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Still on the Road Session Pages: 1978 World Tour US November
STILL ON THE ROAD 1978 WORLD TOUR – US: NOVEMBER 1 Madison, Wisconsin Dane County Memorial Coliseum 3 Kansas City, Missouri Kemper Arena 4 Omaha, Nebraska Civic Auditorium 6 Denver, Colorado McNicholls Arena 9 Portland, Oregon Memorial Coliseum 10 Seattle, Washington Hec Edmondson Pavilion, University Of Washington 11 Vancouver, British Columbia, Canada Pacific National Exhibition Hall 13 Oakland, California Alameda County Coliseum 14 Oakland, California Alameda County Coliseum 15 Los Angeles, California The Forum, Inglewood 17 San Diego, California Sports Arena 18 Tempe, Arizona A.S.U. Activities Center 19 Tucson, Arizona McKale Memorial Center, University Of Arizona 21 El Paso, Texas Special Events Arena 23 Norman, Oklahoma LLoyd Noble Center 24 Fort Worth, Texas Tarrant County Convention Center Arena 25 Austin, Texas Special Events Center, University Of Texas At Austin 26 Houston, Texas The Summit 28 Jackson, Mississippi The Coliseum 29 Baton Rouge, Louisiana L.S.U. Assembly Center Still On The Road: 1978 World Tour: US November 4670 Dane County Memorial Coliseum Madison, Wisconsin 1 November 1978 1. My Back Pages 2. She’s Love Crazy (Tampa Red) 3. Mr. Tambourine Man 4. Shelter From The Storm 5. It's All Over Now, Baby Blue 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don’t Believe You (She Acts Like We Never Have Met) 10. Like A Rolling Stone 11. I Shall Be Released 12. Señor (Tales Of Yankee Power) 13. The Times They Are A-Changin' 14. It Ain't Me, Babe 15. Am I Your Stepchild? 16. One More Cup Of Coffee (Valley Below) 17. -
WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
TECHNICAL REPORT DOCUMENTATION PAGE Formats
STATE OF CALIFORNIA • DEPARTMENT OF TRANSPORTATION ADA Notice For individuals with sensory disabilities, this document is available in alternate TECHNICAL REPORT DOCUMENTATION PAGE formats. For alternate format information, contact the Forms Management Unit TR0003 (REV 10/98) at (916) 445-1233, TTY 711, or write to Records and Forms Management, 1120 N Street, MS-89, Sacramento, CA 95814. 1. REPORT NUMBER 2. GOVERNMENT ASSOCIATION NUMBER 3. RECIPIENT'S CATALOG NUMBER CA-17-2969 4. TITLE AND SUBTITLE 5. REPORT DATE A Comparative Analysis of High Speed Rail Station Development into Destination and/or Multi-use Facilities: The Case of San Jose Diridon February 2017 6. PERFORMING ORGANIZATION CODE 7. AUTHOR 8. PERFORMING ORGANIZATION REPORT NO. Anastasia Loukaitou-Sideris Ph.D. / Deike Peters, Ph.D. MTI Report 12-75 9. PERFORMING ORGANIZATION NAME AND ADDRESS 10. WORK UNIT NUMBER Mineta Transportation Institute College of Business 3762 San José State University 11. CONTRACT OR GRANT NUMBER San José, CA 95192-0219 65A0499 12. SPONSORING AGENCY AND ADDRESS 13. TYPE OF REPORT AND PERIOD COVERED California Department of Transportation Final Report Division of Research, Innovation and Systems Information MS-42, PO Box 942873 14. SPONSORING AGENCY CODE Sacramento, CA 94273-0001 15. SUPPLEMENTARY NOTES 16. ABSTRACT As a burgeoning literature on high-speed rail development indicates, good station-area planning is a very important prerequisite for the eventual successful operation of a high-speed rail station; it can also trigger opportunities for economic development in the station area and the station-city. At the same time, “on the ground” experiences from international examples of high-speed rail stations can provide valuable lessons for the California high-speed rail system in general, and the San Jose Diridon station in particular. -
Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Convention on the Rights of the Child
Convention on the Rights of the Child Adopted and opened for signature, ratification and accession by General Assembly resolution 44/25 of 20 November 1989 entry into force 2 September 1990, in accordance with article 49 Preamble The States Parties to the present Convention, Considering that, in accordance with the principles proclaimed in the Charter of the United Nations, recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world, Bearing in mind that the peoples of the United Nations have, in the Charter, reaffirmed their faith in fundamental human rights and in the dignity and worth of the human person, and have determined to promote social progress and better standards of life in larger freedom, Recognizing that the United Nations has, in the Universal Declaration of Human Rights and in the International Covenants on Human Rights, proclaimed and agreed that everyone is entitled to all the rights and freedoms set forth therein, without distinction of any kind, such as race, colour, sex, language, religion, political or other opinion, national or social origin, property, birth or other status, Recalling that, in the Universal Declaration of Human Rights, the United Nations has proclaimed that childhood is entitled to special care and assistance, Convinced that the family, as the fundamental group of society and the natural environment for the growth and well-being of all its members and particularly children, should be afforded -
Lots of Changes for Tour Championship East Lake Renovated; New Date; No Woods
« GEORGIAPGA.COM GOLFFOREGEORGIA.COM « SEPTEMBER 2008 Lots of changes for Tour Championship East Lake renovated; new date; no Woods By Mike Blum G R record 23-under 257. Only three of 30 E B N I ust as in the Presidential race, the word D players were over par for the week, with E V E T 2-over 282 tying for last place. change will be closely associated with S the 2008 PGA Tour Championship “When you give these players soft presented by Coca-Cola. greens, they’re going to shoot lights out,” J Burton says. “It will be a lot different this Other than returning to East Lake for the fifth straight year – the eighth time year with greens that are firm and fast.” overall – with a field of 30 top PGA Tour East Lake closed for play March 1 and pros, there will be a lot of changes for this will not re-open until Tour Championship month’s event, with the tournament sched - week. Players and spectators will notice uled for Sept. 25-28. some changes to the course, which will still Since last year’s tournament, the course play to a par of 70 for the tournament has undergone renovations, stemming but has been lengthened to just over from the problems East Lake’s bent grass 7,300 yards. greens encountered from last summer’s Perhaps the most dramatic change is the hot, dry weather. addition of a new tee on the picturesque East Lake’s putting surfaces have been par-3 sixth hole, one of the first in golf to converted to mini-verde, an ultra-dwarf feature an island green. -
Scriptie Eind.Pdf
Masterscriptie Kunstbeleid en Managment 2011 So you think you wanna be an idol because you have the voice of Holland? Een onderzoek naar de motivaties voor deelname aan singer-songwriter- en hiphopcompetities in Amsterdam Yacine N’diaye 3447499 Kunstbeleid- en Management 2011 Begeleider: Dr. P. Lelieveldt Masterscriptie Kunstbeleid en Managment 2011 Voorwoord Het is eindelijk zo ver. Mijn scriptie is af. Maandenlang heb ik hieraan gezeten en nu is het einde daar. Natuurlijk heb ik dit niet geheel alleen gedaan en daarom wil een paar mensen bedanken. Allereerst de hele GRAP: Johanneke en Lars, bedankt voor de fijne begeleiding. Martijn en Marjan, ik vond het erg leuk naast jullie te mogen werken. Natuurlijk wil ik ook mijn scriptiebegeleider Philomeen Lelieveldt bedanken. Philomeen, bedankt voor alle goede adviezen en begeleiding de afgelopen periode. Dan mijn ouders en zus die elke keer weer klaar stonden met een bordje eten als ik weer eens tot laat had doorgewerkt; Dank jullie wel! En dan nog Stije, die elke weer bemoedigend zei dat het wel goed zou komen. Hij had gelijk, want hier ligt het. Voor jou op tafel. Dus lees en leer. Bedankt. 2 Masterscriptie Kunstbeleid en Managment 2011 Inhoudsopgave Inleiding pagina 5 Theoretisch kader Hoofdstuk 1. Jongerenculturen pagina 9 1.1. Introductie pagina 9 1.2 Jeugdcultuur pagina 10 1.3 Tienercultuur pagina 12 1.4 Subcultuur pagina 13 Hoofdstuk 2. Hiphop pagina 15 2.1 Introductie pagina 15 2.2 Waar hiphop begon pagina 15 2.3 Wat is belangrijk voor een hiphopper? pagina 17 2.4 Hoe wordt je een hiphopartiest? pagina 20 2.5 De Amsterdamse hiphopscene pagina 21 Hoofdstuk 3. -
Koch Jupiter 1 X 12 Combo
27.8.2016 Musicradar Koch Jupiter 1 x 12 Combo Koch Jupiter 1 x 12 Combo Author: Nick Guppy (Guitarist) 27.08.2016 Koch has reentered the UK market with a revamped range of heads, combos and accessories, and there's also new distribution for the respected Dutch amp builder. With a diverse list of clients/artists including Al Di Meola, Buzz Feiten and Reeves Gabrels, as well as a host of top players from the Netherlands such as Golden Earring's George Kooymans, Koch is a very popular and wellknown amp brand on the continent and in the USA. It's good to see it returning to British shelves, and appropriately enough we're looking at an amp that could have been designed specifically for British players: the compact and very portable Jupiter combo. "Some amps take a while to get the hang of while others instantly feel right, often within a few seconds of plugging in. The Jupiter definitely belongs to the latter category, immediately impressing with its rich and responsive clean channel. " With pleasing proportions and a slightly deeperthanaverage cab expertly covered in textured green vinyl, the Jupiter's cool vintage styling and restrained appearance is already winning friends and influencing people before it's even switched on. The matte silver control panel coordinates nicely with the amp's sparkle grille cloth and silver piping, and makes a good first impression. Koch's Jupiter combo is a hybrid design, which blends a pair of 12AX7 preamp valves with a clever solidstate output stage that promises to provide all the dynamic punch and sonic warmth of valves. -
Koch Jupiter 1 X 12 Combo Nick Guppy (Guitarist) July 11, 2012, 17:01 UTC
Koch Jupiter 1 x 12 Combo Nick Guppy (Guitarist) July 11, 2012, 17:01 UTC Koch has re-entered the UK market with a revamped range of heads, combos and accessories, and there's also new distribution for the respected Dutch amp builder. With a diverse list of clients/artists including Al Di Meola, Buzz Feiten and Reeves Gabrels, as well as a host of top players from the Netherlands such as Golden Earring's George Kooymans, Koch is a very popular and well- known amp brand on the continent and in the USA. It's good to see it returning to British shelves, and appropriately enough we're looking at an amp that could have been designed specifically for British players: the compact and very portable Jupiter combo. With pleasing proportions and a slightly deeper-than-average cab "Some amps take a while to get the expertly covered in textured green vinyl, the Jupiter's cool vintage stylinghang of while others instantly feel and restrained appearance is already winning friends and influencing right, often within a few seconds of people before it's even switched on. The matte silver control panel co- plugging in. The Jupiter definitely ordinates nicely with the amp's sparkle grille cloth and silver piping, and belongs to the latter category, makes a good first impression. immediately impressing with its rich and responsive clean channel. " Koch's Jupiter combo is a hybrid design, which blends a pair of 12AX7 preamp valves with a clever solid-state output stage that promises to provide all the dynamic punch and sonic warmth of valves. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
The Police Spirits in the Material World Mp3, Flac, Wma
The Police Spirits In The Material World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Spirits In The Material World Country: UK Released: 1981 Style: Pop Rock MP3 version RAR size: 1702 mb FLAC version RAR size: 1671 mb WMA version RAR size: 1153 mb Rating: 4.2 Votes: 333 Other Formats: VOC WAV ADX XM AA AU TTA Tracklist A Spirits In The Material World 2:58 B Low Life 3:45 Companies, etc. Phonographic Copyright (p) – A&M Records Ltd. Copyright (c) – A&M Records Ltd. Published By – Virgin Music (Publishers) Ltd. Mastered At – The Town House Pressed By – CBS Pressing Plant, Aston Clinton Credits Co-producer, Engineer – Hugh Padgham (tracks: A) Mastered By – NS* (tracks: A) Producer – Nigel Gray (tracks: B), The Police Written-By – Sting Notes ℗ 1981 A&M Records Ltd. © 1981 A&M Records Ltd. Track A from the A&M album "Ghost In The Machine" - AMLK 63730. Track B previously unreleased. Original sound recording made by A&M Records Ltd. (Published by) Virgin Music (Publishers) Ltd. Made in England. Solid center, issued in a generic A&M sleeve. Barcode and Other Identifiers Matrix / Runout (Label, side A): AMS 8194-A Matrix / Runout (Label, side B): AMS 8194-B Matrix / Runout (Side A runout, etched): AMS 8194 A-2 NS Matrix / Runout (Side A runout, stamped): ∴ Matrix / Runout (Side B runout, etched): AMS-8194-B1 Matrix / Runout (Side B runout, stamped): TOWNHOUSE ∴ Rights Society: MCPS/BIEM Other versions Category Artist Title (Format) Label Category Country Year The Spirits In The Material AMS 8194 A&M Records AMS 8194 UK 1981