DOCSLIB.ORG

Emotions in Legal Fiction: Conceptual Metaphors and Cross-Domain Mapping with ATLAS.Ti

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Emotions in legal fiction : conceptual metaphors and cross-domain mapping with ATLAS.ti Alena Soloshenko To cite this version: Alena Soloshenko. Emotions in legal fiction : conceptual metaphors and cross-domain mapping with ATLAS.ti. Linguistics. Université de Strasbourg, 2016. English. NNT : 2016STRAC022. tel- 01529768 HAL Id: tel-01529768 https://tel.archives-ouvertes.fr/tel-01529768 Submitted on 31 May 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE STRASBOURG ÉCOLE DOCTORALE 520 « Humanités » UR 1339 LiLPa (Linguistique, Langues, Parole) THÈSE présentée par : Alena SOLOSHENKO soutenue le : 23 septembre 2016 pour obtenir le grade de : Docteur de l’université de Strasbourg Discipline/ Spécialité : Sciences du Langage (Linguistique anglaise) Emotions in Legal Fiction: Conceptual Metaphors and Cross-Domain Mapping with ATLAS.ti La conceptualisation des émotions dans la fiction juridique : Métaphores conceptuelles et mises en correspondance croisée avec l’outil ATLAS.ti THÈSE dirigée par : Madame BOISSEAU Maryvonne Professeur, Université de Strasbourg RAPPORTEURS : Madame DEIGNAN Alice Professeur, Université de Leeds Monsieur GLYNN Dylan Professeur, Université de Paris 8 AUTRES MEMBRES DU JURY : Madame RICHARD Isabelle Professeur, Université de Nantes Monsieur HAMM Albert Professeur, Université de Strasbourg ACKNOWLEDGMENTS I would like to thank a number of people for helping me throughout my doctoral studies at Strasbourg University. First of all, I would like to express my deepest gratitude to my research supervisor, Professor Maryvonne Boisseau, for her continuous support and advice through these years, as well as her excellent guidance that helped me to complete this thesis. She has been an excellent mentor. I am grateful for our stimulating discussions over the years. She taught me how to think like a researcher, develop writing abilities, and improve my research techniques. I am grateful to her for proofreading my thesis in English, as it is not my native language, and for helping me with the French summary of my thesis. I would like to thank her for always making time for me and making me feel welcome. I would like to express my gratitude to Professor Alice Deignan and Professor Dylan Glynn for agreeing to assess my work and to be the reporters of my thesis. I thank Professor Isabelle Richard and Professor Albert Hamm for examining my thesis and for being part of the thesis examination committee. I am grateful to Dr Stéphane Kostantzer, who helped me a great deal with the French version of my thesis summary. I appreciate his advice and meticulous proofreading of my thesis summary. I thank Alexis Hugelmann, who also helped me with the French summary and Professor Stephen G. Bown for his help with English at the beginning of my doctoral studies. Special thanks go to my dear friend, André Fargette, who helped me with French and English over the years. I would like to thank all the members of UR 1339 LiLPa for being a talented, creative, and collaborative group of wonderful people. I have appreciated our enjoyable discussions whenever I stayed in Strasbourg. I would like to express my gratitude to Professor Rudolph Sock, who has always warmly welcomed me and encouraged me. I would like to thank ‘l’École Doctorale des Humanités’ and ‘Département Formation Doctorale.’ I am grateful to Mme Ramirez and Mme Lapierre for being welcoming to me, for their prompt replies to my questions and emails. Last but not least, I would like to express my deepest gratitude to my parents, Vera and Vladimir Soloshenko, to whom I dedicate this thesis. I could not have done it without their continuous support, love, and encouragement. TABLE OF CONTENTS ACKNOWLEDGMENTS TABLE OF CONTENTS .......................................................................................... 5 LIST OF TABLES, FIGURES, AND PICTURES ............................................... 11 INTRODUCTION ................................................................................................... 13 CHAPTER I: EMOTIONS IN LANGUAGE AND COGNITION ..................... 23 Introduction ................................................................................................................ 23 1. MULTI-COMPLEX APPROACHES TO EMOTIONS ...................................... 25 1.1 Emotion in language science ................................................................... 25 1.1.1 Culture and emotion ................................................................. 27 1.1.2 Expression and emotion ........................................................... 30 1.1.3 Experience and emotion ............................................................ 32 1.2 Research dynamic between language and emotion ................................. 37 1.3 Language, cognition and emotion ........................................................... 39 2. COGNITIVE APPROACH TO EMOTIONS ...................................................... 42 2.1 Conceptual metaphor, language and cognition ....................................... 42 2.2 Embodied cognition and schematic system of knowledge ..................... 45 2.3 Cognitive linguistics: Criticism and recent developments ...................... 48 2.3.1 Shortcomings in cognitive linguistics and responses ............... 48 2.4 Empirically driven metaphor research: Qualitative metaphor analysis ... 52 3. THEORIES OF EMOTION .................................................................................. 61 3.1 Physiological and cognitive theories of emotion .................................... 61 3.2 The survival-driven theories of emotion ................................................. 62 3.3 Cognitive theories of emotion ................................................................. 66 3.3.1 Cognitive appraisal process in emotion ................................... 66 3.3.2 Lazarus’ approach to appraisals ............................................... 68 3.3.3 Schachter and Singer’s approach to appraisals ........................ 70 Summary .................................................................................................................... 73 CHAPTER II: EMOTION AND THE LAW IN A LEGAL CONTEXT ........... 75 Introduction ................................................................................................................ 75 1. OPTIONS FOR THE EXPRESSION OF EMOTION ......................................... 76 1.1 Toward a definition of emotion .............................................................. 76 1.2 Definition and specifications: Emotion and feeling ................................. 78 1.3 Definition and specifications: Emotion and affect ................................... 81 5 1.4 Definition and specifications: Emotion and mood ................................... 84 1.5 The classification of Emotion .................................................................. 87 1.6 Defining “emotion” in view of a cognitive linguistics study ................... 95 2. EMOTION AND LITERATURE ......................................................................... 97 2.1 Law and literature .................................................................................... 98 2.1.1 The notion of worldview ........................................................ 100 2.2 Literary text processing: affective aspect ............................................... 102 2.2.1 Emotional attention in narratives ........................................... 106 2.2.2 Types of readers ..................................................................... 108 2.3 Text comprehension: Narratives via image-schematic logic ................ 111 3. EMOTION IN LEGAL DISCOURSE ............................................................... 117 3.1 The law, legal discourse and emotion ................................................... 118 3.2 Legal discourse and cognitive linguistics ............................................. 120 3.3 Reassessment of emotions and the law ................................................. 123 Summary .................................................................................................................. 129 CHAPTER III: QUALITATIVE METAPHOR ANALYSIS: METHODOLOGY AND PROCESSING ............................................................ 131 Introduction .............................................................................................................. 131 1. SOURCE DATA SPECIFICS ............................................................................. 132 1.1 Source data for the analysis: Legal fiction ............................................. 132 1.1.1 Legal documentation as the source data for the analysis ........ 134 1.1.2 Time-frame 1: Victorian literature .......................................... 135 1.1.3 Time-frame 2: The Golden Age of detective fiction ............... 136 1.1.4 Time-frame 3: Modern legal thriller ...................................... 138 1.2 Extraction of emotion keywords from the corpus ................................
Recommended publications
  • Sarajevo a Stud Y in the Origins of the Grea Τ War

    Sarajevo a Stud Y in the Origins of the Grea Τ War

    SARAJEVO A STUD Y IN THE ORIGINS OF THE GREA Τ WAR By R. W. SETON-WATSON D.Litt. (Oxon), Hon. Ph.D. (Prague and Zagreb); Masaryk Professor of Central European History in the University of London; Hon. Member of the Roumanian Academy LONDON: HUTCHINSON & CO. (Publishers), LTD. PATERNOSTER ROW, E.C. Made and Printed in Great Britain by The Camelot Press Limited, London and Southampton TO MY WIFE AS A MEMORY OF FOUR JUGOSLAV JOURNEYS TOGETHER (1912, 1913, 1920, 1925.) SARAJEVO (A SERB FOLKSONG) Sarajevo, whence comes thy gloom? Tell me, has fire consumed thee? Or has the flood engulfed thy streets? Or has the plague laid hold on thee? Softly Sarajevo gives answer: " Had fire consumed me so sore, My shining courts would rise again. Had the fierce flood engulfed my streets, My markets would be cleansed and fresh. But plague has laid her murderous hand, Her murderous hand on young and old, And those I love has torn apart." PREFACE MUCH has been written on the immediate origins of the Great War and the complicated diplomatic conflict which preceded actual hostilities; but till very recently the Balkan aspect of the question has not received the attention which it deserves. The two most authoritative surveys in English — Mr. Headlam-Morley's The History of Twelve Days (1915) and Sir Charles Oman's The Outbreak of the War (1918) — are now both out of date, owing to the subsequent publication of the German and Austrian diplomatic documents, and of much supple- mentary material of a less official character. Thus there is great need of a book summarising all the latest evidence on a question which is of burning importance in the Europe of to-day.
  • Chris Brown Record Contract

