Mick Ronson Worldwide Solo Discography
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Title: the Girl from Beckenham Storyteller: Suzi Ronson Episode: Leaving, Loving and Coming Home Originally Aired: January 31, 2017
Title: The Girl from Beckenham Storyteller: Suzi Ronson Episode: Leaving, Loving and Coming Home Originally Aired: January 31, 2017 A note about this transcript: The Moth is true stories told live. We provide transcripts to make all of our stories keyword searchable and accessible to the hearing impaired, but we highly recommend listening to the audio to hear the full breadth of the story. This transcript was computer-generated and subsequently corrected through The Moth's StoryScribe (visit storyscribe.themoth.org for more information). I was born a few years after World War II, and brought up in a nice house in a typical suburb of Southeast London, Bromley, in Kent. My parents both worked. My father was a long-distance lorry driver and my mother was a shop assistant. They got married shortly after the war simply because that's what everybody did. The government gave generous allowances, and my brother and I both had free milk at school; a third of a pint in a glass bottle with a silver top. I don't think my parents expected too much of me after school. I think they thought I would kind of grow up, you know, have a bit of fun, get married, and have some children. The swinging sixties kind of changed all of that. I mean, we had the best music in the world. It was a great time to be a teenager: fabulous fashion, and the pill. Twiggy was my fashion model of the day, and everybody wanted to look like her. She was a tall, skinny girl with a flat chest and flat hair, and I wanted to look like her, too, but no chance. -
'I Didn't Care About His Lovers As Long As They Realised I Was Queen'
Beside Bowie: The Mick Ronson Story Coverage date: 19 May 2017 Circulation: 450910 Page: 4,5 ‘I didn’t care about his lovers as long as they realised I was queen’ David Bowie’s first wife, Angie, tells Will Hodgkinson about the couple’s bisexuality, life after Bowie’s death and her estrangement from their son ot long into our interview, Angie Fair Hotel in central London, and it Bowie offers a doesn’t take long to see how she would frankly surprising have been instrumental in propelling perspective on Bowie to fame. She has a voice that how she helped can surely be heard back in her home to come up with in Georgia. Now 67, she exudes a N more feminine version of the brittle, David Bowie’s sexually confrontational image for peroxide-blond glamour with which the Ziggy Stardust era. She didn’t she first made an impact in the early want to get pregnant. 1970s. And she can switch from being “My father didn’t want me to do utterly charming to quite terrifying. anything to upset his apple cart in She’s not actually here to talk about Cyprus,” says Angie Bowie, who her slight, feminine former husband, grew up on the island where her but the muscular hunk who once American father, a mining engineer, played guitar stage left of him. was stationed. “But hormones will Mick Ronson was working as a run rampant, so what does that gardener in Hull when in 1970 he leave you with? The other 50 per received an invitation to form a band cent of the population. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Pinups, Striptease, and Social Performance
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance Shannon Finck Electronic version URL: http://journals.openedition.org/miranda/12497 DOI: 10.4000/miranda.12497 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Shannon Finck, ““Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance”, Miranda [Online], 17 | 2018, Online since 19 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/12497 ; DOI: https://doi.org/10.4000/miranda. 12497 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social ... 1 “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance Shannon Finck 1 In the spring of 1973, just before the official “retirement” of Ziggy Stardust that summer, David Bowie asked the public what turned out to be a career-defining question: “Who’ll love Aladdin Sane?” (“Aladdin Sane”). Not only did Aladdin Sane, Bowie’s sixth studio album, usher in the series of bold musical innovations that would launch him into rock-and-roll legendry, the introduction of the Aladdin Sane persona —“a lad insane”—signaled a performative instability that would continue to inspire, frustrate, and titillate fans and critics even after his death. This essay explores opportunities for tarrying with—rather than reducing or trying to pin down—that instability and critiques what seem to be inexhaustible efforts to do just that. -
