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bas milky way mp4 album download Bas_milky way mp4 album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the ? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d3bf227b4cc290 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. – Milky Way [Album Stream] After delivering major singles this summer, including “Tribe” with J. Cole earlier this week, Bas drops his official third studio album, Milky Way . The new 14-track effort, sees the Queens rapper tapping the likes of Jermaine, A$AP Ferg, Lioin Babe, , and Correy C. Take a listen to the new Milky Way album in full below. OS REWIND: Bas – Tribe (feat. J. Cole) [Music Video] OS REWIND: Bas – Pinball II (feat. Correy C) [Music Video] OS REWIND: Bas – Boca Raton (feat. A$AP Ferg) [Music Video] Bas Releases "Milky Way" LP. Bas keeps the momentum rolling for this year by dropping his new album, Milky Way . The project is Dreamville’s third album release of 2018 and follows J. Cole’s critically acclaimed KOD LP. The Queens-repping MC’s third studio LP features 14 tracks with production by Ron Gilmore, , Sango and more. Guests on the project include J. Cole, A$AP Ferg and Ari Lennox. Check out Bas’ Milky Way stream, cover art and tracklist below. 1. Icarus f. Ari Lennox 2. Front Desk 3. Tribe f. J. Cole 4. Boca Raton f. A$AP Ferg 5. Barack Obama Special 6. Purge 7. Fragrance f. Correy C 8. Infiniti 9. Infiniti+2 f. Correy C 10. Sanufa 11. Great Ones 12. PDA 13. Designer 14. Spaceships + Rockets f. LION BABE, Moe Moks & mOma+Guy. Bas – Milky Way (Album Review) Bas has been relatively quiet these last couple of years, and rightfully so, this era of hip hop tends to ignore clever rappers like himself. But Dreamville’s Scottie Pippen is back, and thankfully, he’s continued to ignore both trap beats and the urge to mumble in favor of rapping over jazzy instrumentals that you would probably hear in a grocery store. Correct, the game missed Cole’s preachy raps when he was gone, but for the fiends like myself that were hanging on to every bit of knowledge Bas was dishing out to us on his previous album (Too High To Riot), we missed him just as much. STREAM. TOP 5. HONORABLE MENTION: DESIGNER. You get Bas’ quirkiest bars in “Designer.” First and foremost, the beat he’s served with is undeniably the best on this album, as it combines radiant vibes with both some heavy-hitting 808’s and trunk-rattling bass. Content-wise, the chubby spitter is slightly all over the place, as he switches between his risky international travels, treating women carelessly and having a fragile frame of mind in his lyrics. Rapping-wise, you get the best of many worlds from him, as he gives us tricky flows, infectious melodies and catchy hooks. Honestly, I can see some people hating this track and others f**kin’ with it; i’m with the latter. 5. BARACK OBAMA SPECIAL. On the low, Bas absolutely spazzes on this s**t! Over one of the many unorthodox instrumentals you will hear on this album, he delivers somewhat of an acceptance speech in which he discusses the many trials and tribulations that has come with his recent successes. Initially, the frizzy haired rapper tries to explain to the listeners that he hasn’t let his success change him much, rapping with this cocky demeanor and calling out the phony individuals around him. but he eventually cracks, ultimately brooding about dealing with stress alone, not trusting the individuals around him and feeling stuck in life. Overall, the track shows the thin line between happiness and frustration, and the way Bas was able to mesh the two feelings together was interestingly seamless. 4. ICARUS. Give some time for “Icarus” to really get started, and trust me, you will love it! The four minute and twenty two second track starts off a bit convoluted, featuring this fractured instrumental and soulful harmonizing between Bas and Ari Lennox. But once the actual beat drops, you get nothing but wisdom-filled bars from our featured artist, as he unapologetically describes the hate he sees around him, the pressure he feels to be great, and his willingness to find happiness while experiencing fame. The style Bas raps with throughout is aggressive, as he does his best to make everything else around him on the song feel the rigors of living up to lofty expectations that he put on himself. 3. BOCA RATON. Two second options for their respective teams made a hit here! Bas talks about palm trees, beaches, and expensive-ass cocktails on “Boca Raton,” right? Wrong! In the song, he talks around leaving his old chick behind in favor of some me-time. (Trust me, as a married man, I get it) The energy that A$AP Ferg brings to “Boca Raton” is dope. I also like the fact that he actually talks about basking in the recklessness that comes with being on vacation in the song (Unlike Bas). 2. FRONT DESK. I actually like when Bas sings on records. (Remember “Black Business Owner” from his last album? That was my s**t!) He has a knack for creating infectious melodies, but at the same time, knows how to make the listener soak up whatever message he wants to deliver to you. In “Front Desk,” this is exactly what we are treated to! The instrumental to the song is soothing, but at the same time, still has some bass boomin’ elements to it. On it, Bas plays the biggest gigolo on this planet, dismissing all of his old flings like they were the part of the apple with all those f**kin’ seeds. I love our hero’s daring vocals throughout, as he does his best to bait his chicks into thinking he cares about them using his most soulful effort yet. (Why do girls always fall for that?) This song is like a 2018 version of “Girls, Girls, Girls,” right? 