Ovid's Metamorphoses, 1567 the First Translation Into English - Credited to Arthur Golding

Total Page:16

File Type:pdf, Size:1020Kb

Ovid's Metamorphoses, 1567 the First Translation Into English - Credited to Arthur Golding The Fifteen Books of Ovid's Metamorphoses, 1567 The first translation into English - credited to Arthur Golding ORIGINAL SPELLING Transcribed and Edited by B.F. copyright © 2002 Web design and additional editing by R. Brazil Words discussed in the glossary are underlined The. xv. Bookes of P. Ovidus Naso, entytuled Metamorphosis, translated oute of Latin into Englysh meeter, by Ar- thur Golding Gentleman, A worke very pleasaunt and delectable. With skill, heede, and judgement, this worke must be read, For else to the Reader it standes in small stead. 1 5 6 7 Imprynted at London, by Willyam Seres. TO THE RYGHT HONORABLE AND HIS SINGULAR GOOD LORD, ROBERT ERLE OF LEYCESTER ; BARON OF DENBYGH, KNYGHT OF THE MOST NOBLE ORDER OF THE GARTER, &c. ARTHUR GOLDING GENT. WISHETH CONTINUANCE OF HEALTH, WITH PROSPEROUS ESTATE AND FELICITIE. THE EPISTLE At length my chariot wheele about the mark hath found the way, And at their weery races end, my breathlesse horses stay. The woork is brought to end by which the author did account (And rightly) with externall fame above the starres to mount. For whatsoever hath bene writ of auncient tyme in greeke By sundry men dispersedly, and in the latin eeke, Of this same dark Philosophie of turned shapes, the same Hath Ovid into one whole masse in this booke brought in frame. Fowre kynd of things in this his worke the Poet dooth conteyne. That nothing under heaven dooth ay in stedfast state remayne. ... [Ep.10] And next that nothing perisheth: but that eche substance takes Another shape than that it had. Of theis twoo points he makes The proof by shewing through his woorke the wonderfull exchaunge Of Goddes, men, beasts, and elements, to sundry shapes right straunge, Beginning with creation of the world, and man of slyme, And so proceeding with the turnes that happened till his tyme. Then sheweth he the soule of man from dying to be free, By samples of the noblemen, who for their vertues bee Accounted and canonized for Goddes by heathen men, And by the peynes of Lymbo lake, and blysfull state agen ... [Ep.20] Of spirits in th'Elysian feelds. And though that of theis three He make discourse dispersedly: yit specially they bee Discussed in the latter booke in that oration where He bringeth in Pythagoras disswading men from feare Of death, and preaching abstinence from flesh of living things. But as for that opinion which Pythagoras there brings Of soules removing out of beasts to men, and out of men Too birdes and beasts both wyld and tame, both to and fro agen: It is not to be understand of that same soule whereby Wee are endewd with reason and discretion from on hie: ... [Ep.30] But of that soule or lyfe the which brute beasts as well as wee Enjoy. Three sortes of lyfe or soule (for so they termed bee) Are found in things. The first gives powre to thryve, encrease and grow, And this in senselesse herbes and trees and shrubs itself dooth show. The second giveth powre to move and use of senses fyve, And this remaynes in brutish beasts, and keepeth them alyve. Both theis are mortall, as the which receyved of the aire By force of Phebus, after death doo thither eft repayre. The third gives understanding, wit, and reason: and the same Is it alonly which with us of soule dooth beare the name. ... [Ep. 40] And as the second dooth conteine the first: even so the third Conteyneth both the other twaine. And neyther beast, nor bird, Nor fish, nor herb, nor tree, nor shrub, nor any earthly wyght (Save only man) can of the same partake the heavenly myght. I graunt that when our breath dooth from our bodies go away, It dooth eftsoones returne to ayre: and of that ayre there may Both bird and beast participate, and wee of theirs likewyse. For wbyle wee live, (the thing itself appeereth to our eyes) Bothe they and wee draw all one breath. But for to deeme or say Our noble soule (which is divine and permanent for ay) ... [Ep.50] Is common to us with the beasts, I think it nothing lesse Than for to bee a poynt of him that wisdome dooth professe. Of this I am ryght well assurde, there is no Christen wyght That can by fondnesse be so farre seduced from the ryght. And finally hee dooth proceede in shewing that not all That beare the name of men (how strong, feerce, stout, bold, hardy, tall, How wyse, fayre, rych, or hyghly borne, how much renownd by fame, So ere they bee, although on earth of Goddes they beare the name) Are for to be accounted men: but such as under awe Of reasons rule continually doo live in vertues law: ... [Ep.60] And that the rest doo differ nought from beasts, but rather bee Much woorse than beasts, bicause they doo, abace theyr owne degree. To naturall philosophye the formest three perteyne, The fowrth to morall: and in all are pitthye, apt and playne Instructions which import the prayse of vertues and the shame Of vices, with the due rewardes of eyther of the same. BOOK I As for example, in the tale of Daphnee turnd to Bay, A myrror of virginitie appeere unto us may, Which yeelding neyther unto feare, nor force, nor flatterye, Doth purchace everlasting fame and immortalitye. ... [Ep.70] BOOK II In Phaetons fable unto syght the Poet dooth expresse The natures of ambition blynd, and youthfull wilfulnesse. The end whereof is miserie, and bringeth at the last Repentance when it is too late that all redresse is past. And how the weaknesse and the want of wit in magistrate Confoundeth both his common weale and eeke his owne estate. This fable also dooth advyse all parents and all such As bring up youth, to take good heede of cockering them too much. It further dooth commende the meane: and willeth to beware Of rash and hasty promises which most pernicious are, ... [Ep.80] And not to bee performed: and in fine it playnly showes What sorrow to the parents and to all the kinred growes By disobedience of the chyld: and in the chyld is ment The disobedient subject that ageinst his prince is bent. The transformations of the Crow and Raven doo declare That Clawbacks and Colcariers ought wysely to beware Of whom, to whom, and what they speake. For sore against his will Can any freendly hart abyde to heare reported ill The partie whom he favoureth. This tale dooth eeke bewray The rage of wrath and jelozie to have no kynd of stay: ... [Ep.90] And that lyght credit to reportes in no wyse should be given, For feare that men too late to just repentance should bee driven. The fable of Ocyroee by all such folk is told As are in serching things to come too curious and too bold. A very good example is describde in Battus tale For covetous people which for gayne doo set theyr toongs to sale. BOOK III All such as doo in flattring freaks, and hawks, and hownds delyght, And dyce, and cards, and for to spend the tyme both day and nyght In foule excesse of chamberworke, or too much meate and drink: Uppon the piteous storie of Acteon ought to think. ... [Ep.100] For theis and theyr adherents usde excessive are in deede The dogs that dayly doo devour theyr followers on with speede. Tyresias willes inferior folk in any wyse to shun Too judge betweene their betters least in perill they doo run. Narcissus is of scornfulnesse and pryde a myrror cleere, Where beawties fading vanitie most playnly may appeere. And Echo in the selfsame tale dooth kyndly represent The lewd behaviour of a bawd, and his due punishment. BOOK IV The piteous tale of Pyramus and Thisbee doth conteine The headie force of frentick love whose end is wo and payne. ... [Ep.110] The snares of Mars and Venus shew that tyme will bring to lyght The secret sinnes that folk commit in corners or by nyght. Hermaphrodite and Salmacis declare that idlenesse Is cheefest nurce and cherisher of all volupteousnesse, And that voluptuous lyfe breedes sin: which linking all toogither Make men to bee effeminate, unweeldy, weake and lither. BOOK V Rich Piers daughters turnd to Pies doo openly declare That none so bold to vaunt themselves as blindest bayardes are. The Muses playnly doo declare ageine a toother syde, That whereas cheefest wisdom is, most meeldnesse dooth abyde. ... [Ep.120] BOOK VI Arachnee may example bee that folk should not contend Ageinst their betters, nor persist in error to the end. So dooth the tale of Niobee and of her children: and The transformation of the Carles that dwelt in Lycie land, Toogither with the fleaing of of piper Marsies skin. The first doo also show that long it is ere God begin Too pay us for our faults, and that he warnes us oft before Too leave our folly: but at length his vengeance striketh sore. And therfore that no wyght should strive with God in word nor thought Nor deede. But pryde and fond desyre of prayse have ever wrought ... [Ep.130] Confusion to the parties which accompt of them do make. For some of such a nature bee that if they once doo take Opinion (be it ryght or wrong) they rather will agree To dye, than seeme to take a foyle: so obstinate they bee. The tale of Tereus, Philomele, and Prognee dooth conteyne That folke are blynd in thyngs that to their proper weale perteyne.
Recommended publications
  • Ebook Download Ulysses Found
    ULYSSES FOUND PDF, EPUB, EBOOK Ernle Bradford | 238 pages | 28 Feb 2005 | The History Press Ltd | 9780750937252 | English | Stroud, United Kingdom Ulysses Found PDF Book When Helen is abducted, Menelaus calls upon the other suitors to honour their oaths and help him to retrieve her, an attempt that leads to the Trojan War. Book description. Main article: Iliad. Enraged and humiliated, Ajax is driven mad by Athena. By signing up, you agree to our Privacy Notice. Relatively little is given of Odysseus' background other than that according to Pseudo-Apollodorus, his paternal grandfather or step- grandfather is Arcesius , son of Cephalus and grandson of Aeolus , while his maternal grandfather is the thief Autolycus , son of Hermes [16] and Chione. It gives the chronology of Ulysses' voyage, and is illustrated with photographs and maps. That the object of his quest has not been alive for at least three thousand years matters less than that the Mediterranean is today much as it was in that long ago period: the storms still rage in winter, the Levanter still blows from the east for days at a time, and the islands and harbors are still more or less where the legendary mariner would have found them. There are no discussion topics on this book yet. After travelling west and south for five months, they see in the distance a great mountain rising from the sea this is Purgatory , in Dante's cosmology before a storm sinks them. Is it really possible for anyone to become lost in the bathtub of the Mediterranean for 20 years? However, the Coens have stated that they had never read the epic.
    [Show full text]
  • Odyssey Glossary of Names
    GLOSSARY OF NAMES GLOSSARY OF NAMES [Note, the following is raw output from OCR software, and is otherwise unedited.] (First appearance noted by book and line number.) Achaeans (A-kee'-unz): General term used by Homer to reFer to Greeks. 2.139 Acheron (A'-ker-on): River in the Underworld, land of the dead. 10.537 Achilles (A-kil'-eez): Son of Peleus and Thetis. He is the heroic leader of the Myrmidons in the Trojan War and is slain by Paris. Odysseus consults him in the Underworld. 3.117 Aeaea (Ee-ee'-a): Island on which Circe lives. 9.34 Aegisthus (Ee-jis'-thus): Son of Thyestes and Pelopia. He seduces Clytemnestra, wife of Agamemnon, while Agamemnon is away fighting the Trojan War and helps her slay Agamemnon when he returns. Orestes avenges this action years later by murdering both Clytemnestra and Aegisthus. 1.35 GLOSSARY OF NAMES Aegyptus (Ee-jip'-tus): The Nile River. 4.511 Aeolus (Ee'-oh-lus): King of the island Aeolia and keeper of the winds. 10.2 Aeson (Ee'-son): Son oF Cretheus and Tyro; father of Jason, leader oF the Argonauts. 11.262 Aethon (Ee'-thon): One oF Odysseus' aliases used in his conversation with Penelope. 19.199 Agamemnon (A-ga-mem'-non): Son oF Atreus and Aerope; brother of Menelaus; husband oF Clytemnestra. He commands the Greek Forces in the Trojan War. He is killed by his wiFe and her lover when he returns home; his son, Orestes, avenges this murder. 1.36 Agelaus (A-je-lay'-us): One oF Penelope's suitors; son oF Damastor; killed by Odysseus.
    [Show full text]
  • OVID Metamorphoses
    Metamorphoses Ovid, Joseph D. Reed, Rolfe Humphries Published by Indiana University Press Ovid, et al. Metamorphoses: The New, Annotated Edition. Indiana University Press, 2018. Project MUSE. muse.jhu.edu/book/58757. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/58757 [ Access provided at 20 May 2021 05:17 GMT from University of Washington @ Seattle ] book FIve The Fighting of Perseus* So Perseus told his story, and the halls Buzzed loud, not with the cheery noise that rings From floor to rafter at a wedding-party. No; this meant trouble. It was like the riot When sudden squalls lash peaceful waves to surges. Phineus was the reckless one to start it, That warfare, brandishing his spear of ash With sharp bronze point. “Look at me! Here I am,” He cried, “Avenger of my stolen bride! No wings will save you from me, and no god Turned into lying gold.”* He poised the spear, As Cepheus shouted: “Are you crazy, brother? What are you doing? Is this our gratitude, This our repayment for a maiden saved? If truth is what you want, it was not Perseus Who took her from you, but the Nereids Whose power is terrible, it was hornèd Ammon, It was that horrible monster from the ocean Who had to feed on my own flesh and blood, And that was when you really lost her, brother; 107 lines 20–47 She would have died—can your heart be so cruel To wish it so, to heal its grief by causing Grief in my heart? It was not enough, I take it, For you to see her bound and never help her, Never so much as lift a little finger, And you her uncle and her promised husband! So now you grieve that someone else did save her, You covet his reward, a prize so precious, It seems, you could not force yourself to take it From the rocks where it was bound.
    [Show full text]
  • Provided by the Internet Classics Archive. See Bottom for Copyright
    Provided by The Internet Classics Archive. See bottom for copyright. Available online at http://classics.mit.edu//Homer/iliad.html The Iliad By Homer Translated by Samuel Butler ---------------------------------------------------------------------- BOOK I Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    THE ANATOMY OF ROMAN EPIC: A STUDY OF POETIC VIOLENCE By JAMES MOSS LOHMAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Moss Lohmar 2 Meis parentibus sororibusque bellis 3 ACKNOWLEDGMENTS I must first thank my mother, for forcing me to take Latin, and my father, for always talking shop. My sisters, Sarah and Elizabeth, have supported me throughout my studies, and their enthusiasm for my progress is always welcome. I have profound respect for Dr. Robert Burgess and Professors Mario Erasmo and James Anderson, without whose enthusiasm and instruction my decision to pursue a Ph.D. would have never come about. My gratitude goes to Professor Victoria Pagán and the students of her Lucan seminar during Fall 2009, whence the nascent stages of this project were born. My thanks go to Seth Boutin, Megan Daly and George Hendren, in particular, for their erudition and collegial support in this process. Lindsay Rogers offered me much support in the way of professional and academic advice throughout my graduate studies. I have appreciated the criticisms of Professor Gene Witmer in UF Philosophy, who has offered help in making this project appeal to a non-specialist audience. His suggestions of horror bibliography and modern film comparanda have been indispensible. Professor Kostas Kapparis has been a steady mentor in my teaching and writing since I began Ph.D. work, and his objectivity has kept my argument grounded in the text.
    [Show full text]
  • V.S. Lectures. No. 68 APOLLONIUS RHODIUS and VIRGIL a Lecture
    V.S. Lectures. No. 68 APOLLONIUS RHODIUS AND VIRGIL A lecture delivered to the Virgil Society 24th October 1964 by J. D. M. Preshous, M.A. The propositions that I wish to examine are first, that Virgil in creating his own poetic image very often fused together a number of his sources into what is sometimes a most intricate pattern, and secondly, that among these sources, Apollonius Rhodius was often prominent. Most of the accepted facts of Virgil’s youth and upbringing are to be found in the Vitae Vergilianae, short biographies written by post-classical authors. Of these the most important is that which was for a long time attributed to Donatus but which is now more generally ascribed to Suetonius. The other two Lives - those by Servius and by Valerius Probus (the latter no more than a brief preface) - seem to draw largely for their material upon Suetonius, A few passages only are relevant to a study of Virgil's method of composition. To begin with, Suetonius records that Virgil’s poetry required considerable time for its completion (Life of Virgil, 25): Bucolica trienno, Georgica septem, Aeneidea undecim perfecit annis. This is further emphasised later (22): cum Georgica scriberet, traditur cotidie meditatos mane plurimos versus dictare solitus, ac per totum diem retractando ad paucissimos redigere, non absurde carmen se ursae more parere dicens et lambendo demum effingere... "When he was writing the Georgies, he is said to have been in the habit of writing daily a very large number of verses, thought out early in the morning, and throughout the day of reducing these to a very few by a process of reshaping; saying, not inappropriately, that he produced a poem as a bear her cub and licked it at last into shape..." This is very important.
    [Show full text]
  • HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
    STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Homer's Roads Not Taken
    UNIVERSITY OF CALIFORNIA Los Angeles Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Craig Morrison Russell 2013 ABSTRACT OF THE DISSERTATION Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey by Craig Morrison Russell Doctor of Philosophy in Classics University of California, Los Angeles, 2013 Professor Alex C. Purves, Chair This dissertation is a consideration of how narratives in the Iliad and Odyssey find their shapes. Applying insights from scholars working in the fields of narratology and oral poetics, I consider moments in Homeric epic when characters make stories out of their lives and tell them to each other. My focus is on the concept of “creativity” — the extent to which the poet and his characters create and alter the reality in which they live by controlling the shape of the reality they mould in their storytelling. The first two chapters each examine storytelling by internal characters. In the first chapter I read Achilles’ and Agamemnon’s quarrel as a set of competing attempts to create the authoritative narrative of the situation the Achaeans find themselves in, and Achilles’ retelling of the quarrel to Thetis as part of the move towards the acceptance of his version over that of Agamemnon or even the Homeric Narrator that occurs over the course of the epic. In the second chapter I consider the constant storytelling that [ii ] occurs at the end of the Odyssey as a competition between the families of Odysseus and the suitors to control the narrative that will be created out of Odysseus’s homecoming.
