Upstart Crow Vol V Digital Facsimile Clemson University Digital Press
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Sarajevo a Stud Y in the Origins of the Grea Τ War
SARAJEVO A STUD Y IN THE ORIGINS OF THE GREA Τ WAR By R. W. SETON-WATSON D.Litt. (Oxon), Hon. Ph.D. (Prague and Zagreb); Masaryk Professor of Central European History in the University of London; Hon. Member of the Roumanian Academy LONDON: HUTCHINSON & CO. (Publishers), LTD. PATERNOSTER ROW, E.C. Made and Printed in Great Britain by The Camelot Press Limited, London and Southampton TO MY WIFE AS A MEMORY OF FOUR JUGOSLAV JOURNEYS TOGETHER (1912, 1913, 1920, 1925.) SARAJEVO (A SERB FOLKSONG) Sarajevo, whence comes thy gloom? Tell me, has fire consumed thee? Or has the flood engulfed thy streets? Or has the plague laid hold on thee? Softly Sarajevo gives answer: " Had fire consumed me so sore, My shining courts would rise again. Had the fierce flood engulfed my streets, My markets would be cleansed and fresh. But plague has laid her murderous hand, Her murderous hand on young and old, And those I love has torn apart." PREFACE MUCH has been written on the immediate origins of the Great War and the complicated diplomatic conflict which preceded actual hostilities; but till very recently the Balkan aspect of the question has not received the attention which it deserves. The two most authoritative surveys in English — Mr. Headlam-Morley's The History of Twelve Days (1915) and Sir Charles Oman's The Outbreak of the War (1918) — are now both out of date, owing to the subsequent publication of the German and Austrian diplomatic documents, and of much supple- mentary material of a less official character. Thus there is great need of a book summarising all the latest evidence on a question which is of burning importance in the Europe of to-day. -
William Shakespeare Was a Renowned English Poet, Playwright, and Actor Born in 1564 in Stratford Upon Avon
William Shakespeare was a renowned English poet, playwright, and actor born in 1564 in Stratford upon Avon. His birthday is most commonly celebrated on 23 April, which is also believed to be the date he died in 1616. Shakespeare's Work His works include 38 plays, 2 narrative poems, 154 sonnets, and a variety of other poems. No original manuscripts of Shakespeare's plays are known to exist today. It is actually thanks to a group of actors from Shakespeare's company that we have about half of the plays at all. They collected them for publication after Shakespeare died, preserving the plays Shakespeare occupies a position unique in world literature. Other poets, such as Homer and Dante, and novelists, such as Leo Tolstoy and Charles Dickens. Stratford enjoyed a grammar school of good quality, and the education there was free, the schoolmaster’s salary being paid by the borough. The boy’s education would consist mostly of Latin studies—learning to read, write, and speak the language fairly well and studying some of the Classical historians, moralists, and poets. Shakespeare did not go on to the university. The first reference to Shakespeare in the literary world of London comes in 1592, when a fellow dramatist, Robert Greene, declared in a pamphlet written on his deathbed: “There is an upstart crow, beautified with our feathers, that with his Tygers heart wrapt in a Players hide supposes he is as well able to bombast out a blank verse as the best of you; and, being an absolute Johannes Factotum, is in his own conceit the only Shake-scene in a country.” Private life Shakespeare had little contact with officialdom, apart from walking— dressed in the royal livery as a member of the King’s Men at the coronation of King James I in 1604. -
Serco Letterhead
Emergency Planning College Occasional Papers New Series Number 6 October 2013 Review of Persistent Lessons Identified Relating to Interoperability from Emergencies and Major Incidents since 1986 Dr Kevin Pollock A report commissioned by the Cabinet Office Civil Contingencies Secretariat and the Emergency Planning College Please Note: EPC Occasional Papers are usually discussion articles, written and published in order to stimulate debate and reflection on key themes of interest to the resilience community. They are published by the Emergency Planning College on the Knowledge Centre of its website and are available freely to practitioners and researchers. The opinions and views they express are those of the author(s). This paper does not constitute formal guidance or doctrine of any sort, statutory or otherwise, and its contents are not to be regarded as the expression of government policy or intent. This is a report written by Dr Pollock under commission from the Civil Contingencies Secretariat (CCS) of the Cabinet Office and the Emergency Planning College. For further information on the Occasional papers series, including a submissions guide for those who wish to put forward a paper for consideration, please contact: Mark Leigh Emergency Planning College T: 01347 825036 E: [email protected] 2 Contents Chapter Pages Executive Summary 4-7 Chapter 1 Introduction 8-9 Context of Review Research Approach Conclusion Chapter 2 Introduction 10-13 Integrated Emergency Management Joint Emergency Services Interoperability Programme -
Romeo and Juliet
Upstart Crow Vol. XII Digital Facsimile THE • VPSTART • CROW Editor James Andreas Clemson Unioersity Founding Editor William Bennett The Unioersity of Tennessee at Martin Associate Editors Michael Cohen Murray State Unioersity Herbert Coursen Bowdoin College Marjorie Garber Haroard Unioersity Charles Frey The Unioersity of Washington Walter Haden The Unioersity of Tennessee at Martin Chris Hassel Vanderbilt Unioersity Maurice Hunt Baylor Unioersity Richard Levin The Unioersity of California, Daois Richard Mears Drury College John McDaniel Middle Tennessee State Unioersity Peter Pauls The Unioersity of Winnipeg Paul Ramsey The Unioersity of Tennessee at Chattanooga Production Editor Tharon Howard Editorial Assistants John Bailey, Laura Blume, Mary Eberhart, David Fisher, Charlotte Holt Kaushiki Maitra, Pearl Parker, Judy Payne, John Sherrer Copyright 1992 Clemson University All Rights Reserved Clemson University Digital Press Upstart Crow Vol. XII Digital Facsimile About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diversity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $12 Institutions and Libraries, same rate as individuals - $12 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
Ilu Ustrat Io Nbyrobertmaes Ta S • Rmm Il Lu Strat Io N
JESUS SHAPED HOLES IN OUR HEARTS SINCE 1992 ILUUSTRATION BY ROBERT MAESTAS • RMMILLUSTRATION.PROSITE.COM VOLUME 23 | ISSUE 43 | OCTOBER 23-29, 2014 | FREE [2] OCTOBER 23-29 , 2014 WEEKLY ALIBI WEEKLY ALIBI OCTOBER 23-29 , 2014 [3] [4] OCTOBER 23-29 , 2014 WEEKLY ALIBI alibi VOLUME 23 | ISSUE 43 | OCTOBER 23-29 , 2014 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] FOOD EDITOR/FEATURES EDITOR : Ty Bannerman (ext. 260) [email protected] ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Zachary Kluckman, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] PRODUCTION MANAGER : Archie Archuleta (ext. 240) [email protected] GRAPHIC DESIGNER: Tasha Lujan (ext. 254) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) [email protected] SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) [email protected] ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) [email protected] Chelsea Kibbee (ext. -
OPENING Remarksâ•Fltwelfth VERTEBRATE PEST CONFERENCE
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Proceedings of the Twelfth Vertebrate Pest Vertebrate Pest Conference Proceedings Conference (1986) collection March 1986 OPENING REMARKS—TWELFTH VERTEBRATE PEST CONFERENCE Terrell P. Salmon University of California, Davis, California Follow this and additional works at: https://digitalcommons.unl.edu/vpc12 Part of the Environmental Health and Protection Commons Salmon, Terrell P., "OPENING REMARKS—TWELFTH VERTEBRATE PEST CONFERENCE" (1986). Proceedings of the Twelfth Vertebrate Pest Conference (1986). 1. https://digitalcommons.unl.edu/vpc12/1 This Article is brought to you for free and open access by the Vertebrate Pest Conference Proceedings collection at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Proceedings of the Twelfth Vertebrate Pest Conference (1986) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. OPENING REMARKS—TWELFTH VERTEBRATE PEST CONFERENCE TERRELL P. SALMON, Wildlife Specialist, Cooperative Extension, University of California, Davis, California 95616. On behalf of the Vertebrate Pest Council, welcome to the 12th Vertebrate Pest Conference. Every other year since 1962, the Vertebrate Pest Council has sponsored the conference with the primary objective of bringing individuals interested in vertebrate pest control together to discuss problems and solutions of mutual concern. The main objectives of the conference are: 1. To exchange information on vertebrate pest management and related matters. 2. To advance environmentally safe vertebrate pest management methodologies. 3. To build cooperation with public and private agencies in solving vertebrate pest problems. 4. To consider and promote discussion and interaction among agencies and others about problems of mutual concern in the field of vertebrate pest management. -
The Upstart Crow: a Shakespeare Journal C
