'I Didn't Care About His Lovers As Long As They Realised I Was Queen'
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Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Louis Brown and Tony Visconti at L. Brown Recording Series 80B
Tony VisconTi WoWs aT PMi audio GrouP’s eVenT durinG The aes conVenTion New York, New York October 24- After making several appearances at PMI Audio Group’s booth at the 131st AES, Tony Visconti made his way from the Jacob Javits Event Center to L. Brown Recording on 9th Avenue for a special and intimate meet ‘n’ greet. Visconti is the legendary producer of David Bowie, T. Rex, Dandy Warhols, Moody Blues, Ziggy Marley, Thin Lizzy, Iggy Pop, The Finn Brothers and more recently Morrissey. Hosted by PMI and Louis Brown at L. Brown Recording, some lucky AES attendees were given invi - tations at the PMI Audio Booth during the show. The invitations also served as an entry to a special raffle in which Louis Brown and Tony Visconti at L. Brown Recording a Trident Series 80B® was given away! releases. Toft’s Trident Audio consoles The event was an informal Q&A forum have also been a favorite of Tony’s with Tony discussing his much-lauded over the years. history as well as current events. Tony The evening was capped off by the shared details of his many sessions at highly anticipated giveaway of a new Trident Recording Studios and EMI’s Trident Series 80B® module. Under Abbey Road Studios, both in London. the wanting eyes of the crowd, Tony One of which was recounting his skill picked a winner. Congratulations to as an expert recorder player. In Mark Downie! Mark is a producer, addition to his production duties with FOH mixer, musician and engineer David Bowie on Space Oddity and The from Massachusetts. -
Safewow Wow Gold New Year Promo and Warcraft Director Is Leaving Awhile for His Father’S Death
Jan 13, 2016 03:24 EST Safewow wow gold New Year Promo and Warcraft Director Is Leaving awhile for His Father’s Death All love and strength to Warcraft Director, Duncan Jones from safewow - a reliable wow gold seller. It was sad to know that Jones’ father, the rock legend David Bowie was passing after 18-month battle with cancer. Condolences continue to pour in for this legend, but none more touching than the one from his son on twitter. Happy New Year!Safewow 2016 New Year Promotion II :$10 Free Cash Coupon for wow gold (Up to 12.5% off)buying during 11.12-11.22.2016 . NY3-$3 Cash code (when your order over $30) NY5-$5 Cash code (when your order over $50) NY10-$10 Cash code (when your order over $80) Welcome to join safewow 2016 Happy Wednesday for 10% off wow gold buying on 2016 every Wednesday(10% off code:WED). Duncan Jones ride on his father David Bowie’s shoulderOn Sunday evening, the horrible news was revealed on Bowie's Facebook page, showing “David Bowie died peacefully today surrounded by his family after a courageous 18 month battle with cancer”. While the news attracted broader attention from all over the world, the Warcraft director confirmed Bowie's passing to fans early Monday morning on his Twitter: “Very sorry and sad to say it’s true, I’ll be offline for a while. Love to all.” Along with the heart breaking words, Jones also shared a black-and-white image showing him ride on his daddy’s shoulder. -
The Commutation Test and Chris Bacon's Score for Source Code As
The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy Aaron Ziegel, Towson University he cinema, whether experienced at the neighborhood multiplex or streamed at home, is arguably the medium through which today’s col- lege-age Americans are most likely to encounter newly composed sym- Tphonic music. Given the ubiquity of the film-viewing experience, students are often eager to learn the tools and methodologies that can equip them to criti- cally assess and more fully comprehend the function of music in movies. The filmSource Code (2011), directed by Duncan Jones and scored by Chris Bacon, provides a particularly effective starting point through which this process can begin.1 This article will discuss the pedagogical potential found in the film’s main titles and the impact of applying a commutation test to this sequence. Although here I address one specific example, the methodology of the commu- tation test is easily adaptable to other circumstances, as the theoretical foun- dation will make clear. While variations on the commutation test