The Adventures of Odysseus and the Tale of Troy
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MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother. -
(Publius Vergilius Maro, 70-19 Bc) the Aeneid
VIRGIL (PUBLIUS VERGILIUS MARO, 70-19 BC) THE AENEID TRANSLATION BY A.S. KLINE (Published here under the Creative Commons License) PARALLEL-TEXT EDITION PREPARED BY ROY GLASHAN TABLE OF CONTENTS Book I Book II Book III Book IV Book V Book VI Book VII Book VIII Book IX Book X Book XI Book XII BOOK I Invocation to the Muse Lines 1-11 I sing of arms and the man, he who, exiled by fate, Arma uirumque cano, Troiae qui primus ab oris first came from the coast of Troy to Italy, and to Italiam, fato profugus, Lauiniaque uenit Lavinian shores – hurled about endlessly by land litora, multum ille et terris iactatus et alto and sea, by the will of the gods, by cruel Juno's ui superum saeuae memorem Iunonis ob iram; remorseless anger, long suffering also in war, until multa quoque et bello passus, dum conderet urbem, he founded a city and brought his gods to Latium: 5 from that the Latin people came, the lords of Alba inferretque deos Latio, genus unde Latinum, Longa, the walls of noble Rome. Muse, tell me the Albanique patres, atque altae moenia Romae. cause: how was she offended in her divinity, how Musa, mihi causas memora, quo numine laeso, was she grieved, the Queen of Heaven, to drive a quidue dolens, regina deum tot uoluere casus man, noted for virtue, to endure such dangers, to insignem pietate uirum, tot adire labores 10 face so many trials? Can there be such anger in the impulerit. Tantaene animis caelestibus irae? minds of the gods? Lines 12-49 The Anger of Juno Urbs antiqua fuit, Tyrii tenuere coloni, There was an ancient city, Carthage (held by Karthago, Italiam contra Tiberinaque longe colonists from Tyre), opposite Italy, and the far-off ostia, diues opum studiisque asperrima belli; mouths of the Tiber, rich in wealth, and very quam Iuno fertur terris magis omnibus unam 15 savage in pursuit of war. -
That Ingenious Hero
BOOK 1: THAT INGENIOUS HERO Identify Places and Characters: Hyperion the sun god; a Titan sometimes referred to as Helios Calypso daughter of Atlas; nymph on the island of Ogygia Aegisthus (ay-gis-thus) a cousin to Agamemnon who killed him in Argos with Clytemnestra’s help Orestes (ohr-es-teez) son of Agamemnon and Clytemnestra; killed Aegisthus and his mother to avenge his father’s death Atlas Titan father of Calypso; holds columns to separate the sky from the earth Polyphemus (pah-luh-fee-muhs) king of the Cyclopes; son of Poseidon and Thoosa; blinded by Odysseus Dulichium, Same, & Zacynthus neighboring islands to Ithaca under the rule of Odysseus Antinous (an-ti-no-uhs) son of Eupeithes; Ithacan leader of the suitors; suitor Penelope hates most Eurymachus son of Polybus; a leading suitor and Ithacan Comprehension Questions: 1. Which god harbored resentment against Odysseus, preventing him from returning home? Why was this god so furious? ________________________________________________ ________________________________________________________________________ ________________________________________________________________________ 2. Odysseus’ son, ____________, was visited by ____________. What disguise did this visitor take? Why? _________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ 3. Who sang and played the lyre for the rowdy crowd of suitors in the house of Odysseus? ________________________________________________________________________ -
The Ears of Hermes
