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1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
January 2021 BLUESLETTER Washington Blues Society in This Issue
Bluesletter J W B S . Nick Vigarino Still Rocks the House! Live at the US Embassy: Blues Happy Hour Remembering Jimmy Holden LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 I’m opening my letter with Keeping the Blues Alive Award another remembrance of another friend lost in our 2021 OFFICERS blues community. I have had to President, Tony Frederickson [email protected]@wablues.org do this a few too many times Vice President, Rick Bowen [email protected]@wablues.org lately and it is a reminder of Secretary, Marisue Thomas [email protected]@wablues.org how fragile life is and how Treasurer, Ray Kurth [email protected]@wablues.org important it is to live every day Editor, Eric Steiner [email protected]@wablues.org and make as many memories as you can. 2021 DIRECTORS Jimmy Holden passed away recently. I know there are many music Music Director, Open [email protected]@wablues.org fans who have great memories of Jimmy and his many performances Membership, Chad Creamer [email protected]@wablues.org and he touched many hearts with warmth, humor and melody. I will Education, Open [email protected]@wablues.org miss Jimmy for all of his wonderful stories about his travels. He Volunteers, Rhea Rolfe [email protected]@wablues.org traveled far and wide and we shared experiences we had both had Merchandise, Tony Frederickson [email protected]@wablues.org in multiple different localities around the world. Our conversations Advertising, Open [email protected]@wablues.org often lead to stories about adventures in Hong Kong, Thailand and other exotic places. -
What's Next for the Artist?
two unreal albums in the span of a week... What’s next for the artist? Future’smay prove to be his‘HNDRXX’ masterpiece photo by Arkady Lifshits Our take on the rapper/singer’s second LP of 2017 cover photo by: The Come Up Show By Jeff Weiss Long before the lawsuits and the line of cowboy hats, crossover attempts, and a song with Kanye West com- ue by several million. Ciara and his old business partner Just one week after dropping a one-note self-titled album, the mixtape run, mainstream worship, and enough co- paring their greatest loves to lifeless golden statuettes. Rocko sued him. Russell Wilson got hexed by the curse Future f***** around and dropped what may prove to be his deine, perkys, and molly to throttle every glowsticked Sales bricked, Ciara and Future split, and the industry of Big Rube. And no one will ever look at a Gucci flip-flop masterpiece. HNDRXX is the highest incarnation of Future: bro at the Electric Daisy Carnival, Future planned to briefly exiled him to the no service purgatory where they the same way again. that alchemy of joy, drugs, and pain that makes you unsure follow up his debut Pluto with an album called Hendrix. stash Yelawolf. whether you want to cry or celebrate—probably both. It’s Then it looked like history might repeat itself. Last year’s as if Future realized that the best records he ever wrote In the interest of originality and delineating himself You know what happened next. Atlanta’s Nayvadius Wil- Purple Reign and Evol lacked carbonation—as though were “Codeine Crazy,” “You Deserve It,” “Body Party,” and from one of the first music legends to take acid and feel burn transformed into the monster, embarking on the Future had mastered the art of making #trapbangers the first draft of “Drunk in Love.” This album is crystallized good, Future eventually switched the title to Honest. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Be Fearless This Fall 2021
The Gateway Guide Be fearless this fall 2021 1 The Gateway Guide CONTACT GSGC WHAT’S INSIDE Getting Started .............................................3 VISIT US A Message From Our CEO ........................ 3 7077 Bonneval Road, Suite 420 Girl Programs ................................................5 Getting Started ........................................... 4 Jacksonville, FL 32216 Daisies .................................................6 Girl ProgramsBrownies .............................................. .............................................7 5 CALL US Juniors ................................................8 DaisiesCadettes ................................................ ..............................................9 7 (877) 764-5237 BrowniesSeniors ................................................11 ............................................ 8 JuniorsAmbassadors ................................................ .....................................13 9 Cadettes ............................................ 10 Program Descriptions .................................15 EMAIL US Seniors ............................................... 11 [email protected] Ambassadors ................................... 12 Annual Permission Form ............................49 Program Descriptions ............................... 13 FIND US ONLINE girlscouts-gateway.org Annual Permission Form ......................... 57 SHOP GIRL SCOUT GEAR girlscoutshop.com/GATEWAY-COUNCIL @gsgcfl @girlscoutsgc 2 Getting Started Using -
Lowering the Bar: the Effects of Misogyny in Rap Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2021 Lowering the Bar: The Effects of Misogyny in Rap Music John-Paul Mackey Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Lowering the Bar The Effects of Misogyny in Rap Music John-Paul Mackey California State University, Monterey Bay Music & Performing Arts May 2021 Mackey 1 Table of Contents Introduction 3 The Context of Rap Music 3 Definition and Aesthetics 3 Origins 4 Early History 5 Consumption and Popularity 8 Backlash and Criticism 9 The Context of Misogyny and Misogynoir 10 Misogyny, Misogynoir, and Hegemonic Masculinity 10 Origins 12 Sociological Impact 14 Health and Behavioral Impact 15 Impact on the Media 16 The Proliferation of Misogynistic Rap 18 History 18 Other Characteristics 19 Women’s Role 20 Deflections and Dismissals 22 Responsibility for Misogynistic Rap 23 Common Misogynistic Themes in Rap 26 Overview 26 Objectification of Women 27 Mackey 2 Derogatory Terms and Stereotypes 31 Distrust and Suspicion of Women 33 Violence Against Women 35 Misogyny in Eminem’s Music 38 Effects of Misogynistic Rap 39 Desensitization 39 Reduced Self-Esteem 41 Health and Behavioral Impact 42 Sociological Impact 43 Financial Rewards 45 Promotion and Airplay 46 Misogyny in Other Genres 47 A Changing Climate 49 Backlash and Criticism of Misogynistic Rap 49 The Role of Feminism 51 Topics by Female Rappers 53 Positive Developments 56 Looking Forward 61 Works Cited 65 Mackey 3 Introduction On July 12, 2020, rapper Megan Thee Stallion was shot in the foot, allegedly by fellow musician Tory Lanez. -
24 1983 Over the Years the MSO Has Been a Community Framing Ground ■Raibson’S R Eports MONMOUTH SYMPHONY ORCHESTRA for Its Own As Well .Es'up-And Coming Soloists
• I-' >ir/3Y,“Mv '' '". .’■ ■ -■•; V.. ' , ; ^ tune School Secretaries Earn Retrospect OCEAN GROVE— Last-minute PDP Certificates participants have just a few mow TRENTON — Assemblyman K e i u n l c c t days to sign up ior the unusual Anthony M. ‘‘Doc." yill&ie h;^« Pennsylvania bus trip on Saiuf- become1 a co-sponso£'of legljpj ATLANTIC CITY i l By'Wchard F‘ ® bboni day, December 10, sponsored by tion designed to provide financL. Jersey Association of Educational David John Lake would have The Historical Society of Ocean aid for senior citizeng i tO.'h KLp Secretaries held its 46th Annual been 73 years old this week Grovo, according to the commit ■ them meet' the hntlcipdtea acl(il- Convention at the Tropleana Ho- (Nov. 26). tee. tional cost 'of telephone' service; tel, here, November 9-11. ' v Member of an heroic Marine ■ Reservations may be made by affer the AT&T divestiture of’;BelJ On November 11, at a. luncheon contingent, the first recipient -telephoning 774-3810 after 5 p.. companies'. in January ofc-ljl.SW. ] atthe hotel, Dr. Thomas E. Rob- of the “ Citizen of the Year” ' . m. by November 30. Tickets ate .The bill, which was, unanitinafi[S- ■inson, President -Emeritus of a,w a r d presented by Ocean $25 each exclusive of luhch. Tlie ly released by the Assembly ^Rev Glassboro State College, present- Grove Businessmen, Inc., DAV- bus-leaves St. Paul's; lyiethodist enue, Finance and Apprbpriatibns ed RUTH BRUSKY, secretary in ID LAKE is remembered as a Church1 at 8 a.m. December 10 Committee, after : dii^rbv!ngv^a- NEPTUNE TWP. -
Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 of 9
MID WEEK Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 OF 9 INSIDE Top 40 And Radio Geeks, Unite! The Connected Consumer PAGE 3 RICH APPEL [email protected] What’s With a multitude of entertainment options out there, it’s easy to YOUNGER = HIGHER, LONGER, MORE New At forget that in top 40’s long history, a listener’s favorite station has Who are top 40’s P1s, and how engaged are they in the digital uni- The New never been the only game in town. There was always something verse? According to Edison Research VP Jason Hollins, 60% are Music else a consumer could do. Not to mention there are only so many female, 50% are age 12-24 and 60% 12-34, with an average age of hours in a day, right? 28. This younger skew means a greater Seminar The good news suggested by the HOW TOP 40’S P1s COMPARE TO THE POPULATION level of connectivity compared with PAGE 4 PERSONS TOP 40 Infinite Dial’s study of the format’s 12+ P1s not just other formats but to the 12- P1s—released last week by Edi- AM/FM radio usage in car 84% 88% plus and 12-34 population in general. Macklemore son Research and Arbitron—is that Awareness of Pandora 69% 88% Nearly 80% of P1s have Internet ac- & Ryan Lewis there seems to be plenty of room— Having a profile on any social network 62% 82% cess and use Wi-Fi, and one-third own and time—for all players. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Political Aesthetic of Irony in the Post-Racial United States Permalink https://escholarship.org/uc/item/8fd7t1ph Author Jarvis, Michael Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Political Aesthetic of Irony in the Post-Racial United States A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Michael R. Jarvis March 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Sherryl Vint Dr. Keith Harris Copyright by Michael R. Jarvis 2018 The Dissertation of Michael R. Jarvis is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been possible without the support of my committee, Professors Jennifer Doyle, Sherryl Vint, and Keith Harris. Thank you for reading this pile of words, for your feedback, encouragement, and activism. I am not alone in feeling lucky to have had each of you in my life as a resource, mentor, critic, and advocate. Thank you for being models of how to be an academic without sacrificing your humanity, and for always having my back. A thousand times, thank you. Sincere thanks to the English Department administration, UCR’s Graduate Division, and especially former Dean Joe Childers, for making fellowship support available at a crucial moment in the writing process. I was only able to finish because of that intervention. Thank you to the friends near and far who have stuck with me through this chapter of my life. -
