Pianist from Ukraine... Mr

Total Page:16

File Type:pdf, Size:1020Kb

Pianist from Ukraine... Mr INSIDE: l Holocaust survivor praises Metropolitan Sheptytsky – page 3 l In the press: Ukraine at home and abroad – page 7 l Artist Andrei Kushnir, conductor Kirill Karabits – page 10 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXI No. 24 THE UKRAINIAN WEEKLY SUNDAY, JUNE 16, 2013 $1/$2 in Ukraine Pianist from Ukraine wins Heavy Russian ties of Ukraine’s prestigious Cliburn competition top state officials drawing concern by Zenon Zawada KYIV – When Ihor Sorkin was nominated to become chair of the National Bank of Ukraine in early January, media reports con- firmed his father is the assistant director of the department of investment and construc- tion, a high position at Gazprom, the Russian Federation’s powerful state natural gas monopoly. Such a link between Ukraine’s central bank and its chief energy supplier, which stands accused of using its gas prices as an instrument to undermine Ukraine’s econo- my, didn’t concern President Viktor Yanukovych or the parliamentary majority, which approved Mr. Sorkin’s nomination. Indeed, nearly a dozen high-ranking Ukrainian government officials have inti- dusia.telekritika.ua mate ties to Russia and its officials. Some Russian citizen Igor Shuvalov, an advi- key advisors are even Russian citizens. sor to President Viktor Yanukovych, While Russophile Ukrainians view that posi- directs information policies at Inter tele- tively, Western-oriented Ukrainians view vision, Ukraine’s most widely watched The Cliburn/Ralph Lauer their heavy presence as a threat to national TV network. At the Cliburn Competition (from left) are: Sean Chen of the United States (crystal sovereignty. award), Beatrice Rana of Italy (silver medal) and Vadym Kholodenko of Ukraine Regions and its leadership.” “There are people who still have family in (gold medal). Perhaps most disturbing is that those Russia and travel there on the weekends. with close ties to Russia occupy some of the PARSIPPANY, N.J. – Twenty-six-year-old gious competitions for the world’s pianists. They return on Monday to hold meetings in most influential and sensitive positions in Vadym Kholodenko of Ukraine won the According to the biography posted on a Ukrainian ministry,” said Ihor Losiev, an the government, relating to defense and 14th Van Cliburn International Piano the website of the Cliburn Competition, Mr. assistant professor at the National national security. Competition held in Fort Worth, Texas. The Kholodenko, a native of Kyiv, has worked University of Kyiv Mohyla Academy. competition started on May 24 with 30 with Yuri Bashmet, Vladimir Spivakov and “It’s a very serious problem that’s related In the view of Mr. Losiev, that reflects competitors, and the winners were other distinguished conductors, and has to the course of this government, which is President Yanukovych’s view of government announced on June 9. performed across the globe in Austria, the most pro-Russian for all of Ukraine’s as an instrument to serve his own personal Beatrice Rana, 20, of Italy placed second, China, the Czech Republic, Finland, France, years of independence. Some have said interests rather than those of the nation and and Sean Chen, 24, of the United States Germany, Israel, Italy, Japan, Lithuania, Europe is not waiting for us and doesn’t the common good. Officials with Russian placed third in the quadrennial event, need us. But it’s not just individuals, but the which is viewed as one of the most presti- (Continued on page 10) general political course of the Party of (Continued on page 8) Columbia conference examines censorship in Ukraine’s media This is the first part of a two-part series for more freedom of expression than tradi- a pretext to interfere in media processes. “And they have legal means for this too. about a landmark conference on censorship tional media in Ukraine, Prof. Cooper noted. Due to scandalous stories in some cases, As long as there is no law that can prevent in Ukraine’s media, titled “‘Braking’ News: Today, according to the Committee to this regret seems to urge the creation of a an official from owning, effectively control- Censorship, Media and Ukraine,” held at Protect Journalists, one-third of all journal- regulatory body to deem its approval for ling mass media during their term of office, Columbia University on February 21-22. The ists killed to date have been Internet jour- mass media,” Mr. Kulykov stated. there is no guarantee at all that mass media conference was organized by Mark nalists, and nearly half of the journalists in The “Stop Censorship” campaign came won’t be used as an instrument for squash- Andryczyk of Columbia University and prison at the end of 2012 were online jour- about in Ukraine to combat the regime’s ing freedom of speech as a means against Marta Dyczok of the University of Western nalists. deliberate insult to