The Ears of Hermes The Ears of Hermes Communication, Images, and Identity in the Classical World Maurizio Bettini Translated by William Michael Short THE OHIO STATE UNIVERSITY PRess • COLUMBUS Copyright © 2000 Giulio Einaudi editore S.p.A. All rights reserved. English translation published 2011 by The Ohio State University Press. Library of Congress Cataloging-in-Publication Data Bettini, Maurizio. [Le orecchie di Hermes. English.] The ears of Hermes : communication, images, and identity in the classical world / Maurizio Bettini ; translated by William Michael Short. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1170-0 (cloth : alk. paper) ISBN-10: 0-8142-1170-4 (cloth : alk. paper) ISBN-13: 978-0-8142-9271-6 (cd-rom) 1. Classical literature—History and criticism. 2. Literature and anthropology—Greece. 3. Literature and anthropology—Rome. 4. Hermes (Greek deity) in literature. I. Short, William Michael, 1977– II. Title. PA3009.B4813 2011 937—dc23 2011015908 This book is available in the following editions: Cloth (ISBN 978-0-8142-1170-0) CD-ROM (ISBN 978-0-8142-9271-6) Cover design by AuthorSupport.com Text design by Juliet Williams Type set in Adobe Garamond Pro Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American Na- tional Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS Translator’s Preface vii Author’s Preface and Acknowledgments xi Part 1. Mythology Chapter 1 Hermes’ Ears: Places and Symbols of Communication in Ancient Culture 3 Chapter 2 Brutus the Fool 40 Part 2. -
The Aeneid Virgil
The Aeneid Virgil TRANSLATED BY A. S. KLINE ROMAN ROADS MEDIA Classical education, from a Christian perspective, created for the homeschool. Roman Roads combines its technical expertise with the experience of established authorities in the field of classical education to create quality video courses and resources tailored to the homeschooler. Just as the first century roads of the Roman Empire were the physical means by which the early church spread the gospel far and wide, so Roman Roads Media uses today’s technology to bring timeless truth, goodness, and beauty into your home. By combining excellent instruction augmented with visual aids and examples, we help inspire in your children a lifelong love of learning. The Aeneid by Virgil translated by A. S. Kline This text was designed to accompany Roman Roads Media's 4-year video course Old Western Culture: A Christian Approach to the Great Books. For more information visit: www.romanroadsmedia.com. Other video courses by Roman Roads Media include: Grammar of Poetry featuring Matt Whitling Introductory Logic taught by Jim Nance Intermediate Logic taught by Jim Nance French Cuisine taught by Francis Foucachon Copyright © 2015 by Roman Roads Media, LLC Roman Roads Media 739 S Hayes St, Moscow, Idaho 83843 A ROMAN ROADS ETEXT The Aeneid Virgil TRANSLATED BY H. R. FAIRCLOUGH BOOK I Bk I:1-11 Invocation to the Muse I sing of arms and the man, he who, exiled by fate, first came from the coast of Troy to Italy, and to Lavinian shores – hurled about endlessly by land and sea, by the will of the gods, by cruel Juno’s remorseless anger, long suffering also in war, until he founded a city and brought his gods to Latium: from that the Latin people came, the lords of Alba Longa, the walls of noble Rome. -
Structure As Interpretation in the Homeric Odyssey
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2014 Structure as Interpretation in the Homeric Odyssey Erwin F. Cook Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Cook, E. F. (2014). Structure as interpretation in the Homeric odyssey. In D. Cairns & R. Scodel (Ed.), Defining Greek narrative (pp. 75-101). Edinburgh University Press. This Contribution to Book is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Structure as Interpretation in the Odyssey ‘Defining Greek Literature’ poses an interesting challenge for Homerists, like myself, committed to the proposition that the epics reflect the compositional practices of oral poetry the world over.1 In terms of formal approaches, many scholars, including contributors to this volume, have found it productive to apply narratology to elucidate Homer, a methodology with greater universalizing assumptions than oral theory. Nevertheless, an aspect of the epics that I believe is distinctive, and in certain respects unique, is the ways in which they manipulate traditional conventions so as to guide reception. Although Scodel rightly cautions against assuming homogenous -