Star in 'Tsar'
MOSCOW OCTOBER 2009 www.passportmagazine.ru Ballets Russes in Moscow Playground of the People – VDNKh Update on Russian Wines Peter Mamonov and Oleg Yankovsky star in ‘Tsar’ Contents 4 What’s On In October 7 October Holidays 8 Previews 11 Theater 11 12 Ballet Ballets Russes in Moscow 14 Film Peter Mamonov as Ivan the Terrible in Tsar 16 Art Moscow Biennale 14 20 Architecture VDNKh 22 Media The English Language Press 24 Travel Yakutia 24 28 Restaurant Review Osteria Montiroli 30 Wine Tasting Russian Wine Country Update 32 Book Review The Quest for Radovan Karadzic 30 33 Out & About 36 Real Estate Prospekt Mira 40 Community Football: From Journalist to Footballist 40 42 Columns Real Estate Relocation Financial Overview 45 Viewpoint Michael Romanov’s Diary Flintstone 45 48 Distribution List October 2009 3 Letter from the Publisher Beauty Center in Baltschug Kempinski Reopens The beauty salon: Beauty Center Baltschug has reopened. The center guarantees the highest standard of service, English-speaking staff and sensible pricing. This is exactly what business people who need the best possible service need! We provide excellent cosmetology (Kanebo- Sensai Sothys), medicinal spa-routines for hair (La Biosthetique), and an original massage routine – these are only a few of the services that we offer our clients. Happy hours means 20% off during weekdays from 11:00 to 13:00. Clients holding the Privilege Card Baltschug Kempin- ski card enjoy discounts on a continuous basis. Trafalgar Ball The 10th Trafalgar Ball will be held on Saturday October 24 in the ballroom of the Marriott Grand Hotel. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
The Story of Charles Weiss
אתר הפלי"ם ההעפלה והרכש 1 Charles Weiss Volunteer from the U S A Crew of the “Hatikva” and the “Pans” This is the Way it Was Aboard the “Trade Winds” and the “Pan Crescent” (“Hatikva” and “Atzma’ut”) I was born in Philadelphia in 1928 and was at college when I enlisted in 1947 for service in Aliya Bet aboard the “SS Trade Winds”, later the “Hatikva”, and then the “Pan Crescent”, later the “Atzma’ut”. I had just finished my sophomore year at Harvard in the winter of 1947. It was a peculiar time for me. I had been too young for the War, and the thousands of GI’s on campus gave me the feeling of having been left out of a tremendously important, once-in-a-lifetime event. They had taken part in this great crusade against the forces of evil and I had spent those years sheltered in the insular safety of the United States. One evening a Boston lawyer by the name of Eddie Parsons (then and now a member of Kibbutz Kfar Blum) addressed Jewish students at a Hillel House meeting on campus. He gave a thinly disguised recruiting call for the Hagana. Come to Palestine and serve for a year with the underground Jewish defense force was the message. I took him up on his invitation to come and talk about it, and I remember a long evening in the kitchen of his home in Brookline being introduced to a whole new, for me, set of issues. The British, our allies in the war against Hitler, were the villains. -
Five Essential David Bowie Guitar Riffs, by Pete Farrugia BA (Hons), Dipmus, Diplcm
Five Essential David Bowie Guitar Riffs, by Pete Farrugia BA (Hons), DipMus, DipLCM While he’s not often regarded as a guitarist himself, David Bowie has always written songs with strong guitar riffs, and has always collaborated with a series of superb guitarists. One of these deserves particular attention, and that is Mick Ronson, who was Bowie’s lead guitarist throughout his Ziggy Stardust period. There are so many great Bowie guitar riffs to choose from, but here are five of my favourites. Let’s start our five essential Bowie riffs with the one that kicks off the song Ziggy Stardust? Ziggy Stardust (1971) – Guitarist: Mick Ronson The song is in the key of G Major, and the version I’m going to play is from the original studio recording. This is a riff that lends itself to variation, and both Mick Ronson himself, as well as other Bowie guitarists over the years have added slight differences, and alternative fingerings. Next, the riff that opens the Man Who Sold The World album, from the song The Width Of A Circle. The Width Of A Circle (1970) – Guitarist: Mick Ronson The riff was enhanced on the recording by overdubbed guitars playing harmonies, first octaves and then tenths. I’ve arranged it so that it can be played on a single guitar. Some of you may not have discovered tenths yet, so I’ll explain. The riff comes from the E Mixolydian modal scale. This contains the same notes as the E major scale except that the seventh is a semitone lower. -