human intelligence and democracy,” he continued. Ontario. This week’s story features the key- Prof. Cooper then introduced Andriy an attempt by the authorities to avoid “However, I think that the call for such a note address and the first panel discussion. Kulykov, host of the “Svoboda Slova” responsibility through media censorship, law – and it should also apply to those vying (Freedom of Speech) talk show on ICTV Mr. Kulykov said. for vacant MP seats – will be difficult to NEW YORK – During the “’Braking’ Ukraine, who delivered the keynote He noted: “Remember that most of enforce, but the step must be taken in Ukraine. News” conference hosted by the Harriman address on “Ukrainian Media: Old Ukraine’s leaders today, for years and years It is extremely difficult to enforce any law in Institute at Columbia University, Prof. Ann Pressures, New Challenges.” during Soviet times, had joined groups of Ukraine, and especially for those with money Cooper of Columbia’s Graduate School of “Censorship is like death,” said Mr. society that promoted unanimity and intru- and power. We must do something. Dangers Journalism noted that, 12 years ago, Kulykov. It is a legacy of the Soviet system sion of the ruling party, and restriction on are present in politicians’ shares of Inter Heorhiy Gongadze became the first and stifles freedoms. Although the majority the mass media and freedom of speech. media channel,” Mr. Kulykov said. Internet investigative journalist killed, add- of youth are against censorship, editorial This concerns most the powers that be and It is not direct interference, he clarified, ing that the courts in Ukraine have stalled policies are less understood and therefore those that want to replace them. However, but the ownership of media outlets that is on punishing those responsible. cannot effectively combat official censor- those that rule Ukraine now have much most dangerous. This has been experienced The Internet news in Ukraine during the ship. “No one would use the term ‘imposi- more money and power, it is they who early 2000s provided a forum that allowed tive connotation’ but this has been used as exert major pressure on media.” (Continued on page 16) 2 THE UKRAINIAN WEEKLY SUNDAY, JUNE 16, 2013 No. 24 ANALYSIS Russian consul general to Crimea Roads are number one challenge Analyst: no protests in summer KYIV – Ukrainian President Viktor KYIV – Mass protests are not expected in resigns following offensive comments Yanukovych has called the construction Ukraine in the summer because both those and repair of roads the government’s main who can lead them and the possible partici- by Idil P. Izmirli criminal; as well as the Organization for objective for the next two years. Speaking pants will be away on holidays. Also, people Eurasia Daily Monitor Security and Cooperation in Europe (OSCE) during a meeting of the Committee on need to be presented a concept of change, Parliamentary Assembly’s resolution, adopt- Economic Reforms, he said: “This year and which the likely organizers do not have Following a week of protests over his ed on July 3, 2009, in Vilnius, which equated next, Mykola Yanovych (Azarov), this is the today, commented the director of the Ilko offensive and defamatory statements about Stalinism with Nazism for having committed number one job. The way roads suffered Kucheriv Democratic Initiatives the May 18, 1944, deportation of Crimean genocide and crimes against humanity, and this year, in the past winter of 2012-2013 - Foundation, Iryna Bekeshkina. Speaking on Tatars, Vladimir Andreev, the Russian con- called for the international condemnation of this never happened before.” Taking into June 11 at a press conference at Ukrinform, sul general in Symferopol, Crimea, Ukraine, these totalitarian regimes (www.oscepa.org/ account the damage to the roads, the gov- she said, “To predict the developments in resigned from his post on May 25. members/member.../ 261-vilnius-declara- ernment should pay special attention to the fall means to predict the events, and we These events were provoked by Mr. tion-english). this issue, the president said, according to do not know what the events will be.” Andreev’s response to the first film ever Mr. Chubarov called on his fellow parlia- June 11 news reports. (Ukrinform) According to the sociologist, mass demon- made by a Crimean Tatar filmmaker, Ahtem mentarians to join the protests in front of strations are possible “when the population Seidablaev titled “Haytarma” (Return), the Russian Consulate on May 23 to pres- Relations with Russia a priority gets tired of the government.” At the same which premiered in Symferopol on May 17 sure Moscow to remove Consul General time, she noted that right now she does not (http://www.youtube.com/watch?v= Andreev from his position (http://qha. KYIV – Relations with Russia are a priori- ty in Ukraine’s foreign policy, President see any serious tiredness.
Recommended publications
  • TFO Tour 2017
    Tongyeong Festival Orchestra European Tour 2017 Celebrating the 100th Anniversary of Isang Yun (1917-1995) 23 September to 2 October 2017 Program Maurice Ravel: Le Tombeau du Couperin Isang Yun: Violin Concerto No. 3 (1992) Isang Yun: Harmonia (1974) Maurice Ravel: Ma Mère l´oye (Ballett) Clara Jumi Kang Violin Tongyeong Festival Orchestra Heinz Holliger Conductor Inquiries: Tongyeong International Music Foundation www.timf.org [email protected] Tongyeong Festival Orchestra Following the example of Lucerne, Switzerland, Tongyeong Festival Orchestra (TFO) was created to enhance the musical spectrum of the Tongyeong International Music Festival, and to serve as an artistic ambassador for Tongyeong City, a UNESCO Creative City of Music. Since the festival’s first edition in 2002, TIMF has been striving to assemble highly qualified musicians in order to build its own ensemble. In 2011, then Alexander Liebreich initiated a collaboration of musicians from Ensemble TIMF with the Munich Chamber Orchestra, thus for the first time building a truly international Festival Orchestra. From then on, the group was assembled annually, performing at home and abroad. At the opening of the new Tongyeong Concert Hall in 2014, TFO was again led by Alexander Liebreich and included musicians from Ensemble TIMF, Polish National Radio Orchestra of Katowice, and from major international symphony orchestras, such as NDR Hamburg, Munich Philharmonic, Kremerata Baltica, Osaka Philharmonic, Melbourne Symphony and Sydney Symphony Orchestra. In 2015, TFO truly became a musical centerpiece of the Tongyeong International Music Festival. Following the festival theme „Voyages“, the orchestra went abroad to play in Japan and China. Performing together with violinist Gidon Kremer and German conductor Christoph Poppen, the orchestra consisted of musicians mainly from Korea, Japan and China to create a musical bridge between the three countries.
    [Show full text]
  • 2018 Petroushka Ball Journal
    2018 ROSSINI SEMIRAMIDE METROPOLITAN OPERA METROPOLITAN / PHOTO: MARTY SOHL ON STAGE FEB 19 – MAR 17 High-flying soprano Angela Meade takes on the virtuosic title role in Rossini’s masterpiece of dazzling vocal fireworks. The all-star cast also features Ildar Abdrazakov, Elizabeth DeShong, and Javier Camarena. Maurizio Benini conducts. Tickets start at $25 metopera.org 212.362.6000 TheThe 44th53rd Annual Annual PetroushkaPetroushka Ball Ball FebruaryFebruary 13,9th, 20092018 •• Waldorf=AstoriaThe Plaza Hotel •• NewNew YorkYork CityCity To Benefit thethe RussianRussian Children’s Children’s Welfare Welfare Society Society Dear Guests, It is with great pleasure that I welcome you to the 53rd Petroushka Ball The Russian Children’s Welfare Society’s mission is to help the thousands of disadvantaged children of Russia. The Society was founded in 1926 and, during the past 92 years, has undergone a number of permutations which were the result of the many political and social shifts over the 20th Century. Originally, the Society exclusively helped children of Russian decent outside of Russia who were victims of the Russian Revolution and World Wars I & II. Eventually Europe, followed by South America, became self-sufficient and the Society refocused its efforts on helping children in Russia after the fall of the Soviet Union. For the past two decades, the Society has devoted all of its aid to Russia. The Society’s primary activities include: pediatric maxillofacial surgery in partnership with the Russian Aid Foundation; a successful college scholarship program currently supporting 157 students; assisting vetted orphanages; and hosting an an- nual Christmas “Yelka” party where over 1,000 orphans from across Russia celebrate an unforgettable day in Moscow.
    [Show full text]
  • UABA News Update
    2014 36 years of community service 1977 DATE: May 16, 2014 Follow the UABA on FACEBOOK! All captions have imbedded links to the full articles on the UABA website. To access the article, CLICK on the paragraph caption! Click Here To Read the Latest Issue of the LAW JOURNAL OF UKRAINE Ukrainian Amb. O. Motsyk: Response to Bloomberg News To the Editor: Re the article: “Horror in Odessa as Fire Shatters Jewel of Czarist Russia” (May 8): We know and highly respect Bloomberg as an influential and unbiased major international agency whose reporting has always presented a clear and thorough analysis of the events. Therefore, we were surprised to read this article. We consider it unbalanced, editorialized, one-sided and such that presents the situation in Odessa only from the point of view of the Kremlin propaganda whose lies have been refuted countless times, including by the U.S. Government. Детальніше-Read More PETITION: Designate Russia as "State Sponsor of Terrorism" In its unannounced war against Ukraine, Russia relies on covert operations which fall squarely within the definition of "international terrorism" under 18 U.S.C. § 2331. Specifically, armed operatives of Russia, acting under disguise, attempt to influence the policy of Ukrainian government by intimidation or coercion. They also try to affect the conduct of a government by assassinations and kidnapping, taking by force government buildings, police posts and military bases of Ukraine. This activity is being conducted on large scale and over prolonged time period, despite condemnation by the USA, G-7, NATO, EU and UN. The White House.
    [Show full text]
  • Kirill Karabits Courtesy of Ruben Terterian Courtesy
    VOICES FROM THE EAST Avet Rubeni Terterian SYMPHONIES NOS 3 AND 4 Bournemouth Symphony Orchestra Kirill Karabits Courtesy of Ruben Terterian Courtesy Avet Rubeni Terterian, rehearsing his Fourth Symphony in St Petersburg, 1982 Avet Rubeni Terterian (1929 – 1994) Symphony No. 3 (1975)* 28:34 for duduk, zurna, and large symphony orchestra Dedicated to Herman Rubenovich Terterian Tigran Aleksanyan duduk • zurna Vahe Hovanesian duduk • zurna 1 I = 138 – 152 12:00 2 II = 88 (ad libitum) 8:45 3 III = 138 7:48 Komitas (Soghomon Soghomonian) (1869 – 1935) 4 Shoger jan 1:29 (Dear Shoger) Tigran Aleksanyan duduk Vahe Hovanesian duduk 3 Traditional 5 Noobar-Noobar 2:25 Tigran Aleksanyan duduk Vahe Hovanesian duduk Avet Rubeni Terterian Symphony No. 4 (1976, revised 1984)* 26:09 for large symphony orchestra Dedicated to David Khandjian 6 [Part I] Beginning – 14:16 7 [Part II] Figure 92 – 4:38 8 [Part III] Figure 118 7:13 TT 58:56 Bournemouth Symphony Orchestra* Amyn Merchant leader Kirill Karabits* 4 Kirill Karabits Randall Hodgkinson Randall Christian Steiner © BSO Avet Terterian: Symphonies Nos 3 and 4 Biographical background ancient liturgical music into his personal In his homeland, Avet Rubeni Terterian is voice. regarded, alongside Aram Khachaturian The backbone of his achievement is (1903 – 1978), as the other giant of twentieth- enshrined in eight symphonies, which century Armenian music, and as the founder Terterian composed over two decades from of his nation’s progressive school of 1969 onwards; a ninth was in progress at composers. the time of his death. In summing them up Born in Baku, Azerbaijan, on 29 July he wrote: 1929, to Armenian parents, Terterian began We are all living on the threshold of a his musical education at the Baku Music terrible apocalyptic judgement.
    [Show full text]
  • Cello Concerto (1990)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No.