The Iliad of Homer by Homer
The Project Gutenberg EBook of The Iliad of Homer by Homer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Iliad of Homer Author: Homer Release Date: September 2006 [Ebook 6130] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE ILIAD OF HOMER*** The Iliad of Homer Translated by Alexander Pope, with notes by the Rev. Theodore Alois Buckley, M.A., F.S.A. and Flaxman's Designs. 1899 Contents INTRODUCTION. ix POPE'S PREFACE TO THE ILIAD OF HOMER . xlv BOOK I. .3 BOOK II. 41 BOOK III. 85 BOOK IV. 111 BOOK V. 137 BOOK VI. 181 BOOK VII. 209 BOOK VIII. 233 BOOK IX. 261 BOOK X. 295 BOOK XI. 319 BOOK XII. 355 BOOK XIII. 377 BOOK XIV. 415 BOOK XV. 441 BOOK XVI. 473 BOOK XVII. 513 BOOK XVIII. 545 BOOK XIX. 575 BOOK XX. 593 BOOK XXI. 615 BOOK XXII. 641 BOOK XXIII. 667 BOOK XXIV. 707 CONCLUDING NOTE. 747 Illustrations HOMER INVOKING THE MUSE. .6 MARS. 13 MINERVA REPRESSING THE FURY OF ACHILLES. 16 THE DEPARTURE OF BRISEIS FROM THE TENT OF ACHILLES. 23 THETIS CALLING BRIAREUS TO THE ASSISTANCE OF JUPITER. 27 THETIS ENTREATING JUPITER TO HONOUR ACHILLES. 32 VULCAN. 35 JUPITER. 38 THE APOTHEOSIS OF HOMER. 39 JUPITER SENDING THE EVIL DREAM TO AGAMEMNON. 43 NEPTUNE. 66 VENUS, DISGUISED, INVITING HELEN TO THE CHAMBER OF PARIS. -
TSJCL Mythology
CONTEST CODE: 09 2012 TEXAS STATE JUNIOR CLASSICAL LEAGUE MYTHOLOGY TEST DIRECTIONS: Please mark the letter of the correct answer on your scantron answer sheet. 1. The myrtle and the dove are her symbols (A) Amphitrite (B) Aphrodite (C) Artemis (D) Athena 2. His wife left him and ran off to Troy with Paris; he was not happy about it and got some help (A) Agamemnon (B) Diomedes (C) Menelaus (D) Odysseus 3. This deity was the only one who worked; god of the Forge and Blacksmiths (A) Apollo (B) Hephaestus (C) Mercury (D) Neptune 4. He went searching for a bride and found Persephone (A) Aeacus (B) Hades (C) Poseidon (D) Vulcan 5. Half man, half goat, he was the patron of shepherds (A) Aeolus (B) Morpheus (C) Pan (D) Triton 6. He attempted to win the contest as Patron of Athens, but lost to Athena (A) Apollo (B) Hephaestus (C) Hermes (D) Poseidon 7. He performs Twelve Labors for his cousin as penance for crimes committed while mad (A) Aegeus (B) Heracles (C) Jason (D) Theseus 8. As punishment for opposing Zeus, he holds the Heavens on his shoulders (A) Atlas (B) Epimetheus (C) Oceanus (D) Prometheus 9. Son of Zeus, king of Crete, he ordered the Labyrinth built to house the Minotaur (A) Alpheus (B) Enipeus (C) Minos (D) Peleus 10. This wise centaur taught many heroes, including Achilles (A) Chiron (B) Eurytion (C) Nessus (D) Pholus 11. She was the Muse of Comedy (A) Amphitrite (B) Euphrosyne (C) Macaria (D) Thalia 12. She rode a white bull from her homeland to Crete and bore Zeus three sons (A) Danae (B) Europa (C) Leda (D) Semele 13. -
2014 Tsjcl Myth
CONTEST CODE: 09 2014 TEXAS STATE JUNIOR CLASSICAL LEAGUE MYTHOLOGY TEST DIRECTIONS: Please mark the letter of the correct answer on your scantron answer sheet. 1. Goddess of the hunt, she is associated with Selene, goddess of the moon (A) Aphrodite (B) Artemis (C) Athena (D) Aurora 2. He performed Twelve Labors for his cousin due to a trick by Hera (A) Admetus (B) Heracles (C) Jason (D) Perseus 3. They were the Dioscuri, the Gemini Twins (A) Apollo & Artemis (B) Idas & Lynceus (C) Otus & Ephialtes (D) Pollux & Castor 4. He led the Trojan refugees to a new land and their destiny (A) Aeneas (B) Jason (C) Odysseus (D) Teucer 5. Goddess of love and beauty (A) Aphrodite (B) Demeter (C) Hera (D) Themis 6. King of the Underworld, brother to Zeus (A) Apollo (B) Hades (C) Poseidon (D) Vulcan 7. A Satyr, half goat and half man, patron of shepherds (A) Chiron (B) Echidna (C) Ladon (D) Pan 8. God of the Sea, known as The Earth-Shaker (A) Ares (B) Hephaestus (C) Jupiter (D) Poseidon 9. She and her husband Philemon welcomed the disguised Zeus and Hermes to their home (A) Baucis (B) Laodice (C) Oenone (D) Semiramis 10. This beast was defeated by Heracles when he lopped off its heads and seared the stumps (A) Cerberus (B) Chimaera (C) Echidna (D) Hydra 11. Zeus gave Aphrodite to this god as his wife, an interesting choice (A) Apollo (B) Ares (C) Hephaestus (D) Poseidon 12. Zeus changed her into a heifer in order to hide her from Hera (A) Danae (B) Io (C) Merope (D) Semele 13. -
Gods, Men and Their Gifts: a Comparison of the "Iliad"
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 Gods, Men and Their iG fts: a Comparison of the "Iliad", the "Odyssey", the "Aeneid" and "Paradise Lost" Paul Norman Anderson Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Anderson, Paul Norman, "Gods, Men and Their iG fts: a ompC arison of the "Iliad", the "Odyssey", the "Aeneid" and "Paradise Lost"" (2000). LSU Historical Dissertations and Theses. 7138. https://digitalcommons.lsu.edu/gradschool_disstheses/7138 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print btoedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
HETAIREIA in HOMER John Elias Esposito a Dissertation Submitted to the Faculty at the University of North Carolina at Chapel
HETAIREIA IN HOMER John Elias Esposito A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics in the College of Arts and Sciences. Chapel Hill 2015 Approved by: Fred Naiden William H. Race James J. O’Hara Emily Baragwanath James Rives © 2015 John Elias Esposito ALL RIGHTS RESERVED ii ABSTRACT John Elias Esposito: Hetaireia in Homer (Under the direction of Fred Naiden) This study addresses the neglected subject of hetaireia (roughly, “warrior- companionship”) in Homer. Although many discussions of Homer mention hetairoi in passing, no study treats semantic, poetic, social, and military aspects comprehensively. The purpose of this dissertation is to fill this gap. To this end I explicate the meaning of the heta(i)r- root, survey the social and military roles of Homeric hetairoi, and expose the way the Iliad and the Odyssey use hetaireia to portray pathos and character. The argument is informed by the etymology of heta(i)r- from the PIE reflexive *swe-, but rests on a catalogue and analysis of all scenes in which hetairoi appear. The four chapters of this dissertation argue that hetaireia is a major axis on which both epics turn. The two chapters on the Iliad show what the world is like when hetaireia dominates and consider how a poem about war focuses on the bond between warriors and their companions. The two chapters on the Odyssey show how the world changes when hetaireia disappears and consider how a poem about homecoming replaces the relationships of the battlefield with the relationship between the oikos and the gods. -
800 BC the ILIAD Homer Translated by Samuel Butler
800 BC THE ILIAD Homer translated by Samuel Butler Homer (~800 BC) - An Ionian Poet. Historians cannot agree where Homer was born, whether he was blind, whether he wrote both the “Iliad” and the “Odyssey”, or even if he actually existed. Whatever the case may be, the influence of the two enduring epics attributed to him is indisputable. The Iliad (800 BC) - An epic poem consisting of twenty-four books that deal with the last few days of the Trojan War. Here translated into prose by Samuel Butler. Table Of Contents BOOK I . 3 BOOK II . 12 BOOK III . 25 BOOK IV . 32 BOOK V . 40 BOOK VI . 53 BOOK VII . 61 BOOK VIII . 68 BOOK IX . 76 BOOK X . 87 BOOK XI . 96 BOOK XII . 109 BOOK XIII . 116 BOOK XIV . 129 BOOK XV . 137 BOOK XVI . 148 BOOK XVII . 162 BOOK XVIII . 173 BOOK XIX . 182 BOOK XX . 188 BOOK XXI . 196 BOOK XXII . 205 BOOK XXIII . 213 BOOK XXIV . 227 THE END . 238 BOOK I Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest.