Nephrite Imperial Presentation Portrait Snuffbox by Carl Fabergé St
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With a Short Neck and Angular Should
LOW HIGH Lot Description Estimate Estimate Chinese archaistic bronze wine vessel (pou), with a short neck and angular shoulder with 1 three ram's head form handles, the body with taotie on a dense ground, raised on a tall foot, 8"h $ 300 - 500 (lot of 2) Chinese archaistic bronzes, the first a pouring vessel on tripod supports with taotie 2 pattern, body with inscription; the other an ox form guang lidded vessel, with a bird motif on the body,10.75"w $ 300 - 500 (lot of 3) Asian bronze items, consisting of a Himalayan ritual dagger (purba) and a ghanta 3 (bell); together with a Chinese archaistic bronze bell, with raised bosses, with wood stand, bell: 8.25"h $ 300 - 500 (lot of 5) Chinese hardstone plaques, consisting of two butterflies; one floral roundel; one 4 fan and one of bird-and-flowers, 2.75"w $ 150 - 250 5 Chinese hardstone bangle, reticulated with bats and tendrils, 2.5"w $ 300 - 500 (lot of 2) Chinese hardstone pebbles, the first carved of a bamboo stalk; the second, of a 6 mouse and sack, largest: 2"w $ 400 - 600 7 (lot of 2) Chinese hardstone figural carvings, featuring one young attendant; and the other of an immortal with a lion on his shoulder, with wood stands, carving: 3.125"h $ 300 - 500 Chinese bronze zoomorph, featuring a recumbent beast with a reticulated body with a bird 8 pattern, 4"w $ 200 - 400 Chinese patinated bronze censer of ding-form, the rim flanked by upright handles and the 9 body cast with floral scrolls, raised on tall tripod supports, with wood stand and lid, censer: 5"h $ 300 - 500 (lot of 5) Chinese -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
KIRANJYOT RENU RANA FILE NO. CCRT/SF-3/163/2015 ADDRESS; D 1051 NEW FRIENDS COLONY NEAR MATA MANDIR EMAIL: [email protected] MOBILE: 98101 67661
KIRANJYOT RENU RANA FILE NO. CCRT/SF-3/163/2015 ADDRESS; D 1051 NEW FRIENDS COLONY NEAR MATA MANDIR EMAIL: [email protected] MOBILE: 98101 67661 PROGRESS REPORT 1 WHAT IS SCULPTURE Three-dimensional art that can stand on its own is known as a sculpture. Sculptures vary in sizes, and may be small enough to fit in the palm of a hand or large enough that they can only fit in a large outdoor space. Some sculptures are representative, and may look like a famous person; others may be abstract. The materials used in sculpture vary, and anything from ceramics, cement, recycled materials, paper or synthetics may be used to produce this particular type of art. By definition, a sculpture differs from other structures in that it does not have an intrinsically utilitarian purpose. HISTORY & ORIGIN Sculpture was used mainly as a form of religious art to illustrate the principles of Hinduism, Buddhism, or Jainism. The female nude in particular was used to depict the numerous attributes of the gods, for which it was often endowed with multiples heads and arms. Important milestones in the history of sculpture include: the Buddhist Pillars of Ashokaof the Mauryan period, with their wonderful carved capitals (3rd century BCE); the figurative Greco- Buddhist sculpture of the Gandhara and Mathura schools, and the Hindu art of the Gupta period (1st-6th century CE). In brief, the flow of the growth of sculpture is as follows: Indus Valley Civilization (c.3300-1300 BCE) Mauryan Sculpture: Pillars of Ashoka (3rd Century BC Ajanta Caves (c.200 BCE - 650 CE) Under the Kushans, sculpture from Gandhara and Mathura art went on to influence artists across India, Elephanta Caves (c.550-720) Pallava and Pandya Sculpture from South India (600-900) Ellora Caves (c.600-1000) Chandela Stone Sculpture in Central India (10th-13th century) Chola Bronze Sculpture of South India, Sri Lanka (9th-13th century) Famous Sculptures that impressed and inspired me 1) TheAshoka Pillars 2) SanchiStupa 3) Ajanta Caves 4). -
By Tim Adams Docent Guild General Meeting, May 23, 2012 (Notes Taken by Carol Hallenbeck)