    Chris Brown Record Contract

    Chris Brown Record Contract When Filipe bench his phonolite chaperoning not ravenously enough, is Alexis shaped? Kelly never flounce any harbor hearken gey, is Bartholomew outlandish and attritional enough? Wittie never enfaces any emitters lacquer unmanfully, is Vail doltish and floppiest enough? 12-Year-old Protest Singer Keedron Bryant Lands Recording. We've built up to trust again and cannot's we love each other kit we here always will advice that's word something we're ever wait to change. View the Chris Brown Fast Facts on CNN and behind more seeing the singer who. Chris Brown RCA Records Details A R Drop Deadline 030521 RECORD LABEL OPP. What's Chris Brown's really Worth Inspirationfeed. Chris Brown Signs a New longer Deal Becomes One capital the. Amongst others-and seemed poised for damn sure-fire recording contract. FOR bank RECORD The Washington Post. The two dated quietly for three years Rihanna has not talk anything personally about her bad life or relationship status The last heard she aware about Drake was to Vogue in May 201 Things were sat off provide them roll with RiRi telling the evening We don't have a friendship now but cloud're not enemies either. At work young professor of only 15 Chris Brown was offered a recording contract by LA Reid's Def Jam Chris rejected it and chose to store with Jive. Rihanna and Chris Brown right 'now where close friends' People. The quartet parted ways with that and convinced former HANS CRYPT rhythm. Rihanna and Drake Hung Out why New York City just Her Hassan.
  • Study Abroad Director Leaves Lasting Legacy

    Study Abroad Director Leaves Lasting Legacy

    VOLUME 85, ISSUE 5 www.theticker.org MARCH 15, 2004 INSIDE Study Abroad Director Positions for 2004-05 Leaves Lasting Legacy Declared Before Election By MARCIA BARRAN Editor-in-Chief There will be no heat this year – in terms of undergraduate elections that is. The members of the Undergraduate Student Government for the 2004-2005 academic year have for the most part been determined, resulting in a dramatic decrease in the number of candidates and par- ties that petitioned for office from last year to this year. Cross Cultural Traditions In the undergraduate student elections held in Come To Life Through spring 2003, a total of 97 candidates from four different parties, as well as two independents Caribbean Artists 9 ran for positions as part of the largest election that has ever occurred. As a result, all 45 posi- One Student Begs To Differ tions on the student government were contest- With Bush: Nothing Wrong ed. Dr. Richard Brody, founder of Baruch’s Study Abroad Program passed away on March 3, In terms of competition, this year’s elections With Gay Marriage 2004. (Photo/ Weissman Center for International Business) 11 features quite the opposite, as the only contest- By AARON SIEGEL Brody, the founder of the Study Abroad pro- ed position is that of the presidency. In a meet- News Editor gram at Baruch, transformed the formerly small ing of the election committee held last Friday, group of nine students that traveled the world in March 12 at 6 p.m. all unchallenged candidates search of educational opportunities elsewhere Dr.
  • Free Press Issue 1