70S Jazz & Pop Hits
JAZZ AT THE SOUTHERN THEATRE CONCERT SERIES ‘70‘70‘70‘70‘70sssss JAZZ & POP HITS ON-DEMAND FRI, MAR 19 – SUN, MAR 28, 2021 www.JAG.tv ARTISTIC CHAIR SPONSOR Ann & Tom Hoaglin JAZZ ARTS GROUP BOARD OF DIRECTORS Gary Wadman | President Jim Negron | Past President Managing Partner | BakerHostetler President | Corna Kokosing Construction Tami Van Tassell | Treasurer Kevin L. Murch | Secretary Partner | PricewaterhouseCoopers LLP Partner | Perez & Morris LLC John Ammendola Robert Lee Heather Brod Therese McCann Alessandro Ciaffoncini Pete Mills Steve Driver Michael Peddicord Kevin Flanigan, MD Milton Ruffin Dale Greeson Larry Smith John Johanssen Press Southworth Ron Johnson Kelly Wilson Bill Kiefaber ADMINISTRATION Press Southworth III Byron Stripling Chief Executive Officer CJO Artistic Director Yvette Boyer Mary Manos Accountant Jazz Academy Coordinator & Orchestra Manager Alexa Brennan Education & Outreach Coordinator Pete Mills Program Director, Alex Burgoyne Jazz at The Lincoln Theatre Digital Media Manager Sarah Simon Diane Cattran Office Administrator & Database Specialist Grant Manager Louis Tsamous Zach Compston Director of Affiliate Musicians Director of Education & Community Engagement Terence Womble Director of Marketing & Communications Kimberlee Goodman Director of Development PRODUCTION TEAM Vital Companies Jason Clayton – Chief Marketing Officer and Founding Partner Fred Blitzer – CEO and Founding Partner The Social Firm Matt Erney – Strategy Director Jason Willis – Creative Director “It Has Been an Honor to Play With So Many Wonderful Musicians.” BOBBY EVERHART Long time Columbus Jazz Orchestra trumpeter Bobby Everhart announced his retirement earlier this season. We were sad to lose Bobby from our ranks, but we treasure the many years of The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for dedicated service and stellar musicianship he brought to the jazz musicians in a big band setting. -
Sexual Violence in Popular Rap Music and Other Media
SEXUAL VIOLENCE IN POPULAR RAP MUSIC AND OTHER MEDIA Item Type text; Electronic Thesis Authors RAY , OLIVIA SUNDIATA Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 22:29:05 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/618766 SEXUAL VIOLENCE IN POPULAR RAP MUSIC AND OTHER MEDIA By OLIVIA SUNDIATA RAY A Thesis Submitted to the Honors College In Partial Fulfillment of the Bachelor’s Degree with Honors in Political Science THE UNIVERSITY OF ARIZONA MAY 2016 Approved by: ______________________________ Dr. Samara Klar School of Government and Public Policy Ray 2 Abstract This paper examines the prevalence of sexual violence in American media with particular focus on attitudes of sexual violence as a contribution to rape culture. Included is a content analysis of the prevalence of sexually violent lyrics in popular rap music, and a literature review of articles and studies on the effects of sexually violent media. The media discussed in the literature review includes films, television, and pornography. The relationship between the presence of sexually violent media and its impact on public opinion on sexual assault and rape proclivity are analyzed. The literature reviewed includes studies on differences in response to sexually violent media based on gender. Also included are explanation and summary of a study utilizing the excitation transfer theory and the social learning theory as they apply to the understanding of the perpetuation of rape myth acceptance based in the viewing of sexually violent media. -
On and Off the Stage at Atlanta Greek Picnic: Performances Of
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-20-2015 On and Off the tS age at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging Synatra A. Smith Florida International University, [email protected] DOI: 10.25148/etd.FI15032125 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Social and Cultural Anthropology Commons Recommended Citation Smith, Synatra A., "On and Off the tS age at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging" (2015). FIU Electronic Theses and Dissertations. 1906. https://digitalcommons.fiu.edu/etd/1906 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida ON AND OFF THE STAGE AT ATLANTA GREEK PICNIC: PERFORMANCES OF COLLECTIVE BLACK MIDDLE-CLASS IDENTITIES AND THE POLITICS OF BELONGING A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in GLOBAL AND SOCIOCULTURAL STUDIES by Synatra A. Smith 2015 To: Dean Michael R. Heithaus College of Arts and Sciences This dissertation, written by Synatra A. Smith, and entitled On and Off the Stage at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging, having been approved in respect to style and intellectual content, is referred to you for judgment.