    [Show full text]
  • Prokofiev (1891-1953)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs And LPs Prepared by Michael Herman Sergei Prokofiev (1891-1953) Born in Sontsovka, Yekaterinoslav District, Ukraine. He was a prodigy who played the piano and composed as a child. His formal training began when Sergei Taneyev recommended as his teacher the young composer and pianist Reinhold Glière who spent two summers teaching Prokofiev theory, composition, instrumentation and piano. Then at the St. Petersburg Conservatory he studied theory with Anatol Liadov, orchestration with Nikolai Rimsky-Korsakov and conducting with Nikolai Tcherepnin. He went on to become one of Russia's greatest composer, excelling in practically every genre of music. He left the Soviet Union in 1922, touring as a pianist and composing in Western Europe and America, but returned home permanently in 1936. Symphony No. 1 in D major, Op. 25 "Classical" (1916-7) Claudio Abbado/Chamber Orchestra of Europe ( + Symphony No. 5, Piano Concerto No. 3, Violin Concerto No. 1, Alexander Nevsky, Romeo and Juliet: Suites Nos. and 2 {Excerpts} and Visions Fugitives) DEUTSCHE GRAMMOPHON PANORAMA 469172-2 (2 CDs) (2000) (original CD release: DEUTSCHE GRAMMOPHON 429396-2 GH) (1990) Claudio Abbado/London Symphony Orchestra ( + Symphony No. 3, Romeo and Juliet - Excerpts, Chout - Excerpts, Hindemith:Symphonic Metamorphoses on Themes by Carl Maria von Weber and Janacek: Sinfonietta) DECCA ELOQUENCE 4806611 (2 CDs) (2012) (original LP release: DECCA SXL 6469/LONDON CS 6679) (1970) Marin Alsop/São Paulo Symphony Orchestra ( + Symphony No. 2 and Dreams) NAXOS 8.573353 (2014) Karel Ancerl/Czech Philharmonic Orchestra ( + Piano Concertos Nos. 1 and 2) SUPRAPHON SU 36702011 (2002) (original LP release: SUPRAPHON DV 5353) (1956) Karel Ancerl/Czech Philharmonic Orchestra (rec.
    [Show full text]
  • Franz Liszt Sardanapalo Mazeppa
    FRANZ LISZT SARDANAPALO MAZEPPA Joyce El-Khoury Airam Hernández Oleksandr Pushniak Kirill Karabits Staatskapelle Weimar FRANZ LISZT MAZEPPA 15:32 Symphonic Poem No. 6, S. 100 SARDANAPALO Act I, Scenes 1-4, S. 687 (unfinished opera), edited and orchestrated by David Trippett Scene I Preludio 1:55 ‘Vieni! Risplendono festive faci’ (Chor) 3:43 ‘Oh del tetto paterno’ (Mirra) 1:56 ‘L’altera Ninive a te s’inchina’ (Chor) 4:23 Scene II ‘Più lunga cura’ (Mirra) 3:00 ‘Giù pel piano’ (Mirra) 1:42 ‘Sogno vano’ (Mirra) 3:07 ‘Ahi! Nell’ansio rapimento’ (Mirra) 3:01 Scene III ‘Nella tua stanza’ (Sard. / Mirra) 1:47 Joyce El-Khoury, Mirra ‘Parla! Parla!’ (Sard. / Mirra) 2:51 Airam Hernández, Sardanapalo ‘Sotto il tuo sguardo’ (Sard. / Mirra) 6:26 Oleksandr Pushniak, Beleso Scene IV Opera Chorus ‘Mentre a tuo danno’ (Beleso) 4:42 Nationaltheater Weimar ‘Se sol l’armi’ (Sardanapalo) 2:07 Staatskapelle Weimar ‘Oh perché, perché quel core’ (Mirra / Bel.) 2:32 Kirill Karabits ‘Che far pensi?’ (Sard. / Mirra / Bel.) 2:43 ‘Diletta vergine’ (Sard. / Mirra / Bel.) 2:20 Allegro deciso 3:02 Liszt and opera ‘I have simply asked for my turn at the Opéra and nothing but that.’1 We tend not to take Liszt’s brief career as an opera composer seriously today. But during the 1840s, before drafting any of his symphonic poems, Liszt’s strategic ambition was precisely to become a composer of opera. ‘Within three years I’ll end my career in Vienna and in Pest, where I began it.’ – he told the exiled Italian Princess Cristina Belgiojoso in 1841 – ‘But before then, during the winter of 1843, I want to première an opera in Venice (Le Corsaire after Lord Byron).’2 This would be, he explained privately, a means of pivoting away from life as a prodigiously successful touring virtuoso and attaining status as a serious professional composer, alongside Rossini, Meyerbeer and the young Wagner.