Lecture on Fabergé – by Tim Adams Docent Guild General Meeting, May 23, 2012 (Notes taken by Carol Hallenbeck) When we think of Fabergé, we think of the Imperial Easter eggs – of the delightfully jeweled, enameled works and of gold work techniques. In a San “Diego exhibition there were 27 Easter eggs – They had eggs from every known collection. But Fabergé was so much more. He was a designer and a goldsmith. He owned a business. He had engineers, enamellers, gem setters, goldsmiths as employees – 2700 at one time. He was the visionary. He supervised everything Nothing left his workshop without his approval. He had shops in St. Petersburg, Moscow, Odessa, Kiev, London. They were Edwardian jewelry stores. The store in St. Petersburg had the shop on the first floor, workshops and design center on the second and third floor. He and his family lived on the top, or fourth, floor. He told the story of Maria Pavlovna and her Fabergé collection, part of which was purchased by the McFerrins and is on display in our exhibit. The Grand Duchess Maria Pavlovna was a good customer of Fabergé. On December 30, 2009, Sotheby’s in London auctioned some of her important pieces. They came from a newly discovered cache of Fabergé objects that she owned. She was the wife of Grand Duke Vladimir, the brother of Tsar Alexander III. The McFerrins purchased some of the most impressive pieces. They represent the highest quality of craftsmanship from the House of Fabergé. Pavlovna’s story represents intrigue and danger during the darkest hour of Russian history. -
English & Continental Furniture & Decorative Arts Old Master Paintings
ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART Wednesday, October 31, 2018 NEW YORK ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART AUCTION Wednesday, October 31, 2018 at 10am EXHIBITION Saturday, October 27, 10am – 5pm Sunday, October 28, Noon – 5pm Monday, October 29, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com OLD MASTER PAINTINGS & DRAWINGS INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-103 The Eileen & Herbert C. Bernard Collection Russian Works of Art 104-245 Swanhild N. Castle Silver 246-337 A Connecticut Collector Furniture & Decorative Arts 338-508 A Prominent Connecticut Estate Chandeliers & Lighting 509-519 An East Hampton Collection Furniture & Decorative Arts 520-592 Leo Hershkowitz Carpets & Rugs 593-617 Lili Israel Eleanor Johnson Wendy Vanderbilt Lehman Hermine Leventhal The Noel and Harriet Levine Collection A Private Collection Felice Ross Glossary I Marianne Schaller Conditions of Sale II Jo Anne Schneider Terms of Guarantee IV Stephen Stempler Information on Sales & Use Tax V Sheldon and Judith Streisand Buying at Doyle VI Barbara Wainscott Selling at Doyle VIII The James P. and Joan M. Warburg Collection Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM The Descendants of Grand Duchess Xenia Alexandrovna An Arizona Private Collection A Beekman Place Apartment A Connecticut Private Collection An Important Jewel Collector A Miami Lady A Private Collector The Collection of Bennett and Judie Weinstock Lot 7 1 7 1 2 4 7 10 11 Circle of Lucas Cranach the Elder Manner of Marcus Gheeraerts the Elder Flemish School After Bernardino Luini After Raffaello Sanzio, called Raphael Follower of Andrea del Sarto The Feast of Love Portrait of Sir Thomas Chamberlayne 17th Century An Allegory of Modesty and Vanity Allegory of Theology Holy Family Inscribed DE IMAGINE CONVIVII Inscribed Sr. -
Of the Grand Cameo: a Holistic Approach to Understanding the Piece, Its Origins and Its Context Constantine Prince Sidamon-Eristoff Sotheby's Institute of Art
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2018 The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context Constantine Prince Sidamon-Eristoff Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, and the Metal and Jewelry Arts Commons Recommended Citation Sidamon-Eristoff, Constantine Prince, "The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context" (2018). MA Theses. 14. https://digitalcommons.sia.edu/stu_theses/14 This Thesis is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The “Whys” of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context by Constantine P. Sidamon-Eristoff A thesis submitted in conformity With the requirements for the Master’s Degree Fine and Decorative Art and Design Sotheby’s Institute of Art 2018 Word Count: 14,998 The “Whys” of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context By: Constantine P. Sidamon-Eristoff The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. -
^ ^ the Journal Of
