Be Fearless This Fall 2021
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1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
January 2021 BLUESLETTER Washington Blues Society in This Issue
Bluesletter J W B S . Nick Vigarino Still Rocks the House! Live at the US Embassy: Blues Happy Hour Remembering Jimmy Holden LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 I’m opening my letter with Keeping the Blues Alive Award another remembrance of another friend lost in our 2021 OFFICERS blues community. I have had to President, Tony Frederickson [email protected]@wablues.org do this a few too many times Vice President, Rick Bowen [email protected]@wablues.org lately and it is a reminder of Secretary, Marisue Thomas [email protected]@wablues.org how fragile life is and how Treasurer, Ray Kurth [email protected]@wablues.org important it is to live every day Editor, Eric Steiner [email protected]@wablues.org and make as many memories as you can. 2021 DIRECTORS Jimmy Holden passed away recently. I know there are many music Music Director, Open [email protected]@wablues.org fans who have great memories of Jimmy and his many performances Membership, Chad Creamer [email protected]@wablues.org and he touched many hearts with warmth, humor and melody. I will Education, Open [email protected]@wablues.org miss Jimmy for all of his wonderful stories about his travels. He Volunteers, Rhea Rolfe [email protected]@wablues.org traveled far and wide and we shared experiences we had both had Merchandise, Tony Frederickson [email protected]@wablues.org in multiple different localities around the world. Our conversations Advertising, Open [email protected]@wablues.org often lead to stories about adventures in Hong Kong, Thailand and other exotic places. -
What's Next for the Artist?
two unreal albums in the span of a week... What’s next for the artist? Future’smay prove to be his‘HNDRXX’ masterpiece photo by Arkady Lifshits Our take on the rapper/singer’s second LP of 2017 cover photo by: The Come Up Show By Jeff Weiss Long before the lawsuits and the line of cowboy hats, crossover attempts, and a song with Kanye West com- ue by several million. Ciara and his old business partner Just one week after dropping a one-note self-titled album, the mixtape run, mainstream worship, and enough co- paring their greatest loves to lifeless golden statuettes. Rocko sued him. Russell Wilson got hexed by the curse Future f***** around and dropped what may prove to be his deine, perkys, and molly to throttle every glowsticked Sales bricked, Ciara and Future split, and the industry of Big Rube. And no one will ever look at a Gucci flip-flop masterpiece. HNDRXX is the highest incarnation of Future: bro at the Electric Daisy Carnival, Future planned to briefly exiled him to the no service purgatory where they the same way again. that alchemy of joy, drugs, and pain that makes you unsure follow up his debut Pluto with an album called Hendrix. stash Yelawolf. whether you want to cry or celebrate—probably both. It’s Then it looked like history might repeat itself. Last year’s as if Future realized that the best records he ever wrote In the interest of originality and delineating himself You know what happened next. Atlanta’s Nayvadius Wil- Purple Reign and Evol lacked carbonation—as though were “Codeine Crazy,” “You Deserve It,” “Body Party,” and from one of the first music legends to take acid and feel burn transformed into the monster, embarking on the Future had mastered the art of making #trapbangers the first draft of “Drunk in Love.” This album is crystallized good, Future eventually switched the title to Honest. -
Aras Attracta Swinford Review Group What Matters Most.Pdf