    [Show full text]
  • The Ukrainian Weekly, 2015
    INSIDE: l Biden on cooperation with Russia, war in Ukraine – page 3 l Soyuzivka Heritage Center: a progress report – page 5 l “Conflict Zone: Ukraine” photo exhibit in Chicago – page 11 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXIII No. 23 THE UKRAINIAN WEEKLY SUNDAY, JUNE 7, 2015 $2.00 NEWS ANALYSIS Out with a whimper: Poroshenko appoints Saakashvili to lead Odesa by Zenon Zawada Novorossiya, 2014-2015 KYIV – In an unexpected move, Ukrainian President Petro Poroshenko appointed for- by Daisy Sindelar mer Georgian President Mikheil Saakashvili RFE/RL as head of the Odesa Oblast State Administration to lead the president’s initia- Novorossiya has a flag, an anthem tives in the region, as well as oversee the and a news service. But it may no lon- spending of funds earmarked by the central ger have a future, if it ever did. Kyiv budget. The project – to combine breakaway Though he was placed under arrest in regions of Ukraine into an indepen- his native Georgia, Mr. Saakashvili is among dent, pro-Russian state known as New the most popular post-Soviet politicians in Russia, or Novorossiya – appeared to Ukraine and the West after leading reforms breathe its last this week with an that turned Georgia into a competitive announcement by a top separatist offi- economy. He has a long history in Ukraine, cial. having studied alongside Mr. Poroshenko in Oleg Tsarev, speaker of what sepa- Kyiv and learned the Ukrainian language. ratists call the “joint parliament” of the A key supporter of the maidans in Kyiv, Mr.
    [Show full text]
  • Oxford Piano Festival 1 - 9 August 2020
    Alfred Brendel KBE Patron Oxford Sir András Schiff President Philharmonic Marios Papadopoulos MBE Artistic Director Orchestra Oxford Piano Festival 1 - 9 August 2020 Pianist MAGAZINE Media partner REFLECTIONS ON THE 2019 OXforD PIANO FESTIVAL WELCOME from FESTIVAL ARTISTIC DIRECTOR MARIOS PapaDopoULOS ‘So great to come across and performance of two titled sonatas and the Diabelli Variations later that evening – a fitting exchange ideas with so many way to mark 250 years since the birth of the legendary pianists.’ composer who transformed the piano sonata. As well as young talent, we have some ‘Was a blast to be back! I’m highly distinguished guests at this year’s festival. Nelson Freire, one the finest Brahms enjoying so much to be a part of players alive, makes his Festival debut in a the Oxford family and I would performance of Brahms’s Piano Concerto No. 2 with the Oxford Philharmonic Orchestra, love to come back next year!’ which it is my privilege and pleasure to conduct. Elisabeth Leonskaja, a towering Last year in this introduction, I wrote pianist and prolific recording artist, also ‘Every performance I played, I had about the apparently endless, universal makes her Festival debut in the opening a lot of useful feedback from the capabilities of the piano – the instrument’s concert on 1 August. A champion of unusual status as both a solo orator and a congenial and contemporary repertoire, Alain Lefèvre professors, audiences and observers.’ conversationalist, a vessel for self-absorbed also joins us for the first time. introspection and unbounded, triumphant communication. I am particularly proud that the Festival has a habit of cultivating long-term friendships.
    [Show full text]
  • Key Facts and Figures on the Russia / Unesco Cooperation
    Last update: March 2018 KEY FACTS AND FIGURES ON THE RUSSIA / UNESCO COOPERATION 1. Membership in UNESCO: since 21 April 1954 2. Membership on the Executive Board: yes (2015-2019) Representative: Ambassador Alexander Kuznetsov Previous terms: continuous member since 1954 3. Membership on Intergovernmental Committees, Commissions, etc.: Intergovernmental Council of the International Programme for the Development of Communication (term expires in 2021) Intergovernmental Council for the Information for All Programme (term expires in 2021) Intergovernmental Committee for Physical Education and Sport (term expires in 2021) Special Committee of the Executive Board (SP) (term expires in 2019) Committee on Non-Governmental Partners (NGP) of the Executive Board (term expires in 2019) Committee on Conventions and Recommendations (CR) of the Executive Board (term expires in 2019) International Coordinating Council of the Programme on Man and the Biosphere. Vice-President (term expires in 2019) Intergovernmental Council for the International Hydrological Programme (term expires in 2019) Intergovernmental Council of the "Management of Social Transformations" Programme (term expires in 2019) Intergovernmental Bioethics Committee (term expires in 2019) Intergovernmental Oceanographic Commission. Vice-Presidency Governing Board of the UNESCO Institute for Information Technologies in Education 4. Your visits to the Russian Federation: none 5. The former Director-General’s visits to the Russian Federation: 11 20-22 August 2017: visit to the Republic of Tatarstan 5-8 July 2017: visit to the Sakha Republic on the occasion of the Second International Forum “World Epics on the Land of Olonkho”. Met with Mr Egor Borisov, Head of the Sakha Republic and scientific, educational and cultural representatives. Visited the Lena Pillars Nature Park – a natural World Heritage site since 2012.