    Free Press Issue 1

    ISSUE 1 FREE PRESS Andrea Munari Nose Pick Photo by: Rigablood Cover: Gorilla Biscuits - New Age /Roncade (Tv) - Pic Rigablood Below: Ramon Zugliani - Castelfranco (Tv) - Pic Streetbox WHAT’S HOT 2 ROKK CLOTHING 4 SAINTS AND SINNERS 6 HIGHLIGHTS 9 LIBRARY 10 PLATTERS 15 BACKNBLUE PRODUCTIONS BACKSTAGE 18 CRO-MAGS Editor in Chief / Executive Producer - Andrea Rigano 21 HAVE HEART 24 COALESCE Art Director - Alexandra Romano, [email protected] Managing Director - Luca Burato, [email protected] 26 BRING ME THE HORIZON Editing - Silvia Rapisarda 28 VAINS OF JENNA Photo Editor - Rigablood 30 THE SECRET US TOUR English Version - Laura Manganaro, Davide HC Pettenuzzo 36 INK AND IRON REPORT 40 MATT HENSLEY Photographers - Luca Benedet, Helena Bxl, Marco Capelli, Arianna Carotta, Lance 404, Daniela Locatelli, Marco Marzocchi, Alex Ruffini, 43 DESECRATORS OF SOULS Tiberio Sorvillo, x Streebox Lab 46 TARA MC PHERSON Illustrations - Marcello Crescenzi/Rise Above 50 LA PLAYA SURF 52 KILLED BY PRESS Andrea Munari Nose Pick Photo by: Rigablood Contributors - Milo Bandini, Enrico Belloni, Maurice Bellotti/Poison For Souls, Luca Benedet, Michael Bertoldini, Marco Capelli, GianGiacomo 56 CIVET De Stefano, Fra, Valentina Grugnaletti, Flavio Ignelzi, Martina Lavarda, 58 HENRI FIAT OPEN SORE Teo Lescio, Mat the Cat, Andrea Mazzoli, Marco ‘Milo’ Milardi, Alexandra 60 PAYBACK Oberhofer, Pier/The Guilt Show, Mike Pireddu, Alex ‘Wizo’, Marco ‘X-Man’ Xodo 62 GIACOMO RASOTTO 64 MONTPELLIER Stampa - Tipografia Nuova Jolly viale Industria 28 68 FAMILY ALBUM 35030 Rubano (PD) 74 ILL BILL + SLAINE Salad Days Magazine è una rivista FREE PRESS. 76 IRON MAN 77 DISCO ENSEMBLE Get in touch - www.saladdaysmag.com 78 PINK IS PUNK [email protected] 79 DAY SHINE RISING Tutti i contenuti di questa pubblicazione sono soggetti a copyright, é 80 MILES AWAY vietata la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore.
  • HANG YOURSELF Reach 50,000 Activemusicconsumers Throughournewin-Store Playdisc

    HANG YOURSELF Reach 50,000 Activemusicconsumers Throughournewin-Store Playdisc

    SECTION BY TEAM RETAIL [email protected] POINTS OF IMPACT KILLERS EIGHTEEN VISIONS BOBBY BARE JR. HANGAR 18 Hot Fuss Obsessions From The End Of Your Leash The Multi-Platinum Island (UMVD) Trustkill-Epic (RED) Bloodshot (ADA) Debut Album Catalog No. 246802 Catalog No. 245828 Catalog No. 110 Definitive Jux (Caroline) Catalog No. 88 Release Date: June 15 Release Date: June 15 Release Date: June 22 ARTIST Release Date: June 15 Shipping 75k. Two pre-sale campaigns have run Shipping over 50k. Limited edition version con- Shipping 6k. Programs: A.I.M.S., CIMS, Homer’s, Shipping 5k out of the box—monstrous for a featuring U.K. import singles and 7-inches (for tains value-add DVD. Giveaway T-shirts available Transworld (San Francisco). Advertising with debut. Expecting buzz to build quickly, hoping to “Mr. Brightside” and “Somebody Told Me”) as for promotions. Listening stations confirmed Norwalk and AEC. Sperry Media promotion. reach 10k within the first few months. Cool value-adds. Programs with Music Monitor Network across the country. In-stores: Uncle Sam’s (Ft. Borders advertising with Paste and Harp. Working value-adds (see notes). In-store performance at (HellCar), A.I.M.S. and CIMS (listening stations), Lauderdale), Vinyl Fever (Tampa and Tallahassee), key indies along tour with counter displays and Fat Beats (New York) on street date, the Cop and CMJ New Music Mobile (voted in by retailers). Daddy Kool.com (St. Petersburg) and Park Avenue Bloodshot samplers for value-add promotions. In- Shop (Long Island) on June 19—in-stores sure to CDs (Winter Park, FL).
  • Viewing the Critics

    Viewing the Critics

    REVIEWING THE CRITICS: EXAMINING POPULAR VIDEO GAME REVIEWS THROUGH A COMPARATIVE CONTENT ANALYSIS BEN GIFFORD Bachelor of Arts in Journalism Cleveland State University, Cleveland, OH May, 2009 submitted in partial fulfillment of requirements for the degree MASTER OF APPLIED COMMUNICATION THEORY AND METHODOLOGY at the CLEVELAND STATE UNIVERSITY May, 2013 THESIS APPROVAL SCHOOL OF COMMUNICATION This thesis has been approved for the School of Communication and the College of Graduate Studies by: ________________________________________________________________________ Thesis Committee Chairperson – print name ________________________________________________________________________ Signature School of Communication ________________________________________________________________________ (Date) ________________________________________________________________________ Committee Member – print name ________________________________________________________________________ Signature School of Communication ________________________________________________________________________ (Date) ________________________________________________________________________ Committee Member – print name ________________________________________________________________________ Signature School of Communication ________________________________________________________________________ (Date) ii In memory of Dr. Paul Skalski, You made friends wherever you went, and you are missed by all of them. iii ACKNOWLEDGEMENTS First, I would like to acknowledge to efforts of my original
  • A Recalibrational Theory Ofpunishment and Reconciliation

    A Recalibrational Theory Ofpunishment and Reconciliation

    1M. B. Petersen, A. Sell, J. ToobYI L. Cosmides 73 outlining how each strategy targets different regulatory variables in 5 the motivational systems of perpetrators. Evolutionary analysis and empirical evidence both suggest that the strategy deployed against an exploiter is governed by cues that were correlated during our evo­ lutionary past with the future net value of the exploiter. As we will Evolutiol1.aryPsychology show, this framework has implications for understanding the polit­ ical attitudes and moral intuitions that humans have toward issues and CriminalJustice: A and events involving criminal justice. Recalibrational Theory Evolution, Exploitation, and Crime In a highly social species like ours, there are reasons to expect ofPunishment and that exploitation will not take the form of a Hobbesian war of all against all: Biologists have identified a number of selection pres­ Reconciliation SlIreS that favor the evolution of mechanislTls designed to restrain an organism (under some conditions) from imposing costs on con­ specifics for its own benefit. These include kin selection (Hamilton 1964; 'Williams and Williams 1957), reciprocation and exchange (Trivers 1971; Cosmides and Tooby 1992), the existence of posi­ Michael Bang Petersen, Aaron Sell, John Tooby, tive externalities (Tooby and Cosmides 1996) and the avoidance and Leda Cosmides of aggressive countermeasures from the exploited organism or its allies (Maynard Smith and Parker 1976; Sell, Tooby, and Cosmides 2009, forthcoming). Nevertheless, these selection pressures only carve out exceptions to the general selective gradient. Outside of the scope of such exceptions, organisms are selected to benefit Introduction themselves, regardless of the consequences of such acts on others. Exploitation - the imposition of costs on another for one's own Accordingly, throughout our evolution, the average person was sit­ benefit - was a major and ongoing adaptive problem during human uated in a world full of individuals poised to impose costs on him evolution.

  • Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity

    MIDDLE CLASS MUSIC IN SUBURBAN NOWHERE LAND: EMO AND THE PERFORMANCE OF MASCULINITY Matthew J. Aslaksen A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Jeremy Wallach, Advisor Becca Cragin Angela Nelson ii Abstract Jeremy Wallach, Advisor Emo is an emotional form that attracts a great deal of ridicule from much of the punk and indie music communities. Emo is short for “emotional punk” or “emotional hardcore,” but because of the amount of evolution it has undergone it has become a very difficult genre to define. This genre is well known for its almost whiny sound and its preoccupation with relationship problems and emotional instability. As a result, it is seen by many within the more underground music community as an inauthentic emotionally indulgent form of music. Emo has also very recently become a form that has gained widespread mainstream media appeal with bands such as Dashboard Confessional, Taking Back Sunday, and My Chemical Romance. It is generally consumed by a younger teenaged to early college audience, and it is largely performed by suburban middle class artists. Overall, I have argued that emo represents challenge to conventional norms of hegemonic middle-class masculinity, a challenge which has come about as a result of feelings of discontent with the emotional repression of this masculinity. In this work I have performed multiple interviews that include both performers and audience members who participate in this type of music. The questions that I ask the subjects of my ethnographic research focus on the meaning of this particular performance to both the audience and performers.
  • Family Album

    Family Album

    1 Cover The Crocodiles - Magnolia (MI) Pic Rigablood Below Michele “poops” Cannatà - Aosta Pic Luca Benedet WHAT’S HOT 5 THE FEST PT.1 8 MONOTONIX 10 RAEKWON 12 TAMA SUMO 14 DMC 16 ALEXISONFIRE BACKSTAGE 17 GET UP KIDS 19 MONDO TOY Editor in Chief / Executive Producer - Andrea Rigano 20 TWTTR RCRD RVWS Art Director - Alexandra Romano, [email protected] 22 ATOMIC BITCHWAX Managing Director - Luca Burato, [email protected] 24 CLOAK DAGGER Editing - Silvia Rapisarda Photo Editor - Rigablood 27 VALIENT THORR 30 MADBALL English Version - Laura Manganaro 32 THURSDAY Photographers - Luca Benedet, Giuliano Berarducci, Mattia Cabani, 34 SMART COPS Lance 404, Marco Marzocchi, Alex Ruffini, Alex “Zuek” Simonetti, 36 THE FEST PT.2 Tiberio Sorvillo 40 ANDY IRONS VS BENJAMIN SANCHIS Illustrations - Marcello Crescenzi/Rise Above 44 LO SPIRITO NELLA FORMA Contributors - Milo Bandini, Dario “Dax DJ” Bedin, 46 HEIDI MINX Maurice Bellotti/Poison For Souls, Andrea Cantelli, 48 ANDREA MUNARI 2 Marco Capelli, Marcello Crescenzi, Mat The Cat, Elisa Covino, GianGiacomo De Stefano, Fra, Valentina Grugnaletti, Flavio Ignelzi, 50 THE POOL - BMX Martina Lavarda, il Senor Lopez, Lupo Horiokami, Andrea Mazzoli, 58 KILLED BY PRESS Filippo Mursia, Eros Pasi, Davide Pettenuzzo, Giovanna Serblin,Vallo, 68 THE CROCODILES Alex ‘Wizo’, Marco ‘X-Man’ Xodo 70 CHUCK RAGAN Stampa - Tipografia Nuova Jolly 72 THE DOPAMINES viale Industria 28 35030 Rubano (PD) 74 DOWN TO NOTHING 76 LIVING WITH LIONS Salad Days Magazine è una rivista FREE PRESS. 77 HARDCORE SUPERSTAR Get in touch - www.saladdaysmag.com 78 NOSAJ THING [email protected] 80 THE FEST PT.3 Tutti i contenuti di questa pubblicazione sono soggetti a copyright, é 84 KORALIE vietata la riproduzione anche parziale di testi, documenti e foto senza 88 DROP DEAD CLOTHING l’autorizzazione dell’editore.
  • Developing the Digital Marketplace for Copyrighted Works

    Developing the Digital Marketplace for Copyrighted Works

    In the Matter of: Developing the Digital Marketplace for Copyrighted Works March 28, 2019 Third Public Meeting Condensed Transcript with Word Index For The Record, Inc. (301) 870-8025 - www.ftrinc.net - (800) 921-5555 Third Public Meeting Developing the Digital Marketplace for Copyrighted Works 3/28/2019 1 3 1 1 WELCOME REMARKS 2 2 MS. ALLEN: So good morning. If we could 3 3 just start getting started and sitting down in our 4 DEPARTMENT OF COMMERCE 4 seats, I’ll give a few housekeeping notes and then 5 5 introduce Shira, and then we’ll begin. 6 INTERNET POLICY TASK FORCE 6 So just while you're getting seated, I'll 7 7 give an overview of the day. We’ll have coffee and 8 DEVELOPING THE DIGITAL MARKETPLACE 8 tables set up in the room next door, so if you want to 9 9 have sidebar conversations -- or, actually, there's 10 FOR COPYRIGHTED WORKS 10 coffee here as well. 11 11 The restrooms are out to the right, and we 12 THIRD PUBLIC MEETING 12 just ask that everyone here register by signing in up 13 13 front. If you haven’t already, please do so. We did 14 14 sort of take an informal poll of people who might be 15 THURSDAY, MARCH 28, 2019 15 interested in a happy hour nearby, so that’s on the 16 16 registration list. We’d like to have a headcount by 17 17 noon, if we could, for the restaurant. 18 U.S. PATENT AND TRADEMARK OFFICE 18 And with that, I think I’d just like to say 19 600 DULANY STREET 19 welcome, and it's my honor to introduce Shira 20 ALEXANDRIA, VIRGINIA 22313-1450 20 Perlmutter, who will provide opening remarks.
  • SGA Treasurer Candidate: Peyton Mceylea 05