are a regular occurrence in many film music classrooms, this essay aims to present an intro- ductory primer that may be of use to instructors interested in an entry point for incorporating film music studies into their teaching. With that in mind, the appendix presents one suggestion for how to create film clips for classroom use. The value of this classroom activity extends beyond providing students with an engaging and memorable learning experience. By situating this analysis I wish to express my gratitude to the many students at Towson University whose feedback and enthusiastic classroom participation, along with suggestions from the anonymous reviewers, helped me to refine the pedagogical approach described in this essay. -
The Age of Bowie 1St Edition Pdf, Epub, Ebook
THE AGE OF BOWIE 1ST EDITION PDF, EPUB, EBOOK Paul Morley | 9781501151170 | | | | | The Age of Bowie 1st edition PDF Book His new manager, Ralph Horton, later instrumental in his transition to solo artist soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, " Do Anything You Say ". Now, Morley has published his personal account of the life, musical influence and cultural impact of his teenage hero, exploring Bowie's constant reinvention of himself and his music over a period of five extraordinarily innovative decades. I think Britain could benefit from a fascist leader. After completing Low and "Heroes" , Bowie spent much of on the Isolar II world tour , bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. Matthew McConaughey immediately knew wife Camila was 'something special'. Did I learn anything new? Reuse this content. Studying avant- garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's theatrical production Pierrot in Turquoise later made into the television film The Looking Glass Murders. Hachette UK. Time Warner. Retrieved 4 October About The Book. The line-up was completed by Tony and Hunt Sales , whom Bowie had known since the late s for their contribution, on bass and drums respectively, to Iggy Pop's album Lust for Life. The Sydney Morning Herald. Morely overwrites, taking a significant chunk of the book's opening to beat Bowie's death to death, the takes the next three-quarters of the book to get us through the mid-Sixties to the end of the Seventies, then a ridiculously few yet somehow still overwritten pages to blast through the Eighties, Nineties, and right up to Blackstar and around to his death again. -
Title: the Girl from Beckenham Storyteller: Suzi Ronson Episode: Leaving, Loving and Coming Home Originally Aired: January 31, 2017
Title: The Girl from Beckenham Storyteller: Suzi Ronson Episode: Leaving, Loving and Coming Home Originally Aired: January 31, 2017 A note about this transcript: The Moth is true stories told live. We provide transcripts to make all of our stories keyword searchable and accessible to the hearing impaired, but we highly recommend listening to the audio to hear the full breadth of the story. This transcript was computer-generated and subsequently corrected through The Moth's StoryScribe (visit storyscribe.themoth.org for more information). I was born a few years after World War II, and brought up in a nice house in a typical suburb of Southeast London, Bromley, in Kent. My parents both worked. My father was a long-distance lorry driver and my mother was a shop assistant. They got married shortly after the war simply because that's what everybody did. The government gave generous allowances, and my brother and I both had free milk at school; a third of a pint in a glass bottle with a silver top. I don't think my parents expected too much of me after school. I think they thought I would kind of grow up, you know, have a bit of fun, get married, and have some children. The swinging sixties kind of changed all of that. I mean, we had the best music in the world. It was a great time to be a teenager: fabulous fashion, and the pill. Twiggy was my fashion model of the day, and everybody wanted to look like her. She was a tall, skinny girl with a flat chest and flat hair, and I wanted to look like her, too, but no chance. -
Aid Trucks Enter Starving Syria Town Bahrain Hikes Price of Fuel As
NEWS TUESDAY, JANUARY 12, 2016 On Iran-Saudi rift, Gulf acts with caution Continued from Page 1 were already poor. Over the past four years, Bahrain Abdullah bin Zayed Al-Nahyan said in an interview on napped in December while on a hunting trip in south- has regularly accused Tehran of meddling in its inter- Sunday after an emergency Arab League meeting in ern Iraq. “The Saudis need to know who supports “The problem is, common ground between every- nal affairs by backing various Shiite opposition groups Cairo. them and who does not, because major, fateful bat- one in this region is shrinking.” since the start of the Arab Spring in 2011. tles have no grey areas,” wrote Jamal Khashoggi, a Some officials calculate that cutting ties with Elsewhere in the region, though, the calculus is less ‘No Grey Areas’ Saudi commentator, in an article published in a Qatari Tehran would complicate efforts to end Syria’s war, in straightforward. Oman stands apart from its Gulf Arab Navigating the rift between Iran and Saudi Arabia newspaper on Sunday that compared Riyadh’s conflict which Iran is providing military support to President neighbors in keeping a cordial, even collaborative, is particularly tricky for Qatar. The tiny, vastly wealthy with Iran to the European fight against fascism in the Bashar Al-Assad. It would also risk antagonizing an relationship with Iran: much to the chagrin of its GCC monarchy shares access to the world’s largest natural 1930s. Middle Eastern countries, Khashoggi wrote, emerging regional power that is set to benefit from an partners, it played the role of intermediary in opening gas field beneath the Gulf waters with Iran which, fol- faced a choice: “Submit to the Guardianship of Islamic easing of international sanctions after its landmark negotiations between the United States and Iran. -
The Picture of Nobody: Shakespeare's Anti-Authorship
The Picture of Nobody: Shakespeare’s anti-authorship RICHARD WILSON Contributor: Richard Wilson is the Sir Peter Hall Professor of Shakespeare Studies at Kingston University, London. His books include Will Power, Secret Shakespeare, and Shakespeare in French Theory. He is the author of numerous articles in academic journals, and is on the editorial board of the journal Shakespeare. 1. Bare life At the end, ‘his nose was as sharp as a pen’ as he ‘babbled of green fields’ (Henry V, 2,3,15). In September 1615, a few weeks before Shakespeare began to make his will and a little over six months before his death, Thomas Greene, town clerk of Stratford, wrote a memorandum of an exchange biographers treasure as the last of the precious few records of the dramatist’s spoken words: ‘W Shakespeares tellyng J Greene that I was not able to beare the enclosinge of Welcombe’.1 John Greene was the clerk’s brother, and Shakespeare, according to previous papers, was their ‘cousin’, who had lodged Thomas at New Place, his Stratford house. So the Greenes had appealed to their sharp-nosed kinsman for help in a battle that pitted the council against a consortium of speculators who were, in their own eyes, if ‘not the greatest… almost the greatest men of England’.2 The plan to enclose the fields of Welcombe north of the town was indeed promoted by the steward to the Lord Chancellor, no less. But the predicament for Shakespeare was that it was led by his friends the Combes, rich money-lenders from whom he had himself bought 107 acres adjacent to the scheme. -
Docket 119 Synthesis Iof Comments on the Review.Pdf
i ii Synthesis of Public Comment on the Forthcoming Review by the Federal Governments of Canada and the United States of the Great Lakes Water Quality Agreement A Report to the Governments of the United States and Canada January 2006 The views expressed in this synthesis are those of the individuals and organizations who participated in the public comment process. They are not the views of the International Joint Commission. INTERNATIONAL COMMISSION JOINT MIXTE COMMISSION INTERNATIONALE Canada and United States Canada et États-Unis INTERNATIONAL COMMISSION JOINT MIXTE COMMISSION INTERNATIONALE Canada and United States Canada et États-Unis Herb Gray Dennis Schornack Chair, Canadian Section Chair, United States Section Robert Gourd Irene Brooks Commissioner Commissioner Jack Blaney Allen Olson Commissioner Commissioner International Joint Commission Offices Canadian Section United States Section 234 Laurier Ave. West, 22nd Floor 1250 23rd Street, NW, Suite 100 Ottawa, ON K1P 6K6 Washington, D.C. 20440 Phone: (613) 995-2984 Phone: (202) 736-9000 Fax: (613) 993-5583 Fax: (202) 467-0746 Email: [email protected] Email: [email protected] Great Lakes Regional Office 100 Ouellette Avenue, 8th Floor Windsor, ON N9A 6T3 or P.O. Box 32869, Detroit, MI 48232 Phone: (519) 257-6700 or (313) 226-2170 Fax: (519) 257-6740 Email: [email protected] Acknowledgements The International Joint Commission thanks the people from the Great Lakes, the St. Lawrence River and beyond who took part in the public comment process and whose voices are echoed in this report. ISBN 1-894280-60-1 This report is available online at www.ijc.org. -