    [Show full text]
  • Sicilian Landscape As Contested Space in the First Century BC: Three Case Studies
    Sicilian Landscape as Contested Space in the First Century BC: Three Case Studies Dustin Leigh McKenzie BA (Hons), Dip. Lang. A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2018 School of Historical and Philosophical Inquiry ii Abstract Sicily was made the first overseas Roman province between 241 and 212 BC, and became known as the ‘bread-basket’ of the Republic due to the island’s famously fertile farmlands. The island, with its history of pre-Roman conflict, second century slave revolts, and use as a military stronghold in the civil wars of the first century, never dissociated itself from conflict. As such, its construction as a ‘contested space’ was popular in the literature of first-century Rome, employed as a symptomatic topos of the state of Rome – the closer Roman Sicily resembled its pre- annexation state, the greater the perceived threat to the Republic, and vice-versa. This construction of Sicily and its landscape was employed by authors such as Cicero, Diodorus Siculus, and Virgil to great effect, as they engaged with, reinforced, or challenged the major contemporary discourses of imperialism, the impact of civil war, and food security. Cicero’s In Verrem presents its audience with a Sicily that has been purposely constructed to deliver the most damning image of Verres, the infamously corrupt governor of Sicily from 73-71, the most sympathetic and familiar image of the Sicilians, presented as virtuous and stoic farmers, and a Sicily that has been reduced to a war-torn desert under Verres’ rule. Through his construction of Sicily as contested space, Cicero secured his win against Verres in court and demonstrated to his audiences the danger Verres’ actions presented Rome, threatening the stability of the relationship between Sicily and Rome.
    [Show full text]
  • Hyperborean Champion.Pdf
    HYPERBOREAN CHAMPION Hyperborea Hyperborea is a legendary land located far from the Middle Sea; a land of black rock and ice where the sun shines for twenty-four hours a day and the people are so hardy that they wear Greek clothes in the bitterly cold temperatures with no sign of discomfort. neither by ship nor on foot would you find the marvellous road to the assembly of the Hyperboreans. Hyperborea appears on no official map. The cities of Hyperborea stand behind the North Wind, under the protection of the Titan Coeus, Titan of the North Wind. Coeus stood aside from his brothers and sisters when the gods warred with the Titans and instead stood to his duty of turning the axis of the world; in return, after the war was over Zeus let him free from Tarterus to continue his duty. Coeus is disinterested in the affairs of men and gods, seeking only to see to it that day follows night and the world keeps turning. Some say that Hyperborea itself stands to the furthest north, beyond the Tin isles and the great ice mountains; others that it dwells in the sky at the top of the pivot of the world. The only connection between Hyperborea and the world of men is the magical island of Delos, which touches the earth in many places at the whim of its mistress, the goddess Leto. It is said that since the alliance was signed between the Hounds of Thrace and the Hyperborean emissary Abaris the Healer, one of those places is in the shallow waters off Panticapaeum.
    [Show full text]
  • The Tale of Troy
    THE TALE OF TROY WITH THE PUBLISHERS' COMPLIMENTS. THE TALE OF TROY DONE INTO ENGLISH BY AUBREY STEWART, M.A. LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGE. ^London MACMILLAN AND CO. AND NEW YORK 1886 D CONTENTS CHAP. PAGE i. How Paris carried off Helen . i ii. How the Heroes gathered at Aulis 13 in. How Achilles quarrelled with Agamemnon . 27 iv. How Paris fought Menelaus . 45 v. How Hector fought Ajax . .61 vi. How Hector tried to burn the Ships 87 vii. How Patroclus lost the Arms of Achilles . .109 vni. How Achilles slew Hector . .129 ix. How the Greeksfought the Amazons 147 x. How Paris slew Achilles . .167 xi. How Philoctetes slew Paris . 193 xn. How the Greeks took Troy . .215 HOW PARIS CARRIED OFF HELEN B CHAPTER I g earned off upon a time there lived a king ONCEand queen, named Tyndareus and Leda. Their home was Sparta, in the plea- sant vale of Laconia, beside the river Eurotas. They had four children, and these were so beautiful that men doubted whether they were indeed born of mortal parents. Their two sons were named Castor and Polydeuces. As they grew up, Castor became a famous horseman, and Polydeuces was the best boxer of his time. Their elder daughter, Clytem- nestra, was wedded to Agamemnon the son of Atreus, king of Mycenae, who was the greatest prince of his age throughout all the land of Hellas. Her sister Helen was the The Tale of Troy CHAP. loveliest woman ever seen upon earth, and every prince in Hellas wooed her for his bride; yet was her beauty fated to bring sorrow and destruction upon all who looked upon her.
    [Show full text]
  • A Dictionary of Mythology —
    Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science.
    [Show full text]