Colouring my choice I ask to choose to have the choice to paint with colours of my own voice, the turquoise sun I have selected, What matters most striped stars and spotted plants respected. The speed I paint – do not demand but with encouraged growth let my palette expand. Given the power to hold the brush so I may paint my own potential, my passion never told to hush, my picture exponential. Unique by design, equal in each degree, I ask you not to talk about, but to talk instead with me. Dignity deserved, preserve my independence and advocate that I may have the right to choose the colours with which I paint. Brigid O’Dea Report of the Áras Attracta Swinford Review Group July 2016 __ Following the broadcast of the Prime Time programme ‘Inside Bungalow 3’ by RTE, the Áras Attracta Swinford Review Group was established by the Health Service Executive to undertake an independent review of the quality of care being provided in Áras Attracta. The findings of the Review Group are presented over a series of three reports. What matters most sets out the findings of the Review Group in relation to Áras Attracta itself. It includes recommendations relating to Áras Attracta management, actions for the HSE at a national level, and a ‘road map’ to guide all managers of congregated settings as they move towards decongregation. Time for action deals with the wider system of service provision for people with a disability, and proposes a range of actions including 55 priority actions that emerged from a national process of consultation with stakeholders involved in disability services and the wider public. -
Icons of Catastrophe: Diagramming Blackness in Until the Quiet Comes
"U NTIL THE Q U IET C OMES” (D IREC TED BY K AHLIL J OSEPH , 2013, WHAT MATTERS MOST/P U LSE FILMS), FRAME GRAB . Kahlil Joseph’s “Until the Quiet leaning to the right, the camera Comes” is a short film about a series pans to an ambulance parked on the of miraculous and catastrophic street. It is possible the emergency Icons of events. The camera moves gracefully vehicle arrived in response to the through a dreamy Los Angeles dancer’s wounds, but now its red Catastrophe: sunset as black children play and, flashing lights illuminate the entire as if it were predestined, die. Then, neighborhood with a warning signal. without warning, bodies begin to Even as the film fades to black—the move gracefully in reverse while editing transition and color that the world around them continues has become cinema’s definitive Diagramming to move forward. Finally, in the last word—this discontinuous dramatic conclusion of the film, a narrative about black bodies remains man bleeding from bullet wounds incomplete and in suspension. Blackness in Until on the ground miraculously rises and begins to dance. He removes The central conceit of “Until the his bloodstained shirt and, evidently, Quiet Comes” is contradiction. The the Quiet Comes the finality of death. Then, he enters film subjects viewers to violence a car and drives off into the night. that is horrific yet beautifully surreal Lauren M. The film moves effortlessly between and to an unending cycle of death Cramer different settings and times, without and vibrancy. Similarly, we see giving viewers a sense of direction, blackness through the contradictory but this stunning possibility for forces that shape it, boundless change (and even reanimation) possibility and crushing confinement. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
`Sometimes As a Creative
EXPERIENCE THE PARADIGM SHIFT How One Agency Became A Major Music Player >P.25 DOLLY PARTO Online For The First Tim WHAT'S FOR >P.8 New Album. New Tour. KANYE WEST `Sometimes As A Creative www.billboard.com Person, You Go Off www.billboard.biz US $6.99 CAN $8.99 UK E5.50 The Deep End A Little.' >P.22 THE YEAR MARK ROHBON VERSION THE CRITICS AIE IAVIN! "HAVING PRODUCED AMY WINEHOUSE AND LILY ALLEN, MARK RONSON IS ON A REAL ROLL IN 2007. FEATURING GUEST VOCALISTS LIKE ALLEN, IN NOUS AND ROBBIE WILLIAMS, THE WHOLE THING PLAYS LIKE THE ULTIMATE HIPSTER PARTY MIXTAPE. BEST OF ALL? `STOP ME,' THE MOST SOULFUL RAVE SINCE GNARLS BARKLEY'S `CRAZY." PEOPLE MAGAZINE "RONSON JOYOUSLY TWISTS POPULAR TUNES BY EVERYONE FROM RA TO COLDPLAY TO BRITNEY SPEARS, AND - WHAT DO YOU KNOW! - IT TURNS OUT TO BE THE MONSTER JAM OF THE SEASON! REGARDLESS OF WHO'S OH THE MIC, VERSION SUCCEEDS. GRADE A" ENT 431,11:1;14I WEEKLY "THE EMERGING RONSON SOUND IS MOTOWN MEETS HIP -HOP MEETS RETRO BRIT -POP. IN BRITAIN, `STOP ME,' THE COVER OF THE SMITHS' `STOP ME IF YOU THINK YOU'VE HEARD THIS ONE BEFORE,' IS # 1 AND THE ALBUM SOARED TO #2! COULD THIS ROCK STAR DJ ACTUALLY BECOME A ROCK STAR ?" NEW YORK TIMES "RONSON UNITES TWO ANTITHETICAL WORLDS - RECENT AND CLASSIC BRITPOP WITH VINTAGE AMERICAN R &B. LILY ALLEN, AMY WINEHOUSE, ROBBIE WILLIAMS COVER KAISER CHIEFS, COLDPLAY, AND THE SMITHS OVER BLARING HORNS, AND ORGANIC BEATS. SHARP ARRANGING SKILLS AND SUITABLY ANGULAR PERFORMANCES! * * * *" SPIN THE SOUNDTRACK TO YOUR SUMMER! THE . -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 10-25-2011 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2011). The George-Anne. 2718. https://digitalcommons.georgiasouthern.edu/george-anne/2718 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. BSsssssa DENTS BLUE 5K JTEND GAY PROM PAGE 10 Tuesday, October 25, 2011 Georgia Southern University THE www.thegeorgeanne.com Volume 87 • Issue 36 GEORGE-ANNE Eagles dominate Presbyterian Details behind By JAMES FARMER "I think our guys know what's at stake, yards and two touchdowns on only 10 George-Anne staff and that was an extremely important carries. Defensively, Laron Scott's three football game," said head coach Jeff pass breakups, and Javon Mention's field Stadium Walk Georgia Southern University overcame Monken. "This week in practice it was the goal block and sack set the tone for GSU. a slow first quarter with a 31-point second biggest game of the year, and we treated "We played pretty good, we got some break-in unfold quarter against Presbyterian College on it like that." younger guys to play and that's always Saturday to win 48-14 and improve to 7-0 The Eagles were lead offensively by good. -
Lowering the Bar: the Effects of Misogyny in Rap Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2021 Lowering the Bar: The Effects of Misogyny in Rap Music John-Paul Mackey Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Lowering the Bar The Effects of Misogyny in Rap Music John-Paul Mackey California State University, Monterey Bay Music & Performing Arts May 2021 Mackey 1 Table of Contents Introduction 3 The Context of Rap Music 3 Definition and Aesthetics 3 Origins 4 Early History 5 Consumption and Popularity 8 Backlash and Criticism 9 The Context of Misogyny and Misogynoir 10 Misogyny, Misogynoir, and Hegemonic Masculinity 10 Origins 12 Sociological Impact 14 Health and Behavioral Impact 15 Impact on the Media 16 The Proliferation of Misogynistic Rap 18 History 18 Other Characteristics 19 Women’s Role 20 Deflections and Dismissals 22 Responsibility for Misogynistic Rap 23 Common Misogynistic Themes in Rap 26 Overview 26 Objectification of Women 27 Mackey 2 Derogatory Terms and Stereotypes 31 Distrust and Suspicion of Women 33 Violence Against Women 35 Misogyny in Eminem’s Music 38 Effects of Misogynistic Rap 39 Desensitization 39 Reduced Self-Esteem 41 Health and Behavioral Impact 42 Sociological Impact 43 Financial Rewards 45 Promotion and Airplay 46 Misogyny in Other Genres 47 A Changing Climate 49 Backlash and Criticism of Misogynistic Rap 49 The Role of Feminism 51 Topics by Female Rappers 53 Positive Developments 56 Looking Forward 61 Works Cited 65 Mackey 3 Introduction On July 12, 2020, rapper Megan Thee Stallion was shot in the foot, allegedly by fellow musician Tory Lanez. -
Marx and Germany
Communism and Nationalism This page intentionally left blank Communism and Nationalism Karl Marx Versus Friedrich List Roman Szporluk New York Oxford OXFORD UNIVERSITY PRESS 1988 Oxford University Press Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Beirut Berlin Ibadan Nicosia Copyright © 1988 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 200 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Szporluk, Roman. Communism and nationalism. Bibliography: p. Includes index. 1. Nationalism and socialism. 2. Marx, Karl, 1818-1883—-Views on nationalism. 3. List, Friedrich, 1789-1846—Views on nationalism. I. Title. HX550.N3S95 1988 320.5'32 87-10993 ISBN 0-19-505102-5 135798642 Printed in the United States of America on acid-free paper For Mary Ann, Ben, Larissa, and Michael This page intentionally left blank Preface In 1977 I began to teach a course at the University of Michigan called "Socialism and Nationalism." The course was based on the idea that in the historical epoch inaugurated by the French and Industrial revolutions, socialism and nationalism addressed very similar—if not identical—ques- tions, but gave different answers to them, provided competing programs for their realization, and in general, offered alternative visions of the world. -
24 1983 Over the Years the MSO Has Been a Community Framing Ground ■Raibson’S R Eports MONMOUTH SYMPHONY ORCHESTRA for Its Own As Well .Es'up-And Coming Soloists
• I-' >ir/3Y,“Mv '' '". .’■ ■ -■•; V.. ' , ; ^ tune School Secretaries Earn Retrospect OCEAN GROVE— Last-minute PDP Certificates participants have just a few mow TRENTON — Assemblyman K e i u n l c c t days to sign up ior the unusual Anthony M. ‘‘Doc." yill&ie h;^« Pennsylvania bus trip on Saiuf- become1 a co-sponso£'of legljpj ATLANTIC CITY i l By'Wchard F‘ ® bboni day, December 10, sponsored by tion designed to provide financL. Jersey Association of Educational David John Lake would have The Historical Society of Ocean aid for senior citizeng i tO.'h KLp Secretaries held its 46th Annual been 73 years old this week Grovo, according to the commit ■ them meet' the hntlcipdtea acl(il- Convention at the Tropleana Ho- (Nov. 26). tee. tional cost 'of telephone' service; tel, here, November 9-11. ' v Member of an heroic Marine ■ Reservations may be made by affer the AT&T divestiture of’;BelJ On November 11, at a. luncheon contingent, the first recipient -telephoning 774-3810 after 5 p.. companies'. in January ofc-ljl.SW. ] atthe hotel, Dr. Thomas E. Rob- of the “ Citizen of the Year” ' . m. by November 30. Tickets ate .The bill, which was, unanitinafi[S- ■inson, President -Emeritus of a,w a r d presented by Ocean $25 each exclusive of luhch. Tlie ly released by the Assembly ^Rev Glassboro State College, present- Grove Businessmen, Inc., DAV- bus-leaves St. Paul's; lyiethodist enue, Finance and Apprbpriatibns ed RUTH BRUSKY, secretary in ID LAKE is remembered as a Church1 at 8 a.m. December 10 Committee, after : dii^rbv!ngv^a- NEPTUNE TWP. -
Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 of 9
MID WEEK Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 OF 9 INSIDE Top 40 And Radio Geeks, Unite! The Connected Consumer PAGE 3 RICH APPEL [email protected] What’s With a multitude of entertainment options out there, it’s easy to YOUNGER = HIGHER, LONGER, MORE New At forget that in top 40’s long history, a listener’s favorite station has Who are top 40’s P1s, and how engaged are they in the digital uni- The New never been the only game in town. There was always something verse? According to Edison Research VP Jason Hollins, 60% are Music else a consumer could do. Not to mention there are only so many female, 50% are age 12-24 and 60% 12-34, with an average age of hours in a day, right? 28. This younger skew means a greater Seminar The good news suggested by the HOW TOP 40’S P1s COMPARE TO THE POPULATION level of connectivity compared with PAGE 4 PERSONS TOP 40 Infinite Dial’s study of the format’s 12+ P1s not just other formats but to the 12- P1s—released last week by Edi- AM/FM radio usage in car 84% 88% plus and 12-34 population in general. Macklemore son Research and Arbitron—is that Awareness of Pandora 69% 88% Nearly 80% of P1s have Internet ac- & Ryan Lewis there seems to be plenty of room— Having a profile on any social network 62% 82% cess and use Wi-Fi, and one-third own and time—for all players.