Mr Selfridge Actorjakecanuso Had Nearly Drowned Climax, and Then Startagain —Rolling It Has Been Rumouredthis Week That Frenchspiral
4saturday review Saturday January 12 2013 | the times TIMES PHOTOGRAPHER, CHRISTOPHER LANE theconversation ‘Thenight beforethe single’s release Icouldn’tsleep.I’d kept asecretfor twoyears,itwas a Visconti’sguideto countdown, Iwas bitingmynails’ Bowie’snew album 1The NextDay Anhistorical songandhorrendously gruesome,Ithinkit’s aboutaCatholic cardinalortyrant. It’sveryviolent:the main characterishung,drawnandquartered, Afteradecade of silence, DavidBowie is back. Tim Teeman talkstoTonyVisconti, Bowie’sproducer,friend burntandthentornapartby people. 2DirtyBoys andrepresentative on Earth, aboutthe newalbum, health, happiness andtheir shared love of Britishculture Aeuphemism, andsong,foralltheglam rockstars thathaveever been. onyVisconti has known one thingIwould liketodispel it’s the isn’t proppingmeupany more. Icannot 3The Stars(AreOut Tonight) DavidBowie since 1967 rumours about his ill-health. He’s incredi- stay awake. On the wayhome my heart It’saboutallkindsof stars.Youcan sayI’m and produced12of bly fit and takes care of himself. Obviously JIMMY KING felt likeitwas goingtoexplode. Ididn’t beingsecretive. his most memorable afterthe heartattackhewasn’t too want to cause ascandal forhim and me by 4LoveisLost albums, beginningwith thrilled, but he has an amazingfamily goingtohospital, so Itook12sleeping pills That’snotaboutaloveaffair,buthow The ManWho Sold The and friends. Visconti calls family “the —nosuicidal intent,justtoslow my heart everyonehascutdowntheir feelingsin T World (1970). He has F-word” with good reason. He became and it did and Isurvived. We’d have both theinternetage. done “mountains of cocaine” with his estrangedfromBowie in 1988 having been dead if we’d carriedon. There wasa 5WhereAreWeNow? longtime friend, “though alcoholwas far talked about Bowie’sclose relativestothe myth it wasn’t habit-formingbackthen. Averypersonalsong—it’sabout theBerlin worse”.Both are now sober veterans of press in away the singer felt was“too Foolishly we believed that. -
Singer of the Hollies and Marks An- Thews.Melissa'ssoulfulversion Should Down Home Funkisstillvery Much a Other Change of Pace for Havens
DEDICATED TO THE NEEDS OF THE MUSIC 'RECORD I SINGLES SLEEPERS ALBUMS BOZ SCAGGS, "LIDO SHUFFLE" (prod. by Joe THIN .LIZZY, "DON'T BELIEVE A WORD" (prod. NATALIE COLE, "UNPREDICTABLE."It Wissert)(writers: B.Scaggs & D. by John Alcock)(writer:P.Lynott) is rare that an artist "arrives" on the Paich) (Boz Scaggs/Hudmar, ASCAP) (RSO/Chappell, ASCAP) (2:18). The scene, estabiishes herself with a first (3:40). One of the best tracks from closest that the group has come to release and :mmediately takes a place Scaggs' much acclaimed "Silk De- the infectious,rockingbadboy among the giants of popdom with every grees" album, this one seems the sound of "The Boys Are BackIn indicatio' being that's where she'll re- most likely contender to follow in Town," this "Johnny The Fox" track main for many years. Such has been.thie' thesuccessfulfootstepsof"Low- has already charted in the U.K. Be- case for Ms. Cole, whose remarkable down." Scaggs' easy going vocal lieveit: the boys are back to stay. growth continues unabated with yet a blazes the way. Columbia 3 10491. Mercury 73892. third Ip. Capitol SO -11600 (6.98). DAVID BOWIE, "SOUND AND VISION" (prod. GENESIS, "YOUR OWN SPECIAL WAY" (prod. JETHRO7JIi.L, "SONGS FROM THE )114K)1.1 -,P - by David Bowie & Tony Visconti) by David Hentschel & Genesis) WOOD." .::te tour of smaller halls re- (writers: David Bowie) (Bewlay Bros./ (writer: Michael Rutherford) (Warner cently completed by Tull has put the Fleur, BMI) (3:00). "The man who Bros., ASCAP) (3:03). The group is group in the proper frame of reference fell to earth" is still one step ahead currently enjoying its biggest album for this latest set.