^^ The Journal of - Volume 29 No. 5/6 Gemmology January/April 2005 The Gemmological Association and Gem Testing Laboratory of Great Britain Gemmological Association and Gem Testing Laboratory of Great Britain 27 Greville Street, London EC1N 8TN Tel: +44 (0)20 7404 3334 • Fax: +44 (0)20 7404 8843 e-mail: [email protected] • Website: www.gem-a.info President: E A jobbins Vice-Presidents: N W Deeks, R A Howie, D G Kent, R K Mitchell Honorary Fellows: Chen Zhonghui, R A Howie, K Nassau Honorary Life Members: H Bank, D J Callaghan, E A Jobbins, J I Koivula, I Thomson, H Tillander Council: A T Collins - Chairman, S Burgoyne, T M J Davidson, S A Everitt, L Hudson, E A Jobbins, J Monnickendam, M J O'Donoghue, E Stern, P J Wates, V P Watson Members' Audit Committee: A J Allnutt, P Dwyer-Hickey, J Greatwood, B Jackson, L Music, J B Nelson, C H Winter Branch Chairmen: Midlands - G M Green, North East - N R Rose, North West -DM Brady, Scottish - B Jackson, South East - C H Winter, South West - R M Slater Examiners: A J Allnutt MSc PhD FGA, L Bartlett BSc MPhil FGA DCA, Chen Meihua BSc PhD FCA DGA, S Coelho BSc FCA DCA, Prof A T Collins BSc PhD, A G Good FCA DCA, D Gravier FGA, J Greatwood FGA, S Greatwood FGA DCA, G M Green FGA DGA, He Ok Chang FGA DGA, G M Howe FGA DGA, B Jackson FGA DGA, B Jensen BSc (Geol), T A Johne FGA, L Joyner PhD FGA, H Kitawaki FGA CGJ, Li Li Ping FGA DGA, M A Medniuk FGA DGA, T Miyata MSc PhD FGA, M Newton BSc DPhil, C J E Oldershaw BSc (Hons) FGA DGA, H L Plumb BSc FGA DCA, N R Rose FGA DGA, R D Ross BSc FGA DGA, J-C -
What Felix Bloch
What Felix Bloch By early 1964, Angleton decided By Joseph Trento and Sian Trento that SASHA was Igor Orlov, a man hired by the CIA in Germany after OR FELIX BLOCH—KGB World War II to recruit beautiful wo- agent or not—there may be men to compromise Soviet officers F no way out. He's in a kind of into becoming CIA agents. What counterintelligence limbo: The FBI made this hypothesis doubly fright- has enough evidence to suspect that ening was that several of Orlov's CIA he's a Soviet agent, but not enough handlers had reached the highest to indict or arrest him. If Bloch and levels of the CIA in their subsequent his family think the worst is behind careers. them, then we suggest they visit a small art gallery in Alexandria. rlov's troubles had actually The Gallery Orlov in Old Town begun soon after the CIA and its small collection of European 0 transferred him to the United prints are tended by a knowledgeable States for a new assignment in Jan- old woman named Eleonore. When uary 1961. His boss in Germany had you enter the gallery there is not a complained that Igor was a security hint that you are standing on a KGB- risk. When the Orlovs arrived in CIA battleground. The battles were Washington, Igor called his CIA con- fought over Eleonore's late husband, tacts to discuss his new job. He was Igor Orlov, who died in the spring of told there was no work for him. His 1982. He was suspected by the CIA friends who had brought him to and FBI of recruiting CIA agents into America would not take his tele- the KGB when he served the CIA in phone calls. -
132 March 2019
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №132 March 2019 The monument to the Royal Martyrs at the St. Seraphim Cathedral in Vyatka "For the first time in 100 years, a descendant of the Romanovs appeared in Vyatka" From 17 to 20 of March the great-great-grandson of Alexander III, the great-grandson of Grand Duchess Olga Alexandrovna - the sister of Emperor Nicholas II - Paul E. Kulikovsky and his wife Ludmila visited Vyatka. They were invited by the regional public organization "Revival of Vyatka". Paul E. Kulikovsky - "Kirov, or Vyatka as we prefer to call the city, was one of the places on our "to-visit-list", as we want to visit all the places in Russia directly related to the Romanovs, and especially those in which the Romanovs were in exile after the revolution. That is why first of all were visited Romanov related locations and city landmarks. But for the local citizens the main event was a presentation of the book of memoirs of Grand Duchess Olga Alexandrovna “25 Chapters of my life”, followed by a press- conference. City history The city is actually called Kirov - in honour of one of the Stalin co- workers – Sergei Kirov killed in 1934 – but many citizens still use the historical name Vyatka. It was established in 1174. From 1457 to 1780 it was called Khlynov, from 1780 to 1934 Vyatka, and now Kirov. It is the administrative centre of the Kirov region and located on the Vyatka River, 896 km northeast of Moscow. Population is about 507,155 (2018). -