UNIVERSAL MUSIC • Jimmy Rankin – Back Road Paradise • Enrique
Jimmy Rankin – Back Road Paradise Enrique Iglesias – Sex And Love Avicii – True: Avicii By Avicii New Releases From Classics And Jazz Inside!!! And more… UNI14-11 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Stompin’ Tom Connors / Unreleased: Songs From The Vault Collection Volume 1 Cat. #: 0253777712 Price Code: SP Order Due: March 6, 2014 Release Date: April 1, 2014 File: Country Genre Code: 16 Box Lot: 25 Tracks / not final sequence 6 02537 77712 9 Tom and Guitar: 12 songs 10. I'll Sail My Ship Alone 1. Blue Ranger 11. When My Blue Moon Turns to Gold 2. Rattlin' Cannonball 12. I Overlooked an Orchid 3. Turkey in The straw ( Instrumental ) 4. John B. Sails Tom Originals with Band: 5. Truck Drivin' Man 1. Cross Canada, aka C.A.N.A.D.A 6. Wild Side of Life 2. My Stompin' Grounds 7. Pawn Shop in Pittsburgh, aka, Pittsburgh 3. Movin' In From Montreal By Train Pennsylvania 4. Flyin' C.P.R. 8. Nobody's Child 5. Ode for the Road 9. Darktown Strutter's Ball This is the Premier Release in an upcoming series of Unreleased Material by Stompin' Tom Connors! In 2011, Tom decided after what ended up being his final Concert Tour, that he would record another 10 album set with a lot of old songs that he sang when he first started out performing in the 50's and 60's.This was back when he could sing, from memory, over 2500 songs in his repertoire and long before he wrote many of his own hits we all know today. -
Guitarist Magazine
WIN! A JACKSON QUILT-TOP SOLOIST ELECTR IC INSIDE Issue 404 MARCH 2016 COLLE C TOR’S E DITION The Stories Behind The Riffs FEATURING FIRST PLAY CARLOS ALOMAR MICK RONSON A ‘Real’ Gretsch NILE RODGERS for under £400? EARL SLICK p98 & MORE... Recording His Final Album Future Publishing Limited, Quay House, The Ambury, Bath, BA1 1UA Telephone 01225 442244 Email [email protected] Online www.guitarist.co.uk Changes Like many others, I think everyone at Guitarist had more or less considered David Bowie to be immortal. Likewise, Lemmy seemed too much a part of rock’s scenery to leave us so soon. As we went to press with this issue, we also learned the sad news that Eagles co-founder Glenn Frey had passed (look out for a full tribute next month), making this winter the worst in memory for losing legends. The only very slight consolation for all this is that it prompted us to listen again to the music that made them household names. In the case of Bowie, it was a reminder of the astonishing breadth and ambition of his music-making (see cover feature, p76). Rightly regarded as classic now, Bowie’s music must have been sensational when he was starting out – and I’m sure not everyone ‘got it’ at the time. Passing years have a habit of making the new and strange in music feel comfortably familiar, and finally classic. That thought has been a reminder of the importance of seeking out uncommon sounds, and not just sticking to your comfort zone of old favourites. -
African American Radio, WVON, and the Struggle for Civil Rights in Chicago
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago Jennifer Searcy Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the African American Studies Commons Recommended Citation Searcy, Jennifer, "The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago" (2012). Dissertations. 688. https://ecommons.luc.edu/luc_diss/688 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Jennifer Searcy LOYOLA UNIVERSITY CHICAGO THE VOICE OF THE NEGRO: AFRICAN AMERICAN RADIO, WVON, AND THE STRUGGLE FOR CIVIL RIGHTS IN CHICAGO A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN AMERICAN HISTORY/PUBLIC HISTORY BY JENNIFER SEARCY CHICAGO, ILLINOIS AUGUST 2013 Copyright by Jennifer Searcy, 2013 All rights reserved. ACKNOWLEDGEMENTS First and foremost, I would like to thank my dissertation committee for their feedback throughout the research and writing of this dissertation. As the chair, Dr. Christopher Manning provided critical insights and commentary which I hope has not only made me a better historian, but a better writer as well. As readers, Dr. Lewis Erenberg and Dr. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance