Ovid's Metamorphoses
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Auditory Similes in the Homeric Iliad
Trinity University Digital Commons @ Trinity The Expositor: A Journal of Undergraduate Research in the Humanities English Department 2015 Auditory Similes in the Homeric Iliad Austen Hall Trinity University Follow this and additional works at: https://digitalcommons.trinity.edu/eng_expositor Repository Citation Hall, A. (2015). Auditory similes in the Homeric Iliad. The Expositor: A Journal of Undergraduate Research in the Humanities, 11, 7-19. This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in The Expositor: A Journal of Undergraduate Research in the Humanities by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Auditory Similes in the Homeric Iliad AUSTEN HALL The similes of the Iliad are thematically complex, multiply referential, and richly emotional; as a result, they have received ample attention in the literature. Most of these attempts at analysis fall within one of two distinct lines of inquiry, attending to either what I refer to as the historical question or to the aesthetic question. The historical question is concerned with determining at what point and in what manner the various similes of the Iliad were developed as integral elements of the poem. The aesthetic question, on the other hand, deals specifically with the stylistic, thematic, and emotive functions of the Iliad’s similes without reference to any extra-textual concerns. In other words, analyzing the poem’s similes within a purely aesthetic context requires considering only their relevant function in contributing to the style, thematic program, and emotional weight of the work qua work of epic poetry, irrespective of the poem’s historical development. -
University of Florida Thesis Or Dissertation Formatting
THE ANATOMY OF ROMAN EPIC: A STUDY OF POETIC VIOLENCE By JAMES MOSS LOHMAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Moss Lohmar 2 Meis parentibus sororibusque bellis 3 ACKNOWLEDGMENTS I must first thank my mother, for forcing me to take Latin, and my father, for always talking shop. My sisters, Sarah and Elizabeth, have supported me throughout my studies, and their enthusiasm for my progress is always welcome. I have profound respect for Dr. Robert Burgess and Professors Mario Erasmo and James Anderson, without whose enthusiasm and instruction my decision to pursue a Ph.D. would have never come about. My gratitude goes to Professor Victoria Pagán and the students of her Lucan seminar during Fall 2009, whence the nascent stages of this project were born. My thanks go to Seth Boutin, Megan Daly and George Hendren, in particular, for their erudition and collegial support in this process. Lindsay Rogers offered me much support in the way of professional and academic advice throughout my graduate studies. I have appreciated the criticisms of Professor Gene Witmer in UF Philosophy, who has offered help in making this project appeal to a non-specialist audience. His suggestions of horror bibliography and modern film comparanda have been indispensible. Professor Kostas Kapparis has been a steady mentor in my teaching and writing since I began Ph.D. work, and his objectivity has kept my argument grounded in the text. -
Erysichthon Goes to Town
Erysichthon Goes to Town James Lasdun’s Modern American Re-telling of Ovid Pippa J. Ström A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Classical Studies Victoria University of Wellington 2010 ERYSICHTHON GOES TO TOWN by Pippa J. Ström ©2010 ABSTRACT The Erysichthon of Ovid’s Metamorphoses is given, in James Lasdun’s re-telling of the story, a repeat performance of chopping down a sacred tree, receiving the punishment of insatiable hunger, selling his daughter, and eating himself. Transgressive greed, impiety, and environmental destruction are elements appearing already amongst the Greek sources of this ancient myth, but Lasdun adds new weight to the environmental issues he brings out of the story, turning Erysichthon into a corrupt property developer. The modern American setting of “Erisychthon” lets the poem’s themes roam a long distance down the roads of self- improvement, consumption, and future-centredness, which contrast with Greek ideas about moderation, and perfection being located in the past. These themes lead us to the eternally unfulfilled American Dream. Backing up our ideas with other sources from or about America, we discover how well the Erysichthon myth fits some of the prevailing approaches to living in America, which seem to have stemmed from the idea that making the journey there would lead to a better life. We encounter not only the relationship between Ovid and Lasdun’s versions of the story, but between the earth and its human inhabitants, and find that some attitudes can be traced back a long way. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Death and the Female Body in Homer, Vergil, and Ovid
DEATH AND THE FEMALE BODY IN HOMER, VERGIL, AND OVID Katherine De Boer Simons A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Depart- ment of Classics. Chapel Hill 2016 Approved by: Sharon L. James James J. O’Hara William H. Race Alison Keith Laurel Fulkerson © 2016 Katherine De Boer Simons ALL RIGHTS RESERVED ii ABSTRACT KATHERINE DE BOER SIMONS: Death and the Female Body in Homer, Vergil, and Ovid (Under the direction of Sharon L. James) This study investigates the treatment of women and death in three major epic poems of the classical world: Homer’s Odyssey, Vergil’s Aeneid, and Ovid’s Metamorphoses. I rely on recent work in the areas of embodiment and media studies to consider dead and dying female bodies as representations of a sexual politics that figures women as threatening and even mon- strous. I argue that the Odyssey initiates a program of linking female death to women’s sexual status and social class that is recapitulated and intensified by Vergil. Both the Odyssey and the Aeneid punish transgressive women with suffering in death, but Vergil further spectacularizes violent female deaths, narrating them in “carnographic” detail. The Metamorphoses, on the other hand, subverts the Homeric and Vergilian model of female sexuality to present the female body as endangered rather than dangerous, and threatened rather than threatening. In Ovid’s poem, women are overwhelmingly depicted as brutalized victims regardless of their sexual status, and the female body is consistently represented as bloodied in death and twisted in metamorphosis. -
Dictionnaire Abrégé De La Fable Pour L'intelligence Des Poètes, Des Tablea Ux Et Des Sta Tues, Dont Les Sujets Sont Tirés De L'histoire Poétique
PIERRE CHOMPRÉ DICTIONNAIRE ABRÉGÉ DE LA FABLE POUR L'INTELLIGENCE DES POÈTES, DES TABLEA UX ET DES STA TUES, DONT LES SUJETS SONT TIRÉS DE L'HISTOIRE POÉTIQUE NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY DICTIONNAIRE ABRÉGÉ DE LA FABLE, POUR L'intelligence des Poètes, des Tableaux et des Statues, dont les Sujets sont tirés de l'Histoire poétique. PAR CHOMPRÉ. NOUVELLE ÉDITION. A PARIS, CHEZ DEMONVILLE, Imprimeur-Libraire, rue Christine, n° 2. l810. NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY AVERTISSEMENT. ON sait que la Mythologie est un tissu d'i maginations bizarres, un amas confus de faits, quelquefois vrais dans le fond, mais sans pres que aucune chronologie, sans ordre, souvent même répétés sous difFerens noms ; qu'enfin c'est un assemblage de contes misérables, la plupart destitués de vraisemblance, et dignes de mépris. Mais on sait aussi que la connaissance de ces chimères poétiques et païennes est abso lument nécessaae pour entendre les Auteurs. Dans cette vue, l'on a ici rassemblé, par ordre alphabétique, ce qu'il y a d'essentiel à savoir sur cette matière, afin d'épargner aux jeunes gens la peine d'aller puiser dans des sources souvent empoisonnées, où, après une étude dangereuse et dégoûtante , il n'y a rien à gagner pour la raison, et il y a tout à perdre pour le cœur. Le succès de cet Ouvrage a paru exiger qu'on le rendît le plus complet qu'il était possible, en y insérant une quantité de mots inconnus à ceux qui n'ont pas encore une suf fisante connaissance de la Fable : tels sont les mots qui ont rapport à la Géographie poéti que, ou aux surnoms des Divinités païennes, comme Thaumanùas , Virago , Addcphagus , Tardipes, etc. -
The Abuse of Patriarchal Power in Rome: the Rape Narratives of Ovid’S Metamorphoses
The Abuse of Patriarchal Power in Rome: The Rape Narratives of Ovid’s Metamorphoses A Thesis Submitted in Fulfilment of the Requirements for the Degree of Master of Arts in Classics By K. Tinkler Classics Department University of Canterbury 2018 Table of Contents Acknowledgements……………………………………………………………………………………………………………. 4 Abstract……………….…………………………………………………………………………………………………………….. 5 Introduction……………………………………………………………………………………………………………………….. 6 CHAPTER ONE: Gender in Rome………………………………………………………………………………………. 12 A Woman’s Place in a Man’s World: Patriarchy in Rome…………………………………………………… 12 Lucretia’s Legacy: The Cultural Template of the Raped Woman……………………………………….. 18 The Intimacy of Rape: The Body of a Woman in Antiquity…………………………………………………. 22 CHAPTER TWO: Rape in the Metamorphoses…………………………………………………………………… 29 The Rape Stories of the Metamorphoses………………………………………………………………………….. 29 The Characteristics of Ovid’s Perpetrators………………………………………………………………………… 30 Gods and Non-Human Perpetrators………………………………………………………………………………….. 34 The Characteristics of Ovid’s Victims…………………………………………………………………………………. 40 The Rape of Philomela………………………………………………………………………………………………………. 44 The Male Gaze………………………………………………………………………………………………………………….. 48 CHAPTER THREE: The Aftermath of Rape…………………………………………………………………………. 55 The Non-Metamorphic Consequences………………………………………………………………………………. 55 The Psychological Effect on the Victim……………………………………………………………………………… 60 The Eternal Link between the Victim and the Rapist…………………………………………………………. 63 The Second Rape: The Goddesses’ Wrath…………………………………………………………………………. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
The TROJAN WAR
The TROJAN WAR The Chronicles of Dictys of Crete Indiana University Greek and Latin Classics and Dares the Phrygian TRANSLATED WITH AN INTRODUCTION AND NOTES BY R. M. FRAZER, JR. Indiana University Press BLOOMINGTON & LONDON CONTENTS INTRODUCTION The Medieval Troy Story 3 The Anti-Homeric Tradition 5 Dictys 7 Dares 11 The Translation 15 A JOURNAL OF THE TROJAN WAR by Dictys of Crete Letter 19 Preface 20 Book One 23 Book Two 37 Book Three 70 Book Four 87 Book Five 103 Book Six 119 THE FALL OF TROY, A HISTORY by Dares the Phrygian [Letter] 133 Sections 1-44 133 ALL RIGHTS RESERVED Copyright © 1966 by Indiana University Press BIBLIOGRAPHY 169 Library of Congress catalog card number: 65-19709 NOTES 170 Manufactured in the United States of America INDEX OF PROPER NAMES 180 v THE TROJAN WAR The Chronicles Adcnowledgments of Dictys of Crete The present volume brings together for the first time in En and Dares the Phrygian glish translation the accounts of Dictys and Dares about the Trojan War. These works deserve our careful attention as the principal sources of the medieval Troy story and as examples of the anti-Homeric literature of late antiquity. In the introduction I have briefly described the influence of our authors on later European literature, and have tried to show how our Latin texts depend on Greek originals. For the latter purpose I have found the scholarship of Nathaniel Edward Griffin especially rewarding for Dictys and that of Otmar Schissel von Fleschenberg for Dares. I have used the notes to comment on matters of form (how our Latin texts probably differ from their Greek originals), to point out difficulties and incon sistencies, and to cite some of the sources and parallel versions of the stories that Dictys and Dares tell. -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of -
The Polis H.D.F
Bratich z Amassing the Multitude 1 1 The Polis H.D.F. Kitto olis’ is the Greek word which we translate ‘city-state’. It is a bad translation, because the normal polis was not much like a city, and ‘Pwas very much more than a state. But translation, like politics, is the art of the possible; since we have not got the thing which the Greeks called ‘the polis’, we do not possess an equivalent word. From now on, we will avoid the misleading term ‘city-state’, and use the Greek word instead. In this chapter we will first enquire how this political system arose, then we will try to reconstitute the word ‘polis’ and recover its real meaning by watching it in action. It may be a long task, but all the time we shall be improving our acquaintance with the Greeks. Without a clear conception what the polis was, and what it meant to the Greeks, it is quite impossible to understand properly Greek history, the Greek mind, or the Greek achievement. First then, what was the polis? In the Iliad we discern a political structure that seems not unfamiliar – a structure that can be called an advanced or a degenerate form of tribalism, according to taste. There are kings, like Achilles, who rule their people, and there is the great king, Agamemnon, King of Men, who is something like a feudal overlord. He is under obligation, whether of right or of custom, to consult the other kings or chieftains in matters of common interest. They form a regular council, and in its debates the sceptre, symbol of authority, is held by the speaker for the time being. -
Apollodorus : the Library
JU\r(^ Qksl 7^ani-hSin THE LOEB CLASSICAL LIBRARY EDITED BY E. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. H. D. ROUSE, Litt.D. APOLLODORUS THE LIBRARY I APOLLODOEUS THE LIBRARY WITH AN ENGLISH TRANSLATION BY SIR JAMES GEORGE FRAZER, F.B.A., F.R.S. FELLOW OF TRINITY COLLEGE, CAMBRIDGE IN TWO VOLUMES I LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXXI FEB " 3 !940 TO MY OLD TEACHER AND FRIEND HENRY JACKSON, O.M. CONTENTS PAGK INTRODUCTION ix SUMMARY xlv SYMBOLS EMPLOYED IN THE CRITICAL NOTES llX 1 BOOK I • 127 BOOK II 295 BOOK Til Vll ERRATA. , Vol. , 73 For " Thestius " read " Agrius." Vol. II. P. 54. For "later version" read "earlier version." — INTRODUCTION I. The Author and His Book. Nothing is positively known, and little can be conjectured with any degree of probability, con- cerning the author of the Library. Writing in the ninth century of our era the patriarch Photius calls him Apollodorus the Gi'ammarian,^ and in the manu- scripts of his book he is described as Apollodorus the Athenian, Grammarian. Hence we may con- clude that Photius and the copyists identified our author with the eminent Athenian grammarian of that name, who flourished about 140 b.c. and wrote a number of learned works, now lost, including an elaborate treatise On the Gods in twenty-four books, and a poetical, or at all events versified. Chronicle in four books. 2 But in modern times good reasons have been given for rejecting this identification,^ ^ Photius, Bibliotheca, p.