Antique Italian Pietra Dura Brass & Alabaster Comport Dish
anticSwiss 26/09/2021 14:08:10 http://www.anticswiss.com Antique Italian Pietra Dura Brass & Alabaster Comport Dish FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:8cm Width:29cm Depth:29cm Price:700€ DETAILED DESCRIPTION: This is a superb quality antique Italian Pietra Dura mounted, gilt brass and alabaster table-centre comport dish, dating from the late 19th Century. With striking pierced Neo-Gothic chased brass mounts this splendid alabaster dish is set with six highly decorative pietra dura roundels depicting various floral decoration. It is raised on a sturdy circular brass base. It is a sumptuous piece which will make a great statement in any special room. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 8 x Width 29 x Depth 29 Dimensions in inches: Height 3.1 x Width 11.4 x Depth 11.4 Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art. Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade. The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian. -
Fabergé Museum in Saint Petersburg
IN ST. PETERSBURG EXHIBIT INDEX • 2014 Fabergé Museum in Saint Petersburg EXHIBIT INDEX Saint Petersburg 2014 Museum Plan 8 9 12 7 10 11 2 6 1 3 5 4 Legend Footer Footer on the right page of the print Number of case 01 indicates the number of the room and in the room the number of the case □ Exhibits outside the case Room Room Cases number name on current pages 15 Exhibit number 2 • Blue Room | 05–08 Contents Museum Plan, legend ..............................................2 3 About the Link of Times Foundation ............6 Red Room page 21 Russian Silver .............................................................22 Cases 01–03 .......................................................24 1 04 ................................................................25 Grand Staircase 05–06 .......................................................26 page 9 07–08 .......................................................27 09–11 ........................................................28 About the Grand Staircase ...............................10 12.................................................................29 Outside the cases ................................................... 11 Outside the cases ...................................................30 2 4 Knights' Room Blue Room page 13 page 33 Military memorabilia art ....................................14 Fabergé Easter Masterpieces ........................34 Cases 01–02 .......................................................16 Cases 01–03 .......................................................36 -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №115 October 2017 Monument to Emperor Alexander III the Peacemaker in Livadia. Photo by Archpriest Dmitry Gotskalyuk Monument to Emperor Alexander III is in place in Livadia October 18, the long-awaited monument to Emperor Alexander III was put in its place, in the park of the Livadia Palace. The monument is made by sculptor Andrei Kovalchuk. The opening of the monument will take place later in November. "It is also necessary to put asphalt and bring the territory around the monument in order" it is said. First it was planned to open the monument on the 123 years since the death of Alexander III (he died on November 1, 1894), but then it was postponed. In 1894 Emperor Alexander III became ill with terminal kidney disease (nephritis). In the fall of that year, Maria Feodorovna's sister-in-law, Queen Olga of Greece, offered her villa of Mon Repos, on the island of Corfu, in the hope that it might improve the Emperor's condition. However, when they reached Crimea, they stayed at the Maly Palace in Livadia, as Alexander was too weak to travel any further. Recognizing that the Emperor's days were numbered, various Imperial relatives began to descend on Livadia. Even the famed priest John of Kronstadt, came and administered Communion to the Tsar. Emperor Alexander III eventually died in the arms of his wife at Maly Palace in Livadia on the afternoon of 1 November [Old Style 20 October] 1894 at the age of forty-nine. "God, God, what a day! The Lord has called to Him our adored, our dear, our tenderly loved Papa.