    SGA Treasurer Candidate: Peyton Mceylea 05

    ¦ ¦ * _^__ Katlyn Shagory / Alexandra Humphreys Steven Bogden / Chris Johnson ¦ ^ ¦ -¦—¦¦¦ ¦ ¦ ¦¦ ¦¦¦¦j i.. ¦ ¦ ¦ ¦ ¦ ¦ i i.i - ¦¦'.. ¦¦¦ > « ¦ - '¦t t"~- _ i i -... »¦¦ ... i u ij . .. ¦ i h— « _ . - ' " '¦ " " r iui»t;u i _i i i i ',- __, > . —t— .i^mumauwmu.—7—n - ¦ ¦ ¦ ,AX. r..:y. .' . • '_ ., Elections are. March 15, 2004...do with different communities of people. Safety and Security: Colby College is a great school that and Culture." Considering that over speech, which both of us have partici- you know who you are voting for? Throughout her years at Colby, she We are looking into the various has a lot going for it. With an incredi- two-thirds of the student body partic- pated in consistently throughout our Our names will be the only ones on the has been involved in giving back to issues that have arisen on campus ble faculty, top-notch facilities and a ipates in athletics, this is a particular- time here, we feel that SGA has an ballot but our platform gives you more the community of Waterville by par- regarding safety. While there is no beautiful backdrop, Colby is a place ly grave omission. As athletes, we are opportunity to use some of its discre- great reasons to vote for us. Since we ticipating in the Colby • Volunteer immediate solution, we acknowledge that anyone should feel proud to call both , concerned with what are per- tionary funding to promote meaning- are the only candidates running, please Center—CVC and Rotaract. She that fear on. campus is very real. We home—as we both are.
  • NIAAA-AA03524 NOTE 519P

    NIAAA-AA03524 NOTE 519P

    DOCUMENT RESUME ED 247 515 CG 017 678 AUTHOR Room, Robin, Ed.; Collins, Gary, Ed. TITLE Alcohol and Disinhibition: Nature and Meaning of the Link. Proceedings of c Conference (Berkeley/Oakland, California, February 11-13, 1981). Research Monograph No. 12. SPONS AGENCY National Inst. on Drug Abuse (DHHS/PHS), Rockville, Md. REPORT NO DHHS(ADM)-83-1246 PUB DATE 83 GRANT NIAAA-AA03524 NOTE 519p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Collected Works - Conference Proceedings (021)-- Information Analyses (070)-- Reports - Research /Technical (143) EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS Aggression; *Alcoholism; Antisocial Behavior; *Behavior Change; Behavior Patterns; *Cultural Influences; *Social Attitudes; *Social Control IDENTIFIERS *Disinhibition ABSTRACT These conference proceedings consider the major lines of evidence on the nature and locus of the alcohol-disinhibition link. The first day's papers, commentaries and discussionsare centered on physiological and behavioral links; social-psychological research; historical ideas on alcohol, crime, and accidents; and anthropological perspectives on cultural differences. The proceedings from the second day of the conference focuson perspectives on disinhibition in American society. Presentations address general population views on the effects of alcohol, alcoholas an explanation for failure, aggression in subcultures, and drinking and disinhibition in popular culture. The third day's presentationsfocus on disinhibition and social control. Attention is given to alcohol's role in power relationships and criminal behavior. The proceedings conclude with a discussion of the implications of the presentations for future research and action. General discussion referencesare appended. (BL) **********************************************************x************ * Reproductions supplied by EDRS are the best thatcan be made * * from the original document.