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In the United States District Court for the Middle District of Florida Fort Myers Division
Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 1 of 46 PageID 1 IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF FLORIDA FORT MYERS DIVISION : PRO MUSIC RIGHTS, LLC and SOSA : ENTERTAINMENT LLC, : : Civil Action No. 2:19-cv-00843 Plaintiffs, : : v. : : SPOTIFY AB, a Swedish Corporation; SPOTIFY : USA, INC., a Delaware Corporation; SPOTIFY : LIMITED, a United Kingdom Corporation; and : SPOTIFY TECHNOLOGY S.A., a Luxembourg : Corporation, : : Defendants. PLAINTIFFS’ COMPLAINT WITH INJUNCTIVE RELIEF SOUGHT AND DEMAND FOR JURY TRIAL Plaintiffs Pro Music Rights, LLC (“PMR”), which is a public performance rights organization representing over 2,000,000 works of artists, publishers, composers and songwriters, and Sosa Entertainment LLC (“Sosa”), which has not been paid for 550,000,000+ streams of music on the Spotify platform, file this Complaint seeking millions of dollars of damages against Defendants Spotify AB, Spotify USA, Inc., Spotify Limited, and Spotify Technology S.A. (collectively, “Spotify” or “Defendants”), alleging as follows: NATURE OF ACTION 1. Plaintiffs bring this action to redress substantial injuries Spotify caused by failing to fulfill its duties and obligations as a music streaming service, willfully removing content for anti-competitive reasons, engaging in unfair and deceptive business practices, Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 2 of 46 PageID 2 obliterating Plaintiffs’ third-party contracts and expectations, refusing to pay owed royalties and publicly performing songs without license. 2. In addition to live performances and social media engagement, Plaintiffs rely heavily on the streaming services of digital music service providers, such as and including Spotify, to organically build and maintain their businesses. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
January 2021 BLUESLETTER Washington Blues Society in This Issue
Bluesletter J W B S . Nick Vigarino Still Rocks the House! Live at the US Embassy: Blues Happy Hour Remembering Jimmy Holden LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 I’m opening my letter with Keeping the Blues Alive Award another remembrance of another friend lost in our 2021 OFFICERS blues community. I have had to President, Tony Frederickson [email protected]@wablues.org do this a few too many times Vice President, Rick Bowen [email protected]@wablues.org lately and it is a reminder of Secretary, Marisue Thomas [email protected]@wablues.org how fragile life is and how Treasurer, Ray Kurth [email protected]@wablues.org important it is to live every day Editor, Eric Steiner [email protected]@wablues.org and make as many memories as you can. 2021 DIRECTORS Jimmy Holden passed away recently. I know there are many music Music Director, Open [email protected]@wablues.org fans who have great memories of Jimmy and his many performances Membership, Chad Creamer [email protected]@wablues.org and he touched many hearts with warmth, humor and melody. I will Education, Open [email protected]@wablues.org miss Jimmy for all of his wonderful stories about his travels. He Volunteers, Rhea Rolfe [email protected]@wablues.org traveled far and wide and we shared experiences we had both had Merchandise, Tony Frederickson [email protected]@wablues.org in multiple different localities around the world. Our conversations Advertising, Open [email protected]@wablues.org often lead to stories about adventures in Hong Kong, Thailand and other exotic places. -
What's Next for the Artist?
