recorded Sound Stanford University Libraries Stanford, California 94305-3076 Material Specific Details: 3" reels-5 4" reels-1 5" reels-37 7" reels-334 10.5" reels-40 1/2" tapes on 10" reels - 4 audiocassettes-15 video reels-2 videocassette (VHS)- 59 videocassette (Beta) - 1 Abstract: Miscellaneous tape recordings, mostly small donations, that span the history of the Archive of Recorded Sound. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation ARS Audio Miscellany, ARS-0070. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Arrangement Most recordings are described under the series marked "Miscellaneous" according to format and reel size. -
Privatizing Public Interest Law
UCLA UCLA Public Law & Legal Theory Series Title Privatizing Public Interest Law Permalink https://escholarship.org/uc/item/0q7515ht Author Cummings, Scott L Publication Date 2011 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PRIVATIZING PUBLIC INTEREST LAW Scott L. Cummings∗ Introduction ............................................................................................................ 2 I. Theoretical and Empirical Framework ............................................................ 7 A. Theory: Principle and Profit in Private Practice ....................................... 7 1. Arenas of Professionalism .................................................................. 8 2. Theories of the Firm ......................................................................... 10 B. Practice: An Overview of the Private PIL Sector ................................... 11 1. Definition ......................................................................................... 11 2. Development .................................................................................... 12 3. Data .................................................................................................. 14 II. Methodology ................................................................................................. 16 III. Background ................................................................................................... 17 A. “On the Shoulders of Giants”: Margolis & McTernan as the PIL Firm -
A Small Slice of the Chicago Eight Trial
A Small Slice of the Chicago Eight Trial Ellen S. Podgor* The Chicago Eight trial was not the typical criminal trial, in part because it occurred at a time of society’s polarization, student demonstrations, and the rise of the House Un-American Activities Committee. Charges were levied against eight defendants, who were individuals that represented leaders in a variety of movements and groups during this time. This Essay examines the opening stages of this trial from the lens of a then relatively new criminal defense attorney, Gerald Lefcourt. It looks at his experiences before Judge Julius Hoffman and highlights how strong, steadfast criminal defense attorneys can make a difference in protecting key constitutional rights and values. Although judicial independence is crucial to a system premised on due process, it is also important that lawyers and law professors stand up to misconduct and improprieties. INTRODUCTION ............................................................................. 821 I. PROXIMITY AND SETTING .......................................................... 824 A. The Landscape ............................................................. 824 B. Attorney Gerald Lefcourt’s Role .................................. 828 II. ATTORNEY WITHDRAWALS AND SUBSTITUTIONS .................... 834 III. LESSONS LEARNED—RESPONDING TO MISPLACED JUDICIAL CONDUCT .............................................................................. 836 CONCLUSION ................................................................................ -
Poetics of Protest: a Fluxed History of the 1968 DNC (A Dialogue for Six Academic Voices)
Liminalities: A Journal of Performance Studies Vol. 8, No. 4, September 2012 Poetics of Protest: A Fluxed History of the 1968 DNC (A Dialogue for Six Academic Voices) Tom Lavazzi Commentator/Over Voice (CO; as described below)/Conductor (“Panel Chair”) Documents (“objective”) Fluxedout (Fluxed; Fluxus attitude) New Historical Left (NHL; based on “old” and “new” New Left and New Historicist voices) The Institute for Cultural Studies (TICS; an institutionalized postmodern academic voice) Yippedout (Yipped; Yippie! Doubling occasionally as “Lecturer”) Poetics of Protest is staged as a typical (atypical) academic conference panel presentation. At the front of the room are two long tables, one for the panelists and another for props. Props overflowing the table may also be ranged around the room, redeploying chalkboard ledges, windowsills, and floor margins, marking the space’s boundaries. Redeployed, theoretically fortified cereals (i.e., empty boxes)—Zizek 0sTM, Blau PopsTM, Lucky Deleuze, Baudrillard PuffsTM, Foucault Flakes, etc.—are suspended from the ceiling. There is also a podium, a data projector and projection screen1 displaying an interactive image map of Chicago, circa 1968, highlighting the Amphitheatre and key riot and protest sites, and, optionally, a video monitor on which the audience may view muted interviews with Yippies. Projected on the podium and the floor directly in front of the podium—slow motion and stop-action scenes from Brett Morgen’s animated documentary of the Chicago 8 trial, Chicago 102; the panelists pause, at intervals, to act out—or rather, act with, re-act (to), comment on via serial tableau vivant--fragments of these scenes, Tom Lavazzi is Professor of English at KBCC-CUNY.