    [Show full text]
  • Chartiy Report Standard.Qxp
    Connected to Russia Looking ahead with our communities* PwC Russia community activities report 2008 *connectedthinking PwC Contents Foreword . .1 Charity Committee in FY08 . .2 Our community funding policy . .3 Our initiatives . .4 • PwC in the Community . .4 • PwC People Giving . .10 • PwC Pro Bono . .13 • PwC Corporate/Community Leadership . .15 • PwC Firm Contribution . .16 Our achievements . .24 Our plans . .25 List of FY08 projects . .26 Our team . .28 PricewaterhouseCoopers Looking ahead with our communities Foreword Lioudmila Mamet PwC Russia Charity Committee Leader I am delighted to present PricewaterhouseCoopers We feel that it is important to continue engaging our Russia’s second annual Connected to Russia report, clients and partners in our community initiatives. which describes our commitment to the many and varied Our Charity Instead of Gifts campaign has been communities in which we live and work. tremendously successful in this regard; over 100 companies joined it in 2007–08, donating some In the past year, PwC Russia has made serious $3 million to charities in Russia. progress in developing its corporate responsibility policy, progress which can be seen in the impact made by our Another important initiative this year that was a clear Connected to Russia community outreach programme. example of responsible leadership in action was PwC on Elbrus. Nine of our partners climbed Mt Elbrus We want to spread the word about our performance in the Caucasus to raise money for the charity Downside in this area as part of our wider commitment Up. With the help of employees past and present and to transparency and stakeholder engagement.
    [Show full text]
  • TEMPORADA 2020-2021 MÚSICA Y DANZA
    AUDITORIO Y CENTRO DE CONGRESOS “VÍCTOR VILLEGAS” TEMPORADA 2020-2021 MÚSICA y DANZA Viernes, 11 septiembre 2020 ORQUESTA SINFÓNICA DE LA REGIÓN DE MURCIA Dvorak – Sinfonía nº 9, Nuevo Mundo Viernes, 25 septiembre 2020 ORQUESTA SINFÓNICA DE LA REGIÓN DE MURCIA Beethoven – Sinfonía nº 6, Pastoral OSRM La Fundación Orquesta Sinfónica de la Región de Murcia (OSRM) se constituye en septiembre de 2002 y, en la actualidad, está compuesta por una plantilla de 49 profesores todos ellos escogidos profesionales formados en su mayoría en los conservatorios de la Región. La agrupación ha recibido a directores invitados de renombre internacional como Enrique García Asensio, Pablo Heras-Casado, Alexander Vedernikov, Támas Vásáry, Leo Brouwer o Dirk Vermeulen, entre otros, y ha colaborado con solistas de reconocido prestigio como Mischa Maisky, Montserrat Caballé, Ainhoa Arteta, Carlos Moreno, Joaquín Achúcarro, Javier Perianes, Jesús Reina o Trío Arriaga, entre otros, así como los conjuntos vocales Orfeón Donostiarra y Orfeón Pamplonés. La OSRM ofrece sendos ciclos de abono en Murcia -cuyos conciertos son emitidos en Radio Clásica- y en Cartagena, así como Conciertos Escolares y Conciertos en Familia. Destaca también su participación en las temporadas de las sociedades filarmónicas Pro Música de Murcia y Pro Música de Águilas, así como en numerosos Festivales y conciertos extraordinarios en los que se han realizado maridajes musicales con intérpretes de la talla de Noa, Joan Manuel Serrat, Omara Portuondo, Milton Nascimento, Gregory Porter, Armando Manzanero o Jane Birkin, entre otros. Ha realizado giras y actuaciones por distintas comunidades españolas, destacando sus actuaciones en el Auditorio Nacional, Teatro Real, Auditorio de Galicia, Teatro Villamarta de Jerez, Real Monasterio de San Lorenzo de El Escorial, Palacio de La Almudaina de Palma de Mallorca o en el Baluarte de Pamplona, entre otras muchas.
    [Show full text]