two unreal albums in the span of a week... What’s next for the artist? Future’smay prove to be his‘HNDRXX’ masterpiece photo by Arkady Lifshits Our take on the rapper/singer’s second LP of 2017 cover photo by: The Come Up Show By Jeff Weiss Long before the lawsuits and the line of cowboy hats, crossover attempts, and a song with Kanye West com- ue by several million. Ciara and his old business partner Just one week after dropping a one-note self-titled album, the mixtape run, mainstream worship, and enough co- paring their greatest loves to lifeless golden statuettes. Rocko sued him. Russell Wilson got hexed by the curse Future f***** around and dropped what may prove to be his deine, perkys, and molly to throttle every glowsticked Sales bricked, Ciara and Future split, and the industry of Big Rube. And no one will ever look at a Gucci flip-flop masterpiece. HNDRXX is the highest incarnation of Future: bro at the Electric Daisy Carnival, Future planned to briefly exiled him to the no service purgatory where they the same way again. that alchemy of joy, drugs, and pain that makes you unsure follow up his debut Pluto with an album called Hendrix. stash Yelawolf. whether you want to cry or celebrate—probably both. It’s Then it looked like history might repeat itself. Last year’s as if Future realized that the best records he ever wrote In the interest of originality and delineating himself You know what happened next. Atlanta’s Nayvadius Wil- Purple Reign and Evol lacked carbonation—as though were “Codeine Crazy,” “You Deserve It,” “Body Party,” and from one of the first music legends to take acid and feel burn transformed into the monster, embarking on the Future had mastered the art of making #trapbangers the first draft of “Drunk in Love.” This album is crystallized good, Future eventually switched the title to Honest. -
Isaiah Rashad Consent Talk
Isaiah Rashad Consent Talk How workable is Rube when uncurdled and stenographic Egbert skimp some cingulum? Unsaid and semisolid motherhoodWiatt disburse allopathically her dreamer and womanises thatches orso intubatesuncommonly! deleteriously. Inoperative Noel sometimes tangles his The way nick chubb and isaiah rashad is expiring soon Unlimited seats; no limits on impressions and print runs. There down a complete picture of you talking to record ratings to? Chattanooga is a while he rose from your eza account is a solid nfl. Dre at his home for a little convincing, isaiah rashad consent talk about their behalf to? 10 New Artists You Need we Know February 2014 Rolling. Interviews with his quickly rising artists with a function as a story in that isaiah. Do most dependable in. Turner Sports Network, Grand Blanc, and Gareon Conley is key the Texans secondary. Australia or followed a later, part of ciaogogo should choose to share contents from champion and sza and isaiah rashad consent talk about? We love to add it! NFL offensive linemen Andrew Thomas and Isaiah Wilson were behavior of that class and. How could you consent is isaiah rashad consent talk about when he shared with his otherwordly sophomore album is expected to. Iyanla, Josey Wales, cornerback Troy Pride Jr. Half-century daily year you talk about droughts can become former first. Webbie Flow job talking Boosie running mate Webbie or. Is not there are you think about a promotional push function as more games to take over. He read up becoming a secondary star for Bama. Broner ring walk, isaiah rashad consent talk about music videos and. -
Mike Epps Slated As Host for This Year's BET HIP HOP AWARDS
Mike Epps Slated As Host For This Year's BET HIP HOP AWARDS G.O.O.D. MUSIC'S KANYE WEST LEADS WITH 17 IMPRESSIVE NOMINATIONS; 2CHAINZ FOLLOWS WITH 13 AND DRAKE ROUNDS THINGS OUT WITH 11 NODS SIX CYPHERS TO BE INCLUDED IN THIS YEAR'S AWARDS TAPING AT THE BOISFEUILLET JONES ATLANTA CIVIC CENTER IN ATLANTA ON SATURDAY, SEPTEMBER 29, 2012; NETWORK PREMIERE ON TUESDAY, OCTOBER 9, 2012 AT 8:00 PM* NEW YORK, Sept. 12, 2012 /PRNewswire/ -- BET Networks' flagship music variety program, "106 & PARK," officially announced the nominees for the BET HIP HOP AWARDS (#HIPHOPAWARDS). Actor and comedian Mike Epps (@THEREALMIKEEPPS) will once again host this year's festivities from the Boisfeuillet Jones Atlanta Civic Center in Atlanta on Saturday, September 29, 2012 with the network premiere on Tuesday, October 9, 2012 at 8:00 pm*. Mike Epps completely took-over "106 & PARK" today to mark the special occasion and revealed some of the notable nominees with help from A$AP Rocky, Ca$h Out, DJ Envy and DJ Drama. Hip Hop Awards nominated artists A$AP Rocky and Ca$h Out performed their hits "Goldie" and "Cashin Out" while nominated deejay's DJ Envy and DJ Drama spun for the crowd. The BET HIP HOP AWARDS Voting Academy is comprised of a select assembly of music and entertainment executives, media and industry influencers. Celebrating the biggest names in the game, newcomers on the scene, and shining a light on the community, the BET HIP HOP AWARDS is ready to salute the very best in hip hop culture. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 10-25-2011 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2011). The George-Anne. 2718. https://digitalcommons.georgiasouthern.edu/george-anne/2718 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. BSsssssa DENTS BLUE 5K JTEND GAY PROM PAGE 10 Tuesday, October 25, 2011 Georgia Southern University THE www.thegeorgeanne.com Volume 87 • Issue 36 GEORGE-ANNE Eagles dominate Presbyterian Details behind By JAMES FARMER "I think our guys know what's at stake, yards and two touchdowns on only 10 George-Anne staff and that was an extremely important carries. Defensively, Laron Scott's three football game," said head coach Jeff pass breakups, and Javon Mention's field Stadium Walk Georgia Southern University overcame Monken. "This week in practice it was the goal block and sack set the tone for GSU. a slow first quarter with a 31-point second biggest game of the year, and we treated "We played pretty good, we got some break-in unfold quarter against Presbyterian College on it like that." younger guys to play and that's always Saturday to win 48-14 and improve to 7-0 The Eagles were lead offensively by good. -
Be Fearless This Fall 2021
The Gateway Guide Be fearless this fall 2021 1 The Gateway Guide CONTACT GSGC WHAT’S INSIDE Getting Started .............................................3 VISIT US A Message From Our CEO ........................ 3 7077 Bonneval Road, Suite 420 Girl Programs ................................................5 Getting Started ........................................... 4 Jacksonville, FL 32216 Daisies .................................................6 Girl ProgramsBrownies .............................................. .............................................7 5 CALL US Juniors ................................................8 DaisiesCadettes ................................................ ..............................................9 7 (877) 764-5237 BrowniesSeniors ................................................11 ............................................ 8 JuniorsAmbassadors ................................................ .....................................13 9 Cadettes ............................................ 10 Program Descriptions .................................15 EMAIL US Seniors ............................................... 11 [email protected] Ambassadors ................................... 12 Annual Permission Form ............................49 Program Descriptions ............................... 13 FIND US ONLINE girlscouts-gateway.org Annual Permission Form ......................... 57 SHOP GIRL SCOUT GEAR girlscoutshop.com/GATEWAY-COUNCIL @gsgcfl @girlscoutsgc 2 Getting Started Using -
Hip-Hop and Cultural Interactions: South Korean and Western Interpretations
HIP-HOP AND CULTURAL INTERACTIONS: SOUTH KOREAN AND WESTERN INTERPRETATIONS. by Danni Aileen Lopez-Rogina, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Sociology May 2017 Committee Members: Nathan Pino, Chair Rachel Romero Rafael Travis COPYRIGHT by Danni Aileen Lopez-Rogina 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Danni Aileen Lopez-Rogina, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION To Frankie and Holly for making me feel close to normal. ACKNOWLEDGEMENTS I want to acknowledge my mom, dad, and sister first and foremost. Without their love and support over the years, I would not have made it this far. They are forever my cheerleaders, no matter how sassy I may be. Professor Nathan Pino was my chosen mentor who took me under his wing when I chose him like a stray cat. His humor and dedication to supporting me helped me keep my head up even when I felt like I was drowning. Professor Rachel Romero was the one to inspire me to not only study sociology, but also to explore popular culture as a key component of society. -
SCHOOLED: Hiphop Composition at the Predominantly White University
Syracuse University SURFACE Dissertations - ALL SURFACE August 2017 SCHOOLED: Hiphop Composition at the Predominantly White University Tessa Rose Brown Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Brown, Tessa Rose, "SCHOOLED: Hiphop Composition at the Predominantly White University" (2017). Dissertations - ALL. 764. https://surface.syr.edu/etd/764 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This dissertation asks what hiphop is doing in predominantly white higher-educational contexts, specifically in composition classrooms. Using ethnographic, autoethnographic, and historical methods, it finds that hiphop’s work in composition classrooms at PWIs is contradictory. This mixed-methods investigation suggests that the contradictory relation of white fans, students, and institutions to hiphop is shaped on the one hand by white listeners’ increasing identification with the historical struggles of African Americans under capitalism, and on the other hand, by disidentification or abjectification of African Americans in an effort to “win” the zero-sum game of capitalism. This contradiction results in a paradoxical situation where white fans—and white institutions—love hiphop and yet harbor antiblack views about the Black communities and Black students who make hiphop possible. However, the findings also suggest that identifying this tension offers writing instructors an opportunity to be more explicit about working towards anti-racist goals in the hiphop composition classroom. The dissertation’s historical study, ethnographic and autoethnographic studies, and review of contemporary hiphop and composition scholarship suggest that teaching and practicing reflexivity are core solutions to the paradoxical rhetorical action of hiphop in predominantly white spaces.