1. TRIBE. Bas and J. Cole look just as homeless as one another these days, so this collaboration makes all the sense in the world. “Tribe” feels like more of a positive version of “Boca Raton.” On it, Bas raps over this feel-good instrumental, touching on the ever-so adorable topic of a women being down for him in his journey to success. I love the erratic flow he raps with throughout, as he comes across like an overly excited child that’s trying to explain to a grown ass adult why they love a certain cartoon character. With Cole killing so much s**t as of late, it’s pretty dope hearing him take a step back and rap over some light-hearted s**t. In his verse, he shows a bit of versatility, switching between rapping and singing about his successes and the obstacles that made it hard for him to reach them. Doesn’t it feel like Cole blushes whenever he sees Bas in the studio. SONG BY SONG BREAKDOWN. 2. FRONT DESK (5/5) 3. BOCA RATON (4.5/5) 5. BARACK OBAMA SPECIAL (4.5/5) 7. FRAGRANCE (3.5/5) 11. GREAT ONES (N/A) 13. DESIGNER (4.5/5) 14. SPACESHIPS + ROCKETS (3.5/5) OVERALL RATING. This might be the first album that can fully be played at a speakeasy. It’s calm, but the raps that you get from our lead guy is tougher than an Urban Meyer press conference. More specifically, you get the definition of a dude that challenges himself to rap over unorthodox beats and touch on topics that simply don’t fall in line with what the rest of the hip hop world is interested in. Maybe that’s why Bas opened the album out saying he doesn’t f**k with most of the clowns in the game… On the real, I recommend that you listen to this album over and over again. There’s so much hidden knowledge Bas dishes out to us on it, but to obtain that knowledge, you have to be completely locked in to his raps. For example, on a song like “Barack Obama Special,” if you are half- assedly playing it on your earphones while you are shooting some hoops or something, you would think the song was a trunk-rattling banger that features Bas talking about living life luxuriously without a problem in the world. But the root of the song actually revolves around the frustration that comes with feeling like no can understand the pain that you deal with when everyone around you is gone. Hidden messages like that are sprinkled throughout this album, and Bas makes sure he puts you on a treasure hunt to find them. I’ve always been a sucker for therapeutic instrumentals and traditional rapping styles, so for about 11 of the 14 songs on this album, I felt like I was in hip hop heaven! For the remaining three (Spaceships+ Rockets, Infiniti+2, Sanufa), I felt like Bas tried to step into a lane that I’m not really trying to hear from him. Don’t get me wrong, those songs weren’t bad, they were just a bit too H&M’y for a scruffy n***a like him. Nonetheless, I can never hate on an artist that experiments. Much like how Ruff Ryders had actual rough riders on their team, or how everyone on Dipset was inclined to wear pink and rap with the same elementary flow that Cam rapped with, Cole’s Dreamville team seems to be taking on his personality when it comes to making pure/meaningful albums. If you ask me, it’s a formula that works, and I wouldn’t mind if it’s abused by people that are good enough to utilize it. Album Review | Bas – Milky Way. This album was released on August 24th this year. Bas’ last album was Too High to Riot , which came out in 2016. It was a solid album. I’m pretty much expecting the same level of quality from this project. It’ll most likely be far from greatness, but above average. I don’t really have much else to say about it. Hopefully he’s improved a little since that last album. Tracklist. 1. Icarus featuring Ari Lennox produced by Meez, Ron Gilmore & J. Cole 2. Front Desk produced by Jay Kurzweil, J. Cole & Ron Gilmore 3. Tribe featuring J. Cole produced by Childish Major & J. Cole 4. Boca Raton featuring A$AP Ferg produced by J. Cole, Sango & Cedric Brown 5. Barack Obama Special produced by Ron Gilmore & ClickNPress 6. Purge produced by Christo, Ron Gilmore & J. Cole 7. Fragrance featuring Correy C produced by Cedric Brown, J. Cole, Ron Gilmore, Tec Beatz & Meez 8. Infinity 9. Infinity 2 featuring Correy C produced by Jay Kurzweil 10. Sanufa produced by J. Cole & Ron Gilmore 11. Great Ones 12. PDA produced by Ogee, K-Quick, Tec Beatz, Ron Gilmore & Jay Kurzweil 13. Designer produced by J. Cole, Ron Gilmore, Cedric Brown, Christo & K-Quick 14. Spaceships & Rockets featuring LION BABE, Moe Moks & mOma+Guy produced by Astro Raw & mOma+Guy. The album has a pretty promising start. The first song has a light, slightly jazzy instrumental, and the two verses from Bas are nice. Ari Lennox’s vocals sound great over the wavy beat too. I’m not sure who provided the vocals at the beginning of the track about flying too close to the sun, but they sounded decent. That might actually be Bas himself. It’s a good opener. Not great, but good. The beat on Front Desk is kinda cool. I’m not really impressed by Bas’ singing, but it’s not really bad. It’s just sufficient. It gets the job done. He sings throughout the whole song without rapping at all. It’s okay. Nothing about the song stands out in an especially bad way, but it wasn’t that enjoyable for me either. The song with J. Cole was pretty nice, but I wasn’t blown away like I usually am when Cole features on a Bas song. Cole definitely had the superior verse on the song though. He stole the show, which is the norm whenever these two get on a track together. The production was cool. It was just a little repetitive. The music video is boring as hell. It’s more “good” music from Bas. Again, it’s far from great in my opinion. I fuck with it though. Boca Raton is the best single from the album in my opinion. With that said, it’s still not that great. I like the beat more than that of Tribe. The feature from A$AP Ferg was pretty solid. Bas just didn’t really impress me that much on this track. He wasn’t bad though. Just like with the song it follows, the production is a bit repetitive. The music video is far more entertaining than that of Tribe. I like the song. The more I listen to it the less I like it though. Uhhh… Forget that shit I said about it being the best single. I think Tribe is a little better. Not by much. Neither of them are all that though. The production on Barack Obama Special is really cool. Bas has a cool flow on the first verse. The hook’s kinda weird. I think those uncredited vocals are from K-Quick. The way they come in honestly sounds really awkward. The second and third verses are pretty cool. Honestly, the best aspect of the song is definitely the production. The hook’s kinda weird. Bas’ flow was nice too though. It’s an entertaining song. It’s not super memorable, but it’s enjoyable enough. I fuck with it. Purge is definitely a standout track. Bas’ flow on the first verse is really nice, and I like the bouncy, lighthearted production a lot. The hook’s pretty cool too. It’s the best song on the album so far in my opinion. I still wouldn’t use the word “great” to describe it, but I think it’s really dope. His flow is fantastic on this track. I’m really not crazy about Correy C’s vocals on the hook of Fragrance. I’ve never really been a big fan of him. His singing is painfully average to me. It’s not really bad enough to ruin the song though. The first verse from Bas was nothing special. He raps about some girl who likes him too much. He can’t seem to get rid of her. Nothing about this song really stands out to me in a good way. It’s definitely not bad. I can’t really say I’m enjoying it though. It’s one of the most underwhelming songs on the album to be honest. It’s a tolerable track, but I’m never gonna listen to it again. Infinity is an audio clip taken from the movie White Men Can’t Jump. It’s a sample of a really stupid conversation. The guy calls infinity “the biggest number.” Is infinity even an official number? It doesn’t matter I guess. I’m not gonna judge it like a normal song since it’s just a short interlude. Correy C’s vocals sound so flat to me on Infinity+2. The production is really chill. It’s kinda nice. There’s only one verse from Bas, and it’s pretty short. The song’s less than two minutes long. I don’t really like it. I think it’s a little better than Fragrance just because it doesn’t overstay its welcome like that song does. It’s still not really that enjoyable to me though. The best aspect of the song is the production, which isn’t even really that impressive to be honest. It’s an okay song I guess. I’m not really feelin’ the hook on Sanufa. It’s not bad, but I don’t really think it’s that good. The production isn’t that great either. Again, it’s not bad. It’s not impressive though. There are two short verses from Bas, and they’re both really underwhelming. This is definitely the most lackluster song on the album so far in my opinion. There’s not a single aspect of the song that really stands out in a positive way. It’s just a really bland track to me. It’s not even bad though. It’s just mediocre. Great Ones is another audio clip from a movie. It comes from A Bronx Tale. It’s basically about girls who are special to people. In other words, there are some girls who stand out to certain people and end up developing special relationships with guys. Every guy has a handful of “great ones” in their lives. It’s a pretty good introduction to the following track, PDA. It’s a good song. The hook is simplistic, but I like it a lot. The first verse is cool, but the second one definitely has more substance. It’s just a song about the excitement that comes with meeting a girl you really like. Might be too early for talkin’ about marriage I got some business I gotta attend You got some dreams to achieve on your end I know that we the busiest of bees But I hope we get to be at the end. I know that feeling all too well, and it always ends with disappointment lol. Anyway, I don’t really have any problems with the song. I don’t think it’s great, but it’s definitely pretty good. I fuck with it. The production on Designer is really nice. I actually really like Bas’ vocals on the hook too. The first verse was cool. It’s another good song. Once again, it doesn’t quite reach “greatness,” but I enjoyed it enough to keep it in my iTunes library. I don’t really have any problems with it. It’s a dope song. Spaceships + Rockets is the Poppiest song on the album. It’s not for me, but I don’t think it’s that bad. It’s a remix of Rockets by LION BABE. The production sounds really familiar, so I think I might’ve heard the original song before. Bas’ flow on the first verse is really dope, but I’m just not really a fan of the beat, and the hook didn’t do anything for me either. I won’t be listening to it ever again, but I don’t think it’s bad. I just don’t really like it personally.