n remembrance of sustaining support of our literary en- Journal Shakespeare A Crow: Upstart e Th Th e terprise in years past, the Editors gratefully acknowledge I our continuing alliance with the Brooks Center for the pstart Performing Arts and members of the annual Clemson Shakespeare Festival Steering Committee. row UA SShakespeareShha Journal The Upstart Crow: A Shakespeare Journal C One-year subscription institutional $22 individual $17 Two-year subscription XXVII 2007/2008 Volume institutional $32 individual $27 Shakespeare Three-year subscription institutional $42 individual $37 Back Issues $15 and Complete sets $300 Please send all Editorial Correspondence to the address below. The Upstart Crow: A Shakespeare Journal Tourism Department of English Clemson University Strode Tower Box 340523 Clemson, SC 29634-0523 Telephone (864) 656-3151 Fax (864) 656-1345 Vist our website at http://www.clemson.edu/caah/cedp/crow Volume XXVII 2007/2008 The Upstart Crow: A Shakespeare Journal, Volume XXVII, 2007/2008 is pub- “There is an upstart crow beautifi ed with our feathers that, with his lished by Clemson University Digital Press. © 2008 Clemson University ISSN: 0886-2168 ‘tiger’s heart wrapped in a player’s hide,’ supposes he is as well able to bombast out a blank verse as the best of you; being an absolute Johannes Factotum, in his conceit the only shake-scene in a coun- EDITOR try.” Elizabeth Rivlin — Robert Greene, Groatsworth of Wit (1592) INTERIM EDITOR Brian McGrath CLEMSON UNIVERSITY Z DIGITAL PRESS ASSOCIATE EDITORS For those persons who have become subscribers this year, I want to Ray Barfi eld, Wayne Chapman, Jonathan Field, Martin Jacobi, Michael LeMahieu, welcome you and extend my personal thanks to you, as well as to continuing Chantelle MacPhee, and Lee Morrissey subscribers, for your support. -
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
Defense Intelligence Agency (DIA) Freedom of Information Act Log, Oct 1, 2012 - Dec 15, 2012
Description of document: Defense Intelligence Agency (DIA) Freedom of Information Act log, Oct 1, 2012 - Dec 15, 2012 Requested date: December 2012 Release date: September 2013 Posted date: 14-September-2020 Source of document: Defense Intelligence Agency ATTN: FAC2C (FOIA) 7400 Pentagon Washington, DC 20301-7400 Online FOIA Request Form The governmentattic.org web site (“the site”) is a First Amendment free speech web site, and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. OIAFOIALog 10/1/12 - 12/15/12 Request ID Req'-"•r Name Request DeiCriptlon Request Type FO!A-00001-2013 Slaughter, Keisha Requesting all documents regarding the Oct. -
Romeo at the Rose in 1598
Issues in Review 149 66 Beeston is one of six men at the Red Bull named in an order for repair of the high- ways by the theatre, dated 3 October 1622; see Bentley, The Jacobean and Caroline Stage, 1.169 n.2. As he had managed Queen Anne’s Men there, and returned there with them after the 1617 riot, it appears that he owned, and continued to own, the theatre. 67 For ‘bifold appeal’ see discussion in Rutter, Work and Play, 110. 68 Exceptions include the Red Bull Revels’ Two Merry Milkmaids, at court in 1619/20, and Gramercy Wit in 1621; see Bentley, The Jacobean and Caroline Stage, 1.173. Romeo at the Rose in 1598 In two plays of the Lord Admiral’s Men — Englishmen for My Money and The Two Angry Women of Abingdon — echoes of Romeo and Juliet appear.1 The first performances of Englishmen took place at the Rose in 1598. Two Angry Women is likely to have played at the same venue in the same year. What may these echoes tell us about the ethos and practices of the Lord Admiral’s Men, about the dramatists who wrote for them, and about the company’s place in the literary and dramatic milieu of the time? I want to argue that the presence of these echoes reveals a degree of inte- gration into urban literary fashion. And I will also suggest that some of the company’s playwrights exhibit the kind of knowing playfulness that was soon to characterize the repertory of the children’s companies and which was already shaping the satires and epigrams to reach print publication at this time. -
Emotions in Legal Fiction: Conceptual Metaphors and Cross-Domain Mapping with ATLAS.Ti
Emotions in legal fiction : conceptual metaphors and cross-domain mapping with ATLAS.ti Alena Soloshenko To cite this version: Alena Soloshenko. Emotions in legal fiction : conceptual metaphors and cross-domain mapping with ATLAS.ti. Linguistics. Université de Strasbourg, 2016. English. NNT : 2016STRAC022. tel- 01529768 HAL Id: tel-01529768 https://tel.archives-ouvertes.fr/tel-01529768 Submitted on 31 May 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE STRASBOURG ÉCOLE DOCTORALE 520 « Humanités » UR 1339 LiLPa (Linguistique, Langues, Parole) THÈSE présentée par : Alena SOLOSHENKO soutenue le : 23 septembre 2016 pour obtenir le grade de : Docteur de l’université de Strasbourg Discipline/ Spécialité : Sciences du Langage (Linguistique anglaise) Emotions in Legal Fiction: Conceptual Metaphors and Cross-Domain Mapping with ATLAS.ti La conceptualisation des émotions dans la fiction juridique : Métaphores conceptuelles et mises en correspondance croisée avec l’outil ATLAS.ti THÈSE dirigée par : Madame BOISSEAU Maryvonne Professeur, Université de Strasbourg RAPPORTEURS : Madame DEIGNAN Alice Professeur, Université de Leeds Monsieur GLYNN Dylan Professeur, Université de Paris 8 AUTRES MEMBRES DU JURY : Madame RICHARD Isabelle Professeur, Université de Nantes Monsieur HAMM Albert Professeur, Université de Strasbourg ACKNOWLEDGMENTS I would like to thank a number of people for helping me throughout my doctoral studies at Strasbourg University.